UC-NRLF 


23    735 


CATALOGUE 


of  the 

GALLERY  OF  ART 


THE   NEW  YORK  fflSTORICAL   SOCIETY 

170  CENTRAL  PARK  WEST 
NEW  YORK  CITY 


Digitized  by  the  Internet  Archive 

in  2007  with  funding  from 

IVIicrosoft  Corporation 


http://wwwrarchive.org/details/catalogueofgalleOOnewyrich 


CATALOGUE 


OF  THE 


GALLERY    OF    ART 


OF 


THE  NEW  YORK  HISTORICAL  SOCIETY 


NEW    YORK 

PRINTED    FOR   THE   SOCIETY 

1915 


U3 


.^CH" 


»*«* 


",  •.  <  '/  »  ;■>  • ;   ; 


OFFICERS  OF  THE  SOCIETY 


PRESIDENT, 

JOHN  ABEEL  WEEKES. 

FIRST   VICE-PRESIDENT, 

WILLIAM  MILLIGAN  SLOANE. 

SECOND   VICE-PRESIDENT, 

WALTER  LISPENARD  SUYDAM. 

THIRD    VICE-PRESIDENT, 

GERARD  BEEKMAN. 

FOURTH   VICE-PRESIDENT, 

FRANCIS  ROBERT  SCHELL. 

FOREIGN  CORRESPONDING  SECRETARY, 

ARCHER  MILTON  HUNTINGTON. 

DOMESTIC   CORRESPONDING   SECRETARY, 

JAMES  BENEDICT. 

RECORDING   SECRETARY, 

FANCHER  NICOLL. 

TREASURER, 

FREDERIC  DELANO  WEEKES. 

LIBRARIAN, 

ROBERT  HENDRE  KELBY. 


321360 


EXECUTIVE   COMMITTEE 


FIRST   CLASS — FOR  ONE   YEAR,    ENDING    1916. 

ACOSTA  NICHOLS,  STANLEY  W.  DEXTER, 

FREDERICK  TREVOR  HILL. 


SECOND   CLASS — FOR  TWO  YEARS,    ENDING    1917. 

FREDERIC  DELANO  WEEKES,  PAUL  R.  TOWNE, 

R.  HORACE  GALLATIN. 

THIRD   CLASS — FOR  THREE  YEARS,    ENDING    1918. 

RICHARD  HENRY  GREENE,  JAMES  BENEDICT, 

ARCHER  M.  HUNTINGTON. 

FOURTH   CLASS — FOR   FOUR  YEARS,    ENDING    1919. 

BENJAMIN  W.  B.  BROWN,       J.  ARCHIBALD  MURRAY. 
JAMES  BENEDICT,  Chairman. 
ROBERT  H.  KELBY,  Secretary. 


[The  President,  Vice-Presidents,  Recording  Secretary,  Treas- 
urer, and  Librarian  are  members  of  the  Executive  Committee.] 

vi 


PREFACE 


This  catalogue  describes  the  paintings  in  the  Gallery  of 
Art  of  The  New  York  Historical  Society,  with  two  hundred 
and  eighty-six  miniatures,  comprising  the  Mari^  Collection 
and  seventy-six  objects  of  Sculpture. 

The  New  York  Gallery  of  Fine  Arts,  presented  to  the 
Society  in  1858,  with  paintings  donated  to  the  Society  at 
various  times,  are  numbered  1  to  488  inclusive.  Any  notice 
of  this  collection  would  be  deficient  which  should  fail  to 
commemorate  the  name  of  Luman  Reed,  Patron  of  American 
Art.  In  this  connection  the  Society  was  chiefly  indebted  to 
the  liberality  and  cordial  cooperation  of  one  of  their  most 
valued  members,  who  was  himself  the  chief  promoter  of  the 
original  design  of  the  New  York  Gallery  of  Fine  Arts,  Mr. 
Jonathan  Sturges. 

The  Bryan  Collection,  presented  to  the  Society  in  1867 
by  the  late  Thomas  J.  Bryan,  numbers  three  hundred  and 
eighty-one  paintings  and  are  designated  by  the  letter  B. 
before  each  number. 

The  Durr  Collection,  presented  to  the  Society  in  1882 
by  the  executors  of  the  late  Louis  Durr,  numbers,  with  sub- 
sequent additions,  one  hundred  and  eighty-one  paintings, 
which  are  designated  by  the  letter  D.  before  each  number. 

Short  biographical  sketches  of  deceased  artists  represented 
in  the  above  collections  have  been  added,  together  with  in- 
dexes to  Artists,  portraits  and  donors. 

The  Marie  Collection  of  miniatures  is  arranged  alpha- 
betically by  subjects  and  is  not  included  in  the  index  of 
portraits. 

vii 


CONTENTS 


PAGES 

Officers  of  the  Society v 

Executive  Committee vi 

Preface vii 

List  of  Illustrations xi 

Sketch  of  Luman  Reed 2 

New  York  Gallery  of  Fine  Arts  and  Reed  Collection  with 

Paintings  Donated  to  the  Gallery  of  the  Society  .  3-53 

Sketch  of  Thomas  J.  Bryan 56 

Bryan  Collection  op  Paintings 57-100 

Sketch  of  Louis  Durr 102 

DuRR  Collection  of  Paintings 103-118 

Peter  MariiS  Collection  of  Miniatures 121-138 

Sculpture 141-148 

Biographical  Sketches  of  Artists 151-205 

Index  of  Portraits 209-213 

Index  of  Sculpture '     .       .       .       214 

Index  of  Artists 215-220 

Index  of  Donors 221-223 

Presidents  of  the  Society 224 


ILLUSTRATIONS 


PACING  PAGE 

Portrait  of  Asher  B.  Durand,  by  Himself 42 

Portrait  of  Thomas  J.  Bryan,  by  W.  O.  Stone 56 

A  Virgin  and  Child,  with  Four  Saints,  by  Guido  of  Sienna  .       .       .  £8 

Knights  at  a  Tournament,  by  Giotto  di  Bondone 60 

The  Birth  of  St.  John  the  Baptist,  by  Uccello 62 

Adoration  of  the  Infant  Christ,  by  Macrino  D'Alba     .       .       ^       .  64 

The  Crucifixion,  by  Andrea  Mantegna 66 

Portrait  of  a  Jansenist,  by  Phillippe  De  Champagne     ....  68 

The  Crucifixion,  by  Jan  Van  Eyck 72 

Portrait,  by  Paul  Rembrandt 74 

Portrait  of  a  Knight  of  the  Order  op  the  Golden  Fleece,  by 

Rubens 7g 

William,  Prince  of  Orange  (William  III),  by  Gerard  Terburg    .       .  78 

St.  George  and  the  Dragon,  by  Albert  Durer 80 

Portraits  of  Two  Ladies,  by  Largilliere 86 

Portrait  of  John  Singleton  Copley,  by  Himself 90 

Portrait  of  Charles  Wilson  Peale,  by  Benjamin  West        ...  92 

Bust  of  Louis  Durr,  by  Baerer 102 

The  Three  Marys,  by  Luini 116 


THE   NEW  YORK   GALLERY  OF  FINE  ARTS 

AND 

REED   COLLECTION 

WITH    PAINTINGS  DONATED  TO  THE  GALLERY  OF  THE  SOCIETY 


LUMAN  REED 

Luman  Reed  was  born  in  Green  River,  Columbia  County, 
N.  Y.,  in  1785,  and  died  in  1836.  He  removed  when  a  boy 
to  Coxsackie,  N.  Y.,  where  he  was  educated  in  an  ordinary 
school  at  the  expense  of  an  uncle.  Later  he  was  employed 
in  a  country  store  and  subsequently  became  the  partner  and 
brother-in-law  of  his  employer. 

He  made  frequent  trips  to  New  York  City  on  a  sloop 
called  the  ^'Shakespeare,"  belonging  to  the  firm,  selling  prod- 
uce of  the  farms  around  Coxsackie  and  purchasing  goods  in 
New  York  for  his  country  store.  Later  he  became  a  mer- 
chant in  New  York  and  between  the  years  1815  and  1832 
he  gained  a  fortune.  It  was  then  that  he  began  to  gratify 
other  instincts  and  art  attracted  his  attention.  He  became 
the  patron  of  American  Art  and  sought  the  acquaintance  of 
artists,  interesting  himself  in  their  labors,  giving  them  many 
commissions  for  work. 

Mr.  Reed  lived  at  13  Greenwich  Street,  this  city,  the  third 
story  of  which  building  he  used  as  a  picture  gallery,  to  which 
visitors  were  admitted  one  day  each  week.  This  room  was 
also  a  meeting  place  for  the  artists  and  literary  men  of  the 
time.  The  paintings  after  Mr.  Reed's  death  were  purchased 
by  his  friends  and  subsequently  constituted  the  New  York 
Gallery  of  Fine  Arts  which,  after  an  uncertain  existence  of 
about  twelve  years,  was  forced  to  close  its  affairs.  Eighty 
of  these  paintings,  presented  in  1858,  are  now  in  the  posses- 
sion of  this  Society  and  known  as  the  New  York  Gallery  of 
Fine  Arts. 

The  death  of  Mr.  Reed  was  greatly  lamented  by  the  artists 
of  his  time  and  his  name  has  come  down  to  this  generation 
as  the  Patron  of  American  Art. 


CATALOGUE 

OF   THE 

GALLERY  OF  ART 


XO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

1-5.  The  Course  of  Empire.  Thomas  Cole. 

A  series  of  five  pictures,  illustrating  a  nation's  rise, 
progress,  greatness,  decline,  and  fall,  and  the  consequent 
changes  in  the  same  landscape. 

Note. — The  isolated  rock,  crowning  a  precipitous  hill,  in  the 
distance,  identifies  the  scenes  in  each  of  the  aeries;  but  the  observer's 
position  varies  in  the  several  pictures. 

"  First  freedom,  and  then  glory,  when  that  faila. 
Wealth,  vice,  corruption." 

(Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

[first   of  THE   SERIES.] 

1.  The  ''Savage  State,"  or  ''Commencement  of 

Empire."  (61^x39.) 

The  sun  is  rising  from  the  sea,  over  a  wild  scene  of 
rocks,  forests,  and  mountains,  dissipating  the  clouds  and 
darkness  of  night.  Man,  attired  in  skins,  is  seen  engaged 
in  the  wild  dance  and  the  chase — the  characteristic  occu- 
pations of  the  savage  life.  In  the  picture,  we  have  the 
first  rudiments  of  society.  Men  have  banded  together  for 
mutual  aid.  The  useful  arts  have  conunenced  in  the  con- 
struction of  the  canoe,  the  weapon,  and  the  hut ;  and  we 
may  imagine  the  germs  of  two  of  the  fine  arts,  music  and 
poetry,  in  the  singing  usually  accompanying  the  dance  of 
the  savage.  The  empire  is  asserted,  to  a  hmited  extent, 
over  sea,  land,  and  the  animal  kingdom.  It  is  the  season 
of  Spring — the  morning  of  the  nation's  existence. 

[second  of  the  series.] 

2.  "The      Arcadian,"     or     "Pastoral     State." 

(62^x39.) 

Ages  have  passed;  a  change  has  been  \sTOUght  in  the 
scene — man  has  subjugated  "the  untracked  and  rude." 
We  now  see  the  shepherd  and  his  flocks;  the  ploughman 
upturning  the  soil,  and  the  wafting  sail;  by  the  shore  a 
village,  and  on  the  hill  the  ascending  smoke  of  sacrifice. 
In  this  picture  we  have  agriculture,  commerce,  and  re- 
ligion. In  the  aged  man  describing  the  mathematical 
figure,  the  rude  attempt  of  the  boy  in  drawing;  in  the 
female  figure  with  the  distafif,  the  vessel  on  the  stocks; 
in  the  primitive  temple,  and  the  dance  of  the  peasants  to 
the  music  of  the  pipe,  we  have  evidence  of  the  advance 
made  in  science,  in  the  useful  and  the  fine  arts. 

It  is  early  Summer,  and  the  sun  has  ascended  midway 
to  the  meridian. 

3 


^4->  :  '^  /  ' :  t     '  ;  •        ":        GALLERY  OB^  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

[third   of   the   SERIES.] 

3.  ^^The  Consummation  of  Empire."     (75  X50i.) 

The  rude  village  has  become  a  magnificent  city.  From 
the  bay — now  a  capacious  harbor,  with  phari  at  the  en- 
trance, and  thronged  with  war-galleys,  and  barks  with 
silken  sails — ascend  piles  of  architecture,  temples,  domes, 
and  colonnades.  The  massive  bridge,  the  streets  and 
squares,  lined  with  palaces  and  adorned  with  statuary, 
clustered  columns,  and  sparkling  fountains,  are  crowded 
with  gorgeous  pageants  and  triumphal  processions.  It  is 
a  day  of  triumph — man  has  conquered  man — nations  have 
been  subjugated.  By  wealth  and  power,  knowledge,  art, 
and  taste,  man  has  achieved  the  summit  of  human 
grandeur. 

The  sun  is  near  the  meridian. 

[fourth    of  the   SERIES.] 

4.  ^'Destruction."  (62ix38i.) 

Ages  have  passed  away  since  the  scene  of  glory.  Luxury 
has  enervated,  vice  has  debased,  and  the  strength  of  the 
mighty  nation  has  consumed  away.  A  barbarous  enemy 
sacks  the  city.  The  heavens  are  darkened  by  a  tempest, 
and  the  storm  of  war  rages  beneath,  amid  falhng  walls  and 
colonnades,  and  the  flames  of  temples  and  palaces. 

[fifth  of  the  series.] 

5.  '^ Desolation."  (61x39^.) 

The  moon  ascends  the  twilight  sky,  near  where  the 
sun  rose  in  the  first  picture.  The  last  rays  of  the  departed 
sun  illumine  a  lonely  column  of  the  once  proud  city,  on 
whose  capital  the  heron  has  built  her  nest.  The  shades 
of  evening  steal  over  shattered  and  ivy-grown  ruins.  The 
steep  promontory, with  its  insulated  rock,  still  rears  against 
the  sky,  unmoved,  unchanged ;  but  violence  and  time  have 
crumbled  the  works  of  man,  and  art  is  again  resolving 
into  elemental  nature.  The  gorgeous  pageant  has  passed ; 
the  roar  of  battle  has  ceased ;  the  multitude  has  sunk  in 
the  dust;  the  empire  is  extinct. 

6.  Portrait     of     John      Adams,      (1735-1826.) 

(25x30.)  A,  B.  Durand. 

From  the  original  by  Stuart. 

{Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

7.  Portrait  of  John  Quincy  Adams,  (1767-1848.) 

(25x30.)  A.  B.  Durand. 

Taken  from  Hfe,  in  1834. 

(Reed  Collection.) 

(New  York  Gallery  of  Fine  Arts.) 


GALLERY  OF  ART 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

8.  Portrait     of     James    Monroe,     (1758-1831.) 

(25X30.)  A.B.Durand, 

From  the  original  by  Stuart. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

9.  Portrait    of   Thomas   Jefferson,    (1743-1826.) 

(25x30.)  '  A.B.Durand. 

From  the  original  by  Stuart. 

{^Reed  Collection.) 

{New  York  Gallery  of  Fine  Arts.) 

10.  Portrait    of    James    Madison,     (1751-1836.) 

(25X30.)  A.B.Durajid. 

From  the  original,  by  Stuart,  at  Bowdoin  College,  Maine. 
(Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

11.  Portrait     of    Andrew    Jackson,    (1767-1845.) 

(25x30.)  A.B.Durand, 

Painted  from  hfe,  in  1835. 

{Reed  Collection.) 

{New  York  Gallery  of  Fine  Arts.) 

12.  The  Chess-Players— Check  Mate.     (56x44.) 

George  W.  Flagg. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

13.  Marine  View.  (36x25.)  Thomas  Birch. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

14.  View  from  Froster  Hill,  Gloucestershire,  Eng- 

land.    (24  X 18.)  Andrew  Richardson.^ 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

15.  The  Goblet  and  Lemon.     (27  x32.)         W,  Van  Aelst. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

16.  Falstaff  enacting  Henry  IV.  (29x36.) 

George  W.  Flagg. 

Prince  Henry. — Do  thou  stand  for  mj'  father,  and  examine  me 
upon  the  particulars  of  my  life. 

Fahtajf.— Shall  I?     Content:— this  chair  shall  be  my  state,  this 
dagger  my  sceptre,  and  this  cushion  my  crown. 

King  Henry  IV.,  Part  i..  Act  it..  Scene  4. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 


6  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

17.  An    Allegory  —  Death    and    Immortality  — 

Antique.  (18^X144.)  Italian  School. 

(Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.)  ■ 

18.  Madonna  and  Infant.  (16§x22i.)  German  School. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

19.  Landscape  —  Composition  —  Italian  Scenery. 

(54x37.)  Thomas  Cole. 

"O,  Italy!  how  beautiful  thou  art! 
Yet  I  could  weep,  for  thou  art  lying,  alas! 
Low  in  the  dust,  and  they  who  come,  admire  thee 
As  we  admire  the  beautiful  in  death." 

Rogers'  Italy. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

20.  Sleeping  Female.  (19  X24.)  George  W.  Flagg. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

21.  The  Little   Savoyard.    (18x22.)  George  W.  Flagg. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

22.  Rebecca.  (16x20.)  George  W.  Flagg. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

23.  The  Truant  Gamblers.    (30x24.)     William  S.  Mount. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

24.  Interior  —  Dutch    Apothecary    Shop. 

(24 J  X 18.)  Roelof  Pietersz. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

25.  Pan  and  Midas.  (24x28.)  Hubert  Goltzius. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

26.  The  Pedlar  displaying  his  Wares.  (34x24.) 

(Reed  Collection.)  A.  B.  Durand. 

(New  York  Gallery  of  Fine  Arts.) 

27.  The  Woodchopper's  Boy.  (25x30.)     George  W .  Flagg . 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 


GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

28.  Wrath  of  Peter  Stuyvesant  on  learning  the 

capture,    by    treachery,    of    Fort    Casimir. 
(30x24.)  A.B.Durand, 

"On  receiving  these  direful  tidings,  the  valiant  Peter 
started  from  his  seat — dashed  the  pipe  he  was  smoking 
against  the  back  of  the  chimney — thrust  a  prodigious  quid 
of  tobacco  into  his  left  cheek — pulled  up  his  galligaskins, 
and  strode  up  and  down  the  room,  humming,  as  was  cus- 
tomary with  him  when  in  a  passion,  a  hideous  northwest 
diiiy." ^Knickerbocker's  New  York,  Book  vi.  chap.  2. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

29.  Madonna,    Infant,    and    St.    Ann.  (29x28.) 

Italian  School, 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

30.  The  Match-Girl,  (London.)  (25x30.) 

George  W.  Flagg. 

(Reed  Collection.) 
(I^ew  York  Gallery  of  Fine  Arts.) 

31.  Moonlight.  (32x24^.)  Thomas  Cole, 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

32.  Portrait  of  George  Washington,  (1732-1799.) 

(25X30.)  A.  B.  Durand. 

From  the  standard  original,  by  Stuart,  in  the  gallery 
of  the  Boston  Athenaeum. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

33.  Lady  and  Parrot.  (29x36.)  George  W.  Flagg. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

34.  The  Nun.  (24x30.)  George  W.  Flagg. 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

35.  Wreath   of  Flowers,   encircling   Coat-of-Arms 

and  Miniature  of  the  Duke  of  Austria,  1658. 
(33x46.)  J.  M arret 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 


GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

36.  Lady    Jane    Grey    preparing    for    execution. 

(45  X56.)  George  W.  Flagg. 

"After  uttering  these  words,  she  caused  herself  to  be 
disrobed  by  her  women;  and  with  a  steady,  serene  counte- 
nance submitted  herseh^  to  the  executioner." — Hume,  chap. 
xxxvi. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

37.  Assumption  of  the  Virgin.  (25  X 19.)    Annibale  Caracci. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

38.  Portrait  of  Martha  Washington,  (1732-1802.) 

(22x26.)  A.  B.  Durand, 

From  the  original,  by  Stuart,  in  the  Boston  Athenseum. 

{Reed  Collection.) 

{New  York  Gallery  of  Fine  Arts.) 

39.  Portrait   of  a  Young  Lady,   taken  in   1608. 

(27x33.)  Flemish  School. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

40.  The    Huntsman^s    Tent  —  Game    and    Dogs 

after  a  Hunt.  (50x64.)  John  Fyt, 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

41.  Mother  Child,  and  Butterfly.  (24x30.) 

{Reed  Collection.)  ^^^^^^  ^' '  ^^«^^- 

{New  York  Gallery  of  Fine  Arts.) 

42.  Autumn  Scene — Conway  Peak,  White  Moun- 

tains, N.  H.  (19|X14.)  Thomas  Cole. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

43.  Dogs  Fighting.  (20iXl6.)  George  Morland. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

44.  View  on  Catskill  Creek.  (24x16.)  Thomas  Cole. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

45.  Landscape.  (13x10.)  Dutch  School, 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


GALLERY  OF  ART 


9 


NO. 

46. 


SUBJECTS   OF   PAINTINGS. 


Summer  Sunset.  (19i  X 14.) 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


ARTISTS. 

Thomas  Cole, 


47.  Old  English  Sportsman.  (24x19.)         George  Morland. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

48.  Murder  of  the  Princes.  (44x56.)         George  W.  Flagg, 

ENTER    TYRRELL. 

"  Tur. — The  tyrannous  and  bloody  act  is  done: 
The  most  arch  deed  of  piteous  massacre 
That  ever  yet  this  land  was  guilty  of. 
Dighton  and  Forrest  whom  I  did  suborn 
To  do  this  piece  of  ruthless  butchery, 
Albeit  they  were  flesh'd  \-illains,  bloody  dc^s. 
Melting  vrith  tenderness  and  mild  compassion, 
Wept  like  two  children  in  their  death's  sad  story. 
O  thus,  quoth  Dighton,  laj/  the  gentle  babes. 
Which  once,  quoth  Forrest,  girdling  one  another 
Within  their  alabaster  innocent  arms; 
Their  lips  were  four  red  roses  on  a  stalk. 
Which  in  their  summer  beauty,  kiss'd  each  other. 
A  book  of  prayers  on  their  pillow  lay: 
Which  once,  quoth  Forrest,  almost  changed  my  mind: 
But  O,  the  Deril, — there  the  villain  stopp'd." 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 

49.  Miniature.  (3x2^.)     Dutch  Enamel.     A.  B.  Durand. 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


50.  Boors  Gambling.  (10x7.) 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


After  Tenters. 


51.  Wreath  of  Flowers,  encircling  Holy  Family — 

Antique.  (11x12.)  Italian  School, 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


52.  The  Old  Fiddler.  (10x8.) 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


After  Teniers. 


53.  Miniature.  (3Jx2J.)  Dutch  Enamel.      Italian  School, 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


54.  A  Magdalen.  (18x14.) 

{Reed  Collection.) 
{New  York  Gallery  of  Fine  Arts.) 


After  Correggio, 


10  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

55.  View  near  Bridgeport,  Connecticut.  (19  X 13.) 

Andrew  Richardson, 

(Reed  Collection.) 
(New  York  Gallery  of  Fine  Arts.) 

56.  Portrait    of    Luman    Reed,    (1785-1836.) 

(25X30.)  A.  B.  Durand. 

Patron  of  American  Art. 

Presented  by  the  Artist. 

(New  York  Gallery  of  Fine  Arts.) 

57.  The  Fortune-Teller.    (52x42.)         William  S.  Mount. 

The  figures  in  this  picture  are  portraits  of  Mrs.  Amelia 
Longbotham,  as  fortune-teller,  and  the  young  girl,  Edna 
Bostwick. 

Presented  by  the  Artist. 
(New  York  Gallery  of  Fine  Arts.) 

58.  Landscape.  (36x26.)  C.  P.  Cranch. 

(New  York  Gallery  of  Fine  Arts.) 

59.  Bargaining  for  a  Horse.  (30x24.)     William  S.  Mount. 

"Seth  suspended  for  a  moment  the  whittling  his  twig, 
and  there  seemed  a  crisis  in  the  argument — a  silent  pause 
— when  a  shrill  voice  from  the  front  gate  adjourned  the 
meeting  instanter.  It  was  the  voice  of  Aunt  Nabby  her- 
self, breathing  authority  and  hospitality: — Joshua,  come 
to  dinner,  and  bring  the  folks  along  with  you." — Jack 
Downing' s  Jour.,  N.  Y.  Gazette,  Oct.  28,  1835. 
(New  York  Gallery  of  Fine  Arts.) 

60.  Portrait  of  Sir  Charles   L.   Eastlake,   Artist, 

(1793-1865.)   (44x56.)  Daniel  Huntington. 

(New  York  Gallery  of  Fine  Arts.) 

61.  Flora.  (17|x22i.)  Jean    Raoux. 

Presented  by  S.  M.  Chester. 
(New  York  Gallery  of  Fine  Arts.) 

62.  The   Vale    and   Temple    of    Segestae,    Sicily. 

(65ix44.)  Thomas   Cole. 

"Midway  between  Palermo  and  Segestae,  the  broad 
slopes  of  an  ample  valley  lie  before  the  traveller.  In  the 
depth  is  a  river  meandering  among  fragrant  oleanders; 
on  the  left  the  valley  is  intersected  by  a  range  of  distant 
mountains;  on  the  right  is  a  beautiful  bay  of  the  Mediter- 
ranean. Across  the  valley,  the  mountains  form  a  green 
amphitheatre,  and  high  in  a  remote  part  is  seen  the  Temple 
of  Segestae." — Notes  of  the  Artist  made  on  a  Tour  in  Sicily. 
Presented  by  the  Artist. 
(New  York  Gallery  of  Fine  Arts.) 


GALLERY  OF  ART  11 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

63.  A  Venetian  Senator.  (25x30.)      Cornelius  Ver  Bryck. 

(New  York  Gallery  of  Fine  Arts.) 

64.  The  Black  Plume.  (29x36.)  Charles  C.  IngJmm, 

Presented  by  the  Artist. 
(New  York  Gallery  of  Fine  Arts.) 

65.  Portrait  of  Lafayette,  (1757-1834.)  (25x30.) 

Charles  C.  Ingham. 

Painted  from  life  in  1825,  and  is  the  original  head  from 
which  was  made  the  full-length  portrait  for  the  State, 
now  in  the  State  Department,  Albanj-. 
Presented  by  the  Artist. 
{New  York  Gallery  of  Fine  Arts.) 

66.  Landscape,  Moonlight.  (37x25.)  Tempesta. 

From  the  collection  of  Cardinal  Fesch. 
Presented  by  Miss  Ehza  Hicks. 
{New  York  Gallery  of  Fine  Arts.) 

67.  The  Young  Gourmand.  (11x13.) 

Frederick  W.  Philip, 

{New  York  Gallery  of  Fine  Arts.) 

68.  Portrait   of   Gevartius.    (28x36.)    From  Van 

Dyck.  John  TrumhuU. 

{New  York  Gallery  of  Fine  Arts.) 

69.  Portrait  of  Rembrandt.  (25x33.)  From  the 

original.  John  G.  Chapman. 

Presented  by  the  Artist. 
{New  York  Gallery  of  Fine  Arts.) 

70.  Portrait     of     Pietro     Aretino,     the     Satirist. 

(31  x37.)  John  G.  Chapman. 

From  the  original,  by  Titian,  in  the  Pitti  Palace,  Florence. 

Presented  by  the  Artist. 

(New  York  Gallery  of  Fine  Arts.) 

71.  The  Image-Pedler.  (42x33.)       Francis  W.  Edmonds. 

Presented  by  the  Artist. 
{New  York  Gallery  of  Fine  Arts.) 

72.  The  Dutch  Bible.  (22^x18.)'  Cornelius  Ver  Bryck. 

Presented  by  Daniel  Himtington. 
{New  York  Gallery  of  Fine  Arts.) 


12  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

73.  Portrait  of  a  Revolutionary  Officer  (Gen.  E. 

Huntington?)  (20x24.)  John  Trumbull 

{New  York  Gallery  of  Fine  Arts.) 

74.  Portrait   of   Dr.    Maurice   Swabey.    (25x30.) 

John  Trumbull. 

An   Associate   Commissioner   with  Col.  Trumbull  at 
London,  1796. 

(New  York  Gallery  of  Fine  Arts.) 

75.  Landscape — Composition.  ^'The  Old  Oak." 

(48X36.)  A.  B.  Durand. 

Presented  by  the  Artist. 
(New  York  Gallery  of  Fine  Arts.) 

76.  Portrait     of     Nicholas     Fish,      (1758-1833.) 

(25x30.)  James  H.  Shegogue. 

From  the  original  by  Inman. 

Presented  by  Mrs.  Nicholas  Fish. 

{New  York  Gallery  of  Fine  Arts.) 

77.  Portrait  of  a  Lady,   (fancy.)   (39x59.) 

George  W.  Flagg, 

Presented  by  the  Artist. 
(New  York  Gallery  of  Fine  Arts.) 

78.  A  Window-Scene.  (14x171.) 

(New  York  Gallery  of  Fine  Arts.) 

79.  View  near  Sandy  Hill,  New  York.  (20iXl3i.) 

Water-color.  Williain  G.  Wall. 

Presented  by  Grant  Thorburn. 
(New  York  Gallery  of  Fine  Arts.) 

80.  Portrait  of  Macready  in  character  as  William 

Tell.  (25x30.)  Thomas  S.  Cummings. 

From  the  original  by  H.  Inman. 

Presented  by  the  Artist. 

(New  York  Gallery  of  Fine  Arts.) 

81.  Portrait  of  Egbert  Benson,  (1746-1833.) 

(22x26.)  John  Wesley  Jarvis. 

From  the  original  by  Stuart. 
Presented  by  the  Artist. 


GALLERY  OF  ART  13 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

82.  Portrait  of  Egbert  Benson,  (1746-1833.) 

(25x30.)  Gilbert  C.  Stuart 

First  President  of  the  Society,  1805-1815.  Painted 
from  life  in  1807,  the  original  of  No.  81.  Presented  by 
Robert  Benson,  Jr. 

83.  Dead  Game.  (26x32.)  Adele  Eirard. 

Presented  by  John  D.  Clute. 

84.  Christ  stilling  the  Tempest.  (27x34.)       F.  W.  Philip, 

85.  Landscape,  with  Figures.  (24x20.) 

86.  Portrait  of  Rufus  Wilmot   Griswold,    (1815- 

1857.)   (20x24.)  Charles  L.  Elliot, 

Bequest  of  Rufus  W.  Griswold,  1857. 

87.  Portrait  of  Daniel  Seymour.  (22x27.) 

Thomas  S.  Cummings. 

Presented  by  Robert  Kelly. 

88.  Mountain  Stream  in  Western  Va.  (12x14.) 

William  McLeod. 

89.  Portrait  of  Christopher  Colles,    (1738-1821.) 

(10x12.)  John  Wesley  Jarvis. 

90.' Portrait   of  James   Kent,    (1763-1847.) 

(25x30.)  Samuel  F.  B.  Morse. 

President  of  the  Society,  1828-1831. 
Presented  by  John  Delafield. 

91.  The  Mammoth  Cave.  (37x48.)  Regis  Gignoux, 

92.  Landscape.  (20x15.) 

93.  Lago  Maggiore  and  the  Borromean  Islands. 

(111X147.) 

Presented  by  Lewis  M.  Rutherfurd, 

94.  Portrait  of  Gov.  Daniel  D.  Tompkins,  (1774- 

1823.)  (58x90.)  John  Wesleij  Jarvis. 

Presented  by  Thomas  E.  Davis. 

95.  Portrait  of  Gen.  Joseph  R^ed,    (1741-1785.) 

(16x20.)  J.  C.  Hagen. 

Copy  from  the  original  by  C.  W.  Peale. 
Presented  by  the  Artist. 


14  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

96.  Portrait   of   Gilbert   C.   Stuart,    (1755-1828.) 

(3x2J.)  Anson  Dickinson, 

Miniature  on  ivory. 
Presented  by  S.  W.  and  V.  M.  Francis. 

97.  Portrait  of  Alexander  J.  Dallas,  (1759-1817.) 

(23^X29.)  John  W.  Jarvis. 

Purchased  from  the  American  Museum  Collection,  1863. 
Presented  by  William  D.  Abbatt. 

98.  Storm  at  Sea.  (32x19^.) 

99.  The  Bay  of  New  York  from  Castle  Garden. 

(33ix24i.) 

100.  Portrait  of  the  Artist.  1841.  (9xlOJ.) 

Jeremiah  Nims, 

This  promising  young  Artist  died  at  Kingston,  Jamaica, 
W.  I.,  March  6,  1842,  aged  24  years  and  2  months. 
Presented  by  Mrs.  Charles  A.  Davis. 

101.  Bacchante  and  Satyr.  (59x44.)  John  Vanderlyn. 

From  the  original  by  Annibale  Caracci  in  the  Pitti  Palace. 

102.  Portrait  of  N.  P.  Willis,  (1806-18G7.) 

(28x36.)  William  A.  Wall 

Painted  in  Italy  about  1833. 

103.  Portrait  of  Alexander  Hamilton,  (1757-1804.) 

(19x22.)  Charles  Wilson  Peak. 

Presented  by  Duncan  C.  Pell. 

104.  Portrait  of  Alexander  Hamilton,  (1757-1804.) 

(9x11.)  Crayon.  James  Sharpless. 

Presented  by  Dr.  Samuel  Akerly,  November  12,  1816. 

105.  Portrait  of  Samuel  L.  Mitchell,  M.D.,  (1764- 

1831.)   (7x9.)  Crayon.  James  Sharpless, 

Presented  by  Dr.  Samuel  Akerly,  November  12,  1816. 

106.  Portrait  of  John  Pintard,  (1759-1818.) 

(25X30.)  ,  John  Trumbull. 

Founder  of  the  Society.     Recording  Secretary,  1805- 
1819;  Librarian,  1810-1811;  Treasurer,  1819-1827. 
Painted  for  the  Society,  1817. 


GALLERY  OF  ART  15 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

107.  Portrait  of  John  Pintard,  (1759-1818.)  (Min- 

iature.) John  Ramage,  1787. 

Presented  by  his  grandson,  George  Hancock  Servoss, 
February  6,  1906. 

108.  Portrait  of  Elizabeth  (Brasher)  Pintard,  (1765- 

1838.)   (Miniature.)  John  Ramage,  1787, 

Presented  by  her  grandson,  George  Hancock  Servoss, 
February  6,  1906. 

109-110.  Pair  of  wristlets  worn  by  Mrs.  John  Pin- 
tard, one  bearing  portrait  of  John  Pintard, 
and  the  other  a  painting  representing  ''Jus- 
tice.'' (Painted  on  ivory.) 

Presented  by  Henry  C.  Eno,  M.D.,  Februarj-  18,  1909. 

111.  Portrait  of  Hernando  Cortes.  (19x25.) 

Copied  from  the  original  in  the  Florence  Gallerj". 
Presented  by  Mrs.  Gouvemeur  Morris,  January  14,  1817. 

112.  Portrait  of  Americus  Vespucius.  (19x25.) 

Copied  from  the  original  in  the  Florence  Gallery. 
Presented  by  Mrs.  Gouverneur  Morris,  January  14,  1817. 

113.  Portrait  of  Christopher  Columbus,  (1446-1506.) 

(19X25.) 

Copied  from  the  original  in  the  Florence  Gallery. 
Presented  by  Mrs.  Gouverneur  Morris,  January  14,  1817. 

114.  Portrait  of  Fernando  Magalhaens.  (19x25.) 

Copied  from  the  original  in  the  Florence  Gallery. 
Presented  by  Mrs.  Gouverneur  Morris,  January  14,  1817. 

115.  Portrait  of  Robert  Morris,  (1734-1806.) 

(24x29.)  John  Wesley  Jarvis, 

From  the  original  by  Stuart. 
Presented  by  Thomas  Morris,  September  9,  1817. 

116.  Portrait  of  John  Jones,  M.D.,   (1729-1791.) 

(3ix3i.)  Samuel  FolwelL 

Miniature,  drawn  at  New  York,  May  25,  1790. 
Presented  by  David  Hosack,  M.D.^  October  7,  1817. 

117.  Portrait    of    Lafayette,    (1757-1834.) 

(19JX24.)  Oval. 

Painted  1791. 
Presented  by  General  Ebenezer  Stevens,  October  7,  1817. 


16  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

118.  Portrait  of  Gouverneur  Morris,   (1752-1816.) 

(28x36.)  Ezra  Ames. 

First  Vice  President  of  the  Society,  1810-1815,  and 
President,  1816. 

Presented  by  Stephen  Van  Rensselaer,  of  Albany, 
November  11,  1817. 

119.  Portrait  of  Chief  Justice  John  Jay,  (1745-1829.) 

(25x30.)  Joseph  Wright. 

Painted  1786. 
Presented  by  John  Pintard,  November  11,  1817. 

120.  Portraitof  Chief  Justice  John  Jay,  (1745-1829.) 

(40X50.)  Oliver  Lay. 

From  the  original  by  Gilbert  C.  Stuart. 
Presented  by  Miss  Elizabeth  Clarkson  Jay,  October  1, 
1889. 

121.  Portrait  of  John  C.  Kunze,  D.D.,  (1744-1807.) 

(25x30.)  Joh7i  Wesley  Jarvis. 

Copied  for  the  Society  from  a  picture  in  possession  of 
Mrs.  Kunze  and  presented  by  his  family,  July  14,  1818. 

122.  Portrait  of  Myles  Cooper,  D.D.,  (1735-1785), 

second  President  of  Columbia  College.  Copy 
from  Copley.  (25x30.) 

Presented  by  Nicholas  William  Stuyvesant,  ]\Iay  9,  1820. 

123.  Portrait  of  Rev.  Samuel  Provoost,  D.D.,  (1742- 

1815.)   (28x36.)  Thomas  S.  Duche. 

Presented  by  Air.  and  Mrs.  Cadwallader  D.  Colden, 
January  11,  1825. 

124.  Portrait  of  WilHam  Smith,  (1728-1793),  His- 

torian of  New  York.  (Miniature.)  H.  Stubble. 

Presented  by  David  Hosack,  M.D.,  1828. 

125.  Portrait    of    Thomas    Jefferson,    (1743-1826.) 

(18ix26J.) 

Copy  from  original  by  Stuart. 
Presented  by  David  Hosack,  M.D.,  November  11,  1828. 

126.  Portrait  of  Jesse  Hawley,  (1773-1842.) 

(3x3i.)  Ezra  Ames. 

Miniature  on  ivory. 
Presented  by  Jesse  Hawley. 


GALLERY  OF  ART  17 


NO.  SUBJECTS    OF    PAIXTINGS.  ARTISTS. 

127.  Portrait  of  Jesse  Hawley,  (1773-1842.) 

(25X30.)  Grove  S.  Gilbert 

Presented  by  Jesse  Hawley,  January  10,  1832. 

128.  Portrait    of    Elihu    H.    Smith,    (1771-1798.) 

(7x9.)     Crayon.  James  Sharpless. 

Painted  1797. 
Presented  by  David  Hosack,  February  19,  1833. 

129.  Portrait    of    Sebastian    Cabot,    (1477-1557?) 

(29x36.)  Cephas  G.  Thompson. 

Painted  at  the  request  of  the  Society,  1841,  from  the 
supposed  original  by  Hans  Holbeix,  which  was  the 
property  of  the  late  Richard  Biddle,  author  of  a  Memoir 
of  Cabot.  A  full  account  of  the  original  portrait  may  be 
found  in  that  work,  pp.  317-320.  It  is  supposed  to  have 
adorned  the  royal  gallery  at  Whitehall. 

Presented  by  the  Artist,  January  5,  1841. 

130.  Portrait  of  Albert  Gallatin,  (1761-1849.) 

(25x30.)  William  H.  Powell, 

President  of  the  Society,  1843-1849. 
Painted  from  life  in  1843.     Presented  by  the  Artist, 
February  6,  1844. 

131.  Portrait  of  John  Quincy  Adams,  (1767-1848.) 

(25x30.)  Edward  D.  Marchant. 

Presented  by  the  Artist,  October  1,  1844. 

132.  Portrait  of  Peter  Van  Schaack,  (1747-1832.) 

(23  J  X  28.) 
Presented  by  Frederic  de  Peyster,  January  7,  1845. 

133.  Portrait  of  Lewis  Morris,  (1698-1762),  Judge 

of  the  Vice  Admiralty  for  N.  Y.,  Conn,  and 
N.  J.  (24x30.) 

Presented  by  one  of  his  grand-daughters  through 
William  A.  Whitehead,  Newark,  N.  J.,  January  7,  1845. 

134.  Portrait  of  Lord  Lvndhurst,  (1772-1863.) 

(48x50.)  Samuel  S.  Osgood. 

Sir  John  Singleton  Copley,  son  of  John  Singleton 
Copley,  Artist. 

Presented  by  the  Artist,  June  2,  1846. 

135.  Portrait  of  Philip  Schuyler,  (1695-1745.) 

(33X41.) 

Presented  by  Henry  C.  Van  Schaack,  Manlius,  N.  Y., 
January  26,  1847. 


18  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

136.  Portrait  of  Catalina  Schuyler,  (1705-1758.) 

(32X38.) 

Presented  by  Henry  C.  Van  Schaack,  Manlius,  N.  Y., 
January  26,  1847. 

137.  Portrait  of  Alexander  H.  Everett,  (1792-1847.) 

(3|  X4|.)  Washington  Blanchard. 

Miniature  on  ivory.  Presented  by  the  Artist,  Feb- 
ruary 6,  1849. 

138.  Portrait    of   De   Witt    Clinton,    (1769-1828.) 

(36x50.)  John  Wesley  Jarvis. 

Second  Vice  President  of  the  Society,  1810-1815;  First 
Vice  President,   1816;  President,  1817-1819. 

Presented  by  the  Heirs  of  Samuel  S.  Rowland,  Novem- 
ber 7,  1854. 

139.  Portrait    of    De    Witt    Clinton,    (1769-1828.) 

(49i  X40.)  Charles  Ingham, 

Presented  by  Nelson  Robinson,  1909. 

140.  View  of  a  Seaport.  (48x26i.) 

Presented  by  John  MacGregor,  M.  P.,  October  5,  1855. 
"I  purchased  it  at  the  sale  of  the  late  Lord  Fitzgerald's 
collection ;  and  as  a  precious  historical  painting,  and  not  as 
a  mere  Landscape,  although  it  is  an  admirable  Picture." — 
Extract  from  a  letter  of  John  MacGregor,  M.P.,  to  John 
Romeijn  Brodhead,  dated  House  of  Commons,  June  19, 1852. 

141.  Portrait  of  Luther  Bradish,  (1783-1863.) 

(34  X44.)  Thomas  Hicks, 

Vice  President  of  the  Society,  1845-1849,  and  President, 
1850-1863. 

Presented  by  the  Artist,  March  4,  1856. 

142.  Portrait  of  the  Earl  o/  Carhsle,  (1748-1825.) 

(44x56.)  Daniel  Huntington, 

Presented  by  the  Artist,  March  4,  1856. 

143.  Portrait  of  Fitz-Greene  Halleck,  (1790-1867.) 

(20X24.)    Oval.  John  G.  Taggart. 

From  the  original  by  C.  L.  Elliott. 
Bequest  of  Rufus  W.  Griswold,  1857. 

144.  Portrait  of  Mrs.  Mary  E.  Hewitt,  (1818-         .) 

(25  X  30.)  Samuel  S.  Osgood. 

Presented  by  Mrs.  Mary  E.  Hewitt  Stebbins,  April 
15,  1861. 


GALLERY  OF  ART  19 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

145.  Portrait  of  Capt.  John  A.  Sutter,  (1803-1880.) 

(14§  X 18.)  Samuel  S.  Osgood, 

Bequest  of  Rufus  W.  Griswold,  1857. 

146.  Portrait    of   Edgar    Allan    Poe,    (1809-1849.) 

(22x26.)  Oval.  Samuel  S.  Osgood, 

Bequest  of  Rufus  W.  Griswold,  1857. 

147.  Portrait  of  Frances  S.  Osgood,   (1811-1850.) 

(25x30.)  Samuel  S.  Osgood, 

Bequest  of  Rufus  W.  Griswold,  1857. 

148.  Portrait  of  Alice  Carey,   (1820-1871.) 

(25x30.)  Oval.  Samuel  S.  Osgood. 

Bequest  of  Rufus  W.  Griswold,  1857. 

149.  Portrait   of   Thomas   Campbell,    (1777-1844.) 

(25  X30.)  Samuel  S.  Osgood. 

Bequest  of  Rufus  W.  Grisw(%l,  1857. 

150.  Tobias  and  the  Angel  Gabriel.  (75x53.) 

Rembrandt  School. 

Thought  to  be  by  Ferdinand  Boll,  one  of  Rem- 
brandt's pupils,  and  a  very  successful  imitator  of  the 
style  of  his  master.  He  was  bom  at  Dort,  1611;  died 
1681. 

This  painting  has  been  highly  commended  by  connois- 
seurs and  artists — among  the  latter  may  be  mentioned 
the  late  lamented  Thomas  Cole. 

Presented  by  T.  W.  C.  Moore,  December  1,  1857. 

151.  Game,  Fish,  Fruit,  Vegetables,  etc.  (77x59.) 

Francis  Snyders. 
The  two  figures  were  probably  put  in  by  either  Rubens 
or  Jordaens. 

Presented  by  T.  W.  C.  Moore,  December  1,  1857. 

152.  The  Artist  showing  his  first  Picture  to  his 

Parents.     Group    of    Portraits,    painted    in 
1788.  (50x43.)  William  Dunlap. 

Presented  by  John  Crumby,  1858. 

153.  Portrait    of    James    Rivington    (1724-1802.) 

(28X36.) 
Presented  by  Samuel  C.  EUis,  M.D.,  January  6, 1858. 


20  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

154.  Portrait  of  John  Randolph  of  Roanoke,  (1773- 

1833.)   (22x27.)  John  Wesley  Jar  vis. 

Painted  in  Baltimore  in  1811  from  the  original  by  Jarvis. 
Presented  by  Washington  Irving,  May  18,  1858. 

155.  Portrait  of  Gov.  George  CUnton,  (1739-1812.) 

(41  X53.)  Ezra  Ames. 

Presented  by  George  Clinton  Tallmadge,  May  4,  1858. 

156.  Portrait   of    Rajah   Rammohun   Roy,    (1773- 

1833.)     (25x30.)  Rembrandt  Peak. 

Indian  Scholar.     Painted  at  London,  in  August,  1833, 
about  six  weeks  before  his  death. 

Presented  by  J.  K.  Herrick,  April  5,  1858. 

157.  Portrait  of  Thomas  De  Witt,   D.D.,    (1791- 

1874.)     (25x30.)  William  Cogswell. 

Second  Vice  President  of  the  Society,  1840-1849;  First 
Vice  President,  1850-1869,  and  President,  1869-1871. 
Hiesented  by  the  Artist. 

158.  Portrait  of  Thomas  De  Witt,   D.D.,    (1791- 

1874.)   (29X36.)  Samuel  B.  Waugh. 

Presented  by  Theodore  Cuyler,  of  Philadelphia,  and 
Morris  K.  Jesup,  of  New  York,  October  5,  1858. 

159.  Portrait  of  EUsha  Kent  Kane,    (1820-1857.) 

(51  X42.)  Thomas  Hicks. 

Presented  by  several  Ladies  of  New  York,  January  4,  1859. 

160.  Portraitof  Aaron  Burr,  (1756-1836.)   (8x10.) 

John  Vanderlyn. 
Presented  by  ten  members  of  the  Society,  June  7,  1859. 

161.  Wreck  of  the  Medusa.     (77  X50J^.) 

Jean  L.  T.  A.  Gericault. 

Bequest  of  Uriah  P.  Levy,  1862. 

162.  Vision  of  the  Archbishop  of  Rouen.  (44  X57.) 

C.  A.  Vanloo. 

Bequest  of  Uriah  P.  Levy,  1862. 

163.  Peasants  Dancing.  (77x57.)  Carl  Bruner. 

Bequest  of  Uriah  P.  Levy,  1862. 


GALLERY  OF  ART  21 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

164.  Portrait  of  Cachasunghia,  Osage  Warrior. 

(15ix21i.)  Crayon.  St,  Memin. 

Purchased  June  5,  1860. 

165.  Portrait   of   an   Osage   Warrior.  (15^X21  J.) 

Crayon.  *S^  Memin. 

Purchased  June  5,  1860. 

166.  Portrait    of    Payouska,    Chief    of    the    Great 

Osages.  (15ix21i.)  Crayon.  St.  Memin, 

Purchased  June  5,  1860. 

167.  Portrait  of  a  Chief  of  the  Little  Osages. 

(15ix21i.)  Crayon.  St.  Memin. 

Purchased  June  5,  1860. 

168.  Portrait   of  an   Osage  Warrior.  (15ix2U.) 

Crayon.  St.  Memin, 

Purchased  June  5,  1860. 

169.  Portrait  of  an  Indian  of  the  ^'lowas  of  the 

Missouri."  (151x21^.)  Crayon.  >S^  Memin, 

Purchased  June  5,  1860. 

170.  Portrait  of  an  Indian  Girl  of  the  "lowas  of 

the  Missouri."  (lotx21i.)  Crayon.  St.  Memin. 

Purchased  June  5,  1860. 

171.  Portrait  of  a  Delaware  Indian.  (15ix21i.) 

Crayon.  St.  Memin, 

Purchased  June  5,  1860. 

172.  Portrait   of  Charles  Fenno  Hoffman,    (1806- 

1887.)  (25x30.)  Cephas  G.  Thompson. 

Presented  by  the  Artist,  November  6,  1860.       ' 

173.  Portrait  of  Americus  Vespucius.  (30x40.) 

Copy  from  the  original  by  Parmigiano  in  the  Royal 
Gallery  at  Naples. 

Presented  by  R.  K.  Haight,  November  6,  1S80. 

174.  Portrait  of  Christopher  Columbus  (30x40.) 

Copy  from  the  original  by  Parmigi.\no  in  the  Royal 
Gallery  at  Naples. 

Presented  by  R.  K.  Haight,  November  6,  1860. 


22  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

175.  Portrait  of  Henry  Rutgers,  (1745-1830.) 

(24x29.)  Henry  Inman. 

"Painted  by  the  late  Henry  Inman,  about  the  year 
1828.  The  original  I  have  in  my  possession,  from  which 
two  copies  were  made  by  Mr.  Inman  and  given  to  my 
uncle,  Col.  Rutgers;  the  one  you  have  received,  to  his 
particular  political  friend,  John  Targee,  and  the  other  to 
the  Rutgers  College,  at  New  Brunswick,  N.  J." — Extract 
from  letter  of  W.  B.  Crosby. 

Presented  by  P.  R.  Bonnett,  April  2,  1861. 

176.  Portrait  of  Seth  Grosvenor.  (25x30.)  JohnG.  Taggart. 

Founder  of  the  Grosvenor  Fund  of  the  Society,  1858. 
Painted  for  the  Society  and  received  June  18,  1831. 

177.  Portrait  of  Gen.  Anthony  Wayne,  (1745-1796.) 

(24X29.) 

Presented  by  George  Folsom,  June  18,  1861. 

178.  Portrait  of  Rip  Van  Dam,   (1662-1736.) 

(26X29.)    Oval. 

Presented  by  his  great-great-granddaughter,  Mrs.  Emily 
Verplanck  Goodwin,  November  4,  1862. 

179.  Portrait  of  Mrs.  Rip  Van  Dam,  (Sarah  Vander- 

spiegle.  (26x29.)  Oval. 

Presented  by  her  great-great-granddaughter,  Mrs.  Emily 
Verplanck  Goodwin,  November  4,  1862. 

180.  Portrait  of  Henry  Abbott,  M.D.,  (1812-1859.) 

(51  X40.)  Thomas  Hicks. 

Founder  of  the  Egyptian  Museum.  Painted  for  the 
Society,  1863. 

181.  Portrait  of  Peter  Remsen.  (26x33.) 

Samuel  L.  Waldo. 

Bequest  of  Edward  A.  Newton,  February  3,  1863. 

182.  The  Sibyl.  (25x30.)  Daniel  Huntington. 

Presented  by  the  American  Art  Union,  April  7,  1863. 

183.  Portrait  of  Daniel  Stanton.  (25x30.) 

Charles  L.  Elliott. 

Presented  by  the  American  Art  Union,  April  7,  1863. 


GALLERY  OF  ART  23 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

184.  Portrait  of  Prosper  M.  Wetmore,  (1798-1876.) 

(25  X30.)  Charles  L.  Elliott, 

Member  of  the  Executive  Committee  of  the  Society, 
1842-1848. 
Presented  by  the  American  Art  Union,  April  7,  1863. 

185.  Portrait   of   John   Wakefield   Francis,    M.D., 

(1789-1861.)  (25x30.)  Charles  L.  Elliott, 

Librarian  of  the  Society,  1812-1818,  and  Corresponding 
Secretary,  1817-1818. 
Presented  by  the  American  Art  Union,  April  7,  1863. 

186.  Portrait   of   John   Wakefield   Francis,    M.D., 

(1789-1861.)   (25x30.)  Oval.  James  Bogle. 

Presented  by  the  Artist,  March  3,  1868. 

187.  Portrait   of   William   Cullen   Bryant,    (1794- 

1878.)   (25X30.)  Henry  Peters  Gray. 

Foreign  Corresponding  Secretary  of  the  Society,  1871- 
1872,  and  First  Vice  President,  1873-1878. 
Presented  by  the  American  Art  Union,  April  7,  1863. 

188.  Portrait    of    Clarkson    Crolius,    (1805-1887.) 

(24x30.)  Ezra  Ames. 

Painted  1825. 

Speaker  of  the  House  of  Assembly,  State  of  New  York,  1825. 

Presented  by  his  son,  Clarkson  Crolius,  May  5,  1863. 

189.  Portrait  of  Mrs.  Clarkson  Crolius.  (24x29^.) 

Benjamin  A.  Wallace, 

(Wife  of  the  above.) 
Bequest  of  Clarkson  Crolius,  1887. 

190.  Portrait  of  John  Watts,   (1749-1836.) 

(27X34.)  JohnW.BoUes. 

Copied  from  the  original  by  Henry  Inman. 
Presented  by  his  grandson,  J.  Watts  de  Peyster,  October 
10,  1863. 

191.  Portrait  of  John  Stanford,  D.D.,  (1754-1834.) 

(27x331.)  John  Wesley  Jarvis. 

Chaplain  to  the  Humane  and  Criminal  Institutions  in 
the  city  of  New  York. 

Presented  by  Aaron  B.  Hays,  March  1,  1864. 


24  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

192.  Portrait  of  Bryan  Rossiter.  (25x30.)    John  Trumbull. 

The  first  sergeant-at-arms  of  the  N.  Y.  State  Society  of 
the  Cincinnati,  painted  in  the  uniform  of  the  Revolutionary 
Army. 

Deposited  by  the  N.  Y.  State  Society  of  the  Cincinnati, 


;posi 

3hl, 


March  1,  1864. 

193.  Portrait  of  Richard  Bayley,  M.D.,  (1745-1801.) 

(18x21i.)  J.  H.  Lazarus. 

From  the  original  by  Stuart. 
Presented  bv  his  grandson,  the  Rt.  Rev.  J.  Roosevelt 
Bayley,  D.D.,Vuly  4,  1864. 

194.  Hector  parting  with  his  Wife  and  Child  at 

the  Sc2ean  Gate.  (42x48.)  Benjamin  West. 

Presented  by  WilHam  H.  Webb,  January  3,  1865. 

195.  Chryseis  returned  to  her  father  Chryses. 

(42x48.)  Benjamin  West. 

Presented  by  William  H.  Webb,  January  3,  1865. 

196.  Portrait  of  Gen.  WilHam  Irvine,  (1741-1804.) 

(25X30.)  J.  R.  Lambdin. 

From  the  original  by  Robert  E.  Pine. 
Presented  by  William  A.  Irvine,  November  7,  1865. 

197.  Portrait   of   WllUam   L.    Stone,    (1792-1844.) 

(25  X30.)  Edward  D.  Marchant. 

Member  of  the  Executive  Committee  of  the  Society, 
1823-1824  and  1843. 

Presented  by  John  B.  Hall,  October  2,  1866. 

198.  Portrait   of  Thomas  J.   Bryan,    (1800-1870.) 

(25x30.)  William  0.  Stone. 

Founder  of  the  Bryan  Collection. 
Painted  for  the  Society,  1867. 

199.  Portrait  of  Roger  Gerard  Van  Polanen,  (1831.) 

(25x30.)  James  Frothingham. 

Minister  Resident  of  the  Batavian  RepubUc,  1795-1802. 
Presented  by  S.  Alofsen,  June  18,  1867. 

200.  Portrait  of  Fitz-Greene  Halleck,  (1790-1867.) 

(13JXl5i.)  G.  W.  Twibill,Jr. 

From  the  original  by  Henry  Inman.     See  No.  216. 
Presented  by  Mrs.  Charles  A.  Davis,  May  5,  1868. 


GALLERY  OF  ART  25 


NO.  SUBJECTS   OF  PAINTINGS.  ARTISTS. 

201.  Portrait  of  Fitz-Greene  Halleck,  (1790-1867.) 

(3ix5.)  Pencil  drawing,  (1831.)  Henry  Inman. 

Presented  by  Mrs,  Charles  A.  Davis,  May  5,  1868. 

202.  View  of  the  Falls  of  Niagara.  (29x168^.) 

John  Trumbull, 

Taken  from  under  the  Table  Rock. 
Presented  by  Dr.  Alexander  E,  Hosack,  February  4, 1868. 

203.  View  of  the  Falls  of  Niagara.  (29xl68§.) 

John  Trumbull. 

Taken  from  the  road  two  miles  below  Chippawa. 
Presented  by  Dr.  Alexander  E.  Hosack,  February  4, 1868. 

204.  Portrait  of  William  Johnson,  (1770-1848.) 

(251 X  3 1  i . )  John  Wesley  Jarvis, 

One  of  the  original  corporators  of  the  Society. 

Painted  m  1819. 
Presented  by  Horace  Binney,  Jr.,  April  7,  1868. 

205.  Portrait  of  George  W.  Bethune,  D.D.,  (1805- 

1862.)  (25x30.)  Oval.  Rembrandt  PeaU. 

Presented  by  John  H.  Brower,  June  1,  1869. 

206.  Theodore  Allen.  (Cameo.) 

Executed  in  1835. 

Son-in-law  of  Luman  Reed. 

Presented  by  Jonathan  Sturges,  March  5,  1870. 

207.  Portrait  of  James  Madison,  (1751-1836.) 

(20X24.)  A.B.Durand, 

Presented  by  P.  Kemble  Paulding,  January  4,  1870. 

208.  Portrait    of    James    Madison,     (1751-1836.) 

(Miniature.) 

Presented  by  Miss  Mary  Cruger,  February  3,  1873. 

209.  Jacob's  Dream.  (70x51.)  Luther  Terry, 

Presented  bv  Mr.  Luther  Terry,  in  the  name  of  the  late 
Mrs.  Eliza  Hicks  Rieben,  March  7,  1871. 

210.  Portrait  of  William  W.  Van  Ness,  (1776-1823.) 

(26ix33.)  John  Wesley  Jarvis. 

Justice  Supreme  Court,  New  York. 
Presented  by  Marshall  S.  Bidwell,  November  7,  1871. 


23  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

211.  Portrait    of   Ambrose    Spencer,    (1765-1848.) 

(25x30.)  John  Wesley  Jams. 

Chief  Justice  Supreme  Court,  New  York. 
Presented  by  Marshall  S.  Bidwell,  November  7,  1871 . 

212.  Fruit    Piece— Strawberries,    etc.  (19ix23i.) 

Nicholas  Van  Gelder. 

Signed  N.  Van  Gelder,  1674. 
Bequest  of  T.  W.  C.  Moore,  1872. 

213.  Fruit  Piece— Grapes,  etc.  (19ix23i.) 

Nicholas  Van  Gelder. 

Signed  N.  Van  Gelder,  1674. 
Bequest  of  T.  W.  C.  Moore,  1872. 

214.  Interior— Old  Man  eating.  (111x14^.) 

Dominick  Van  Tol. 

Bequest  of  T.  W.  C.  Moore,  1872. 

215.  Doctor  and  Bottle.  (7ix9i.)  Gerard  Douw. 

This  picture  was  purchased  in  Paris  in  1832  during  the 
prevalence  of  the  cholera;  it  is  signed  by  the  artist  with  his 
monogram  in  the  left-hand  corner. 

Bequest  of  T.  W.  C.  Moore,  1872. 

216.  Portrait  of  Fitz-Greene  Halleck,  (1790-1867.) 

(25x30.)  Henry  Inman. 

This  picture  was  painted  in  the  year  1828  for  Gen. 
George  P.  Morris. 

Bequest  of  T.  W.  C.  Moore,  1872. 

217.  Female  Head.  (8JXll.)  Sir  Thomas  Lawrence. 

Bequest  of  T.  W.  C.  Moore,  1872. 

218.  St.  John  in  the  Desert.  (6x8.)  Juan  de  Valdez. 

Bequest  of  T.  W.  C.  Moore,  1872. 

219.  St.  Peter  after  denying  Christ.  (6x8.)  Juan  de  Valdez. 

Bequest  of  T.  W.  C.  Moore,  1872. 

220.  La  Toilette.  (14^x18.)  Jean  Frangois  De  Troy. 

A  Lady  preparing  for  a  masked  Ball. 
Bequest  of  T.  W.  C.  Moore,  1872. 

221.  Landscape.  (14x16.)  Matthew  Withoos. 

Bequest  of  T.  W.  C.  Moore,  1872. 


GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTLSPS. 

222.  Assumption  of  the  Virgin.  (24x32.) 

Don  Juan  Carrenno  de  Miranda, 

Bought  in  Madrid,  1842. 
Bequest  of  T.  W.  C.  Moore,  1872. 

223.  Landscape — Monks  at  their  Devotions. 

(45ix33i.)  Salvator  Rosa. 

Bequest  of  T.  W.  C.  Moore,  1872. 

224.  Music  Party.  (28^x20.)  Anthony  Stevers  (Palamedes). 

Bequest  of  T.  W.  C.  Moore,  1872. 

225.  Landscape — Gypsies  crossing  a  Brook. 

(35x27i.)  D.  Brown, 

Bought  at  Olmstead's  sale,  April,  1836,  who  sold  it  as  a 
Morland,  unaware  perhaps  that  it  was  .signed  by  Brown, 
who  was  one  of  his  most  successful  imitators. 
Bequest  of  T.  W.  C.  Moore,  1872. 

226.  Portrait  of  Cinq  Mars.  (1620-1642.) 

(31^X41.)  Diego  Velazquez, 

This  picture  was  bought  in  Paris,  in  the  year  1827,  of  Le 
Court,  a  miniature  painter,  who  had  it  from  J.  B.  Le  Prince, 
the  well-known  French  artist;  the  latter  said  it  was  a 
portrait  of  Cinq  Mars,  and  by  Velazquez. 

Bequest  of  T.  W.  C.  Moore,  1872. 

227.  Portrait  of  Frederic  de  Peyster,  (1796-1882.) 

(29x36.)  G.  Gerhard, 

Recording  Secretary  of  the  Society,  182^1837;  Second 
Vice  President,  1850-1863,  and  President,  1864r-1866  and 
1873-1882. 

Painted  for  the  Society,  and  presented  by  Frederic  de 
Peyster,  October  1,  1872. 

228.  Landscape.  (8Jx7f.)  Thomas  Gainsborough, 

Presented  by  Maria  J.  B.  Browne,  October  1,  1872. 

229.  Portrait  of  a  Gentleman.  (26x35.) 

Presented  by  Miss  Elizabeth  Richard,  January  7,  1873. 

230.  Portrait  of  a  Lady.  (24x29.) 

Presented  by  Miss  Elizabeth  Richard,  January  7,  1873. 

231.  Portrait  of  a  Gentleman.  (25x30.) 

Presented  by  Miss  Elizabeth  Richard,  January  7,  1873. 

232.  Portrait  of  James  Monroe,  (1758-1831.) 

(Miniature.) 

Presented  by  Miss  Mary  Cruger,  February  4,  1873. 


28  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

233-246.  The  Incas  of  Peru. 

A  collection  of  fourteen  paintings  in  oil  on  canvas,  bear- 
ing inscriptions  designating  the  name  and  succession  of 
each  monarch.  They  are  said  to  be  the  original  pictures 
from  which  the  portraits  ot  the  Incas  were  engraved  for 
the  work  of  Herrera — '^Historia  general  de  los  Hechos  de  los 
Casiellanos,"  etc.,  pubhshed  at  the  beginning  of  the  17th 
century  (1601-15),  and  reproduced  in  the  edition  by  Barcia 
in  1726-30.  This  series  of  the  Incas,  as  given  by  Herrera, 
differs  from  that  of  Garcilasso,  in  the  addition  of  Vrco 
(241),  who  is  said  to  have  reigned  only  eleven  days,  and 
the  omission  of  Yupanqui,  the  son  of  Pachacutec  v242). 
Presented  by  Frederic  de  Peyster,  April  1,  1873. 

233.  Manco  Capac,  First  Inca.  (21  X23.) 

234.  Sinchi  Roca,  Second  Inca.  (21x23.) 

235.  Lloqui  Yupanqui,  Third  Inca.  (21  X23.) 

236.  Mayta  Capac,  Fourth  Inca.  (21  x23.) 

237.  Capac  Yupanqui,  Fifth  Inca.  (21  X23.) 

238.  Inca  Roca,  Sixth  Inca.  (21x23.) 

239.  Yahuar  Huacac,  Seventh  Inca.  (21  X23.) 

240.  Viracocha,  Eighth  Inca.  (21  X23.) 

241.  Vrco,  Ninth  Inca.  (21x23.) 

242.  Pachacutec,  Tenth  Inca.  (21  x23.) 

243.  Tupac  Yupanqui,  Eleventh  Inca.  (21  x23.) 

244.  Huayna  Capac,  Twelfth  Inca.  (21  X23.) 

245.  Huascar,  Thirteenth  Inca.  (21x23.) 

246.  Atahualpa,  Fourteenth  Inca,  put  to  death  by 

order     of     Pizarro,     August     29,     1533. 

(21iX23i.) 

247.  Portrait     of    WiUiam     Shaler,     (1778-1833.) 

(221X281.) 

U.  S.  Consul  at  Algiers  and  Havana. 
Presented  by  Daniel  P.  Ingraham,  April  7,  1874. 

248.  Portrait  of  Ezra  L'Hommedieu,  (1734-1811.) 

(27Jx32i.)  James  Earle. 

Presented  by  Daniel  P.  Ingraham,  April  7,  1874. 


GALLERY  OF  ART  29 


NO,  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

249.  Portrait  of  Erastus  C.  Benedict,  (1800-1880.) 

(31  X39.)  William  H.  Powell. 

Foreign  Corresponding  Secretary  of  the  Society,  1879- 
1880;  Second  Vice  President,  1S71,  and  First  Vice  Presi- 
dent, 1872. 

Presented  by  Erastus  C.  Benedict,  May  5,  1874. 

250.  Portrait  of  Mrs.  Estelle  A.  Lewis,  (1824-1880.) 

(25x30.)  C.  L.  Elliott, 

Presented  by  Mrs.  Lewis,  June  2,  1874. 

251.  Portrait  of  Rev.  John  Rodgers,  D.D.,  (1727- 

1811.)   (7X9.) 

Presented  by  Mrs.  William  Gerard,  October  24,  1874. 

252.  Portrait  of  Henry  Clay,   (1777-1852.) 

(25x30.)  Samuel  S.  Osgood, 

Presented  by  Alice  Talbot  Lancey,  February  14,  1875. 

253.  The  Cavalry  Charge  of  Lt.  Harry  B.  Hidden. 

(75x45.)  V.  Nehlig, 

This  gallant  charge  was  made  near  Sangster's  Station, 
Va.,  March  9,  1862.  Lieut.  Hidden,  with  fourteen  of  the 
1st  N.  Y.  Cavalry,  charged  a  rebel  outpjost  of  one  hundred 
and  fifty  infantry,  driving  them  back,  killing  three,  wound- 
ing five,  and  capturing  fourteen.  Lieut.  Hidden  was  killed 
in  the  early  part  of  the  action. 

Presented  by  William  H.  Webb,  June  5,  1875. 

254.  Interior  of  the  Park  Theatre,  New  York  City, 

November,  1822.  (22^x31.)  John  Searle, 

This  water-color  drawing  of  the  new  Park  Theatre  was 
made  for  William  Bayard  by  an  amateur  artist;  it  repre- 
sents the  stage  as  occupied  b^'  Charles  Mathews  in  the 
character  of  Morbleu,  and  Miss  Ellen  A.  Johnson  as 
Madame  Bellegarde  in  Moncrieffe's  popular  farce  of 
"  Monsieur  Tonson."  The  body  of  the  house  was  filled  by 
the  artist  with  portraits  of  many  of  the  most  prominent 
citizens  of  New  York  at  that  time. 

Presented  by  the  heirs  of  Mrs.  Harriet  Bayard  Van 
Rensselaer,  October  5,  1875. 

255.  Portrait  of  Robert  R.  Livingston,  (1718-1775.) 

(34x45.)  John  Vanderlyn, 

This  portrait  was  painted  at  Paris,  in  1804.  and  presented 
to  the  American  Academy  of  Fine  Arts  in  New  York,  July 
6,   1805,  where  it  remamed  until  that  institution  was 
dissolved. 
Presented  by  Mrs.  Thomson  Livingstone,  October  3, 187G. 


30  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

256.  Portrait  of  Col.  Andrew  Warner,  (1806-1899.) 

(29X36.)  George  A.  Baker, 

Recording  Secretary  of  the  Society,  1846-1849  and 
1854-1899. 

Painted  for  the  Society,  1877. 

257.  Portrait  of  Gen.  Aaron  Ogden,   (1756-1839.) 

(25x30.)  A.  B.  Durand. 

Governor  of  New  Jersey,  and  President-General  of  the 
Society  of  the  Cincinnati. 

Painted,  1834. 
Presented  by  several  members  of  the  Society,  October 

2,  1878. 

258.  Portrait  of  Gulian  C.  Verplanck,  (1786-1870.) 

(25x30.)  Charles  C.  Ingham, 

Second  Vice  President  of  the  Society,  1868-1869,  and 
First  Vice  President,  1870. 

Painted  about  1830. 

Presented  by  several  members  of  the  Society,  October 
2,  1878. 

259.  Portrait    of   Antonio    Lopez    de    Santa    Ana, 

(1795-1876.)  (25X30.)  Paul  UOuvrier, 

Painted  from  life,  about  1858. 
Presented  by  Frederic  De  Peyster,  October  2,  1878. 

260.  Portrait  of  John  A.  Dix,  (1798-1879.) 

(40x50.)  Daniel  Huntington, 

Second  Vice  President  of  the  Society,  1870. 
Painted  for  the  Society,  1880. 
Presented  by  Charles  O'Conor. 

261.  Vase  of  Flowers.  (13  Xl7.)  Mary  L.  Baker, 

Presented  by  Richard  E.  Mount,  February  3,  1880. 

262.  Portrait    of    Charles    P.    Daly,    (1817-1899.) 

(25X30.)  William  Page. 

Founder  of  the  "Charles  P.  Daly  Fund"  of  the  Society. 
Painted  in  1848. 
Presented,  June  7,  1881,  by  Mrs.  Charles  P.  Daly. 

263.  Portrait  of  a  Lady.  (34x46.) 

Presented  by  Frederic  De  Peyster,  February  7,  1882. 

264.  Portrait  of  a  Gentleman.  (34x46.) 

This  and  the  preceding  picture  came  from  Castleton, 
Staten  Island,  N.  Y.,  the  former  residence  of  the  Colonial 
Governor,  Colonel  Thomas  Dongan.  They  are  portraits 
of  members  of  the  Dongan  family,  and  were  purchased 
from  the  collection  of  the  Hon.  Caleb  Lyon,  January,  1882. 

Presented  by  Frederic  De  Peyster,  February  7,  1882. 


GALLERY  OF  ART  31 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

265.  Portrait  of  Cornelius  Steenwyck,  (        -1684.) 

(9iXl2i.)° 

Presented  by  Mrs.  Eliza  M.  Clarke,  of  the  Locusts, 
near  Shrewsbury,  N.  J.,  November  4,  1856,  through  G.  do 
Haert  Gillespie,  Esq. 

266.  Portrait  of  Cornelius  Steenwyck,  (        -1684.) 

(24JXl3i.)  Jan  Van  Goosen. 

Steenwyck  was  prominent  in  the  early  annals  of  New 
York  as  Burgomaster,  etc.,  under  the  Dutch,  and  Member 
of  the  Assembly,  Alderman,  Member  of  the  Council,  and 
Mayor  under  the  English  rule.  This  picture  is  supposed  to 
have  been  painted  at  Haarlem,  Holland,  1667-1668,  at 
which  time  Steenwyck  was  visiting  liis  sister,  the  wife  of 
the  artist  Van  Goosen.  It  remained  for  more  than  a 
century  in  the  family  of  Colonel  Anthony  White,  from  one 
of  whose  descendants — Miss  Isabella  J.  Evans,  of  New 
Brunswick,  N.  J. — it  came  into  the  possession  of  the 
Society  in  December,  1882. 

The  portrait  is  surmounted  by  the  arms  of  Steenwyck, 
and  below  it  is  a  view  of  the  city  of  New^  Amsterdam,  from 
a  sketch  made  about  1656.  The  head  of  Steenwyck,  No. 
265  of  this  Catalogue,  seems  to  have  been  copied  from  this 
picture. 

Presented  by  several  members  of  the  Society,  December 
5,  1882. 

267.  Portrait  of  Thomas  Payne,  (1717-1799.) 

(23x29.)  G.  Vander  Puyl, 

Original  of  the  portrait  engraved  for  Dibdin's  Decameron. 

268.  Portrait  of  John  Payne.  (25x30.) 

Thomas  G.  Wainewright. 

The  two  preceding  portraits,  of  father  and  son,  cele- 
brated London  booksellers,  were  obtained  from  Mr.  J.  T. 
Payne,  grandson,  by  Mr.  F.  S.  Ellis,  of  London,  and  by 
him  presented  to  the  Society,  April  3,  1883. 

269.  Portrait  of  Richard  Hildreth,  (1807-1865.) 

(25x30.)  Robert  M.  Pratt. 

Painted  in  1858. 
Presented  by  Miss  Eugenia  C.  Pratt,  February  5,  1884. 

270.  Portrait  of  Nicholas  P.  Trist,  (1800-1874.) 

(25x30.)  Robert  M.  Pratt, 

Painted  in  1852. 
Presented  by  Miss  Eugenia  C.  Pratt,  February  5,  1884. 

271.  Portrait  of  Roger  Strong,  (1762-1836.) 

(10x28i.)  John  Vanderlyn. 

Presented  bv  his  granddaughter,  Miss  Frances  G.  Man- 
kin,  May  5,  1885. 


32  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

272.  Portrait  of  Robert  Benson,  (1739-1823.) 

(24x30.)  John  Trumbull. 

Painted,  1804,  when  the  subject  was  in  his  65th  year. 
Bequest  of  Robert  Benson,  Jr.,  May  5,  1885. 

273.  Portrait  of  Henry  Benson,  (1741-1823.) 

(25x30.)  John  Vanderlyn, 

Painted,  1823,  when  the  subject  was  82  years  of  age. 
Bequest  of  Robert  Benson,  Jr.,  May  5,  1885. 

274.  Portrait  of  John  Lawrance,  (1750-1810.) 

(Miniature.)  John  Trumbull. 

Judge-Advocate-General,  War  of  the  Revolution,  Mem- 
ber of  Congress,  and  IT.  S.  Senator  from  New  York,  Judge 
U.  S.  District  Court. 

Painted  at  Philadelphia,  1792. 
Presented  by  J.  L.  and  G.  C.  MeWhorter,  January  5,  1886. 

275.  Portrait  of  Augustus  Schell,  (1812-1884.) 

(22x27.)  Eastman  Johnson. 

First  Vice  President  of  the  Society,  1871,  and  President, 
1872,  1883-1884.     Painted,  1885. 

Presented  by  Mrs.  Anna  Schell,  January  5,  1886. 

276.  Return  of  the  69th  Regiment,  N.  Y.  S.  AI., 

from  the  Seat  of  War.  (140x87.)  Louis  Lang. 

This  regiment  returned  to  the  city  of  New  York,  on  the 
morning  of  the  27th  of  July,  1861,  after  three  months' 
service  in  the  South,  when  it  received  a  popular  ovation, 
which  the  artist  has  faithfully  depicted.  The  picture  rep- 
resents the  troops  turning  into  Broadway  from  Battery 
Place,  where  they  had  landed.  The  faces  are  mainly 
studies  from  life. 

Presented  by  the  Artist,  October  5,  1886. 

277.  Portrait  of  Benjamin  H.  Field,   (1814-1893.) 

(29x36.)  Daniel  Huntington. 

Treasurer  of  the  Societv,  1860-1877;  Second  Vice 
President,  1878-1884,  and  President,  1885-1886.  Painted, 
1875. 

Bequest  of  Mrs.  Catharine  M.  Van  Cortlandt  Field, 
February  1,  1887. 

278.  Portrait  of  Caroline  E.  S.  Norton,  (1808-1877.) 

(40x50.)  Samuel  S.  Osgood. 

Painted,  1839. 
Presented  by  Mrs.  Samuel  S.  Osgood,  November  1, 
1887. 


GALLERY  OF  ART  33 


NO.  SUBJECTS    OF    PAIXTINGS.  ARTISTS. 

279.  St.  Peter's  denial  of  Christ.  (65x45.) 

Samuel  S.  Osgood. 

Presented  by  Mrs.  Samuel  S.  Osgood,  October  2,  1S88. 

280.  Christ  in  the  Prsetorium.  (38  X50.)    Samuel  S.  Osgood, 

Presented  by  Mrs.  Samuel  S.  Osgood,  October  2,  1888. 

281.  Portrait  of  Daniel  Webster,  (1782-1852.) 

(25X30.)  George  P.  A.  Healy. 

Painted  in  1842. 
Presented  by  J.  Pierpont  Morgan,  October  2,  1888. 

282.  Portrait  of  Lord  Ashburton  (Alexander  Baring), 

(1774-1818.)     (25x30.)  George  P.  A.  Healy, 

Painted  in  1842. 
Presented  by  J.  Pierpont  Morgan,  October  2,  1888. 

283.  Portrait  of  John  Hampden  Pleasants, 

(1797-1846.)  (22X26.)  Oval. 

Founder  of  the  Richmond  Whig,  and  its  Editor  for 
twenty-two  j-ears.    Killed  in  a  duel,  February  27,  1846. 

Presented  bv  Messrs.  A.  S.  Buford,  T.  William  Pem- 
berton  and  Thomas  Potts,  1889. 

284.  Portrait  of  John  Alstyne,  (1800-1869.) 

(33x41.)  Charles  L.  Elliott, 

Painted  in  1866. 
Presented  by  the  Heirs  of  George  P.  Clapp,  March  4, 1890. 

285.  Portrait  of  Henry  Ten  Broeck,  (1754-1830.) 

(24x30.)  John  Paradise, 

Painted  in  1814. 
Presented  by  Henrj-  Ten  Broeck  Gamage,  June  2,  1891. 

286.  Portrait  of  Capt.  John  Waddell,  (        -1762.) 

(28X35.) 

Presented  by  Edmond  B.  Southwick,  December  1,  1891. 

287.  Portrait  of  Mrs.  John  Waddell  (Anne  Kirton), 

(1716-1773.)   (28X35.) 
Presented  by  Edmond  B.  Southwick,  December  1,  1891. 

288.  Portrait  of  Maximilian  I.,  Emperor  of  Mexico, 

(1832-1867.)  (36X47.)  Oval. 

Bequest  of  Mrs.  Parthenia  T.  Norton,  1892. 


34  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

289.  Portrait  of  Carlota,  Empress  of  Mexico. 

(36X47.)  Oval. 

Bequest  of  Mrs.  Parthenia  T.  Norton,  1892. 

290.  Portrait  of  John  Alsop  King,  (1816-1900.) 

(38X45.)  Robert  Hinckley, 

President  of  the  Society,  1887-1900. 
Painted  for  the  Society,  1892. 

291.  Portrait  of  Rear-Admiral  Samuel  L.  Breese, 

U.  S.  N.,  (1794-1870.)  (25x30.) 

Daniel  Huntington, 

Painted  in  1872. 
Bequest  of  his  widow,  Mrs.  E.  L.  Breese,  1892. 

292.  Portrait  of  Myron  Holley,  (1779-1841.) 

(24X29.) 

Presented  by  his  daughter,  Miss  Sallie  Holley,  February 
2,  1892. 

293.  Portrait  of  Col.  Zachary  Taylor,  (1784-1850.) 

(20X24.) 

Presented  by  Daniel  Parish,  Jr.,  April  5,  1892. 

294.  Mrs.  Martha  J.  Lamb,  seated  in  her  library, 

(1829-1893.)   (24X15.) 

Author  of  the  History  of  the  City  of  New  York. 
Bequest  of  Mrs.  iVIartha  J.  Lamb,  1893. 

295.  Portrait  of  Sa-go-ye-wat-ha,  or  Red  Jacket. 

(19X29.)  Robert  W.  Weir. 

Painted  from  life  in  1828  at  New  York  City. 
Presented  by  Winthrop  Chanler,  February  7,  1893. 

296.  Portrait  of  John  De  Peyster,  1798.  (25x30.) 

Charles  Wilson  Peale. 

Presented   bv   his   grandson,    Christopher   Champlin, 
June  5,  1894. 

297.  Portrait  of  Mrs.  John  De  Peyster  (Elizabeth 

Haring).     (1743-1821.)     (25x30.) 

Charles  Wilson  Peale. 

Painted  in  1798. 
Presented  by  her  grandson,    Christopher  Champlin, 
June  5,  1894. 


GALLERY  OF  ART  35 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

208.  Portrait  of  Mrs.  Christopher  ChampHn, 
(1749-1823.)  (23i-x28.) 

Presented  by  her  grandson,  Christopher  Champlin, 
June  5,  1894. 

299.  Portrait    of    Col.    Johannes    Knickerbacker, 

(1749-1827.)   (21X25.) 

Commander  of  the  14th  Albany  Regiment  in  the  War  of 
the  Revolution.  Bequest  of  his  grandson,  the  Rt.  Rev. 
David  B.  Knickerbacker,  1895. 

300.  Portrait  of  Herman  Knickerbacker, 

(1782-1855.)   (22X29.) 

Bequest  of  his  son,  the  Rt.  Rev.  David  B.  Knicker- 
backer, 1895. 

301.  Portrait  of  Capt.  Daniel  Delavan,  (1757-1835.) 

(25x30.)  John  TrumhulL 

Captain  of  Light  Horse,  War  of  the  Revolution. 
Presented  by  Marinus  Willett  Dominick,  May  7,  1895. 

302.  Portrait    of    Commodore    James    Nicholson, 

U.  S.  N.,  (1737-1804.)  (25x30.) 

Presented  by  the  Count  de  Gallatin,  June  4,1895. 

303.  Portrait  of  Rev.  Alexander  McWhorter,  D.D., 

(1734-1807.)  Crayon.  (8x10.) 
Presented  by  George  C.  McWhorter,  October  1,  1895. 

304.  Portrait  of  Mrs.  Alexander  McWhorter  (Mary 

Cumming).  Crayon.  (8x10.) 

Presented  by  George  C.  McWhorter,  October  1,  1895. 

305.  Portrait  of  Mrs.  Alexander  N.  Macomb  (Julia 

Anna  McWTiorter).  (3x3|.)  Benjamin  TrotL 

Miniature  on  ivor}\  Presented  by  George  C.  Mc- 
A\Tiorter,  October  1,  1895. 

306.  Portrait  of  James  H.  Allen.  (2x2|.) 

Grandson  of  Chief  Justice  Allen  of  Pennsylvania.  Bom 
1768.  died  1778.  Miniature  on  ivory.  Presented  by 
George  C.  McWhorter,  October  1,  1895. 

307.  Portrait  of  Mrs.  George  Ogilvie  (Ann  McWhor- 

ter). Crayon.  (7^x10.) 

Presented  by  George  C.  McWhorter,  October  1,  1895. 


36  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

308.  Portrait  of  John  Lawrance,  (1750-1810.) 

(8x9i.) 

Presented  by  George  C.  McWhorter,  October  1,  1895. 
See  No.  274. 

309.  Portrait  of  the  Rev.  Hooper  Cumming. 

(25x30.)  Henry  Inman. 

Bequest  of  Mrs.  Julia  C.  Van  Arsdale  Jones,  1896. 

310.  Portraits  of  Mrs.  Hooper  Cumming  (Sophie 

Wright)  and  daughter  Harriet,  who  married 
Edward  A.  Jee.  (24x30.)  Rembrandt  Peak. 

Bequest  of  Mrs.  Julia  C.  Van  Arsdale  Jones,  1896. 

311.  Portrait  of  Sir  WilUam  Johnson,  Bart, 

(1715-1774.)  (25x30.) 

Copy  from  the  original  in  the  possession  of  his  great- 
grandson. 
Presented  by  Edward  F.  de  Lancey,  October  6,  1896. 

312.  Portrait  of  Mrs.  Augustus  Jav  (Anna  Maria 

Bayard),  (1670-         .)   (29|X37.) 

Presented  by  Edward  F.  de  Lancey,  October  6,  1896. 

313.  View  in  the  Swiss  Alps,  1845.  (36x44.)       A.  Castell 

Presented  by  Edward  F.  de  Lancey,  October  6,  1896. 

314.  Portrait  of  David  Gelston,  (1744-1828.) 

(27x33 J.)  John  Wesley  Jarvis. 

Presented    by    his    granddaughter,    Mrs.    Henry    R. 
Winthrop,  January  5,  1897. 

315.  Seaport  in  Holland.  (24jxl7|.)  Adam  Willaerts. 

Signed  and  dated  1640. 
Presented  by  Mrs.  Susan  C.  Warren,  May  4,  1897. 

316.  View  of  the  Yosemite  Valley,  1865.  (71x54.) 

Thomas  Hill. 

Presented  by  Charles  T.  Harbeck,  June  1,  1897. 

317.  Sepia  Drawing  of  Trinity  and  Grace  Churches, 

New  York  City.  (36  x25.)  William  Strickland. 

Presented  by  Daniel  Parish,  Jr.,  October  5,  1897. 

318.  Sepia  Drawing  of  St.  Paul's  Church,  New  York 

City.  (36x25.)  William  Strickland. 

Presented  by  Daniel  Parish,  Jr.,  October  5,  1897. 


GALLERY  OF  ART  37 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

319.  Portrait  of  Eugene  Keteltas,  (1802-1876.) 

(25x30.)  William  0.  Stone. 

Bequest  of  Henry  Keteltas,  1898. 

320.  Portrait  of  Eldad  Holmes.  (27x34.) 

First  President  of  the  Tradesmen's  Bank  of  New  York. 
Presented  by  the  Bank,  February  6,  1900. 

321.  Portrait  of  Preserved  Fish,  (1766-1846.) 

(33X42.) 

Fourth  President  of  the  Tradesmen's  Bank  of  New  York. 
Presented  by  the  Bank,  February  6,  1900. 

322.  Portrait  of  Edwin  Smith.  (28x34.)     Francisco  AnelU. 

Presented  by  Mr.  Smith,  May  1,  1900. 

323.  Portrait  of  George  P.  Morris,  (1802-1864.) 

(21x24.)  Charles  L.  Elliott. 

Poet  and  Journalist. 
Presented  by  Daniel  Parish,  Jr.,  November  7,  1900. 

324.  Portrait  of  William  Kelby,  (1841-1898.) 

(29x36.)  Robert  Hinckley. 

Assistant   Librarian   of  the  Society,   1857-1893,  and 
Librarian,  1893,  until  his  death,  1898. 

Painted  for  the  Society,  1901. 

325.  Portrait  of  Brevet  Lieutenant-Colonel  Henry 

Keteltas,  U.  S.  A.,   (1838-1896.)  (37x60.) 

Marietta  Cotton. 

Presented  by  his  sister,  Alice  Keteltas,  June  4,  1901. 

326.  Portrait  of  Colonel  Peter  R.  Livingston, 

(1737-1794.)  (28X36.)  William  H.  Powell 

Bequest  of  Mrs.  WilUam  S.  Livingston,  1901. 

327.  Portrait  of  William  Walton,  (1706-1768.) 

(25X29.) 

Presented  by  Dr.  William  Walton  Verplanck. 

328.  Portrait  of  WilHam  Walton,  (1706-1768.) 

(40X50.) 

Bequest  of  Theodora  M.  Storm,  1902. 

329.  Portrait  of  Mrs.   William  Walton   (Cornelia 

Beekman),  (1708-1786.)  (40x50.) 

Bequest  of  Theodora  M.  Storm,  1902. 


38  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

330.  Portrait  of  The  Very  Rev.  Eugene  Augustus 

Hoffman,  D.D.,   (1829-1902.)  (40x60.) 

Harry  T.  See. 

Foreign  Corresponding  Secretary  of  the  Society, 
1896-1900,  and  President,  1901-1902. 

Painted  for  the  Society,  1902. 

331.  Portrait  of  Samuel  Verplanck  Hoffman. 

(54x36.)  J.  Carroll  Beckwith. 

President  of  the  Society,  1903-1912. 
Painted  for  the  Society,  1909. 

332.  Portrait  of  Samuel  Verplanck  Hoffman. 

(52x36.)  Rudolph  Schmidt. 

President  of  the  Society,  1903-1912. 
Presented  by  the  Artist,  March  7,  1911. 

333.  Portrait  of  Zophar  Mills,  (1809-1887.) 

(36x42.)  Frank  B.  Carpenter. 

Presented  bv  his  daughter,  Adelaide  Mills,  November 
24,  1902. 

334.  Portrait  of  David  Grim,   (1737-1826.) 

(28x36.)  Samuel  L.  Waldo. 

Painted,  1812. 
Bequest  of  Sophie  E.  Minton,  December  2,  1902. 

335.  Landscape.     Sunset.  (25x37.)  A.  B.  Durand. 

The  last  picture  painted  by  the  Artist,  1878,  aged  83 
years. 

Presented  by  the  children  of  the  Artist,  through  John 
Durand,  April  7,  1903. 

336.  Study  from  Nature.  (10x14.)  A.  B.  Durand. 

Made  at  Hoboken,  N.  J.,  before  1834. 
Presented  by  the  children  of  the  Artist,  through  John 
Durand,  April  7,  1903. 

337.  Study  from  Nature.  (Ilxl4i.)  A.  B.  Durand. 

Made  at  Hoboken,  N.  J.,  before  1834. 
Presented  by  the  children  of  the  Artist,  through  John 
Durand,  April  7,  1903. 

338.  Ideal  Head.     A  suggestion  from  life. 

(21^X27.)  A.  B.  Durand. 

Painted,  1836. 
Presented  by  the  children  of  the  Artist,  through  John 
Durand,  April  7,  1903. 


GALLERY  OF  ART  39 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

339.  Portraits,  three  children  with  landscape  acces- 

sories. (29x37.)  A.  B.  Durand, 

Painted  about  1834. 
Presented  by  the  children  of  the  Artist,  through  John 
Durand,  April  7,  1903. 

340.  Landscape.     Sunday  morning.  (25x36.) 

A.  B.  Durand, 

Painted,  1839. 
Presented  by  the  children  of  the  Artist,  through  John 
Durand,  April  7,  1903. 

341.  IlPappagallo.  (24x30.)  A.  B,  Durand, 

Painted  from  a  model  in  Rome,  1840. 
Presented  by  the  children  of  the  Artist,  through  John 
Durand,  April  7,  1903. 

342.  A  Dream  of  Arcadia.     Studj'^  for  original  pic- 

ture. (9X14.)  Thomas  Cole. 

Presented  by  the  children  of  the  late  Asher  B.  Durand, 
through  John  Durand,  April  7,  1903. 

343.  Portrait  of  Asher  B.  Durand,  (1796-1886.) 

(15xl9i.)  William  Jewett, 

Painted  in  1825. 
Presented  by  the  children  of  the  late  Asher  B.  Durand, 
through  John  Durand,  April  7,  1903. 

344.  Portrait    of    Philip    W.    Engs,    (1790-1875.) 

(22x27i.) 

Presented  by  his  grandson,  Henry  A.  Bostwick,  April 
7,  1903. 

345.  View  of  New  York  about  1753.    (37i  x60.) 

Presented,  December  6,  1904,  by  Miss  Cornelia  LeRoy 
White  in  the  name  of  Goldsborough  Banyer,  late  a 
Fellow  of  the  Society. 

346.  Sacrifice  of  Abraham.  (37^X40.)  Dutch  School, 

Presented  by  Mrs.  Peter  Gerard  Stuyvesant  Ten 
Broeck,  May  2,  1905. 

347.  Portrait  of  Peter  Stuyvesant,  (1592-1672.) 

(22ixl7|.) 

Painted  from  Ufe. 

Director  General  of  New  Netherland,    1646-1664. 

Presented  by  his  great-great-great-great-grandson, 
Robert  Van  Rensselaer  Stuyvesant,  February  2,  1909. 


40  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

348/Portrait  of  Peter  Stuyvesant.  (25x30.) 

Copy  from  the  original. 
Presented  by  Nicholas  William  Stuyvesant,  January  9,  1829. 

349.  Portrait  of  Nicholas  William  Stuyvesant, 

(1648-1698.)   (25X35.) 

Son  of  Peter  Stuyvesant. 
Presented  by  his  great-great-great-grandson,   Robert 
Van  Rensselaer  Stuyvesant,  June  6,  1905. 

350.  Portrait  of  Gerardus  Stuyvesant,  (1690-1777.) 

(25X30.) 

Son  of  Nicholas  WilUam  Stuyvesant. 
Presented    by    his    great-great-grandson,  Robert  Van 
Rensselaer  Stuyvesant,  June  6,  1905. 

351.  Portrait  of  Nicholas  William  Stuyvesant, 

(1722-1780.)   (25X30.) 

Son  of  Gerardus  Stuyvesant. 
Presented  by  his  great-grandson,  Robert  Van  Rens- 
selaer Stuyvesant,  June  6,  1905. 

352.  Portrait   of  Petrus   Stuyvesant,    (1727-1805.) 

(25X30.)  Gilbert  C.  Stuart, 

Son  of  Gerardus  Stuyvesant. 
Presented  by  his  great-grandson,  Robert  Van  Rens- 
selaer Stuyvesant,  June  6,  1905. 

353.  Portrait  of  Nicholas  William  Stuyvesant, 

(1769-1833.)    (25X30.) 

Son  of  Petrus  Stuyvesant. 
Presented  by  his  grandson,   Robert  Van  Rensselaer 
Stuyvesant,  June  6,  1905. 

354.  Portrait  of  Peter  Stuyvesant,  (1796-1860.) 

(24X30.) 

Son  of  Nicholas  William  Stuyvesant. 
Presented  by  his  son,  Robert  Van  Rensselaer  Stuyve- 
sant, June  6,  1905. 

355.  View  near  Fort  Montgomery,  New  York. 

(21X14.)  Water  Color.  William  G.  Wall 

Presented  by  Daniel  Parish,  Jr.,  July  19,  1905. 

356.  View  of  the   Highlands  looking   South  from 

Newburgh  Bay.  (21x14.)  Water  Color. 

William  G.  Wall. 

Presented  by  Daniel  Parish,  Jr.,  July  19,  1905. 


GALLERY  OF  ART  41 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

357.  Portrait  of  Peter  Augustus  Jay,  (1776-1842.) 

(27x33.)  Charles  F.  Saltza. 

From  the  original  by  A.  B.  Durand. 

Second  Vice  President  of  the  Societj',  1823;  First  Vice 
President,   1824-1827;  President,   1840-1842. 

Presented  by  his  daughter,  Mrs.  Matthew  Clarkson, 
June  6,  1905. 

358.  View  of  the  Dongan  Manor  House.    (1876.) 

(19X13.)  J.  H.  Wright 

West  New  Brighton,  New  York. 
Presented  by  Joseph  T.  Williamson,  October  5,  1905. 

359.  ^^The  Fight  in  the  Air."  (68x49i.) 

Sigmund  Lachenwitz, 

Presented  by  Mrs.  Fancher  Nicoll,  May  1,  1906. 

360.  Portrait  of  Henry  Dexter,   (1813-1910.) 

(40x52.)  Charhs  A,  Whipple. 

Patron.      Painted  for  the  Society,  1901. 

361.  Portrait  of  Orrando  Perry  Dexter,  (1853-1903.) 

(24x30.)  Charles  A.  Whipple. 

Presented  by  his  father,  Henry  Dexter,  July  30,  1906. 

362.  Portrait  of  James  William  Beekman,  (1815- 

1877.)  (22X27.)  Walter  SatterUe. 

From  the  original  by  Thomas  Leclear. 
Second  Vice  President  of  the  Society,   1872-1877. 
Presented    by  his  sons,  Gerard   and   James  William 
Beekman,  December  4,  1906. 

363.  Portrait  of  John  D.  Jaques,  M.D.,  (1772-1839.) 

(25x30.)  Henry  Inman. 

Presented  by  David  Ralph  Jaques,  February  5,  1907. 

364.  Portrait  of  John  S.  Giles,  (1799-1880.) 

(48X51.)  ,     J,  B.  Stearns, 

Painted  1858. 
Trea.surer  of  the  Widows  and  Orphans  Fund,  Volunteer 
Fire  Department,  New  York  City. 

Presented  by  his  daughter,  Mrs.  Frances  M.  Gibson, 
June  4,  1907. 

365.  Lake  George  View  of  Black  Mountain  from  the 

Harbor  Islands.  (60x32.)  A.  B,  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 


42  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

366.  Sepia  Drawing  of  Primeval  Forest.  (58x48.) 

A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

367.  Head  of  a  Roman.  (24iXl9f)  A,  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

368.  View  at  Milton,  New  York.  (23x30.)    A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

369.  Portrait  of  J.  W.  Casilear,  (1811-1893.) 

(30X25.)  A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

370.  Hudson  River  View  of  Fishkill  Mountains. 

(32x46.)  A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  W^oodman,  No- 
vember 12,  1907. 

371.  Portrait  of  [Nephew  of  A.  B.  Durand].  Unfin- 

ished. (12x14.)  A.  B.  Durand. 

Presented  bv  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

372.  Portrait   of   Asher   B.    Durand,    (1796-1886.) 

(30X24.) 

Painted  by  himself. 
Presented  by  his  daughter,   Mrs.   Lucy  M.   Durand 
Woodman,  November  12,  1907. 

373.  Landscape— Sunset.  (25x34.)  A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

374.  Studv  from  Nature — Rocks  and  Trees. 

(2ixl6f.)  A.  B.  Durand. 

Presented  bv  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

375.  Study  from  Nature — Factory  Point,  N.    H. 

(18X24.)  A.  B.  Durand. 

Presented  bv  Mrs.  Lucv  M.  Durand  Woodman,  No- 
vember 12,  1907. 


372.    ASHER  B.  DURAND. 
BY  HIMSELF. 


GALLERY  OF  ART  43 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

376.  View  of  Chappell  Brook — Adirondack  Moun- 

tains. (28x33.)  A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

377.  Portrait— Sister  of  the  Artist.  (25fx20i.) 

A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

378.  Portrait  of  Mrs.  John  Durand.  (12x9f.) 

A.  B.  Durand. 

Mother  of  the  Artist. 
First  portrait  painted  by  Durand,  1822. 
Presented  by  her  daughter,   Mrs.  Lucy  M.  Durand 
Woodman,  November  12,  1907. 

379.  Portrait— Infant  son  of  the  Artist.  (20xl5f.) 

A.  B.  Durand. 

Presented  bv  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

380.  Portrait  of  a  Lady.   Unfinished.  (14x12.) 

A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

381.  Portrait  of  a  Lady.   Unfinished.  (14x12.) 

A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

382.  Head  of  a  Roman.  (29ix24i.)  A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

383.  Head  of  a  Roman.  (24§xl9i)  A.  B.  Durand. 

Presented  bv  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

384.  Study  from  Nature — Trees  and  Rocks  upright. 

(16^X21.)  A.  B.  Durand. 

Presented  bv  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12,  1907. 

385.  Trees.   Pencil  Sketch.  (22Jxl6i)  A.  B.  Durand. 

Presented  by  Mrs.  Lucy  M.  Durand  Woodman,  No- 
vember 12.  1907. 


44  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

386.  Ariadne— Enlarged  copy  for  study.  (87ix70.) 

A.  B.  Durand. 

From  the  original  of  John  Vanderlyn. 
Presented    bv    Mrs.    Lucy    M.    Durand    Woodman, 
November  12,  1907. 

387.  Landscape.  (30x22^.)  J.  W.  Casilear. 

Presented    by    Mrs.    Lucy    M.    Durand    Woodman, 
November  12,  1907. 

388.  A  Dream  of  Arcadia.  (Iljxl3f.)  Thomas  Cole. 

Presented    by    Mrs.    Lucy    M.    Durand    Woodman, 
November  12,  1907. 

389.  Dutch  Singers.  (25iXl9J.) 

Presented    by    Mrs.    Lucy    M.    Durand    Woodman, 
November  12,  1907. 

390.  Portrait  of  George  Bruce,  (1781-1866.) 

(29x36.)  Daniel  Huntington. 

Bequest  of  Matilda  Wolfe  Bruce,  1908. 

391.  Escape  of  the  Constitution.  (25x36.) 

Thomas  Birch. 

Bequest  of  Matilda  Wolfe  Bruce,  1908. 

392.  Portrait  of  David  Leavitt.  (29x36.)        J.  B.  Flagg. 

Painted,  1872. 
Presented  bj'  Mrs.  James  M.  Lincoln,  January  5,  1908. 

393.  Portrait  of  John  B.  Hall.  (25x30.)  Oval.    H.Inman. 

Painted,  1839. 
Presented  by  the  Misses  Helen  L.   and  Evelina  S. 
Hale,  January  5,  1908. 

394.  Portrait  of  Mrs.   John  B.   Hall.     (25x30.) 

Oval.  H.  Inman. 

Presented  by  the  Misses  Helen  L.   and  Evelina  S. 
Hale,  January  5,  1908. 

395.  Portrait  of  Francis  A.  Hall.  (13iXl5i.)  Oval. 

Presented  by  the   Misses  Helen  L.   and  Evelina  S. 
Hale,  January  5,  1908. 

396.  Portrait  of  George  Carpenter.  (25x30.) 

Presented  by   the  Misses  Helen  L.   and  Evelina  S. 
Hale,  January  5,  1908. 


GALLERY  OF  ART  45 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

397.  Portrait  of  Mrs.  Maria  Carpenter.  (25x30.) 

Presented  by  the   Misses  Helen  L.  and   Evelina  S. 
Hale,  January  5,  1908. 

398.  Original  Sepia  of  New  York,  1852.  (51x29.) 

J.  W.  Hill 

From  which  the  View  of  New  York  in  1855  was  engraved 
by  C.  Mottram  and  published  by  G.  W.  Smith. 

Presented  by  Daniel  Parish,  Jr.,  January  5,  1908. 

399.  Portrait  of  a  young  man — DePeyster  Family. 

(41X50.) 

Painted  in  Flanders  and  brought  to  this  country  by 
Johannes  DePeyster. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

400.  Portrait  of  a  young  lady — DePeyster  Family. 

(41X50.) 

Painted  in  Flanders  and  brought  to  this  country  by 
Johannes  DePeyster. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

401.  Portrait  of  a  member  of  the  DePeyster  Family. 

(41X50.) 

Painted  in  Flanders  and  brought  to  this  country  by 
Johannes  DePeyster. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

402.  Portrait  of  Col.  James  DePeyster,  (1726-1799.) 

(46x61.)  Gerard  Beekman  DePeyster. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

403.  Portrait  of  Abraham  DePeyster  (1753-         .) 

(22x27.)  Gerard  Beekman  DePeyster. 

Son  of  James  DePeyster. 
Bequest  of  Catherine  Augusta  DePeyster,  1908. 

404.  Portrait  of  Mrs.  William  Axtell.  (40x50.) 

Daughter  of  Abraham  DePeyster,  1st. 
Bequest  of  Catherine  Augusta  DePeyster,  1908. 

405.  Portrait  of  John  Livingston,  (1714-1788.) 

(25X30.)     g^jj  ^f  pj^-^p  Livingston,  1st. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

406.  Portrait  of  Mrs.  John  Livingston,  (1724-         .) 

(25X30.)        ^^^  Catharine  DePeyster. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 


46  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

407.  Portrait  of  William  Axtell  DePeyster. 

(16|X20i.)  Oval. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

408.  Portrait  of  William  Axtell  DePeyster. 

(10x12.)  Oval. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

409.  Portrait  of  Mrs.  William  Axtell  DePeyster, 

(1800-        .)  (10X12.)  Oval. 

N6e  Mary  Beekman. 
Bequest  of  Catherine  Augusta  DePeyster,  1908. 

410.  Portrait  of  Mrs.  William  Axtell  DePeyster. 

(8X10.)  Oval. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

411.  Portrait  of  Stephen  Van  Cortlandt.  (7x8|.) 

Bequest  of  Catherine  Augusta  DePe3^ster,  1908. 

412.  Portrait  of  Mrs.  Stephen  Van  Cortlandt. 

(7x8i.) 

Nee  Jane  Beekman. 
Bequest  of  Catherine  Augusta  DePeyster,  1908. 

413.  Portrait.    (Unknown  figures.)   (26x32.) 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

414.  Portrait  of  a  Navigator.  (Unknown.)   (26x32.) 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

415.  Portrait  of  Benjamin  W^est,  (1738-1820.) 

(20x24.)  Oval.  Abraham  Delanoy,  Jr. 

Painted,  1776. 
Bequest  of  Catherine  Augusta  DePeyster,  1908. 

416.  Landscape.  (2-^x31.) 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

417.  Portrait  of  Mary  DePeyster  McKnight, 

(1832-         .)    Miniature. 

Bequest  of  Catherine  Augusta  DePeyster,  1908. 

418.  Portrait  of  Elizabeth  Van  Rensselaer  DePeyster. 

Miniature. 

Bequest  of  Catherine  Augusta  DePej^ster,  1908. 


GALLERY  OF  ART  47 


XO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

419.  Portrait    of    Catherine    Augusta    DePeyster. 

Miniature. 

Founder  of  the  "  William  Axtell  DePeyster  and  Mary 
Beekman  DePeyster  Memorial  Fund  "  of  the  Society. 
Bequest  of  Catherine  Augusta  DePeyster,  1908. 

420.  Portrait  of  John  Divine  Jones,   (1814-1895.) 

(52x60.)  Daniel  Huntington. 

Founder  of  the  John  Divine  Jones  Fund  of  the  Society. 
Presented  by  Louisa  F.  J.  Thorn,  in  the  name  of  Mrs. 
John  Divine  Jones,  February  2,  1909. 

421.  Common  Meadow  Vole  and  Rice  Field  Mouse. 

(28x224.)  J.  J.  Audubon. 

Presented  by  Archer  Milton  Huntington,    February 
2,  1909. 

422.  Portrait  of  John  Watts  DePeyster,  (1821-1908.) 

(34x48.)  E.  S.  Jacquin. 

Painted,  1907. 
Presented  by  Mrs.  Howard  Townsend  Martin,  April  6, 
1909. 

423.  Portrait  of  the  Lincoln  Family.  (37x26.) 

Frank  B.  Carpenter. 
Presented  by  Warren  C.  Crane,  April  6,  1909. 

424.  View  of  Donner  Lake,  California.  (120x72.) 

Albert  Bierstadi. 

Presented  by  Archer  Milton  Huntington,  October  5,  1909. 

425.  Portrait  of  Matthais  Bloodgood,  (1803-1890.) 

(23^X20.)  Oval. 

Presented    by    the    family    of    Matthais    Bloodgood, 
October  5,  1909. 

426.  Portrait  of  Mrs.  Matthais  Bloodgood  (Maria 

Ackerman).  (23^x20.) 

Presented    bv    the    family    of    Matthais    Bloodgood, 
October  5,  1909. 

427.  Portrait  of  John  Lawrance,  (1750-1810.) 

(25ix33.) 

Presented  by  Anna  McWhorter  Thomas  in  the  name  of 
George  C.  McWhorter,  1909. 


48  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

428.  Portrait  of  John  Lawrance,  (1750-1810.) 

(Copy.)  (24ix31J.) 

Presented  by  Anna  McWhorter  Thomas  in  the  name  of 
George  C.  McWhorter,  1909. 

429.  Portrait  of  a  Lady.    (Unknown.)     (26x33i.) 

Presented  by  Anna  McWhorter  Thomas  in  the  name  of 
George  C.  McWhorter,  1909. 

430.  Portrait  of  John  Alsop,  (1724-1794.)  (26x30.) 

Member  of  the  Continental  Congress  from  New  York, 
1774-1776. 

Bequest  of  Mary  Rhinelander  King,  1909. 

431.  Portrait  of  John  Alsop  King,  (1816-1900.) 

(20ix25.)  Trumbull 

Painted  about  1830. 
Bequest  of  Mary  Rhinelander  King,  1909. 

432.  The  Genius  of  Painting.  (29x29.)  RomanelU. 

Bequest  of  Mary  Rhinelander  King,  1909. 

433.  Racing  Horse ''Edipse."  (30x25.)  E.  Troye. 

Painted  1834. 
Bequest  of  Mary  Rhinelander  King,  1909. 

434.  Racing  Horse  '^Sir  Henry.''  (30x25.)  E,  Troye. 

Painted  1834. 
Bequest  of  Mary  Rhinelander  King,  1909. 

435.  Landscape  with  Figures.  (301x38.)  Pannini. 

Bequest  of  Mary  Rhinelander  King,  1909. 

436.  Little  Boys  Reaping — Gray  and  White. 

(59X24.) 

Bequest  of  Mary  Rhinelander  King,  1909. 

437.  Portrait  of  George  Washington,  (1732-1799.) 

(5X4.)  W.Grimaldi. 

Painted  for  Rufus  King. 
Bequest  of  Mary  Rhinelander  King,  1909. 

438.  Portrait    of    Matilda   Hoffman,    (1791-1809.) 

(Miniature.) 

Bequest  of  Mary  Rhinelander  King,  1909. 


GALLERY  OF  ART  49 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

439.  Portrait   of   Edward   Bement,    (1795-1866.) 

(Miniature.) 

Presented  by  his  son,  Edward  Bement,  February  8,  1910. 

440.  Autumn  Woods.  (54x84.)  Albert  Bierstadt. 

Presented  by  Mrs.  Albert  Bierstadt,  March  1,  1910. 

441.  Marine  View.  (60x94.)  T.  Gudin. 

Presented  by  Mrs.  Albert  Bierstadt,  March  1,  1910. 

442.  Bowling  Green,  New  York,  1860.  (33  X48.) 

David  Johnson. 

Purchased  by  the  Society,  1910. 

443.  View  of  Upper  New  York  from  the  East  River. 

(28x40.) 

Presented  by  Samuel  V.  Hoffman,  May  3,  1910. 

444.  New  York  City  from  Weehawken.  (32x23i.) 

A^.  Calyo, 

Presented  by  Samuel  V.  Hoffman,  May  3,  1910. 

445.  Fire  of  1835.    New  York  as  seen  from  the  Bay 

with  Castle  William  in  the  Foreground. 
(20ix30.) 

Presented  by  Samuel  V.  Hoffman,  May  3,  1910. 

446.  View  of  New  York  from  the  Navy  Yard, 

Brooklyn.  (20x29.) 

Presented  by  Samuel  V.  Hoffman,  May  3,  1910. 

447.  Broadwav  at  Grand  Street,  looking  north,  1852. 

(21x17.) 

Presented  by  Samuel  V.  Hoffman,  May  3,  1910. 

448.  Portrait  of  Morgan  Lewis,  (1754-1844.) 

(29x36.)  Charles  C.  Curran. 

President  of  the  Society,  1832-1835. 
From  the  original  by  James  Herring. 
Presented  bv  Maturin  Livingston  Delafield  and  John 
Ross  Delafield,  June  7,  1910. 

449.  Portrait    of   Mrs.    Horatio    Gates    (Elizabeth 

Phillips).  (2fx2f.)  (Miniature.) 

Presented  by  John  Austin  Stevens,  June  7,  1910. 


60  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

450.  Castle    Garden,    New    York    City,    1845. 

(28ix38|.) 

Presented  by  Samuel  V.  Hoffman,  October  4,  1910. 

451.  Portrait    of    Peter    Bryant,    M.D.,    (4|x3.) 

(Miniature.) 

Father  of  William  Cullen  Bryant. 
Presented  by  Anna  Fairchild,  November  1,  1910. 

452.  Portrait  of  Mrs.  Peter  Bryant,   (3Jx3i.) 

(Miniature.) 

Mother  of  William  Cullen  Bryant. 
Presented  by  Anna  Fairchild,  November  1,  1910. 

453.  Cameo    Head    and    Bust    of   William    Cullen 

Bryant,  (1794-1878.)   (lfXl|.) 

Presented  by  Anna  Fairchild,  November  1,  1910. 

454.  Portrait  of  William  Cullen  Bryant,  (1794-1878.) 

(4ix4i.)   (Miniature.) 

Painted,  1819. 
Foreign  Corresponding  Secretary  of  the  Society,  1871- 
1872,  and  First  Vice  President,  1873-1878. 

Presented  by  Anna  Fairchild,  November  1,  1910. 

455.  Portrait  of  Mrs.  William  Cullen  Bryant, 

(1797-1865.)   (2Jx3i.)   (Miniature.) 

Presented  by  Anna  Fairchild,  November  1,  1910. 

456.  Portrait    of    Julia    S.    Bryant.     (3x3|.) 

(Miniature.) 

Daughter  of  William  Cullen  Bryant. 
Presented  by  Anna  Fairchild,  November  1,  1910. 

457.  Portrait  of  William  Gilliland,  (1734-1796.) 

(25X30.)  Ralph  Earle. 

Painted,  1789. 
Bequest  of  Charlotte  E.  Draper,  1910. 

458.  Portrait  of  David  Hosack,  M.D.,  (1769-1835.) 

(30X36.)  Augustus  G.  Heaton. 

From  the  original  by  Thomas  Sully. 
Corresponding  Secretary  of  the  Society,    1814-1816; 
Second  Vice  President,  1817;  First  Vice  President.  1818: 
President,  1820-1827. 

Presented  by  the  Artist,  November  1,  1910. 


GALLERY  OF  ART  51 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

459.  Portrait  of  George  Washington,  (1732-1799.) 

(35§X29.)  Rembrandt  Peale. 

Bequest  of  Carolina  Phelps  Stokes,  1910. 

460.  Portrait  of  Martha  Washington,  (1732-1802.) 

(35ix29.)  Rembrandt  Peale. 

Bequest  of  Carolina  Phelps  Stokes,  1910. 

461.  Portrait    of    Commodore   John    H.    Graham, 

(1794-1878.)  (29x36.)  William  H.  Powell. 

Bequest  of  Cornelia  Graham  Brett,  1911. 

462.  Portrait  of  Mrs.  John  H.  Graham  (nee  Mille- 

doler).  (36x29.)  William  H.  Powell 

Painted,  1839. 
Presented  by  Mrs.  Herman  Von  Wechlinger  Schulte, 
April  4,  1911. 

463.  Portrait  of  Jean  Lazare  Vach^,  (1762-1833.) 

(Miniature.) 

Presented    by    his    great-granddaughter,    Isabella 
Vache  Cox,  May  2,  1911. 

464.  Portrait  of  Maria  Anne  Vach^,  (1769-1835.) 

(Miniature),  on  tortoise  shell  snuff  box. 

Presented     by    her    great-granddaughter,    Isabella 
Vache  Cox,  May  2,  1911. 

465.  Portrait    of    John    B.    Vach^,     (1792-1813.) 

(Miniature.) 

Presented  by  his  grand-niece,  Isabella  Vach6  Cox, 
May  2,  1911. 

466.  Portrait  of  Jedediah  Vincent  Huntington, 

(1815-1862.)   (25X30.)  Daniel  Huntington. 

Presented  by  his  nephew,  Charles  R.  Huntington,  No- 
vember 14,  1911. 

467.  Portrait  of  Henry  Aaron  Burr.  (36^x29^.) 

Presented  by  Mrs.  Cornehus  H.  Van  Ness,  February 
6,  1912. 

468.  Portrait  of  Mrs.  Henry  Aaron  Burr. 

(36ix29i.) 

Presented  by  Mrs.  Cornelius  H.  Van  Ness,  February  6, 
1912. 

469.  Portrait  of  Emma  Louisa  Burr.  (37x30.) 

Presented  by  Mrs.  Cornelius  H.  Van  Ness,  February  6, 
1912. 


52  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

470.  Portrait  of  Henry  Burr.  (24jxl8i.) 

Presented  bv  Mrs.  Cornelius  H.  Van  Ness,  February  6, 
1912. 

471.  Portrait  of  Julia  Malvina  Anderson.  (2fx2|.) 

Painted,  1820.  ^^^'^-  Anderson. 

Presented  by  her  daughter,    Miss  Mary  E.  Halsey, 
October  1,  1912. 

472.  Portrait  of  Franklin  Pierce,  (1804-1869.) 

(22X27.) 

Fourteenth  President  of  the  United  States. 
Presented  by  Mrs.  Frances  M.  Gibson,  November  12, 
1912. 

473.  Portrait  of  Benjamin  B.  Sherman,  (1811-1885.) 

(25X30.)  George  Gerhard. 

Painted,  1885. 

Treasurer  of  the  Society,  1878-1884. 

Presented,  May,  1913,  by  his  son,  Charles  A.  Sherman. 

474.  Landscape.  (14x23i.)  John  F.  Kensett. 

Bequest  of  the  late  Kate  Warner,  1914. 

475.  The  Cavalier's  Return.  (30x28^.)       7^.  C.  Woodville. 

Bequest  of  the  late  Kate  Warner,  1914. 

476.  Children  in  Storm.  (35x25.) 

Bequest  of  the  late  Kate  W^arner,  1914. 

477.  Portrait  of  a  Welch  Prince.  (44x32.) 

Bequest  of  the  late  Kate  Warner,  1914. 

478.  View  of  BlackwelFs  Island,  East  River. 

(30X25.)  F.  F.  Palmer. 

Presented  by  Daniel  Parish,  Jr.,  April  7,  1914. 

479.  Portrait  of  William  Darlington,  M.D., 

(1782-1863.)  (6ix9.)  Oval.  Jacob  Eichholz. 

Painted  at  Lancaster,  Pa.,  October,  1810. 
Presented  by  Daniel  Parish,  Jr.,  April  7,  1914. 

480.  Portrait  of  Charles  U.  Combes.  (14x17.) 

Water  Color.  David  E.  Cronin. 

Painted,  1891. 
Sergeant  1st  New  York  Mounted  Rifles. 
Presented  by  Daniel  Parish,  Jr.,  April  7,  1914. 


GALLERY  OF  ART  53 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

481.  Fight   Between  Union  and  Confederate  Cav- 

alrymen. (11  Xl7.)  Water  Color.     David  E.  Cronin. 

Presented  by  Daniel  Parish,  Jr.,  April  7,  1914. 

482.  Fugitive    Slaves  in  the  Dismal  Swamp,  Va. 

(17x14.)     Water  Color.  David  E.  Cronin, 

Presented  by  Daniel  Parish,  Jr.,  April  7,  1914. 

483.  Portrait   of   the   Rev.   Henry  Ward  Beecher, 

(1813-1887.)   (24X19.)     (Crayon.) 

Presented  by  John  H.  Johnston,  April  7,  1915. 

484.  Portrait  of  General  Ebenezer  Stevens, 

(1751-1823.)   (36X27J.) 

Presented  from  the  estate  of  Byam  Kerby  Stevens, 
in  accordance  with  his  wishes,  April  30,  1915^. 

485.  Surrender  of  Lord  Cornwallis  at  Yorktown, 

Va.,  Oct.  19,  1781.  (40Jx60.)  Marietta  Minnigerode. 

Painted  in  1893. 
Copied  from  the  original  by  Trumbull. 
Presented  from  the  estate  of  Byam  Kerby  Stevens, 
in  accordance  with  his  wishes,  April  30,  1915. 

486.  Portrait   of  Rev.    Lazare  Bayard.  (45^x33.) 

Father-in-law  of  Gov.  Peter  Stuyvesant. 
Bequest  of  Cora  V.  R.  Cathn,  1915,  in  the  name  of  her 
brother,  the  late  N.  W.  Stuyvesant  CatUn,  great-great- 
great-grandson  of  Governor  Stuyvesant. 

487.  Portrait  of  Mrs.  Lazare  Bayard  (Judith  DeVos.) 

(45^X33.) 

Mother-in-law  of  Gov.  Peter  Stuyvesant. 
Bequest  of  Cora  V.  R.  Catlin,  1915,  in  the  name  of  her 
brother,  the  late  N.  W.  Stuyvesant  Cathn,  great-great- 
great-grandson  of  Governor  Stuyvesant. 

488.  Bayard  Homestead  at  Alphen,  Holland,  with 

Portraits  of  Samuel  Bayard  and  Anna  Stuy- 
vesant, his  wife;  sister  of  Gov.  Stuyvesant. 
(36x47i.) 

Bequest  of  Cora  V.  R.  Catlin,  1915,  in  the  name  of  her 
brother,  the  late  N.  W.  Stuyvesant  Cathn,  great-great- 
great-grandson  of  Governor  Stuyve.sant. 

The  above  three  paintings  were  brought  over  by 
Governor  Stuyvesant  in  1647. 


THE   BRYAN  COLLECTION 


THOMAS  J.   BRYAN 

Thomas  Jefferson  Bryan  was  the  son  of  Guy  Bryan  and 
Martha  Matlock,  his  wife.  He  was  born  at  ''Spring  Hill," 
Philadelphia,  Pa.,  about  1800,  and  died  at  sea,  May  14, 1870, 
on  board  the  French  steamship  ''Lafayette,"  while  on  his 
way  to  New  York,  four  days  out  from  Havre,  France. 

Mr.  Bryan  graduated  at  Harvard  University  in  1823  and 
studied  law,  but  he  never  practiced  his  profession,  as  he  had 
an  adequate  inheritance. 

Much  of  his  time  was  given  to  foreign  travels  in  forming  a 
valuable  collection  of  paintings.  For  a  time  this  collection, 
known  as  the  Bryan  Gallery  of  Christian  x\rt,  was  displayed 
on  the  walls  of  a  spacious  room  in  a  house  on  the  corner  of 
Broadway  and  Thirteenth  Street,  where  an  admission  fee 
of  twenty-five  cents  was  charged  to  view  the  paintings, 
Mr.  Bryan  himself  being  the  custodian  in  charge.  He 
next  deposited  them  in  the  Cooper  Union,  and  in  1867  he 
deeded  the  entire  collection  to  the  New  York  Historical 
Society,  which  he  catalogued,  arranged  and  added  to  from 
time  to  time  until  his  death  in  1870. 


198.    THOMAS  J.  BRYAN. 

WILLIAM  O.  STONE 

POUNDER  OF  THE  BRYAN  COLLECTION. 

PAINTED  FOR  THE  SOCIETY.  1867. 


THE   BRYAN  COLLECTION 


BYZANTINE   SCHOOL 

NO.  SUBJECTS   OF   PAINTINGS. 

B-1.  Virgin  and  Child.  (15x13.) 

The  Virgin,  clothed  in  a  rich  crimson  drap)ery  which 
covers  the  head,  holds  the  infant  Christ  on  her  right  arm. 
The  child  has  a  gilt  globe  in  his  hand.  Over  his  head  is 
seen  the  date  of  the  picture,  MXC.  It  was  brought  from 
the  East  by  the  celebrated  artist,  Papeti,  who  was  sent 
to  Greece  by  the  French  Government. 
{Bryan  Collection.) 

B-2.  Triptique.  (8x20^.) 

A  very  remarkable  and  elaborate  work;  and  of  the 
highest  interest  in  the  history  of  art. 
{Bryan  Collection.) 


ITALIAN  SCHOOL 

B-3.  A  Virgin  and  Child,  with  four  Saints.  (77Jx39|.) 

Guido  of  Siena. 

This  picture  is  in  perfect  condition,  and  is  from  the 
renowned  collection  of  M.  Artaud  de  Montor,  in  the  ac- 
count of  which  it  was  engraved.     It  is  described  in  the 
work  of  Gault  de  St.  Germain  (p.  51). 
{Bryan  Collection.) 

B-4.  Virgin  and  Child,  with  Saints.  (17x9.)  Oval 

Top.  Cimahue. 

From  the  De  Montor  collection — engraved. 
{Bryan  Collection.) 

B-5.  Knights  at  a  Tournament.  (24x24.)  Round. 

Giotto  di  Bondone. 

The  frame  is  as  ancient  as  the  picture  itself,  of  which 
it  forms  a  part.    It  bears  the  arms  of  the  Medici  family. 
From  the  De  Montor  collection — engraved. 
{Bryan  Collection.) 
57 


68  GALLERY  OF  ART 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

B-6.  Virgin  and  Child.  (12Jx8|.)  Simone  Memmi. 

The  head  of  the  Virgin  presents  the  same  type  as 
that  exhibited  in  the  portrait  of  Petrarch's  Laura, 
painted  by  Memmi,  which  is  in  the  Library  of  the  Vatican. 
From  the  De  Montor  collection — engraved. 
(Bryan  Collection.) 

B-7.  The  Last  Judgment.  (12 J  XSJ.)  Simone  Memmi, 

"Christ,  with  the  cruciform  halo,  and  the  elliptical 
aureola,  bordered  with  cherubim,  appears  in  the  heavens. 
Above,  two  angels,  strangely  enough  colored  entirely  blue, 
sound  the  trumpet;  below,  the  Virgin  and  St.  John 
kneel  upon  the  ground,  from  which  rises  the  cross,  on 
which  two  angels  are  looking.  On  the  left,  the  elect, 
wearing  crowns  of  gold,  mount  towards  the  sky,  under 
the  protection  of  a  pitying  spirit ;  on  the  right,  the  damned, 
covered  with  blood,  are  delivered  to  the  demons  by  a 
minister  of  divine  vengeance.  Jesus  himself  wears  a 
terrible  expression.  Michael  Angelo  is,  therefore,  not 
the  first  to  have  given  him  this  menacing  aspect.  The 
general  color  of  the  picture  pleases  the  eye  by  its  extreme 
fineness :  the  Virgin  and  St.  John  by  the  beauty  of  their 
types."  To  this  just  and  graphic  description  from  the  pen 
of  M.  Michiels,  which  appeared  in  the  Gazette  de  France, 
it  is  needless  to  add  anything  more.  From  the  De  Montor 
collection. 

(Bryan  Collection.) 

B-8.  The  Crucifixion.  (8x21.)  Taddeo  Gaddi. 

From  the  De  Montor  collection. 
(Bryan  Collection.) 

B-9.  St.  Jerome,  St.  Dominic,  and  St.  Francis  of 

Assisi.  (15X10.)  Oval  Top.  Taddeo  Gaddi. 

The  three  Saints  stand  side  by  side.    There  is  dignity 
in  the  attitudes  and  the  draperies,  and  harmony  in  the 
color  of  this  picture.    From  the  De  Montor  collection. 
(Bryan  Collection.) 

B-10.  Two  Wings  of  a  Tabernacle.  (19x8^.) 

.  Lorenzo  il  Monaco, 
From  the  De  Montor  collection. 
(Bryan  Collection.) 

B-11.  A  Tabernacle.  (24x22.)  Giottino. 

From  the  De  Montor  collection. 
(Bryan  Collection.) 

B-12.  St.  Anthony.  (12x9^.)  Triangle.  Giottino. 

From  the  De  Montor  collection. 
(Bryan  Collection.) 


/T-*' 


^  A 


\\ 


B.3,    A  VIRGIN  AND  CHILD.  WITH  FOUR  SAINTS. 

CUIDO  OF  SIENNA. 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  59 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

B-13.  St.  Dominic.  (12x9i.)  Triangle.  Giottino. 

From  the  De  Montor  collection. 
{Bryan  Collection.) 

B-14.  Crucifixion.  (Half  of  a  Triptique.)  (14x10.) 

Buonamico  Buffalmacco. 
From  the  De  Montor  collection. 
{Bryan  Collection.) 

B-15.  A  Tabernacle.  (21  x20.)        Buonamico  Buffalmacco, 

From  the  De  Montor  collection. 
{Bryan  Collection.) 


SCHOOL   OF  THE  TWELFTH   CENTURY 

B-16.  A  Tabernacle.  (20iXl8.) 

The  carved  arabesque  work  indicates  the  period  of  this 
picture,  which  has  been  much  injured  by  the  hand  of  time. 
From  the  De  Montor  collection. 
{Bryan  Collection.) 


ANCIENT  VENETIAN   SCHOOL 

B-17.  Virgin  adoring  the  Infant  Jesus.  (ISJXll.) 

The  Virgin  kneels  before  her  Divine  Son.  Around  are 
angels,  and  behind  her  is  Joseph.  Above  is  a  company  of 
angels;  and,  in  the  distant  sky,  one  is  seen  appearing  to 
the  shepherds.  The  infant  has  a  crimson,  cruciform  au- 
reola. In  this  rudely-drawn  picture  the  future  glory  of 
the  Venetian  School,  its  gorgeous  color,  is  plainly  indicated. 
{Bryan  Collection.) 

B-18.  The  Birth  of  John  the  Baptist.  (24x24.)  Uccello. 

From  the  De  Montor  collection. 
{Bryan  Collection.) 

B-19.  Christ  in  the  Garden  of  Gethsemane. 

(3  J  X  3  i . )  Castagno. 

From  the  De  Montor  collection. 
{Bryan  Collection.) 

B-20.  Triumph  of  Julius  Csesar.  (16x60§.)     Antonio  Dello, 

From  the  De  Montor  collection. 
{Bryan  Collection.) 


60  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

B-21.  The  Crucifixion.  (15x11.)  Botticelli, 

From  the  De  Montor  collection. 
{Bryan  Collection.) 

B-22.  Adoration  of  the  Infant  Christ.  (79|x52i.) 

Perugino. 

[Macrino  d'Alba.] 
The  Virgin  Mary,  St.  John  the  Baptist,  St.  Jerome, 
St.  Joseph,  St,  Michael,  and  the  Pope  Julius  II.,  are 
kneeling  before  the  divine  infant.  Three  small  Angels, 
also  kneeling,  carry  the  nails  and  the  Cross,  emblems  of 
the  torture  which  the  new-born  should  suffer.  The  Christ 
bears  a  striking  resemblance  to  that  of  the  Uttle  Jesus, 
so  much  admired,  in  a  painting  of  the  same  artist,  now 
placed  in  the  Louvre,  after  having  decorated  the  gallery 
of  the  King  of  Holland.  St.  Michael  strikes  the  beholder 
by  his  noble  air  and  his  martial  type.  The  head  is  evi- 
dently the  portrait  of  Gaston  de  Foix,  the  model  of  the 
chivalry  of  the  day.  St.  John  is  the  lean  prophet  of  the 
desert,  the  ascetic,  and  the  eater  of  locusts  and  wild  honey. 
At  the  top  of  the  picture,  three  Angels  play  upon  different 
instruments.  In  the  background  are  seen  the  Capitol,  the 
image  of  Roman  power,  and  the  vast  ruins  of  the  Coliseum. 
The  head  of  Joseph,  who  stands  behind  St.  John,  must 
strike  the  considerate  observer  by  its  close  resemblance 
to  the  type  of  Joseph  which  we  find  in  the  Holy  FamiUes 
of  Raphael.  In  the  Cherub  who  holds  the  Cross,  we  also 
find  great  similarity  to  the  little  Angel  who  occupies  so 
prominent  a  position  in  the  famous  Madonna  of  Foglino, 
from  the  same  divine  pencil.  From  the  collection  Errard. 
Signed  and  dated  1509. 

{Bryan  Collection.) 

B-23.  St.  John,  Weeping.  (20^Xl6§.)     Leonardo  da  Vinci. 

For  the  authenticity  of  this  picture,  we  have  the  high 
authority  of  Mr,  Woodburn. 

{Bryan  Collection.) 

B-24.  St.  John.  (ISJXlOi)  Oval.  Leonardo  da  Vinci. 

{Bryan  Collection.) 

B-25.  The  Birth  and  Resurrection  of  Christ. 

(Ilxl9i.)  Raphael. 

In  the  centre  of  the  upper  compartment,  Christ, 
draped  in  red,  and  bearing  the  emblematic  banner  of  the 
Cross,  rises  from  an  open  tomb.  His  hand  is  raised  with 
an  expression  of  command.  On  each  side  are  two  soldiers 
sleeping,  and  two  starting  away  in  fright.  A  slender  tree 
also  is  seen  upon  each  side  of  the  tomb;  in  the  distance 
is  a  large  hill.  In  the  lower  compartment  are  eight  figures, 
besides  the  infant  Christ.  Six  kneel  in  a  semicircle  about 
the  new-bom  Saviour,  who  lies  in  the  middle  of  the  fore- 
ground. Three  of  these,  on  the  left,  are  shepherds.  On 
the  right  are  the  Virgin  mother  and  two  Angels.  Next 
to  Mary  sits  Joseph;  and  on  the  extreme  left,  a  fourth 
shepherd  approaches.    Two  slender  trees  here  also  appear 


B-5.    KNIGHTS  AT  A  TOURNAMENT. 
GIOTTO  Dl  BONDONE. 
(BRYAN  COLLECTION) 


GALLERY  OF  ART  61 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

on  each  side  of  the  composition.  In  the  distance  are  heavily 
undulating  hills. 

Very  few  Raphaels  of  this  period  exist.  Those  which 
are  in  the  Vatican  and  the  Louvre,  show,  in  style  and 
handling,  an  exact  similarity  to  these  pictures,  which  is 
absolutely  conclusive.  The  donor  wishes  it  to  be  under- 
stood, that,  in  his  opinion,  and  in  that  of  some  of  the 
accomplished  and  practised  experts  in  Europe,  there  is  not 
the  slightest  doubt  of  the  authenticity  of  these  pictures. 
Only  the  inexperienced  and  the  uncultivated  fail  to  trace 
in  them  the  pencil  of  the  divine  Raphael. 
{Bryan  Collection.) 

B-26.  Madonna  and  Child.  (28x21^.)     Copij  from  Raphael 

An  old  and  admirably  executed  copy  of  the  Bridge- 
water  Madonna. 

(Bryan  Collection.) 

B-27.  Dance  of  Cupids.  (7x10.)  Copy  from  Raphael, 

Nine  Cupids  dance  in  a  ring.  On  the  left,  one  plays 
upon  double  pipes;  on  the  right,  another  sits  upon  the 
ground.  This  copy  is  very  fine,  as  it  may  well  be,  having 
been  made  by  no  less  distinguished  an  artist  than  Sasso- 
FERRATO  himself. 

{Bryan  Collection.) 

B-28.  St.  George,  and  St.  Anthony  of  Padua. 

(47  X22i.)        (^^^^  ColUction.)       Gaudenzio  Ferrari, 

B-29.  Martyrdom  of  St.  Bartholomew.  (17x28.) 

{Bryan  Collection.)  Fra  Bartolomeo. 

B-30.  The  Repose  in  Egypt.  (29ix35.)  Giorgione. 

No.  B-17  is  a  specimen  of  the  ancient  Venetian  style, 
which  should  be  examined  in  connection  with  these  pro- 
ductions of  the  glorious  days  of  that  school. 
{Bryan  Collection.) 

B-31.  Prince  of  Palermo — in  Disguise.  (22x17^.)  Giorgione, 

Similar  to  that  in  the  Royal  Gallery  of  Naples,  it  is  dis- 
tinguished by  the  Prince  holding  a  flute,  and  not  a  staff,  a 
ring  on  his  finger  and  an  amulet  in  his  fur  cap.    From  the 
collection  of  the  Marquis  Sommariva. 
{Bryan  Collection.) 

B-32.  A  Concert.  (31  X37i.) 

Copij  from  Giorgione,  by  Waiteau, 

Two  men  and  a  naked  female  sit  in  the  open  air, 
diverting  themselves  with  music.  Another  female  figure 
peers  at  the  group  from  the  shrubbery,  which  is  not  in 
the  original,  but  found  only  in  Watteau's  Pastiche,  No. 
B-247. 

{Bryan  Collection.) 


62  GALLERY  OF  ART 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

B-33.  The  Repose  in  Egypt.  (321x411.)  Titian, 

This  composition  was  repeated  many  times  by  Titian, 
and  without  great  variation.  This  repetition  is  distinguished 
by  the  absence  of  some  figures  in  the  background,  and  the 
introduction  of  a  rivulet  in  the  foreground,  and  a  butterfly 
upon  a  flower  in  the  right  corner.  It  has  twice  been 
found  necessary  to  remove  the  picture  from  its  canvas :  the 
drapery  of  the  Virgin  has  suffered  somewhat  from  this  and 
other  causes;  the  other  parts  of  the  picture  are  somewhat 
injured. 

(Bryan  Collection.) 

B-34.  Portrait  of  a  Lady.  (43x40.)  Style  of  Titian, 

From  the  collection  of  R.  W.  Meade,  of  Philadelphia. 
(Bryan  Collection.) 

B-35.  St.  Jerome,  in  his  Study.  (39x29.)       School  of  Titian, 

Probably  a  copy  by  Odvardo  Fialetti,  scholar  of  Tin- 
toretto. This  is  a  large  copy  of  a  print  by  Albrecht 
DuRER.  Its  color  shows  it  evidently  to  be  of  the  Venetian 
School. 

(Bryan  Collection.) 

B-36.  Virgin  and  Child.  (43x36.)  Oval.     School  of  Titian. 

This  picture  came  from  the  Gallery  of  Louis  PhiUppe, 
and  on  the  back  was  written  "Dans  la  Chambre  du  Prince." 

(Bryan  Collection.) 

B-37.  Portrait  of  a  Presbyter.  (20iXl6i.)  Tintoretto, 

(Bryan  Collection.)  . 

B-38.  St.  Benedict.  (91x54.)  Oval  Top.     Francesco  Zucco. 

The  Saint  is  prostrate  before  an  altar,  receiving  the 
black  stole  from  the  Virgin:  the  head  of  the  Saint  is 
worthy  the  palette  of  Titian.  Signed  and  dated.  Found 
in  New  York,  by  the  donor. 

(Bryan  Collection.) 

B-39.  Abraham  discarding  Hagar  and  Ishmael. 

(24^X19 J.)  Paul  Veronese. 

(Bryan  Collection.) 

B-40.  Portrait  of  Charles,  Constable  de  Bourbon. 

(23iXl9.)  Ludovico  Brea, 

From  the  collection  of  General  D'Espinoy. 
(Bryan  Collection.) 


B.I 8.    THE  BIRTH  OF  ST.  JOHN  THE  BAPTIST. 

UCCELLO. 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  63 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-41.  Christ  Shown  to  the  Multitude.  (45x40.) 

Sebastiano  del  Piomho. 

This  picture,  which  is  in  very  fine  condition,  and  the 

principal  figure  in  which  much  resembles  that  in  the 

famous  picture  of  Christ  looking  into  Hell,  in  the  Royal 

Gallery  of  Madrid,  was  purchased  by  the  donor  in  Rome. 

{Bryan  Collection.) 

B-42.  Virgin  and  Child,  with  Angels.  (44x34^.) 

Andrea  del  Sarto. 

(Bryan  Collection.) 


EARLY   FLORENTINE   SCHOOL 

B-43.  Vu-gin  and  Child,  with  St.  John.  (10x81.) 

It  will  be  noticed  that  gold  is  used  freely  in  the  halos, 
and  upon  the  draperies,  which  fall  in  somewhat  stiff  but 
ample  and  not  unpleasing  folds.  This  picture  is  from  the 
collection  of  the  Abbe  Genoude,  known  as  the  translator 
of  the  Bible,  by  which  he  accumulated  a  fortune. 
{Bryan  Collection.) 

B-44.  Adoration  of  the  Shepherds.  (35^X34.) 

This  picture  is  from  the  collection  of  the  Sylvestre 
family,  and  was  once  improperly  attributed  to  Raphael. 
It  bears  many  of  the  marks  of  Garofalo's  pencil. 
{Bryan  Collection.) 

B-45.  The  Crucifixion.     (33x23.)  Andrea  Mantegna, 

Mr.  Michiels,  the  distinguished  critic  employed  by  the 
Belgian  Government  to  prepare  a  history  of  Flemish  Art, 
says  of  this  work:  ''The  Christ  has  a  nobiUty  in  his  atti- 
tude which  few  painters  have  been  able  to  give  him;  the 
expression  of  the  good  robber  is  also  grave  and  dignified. 
The  whole  picture  bears  the  impress  of  a  serene  imagina- 
tion; the  coloring  is  sombre;  the  attitudes  are  distin- 
guished by  an  air  of  majesty.  We  feel  that  the  artist  had, 
at  the  commencement  of  his  career,  severely  studied  the 
ancients.  Two  cuirasses,  and  some  of  the  draperies,  are 
gilded;  gold  is  mingled  with  the  other  costumes,  in  the 
form  of  traits,  designating  the  folds.  We  are  particular 
about  these  details,  because  they  indicate  the  primitive 
epoch  in  which  the  picture  was  painted,  and  the  manner 
in  which  they  passed  from  the  use  of  gold  grounds  to  the 
entire  abandonment  of  that  metal." 

It  should  be  observed  that  the  Jewish  type  is  preserved 
in  the  heads  of  many  of  the  figures,  which  is  the  case  of 
the  works  of  verj'  few  other  masters.  It  will  be  observed 
that  there  are  in  this  crowded  canvas  no  two  pieces  of 
offensive  or  defensive  armor  alike.  This  is  worthy  of 
particular  remark,  as  Squarcioni,  the  master  of  Man- 


64  GALLERY  OF  ART 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS 

TEGNA,had  the  largest  and  most  varied  collection  of  ancient 
arms  which  existed  in  his  day. 

Aside  from  its  intrinsic  merit,  this  picture  is  of  the 
greatest  interest  when  considered  in  connection  with  the 
St.  Jerome  (B-47)  by  Correggio,  the  disciple  of  Man- 
TEGNA.  In  the  peculiar  mode  of  introducing  gold  in  the 
lights  of  that  noble  painting,  we  notice  an  unmistakable 
similarity  to  Mantegna's  use  of  the  same  material  in  the 
work  before  us;  thus  showing  the  direct  connection  be- 
tween the  manner  of  the  two  painters. 

It  is  impossible  to  overrate  the  historical  importance 
of  the  juxtaposition  of  this  work  of  Mantegna  with  that 
of  Correggio.  There  is  afforded  in  no  other  gallery,  pub- 
lic or  private,  in  the  world,  a  similar  opportunity  to  study 
the  master  and  scholar  side  by  side  in  works  of  unquestion- 
able authenticity  and  the  highest  intrinsic  merit. 
(Bryan  Collection.) 

B-46.  Adoration  of  the  Kings.  (19x14.)  Andrea  Mantegna, 

Found  in  Venice,  1859. 
(Bryan  Collection.) 

B-47.  The  Virgin  and  Child,  Mary  Magdalen,  and 
St.  Jerome  (known  as  the  St.  Jerome). 
(19x14.)  Correggio . 

Of  this  sketch  M.  Michiels  remarks,  that  in  it  "burns 
in  all  its  grace  the  talent  of  Correggio.  Never  has  the 
ecstacy  of  piety,  or  the  fervor  of  reUgious  affection,  been 
better  expressed." 

This  picture  differs  from  the  large  one  at  Parma,  in  the 
absence  of  the  emblematic  lion  which  stands  in  that  by 
the  side  of  St.  Jerome;  and  also  in  the  color  of  some  of 
the  draperies,  particularly  in  that  of  the  canopy,  which  in 
this  is  striped,  while  in  that  it  is  of  one  color.  In  this,  too, 
we  find  gold  used  in  the  halos  and  in  the  draperies,  which 
is  not  the  case  in  the  other;  a  fact  which  points  to  the 
earlier  production  of  this  picture,  and  which  also  connects 
it  in  a  remarkable  manner  with  the  Crucifixion  by  Man- 
tegna (No.  B-45), 

There  can  be  no  doubt  that  this  picture  is  the  finished 
sketch  for  the  weU-known  St.  Jerome,  at  Parma.  The 
marked  differences  already  alluded  to  in  minor  points, 
prove  incontestably  that  it  could  not  be  the  work  of  a 
copyist,  who  would,  of  course,  reproduce  his  original  with 
all  possible  fideUty.  It  is  from  the  collection  of  Marshal 
Sebastiani,  it  having  been  nailed  firmly  to  the  wall  in  his 
bed-chamber. 

(Bryan  Collection.) 

B-48.  Virgin  and  Child.  (34x27.)  Correggio. 

In  support  of  the  authenticity  of  this  picture,  we  have 
the  first  authority  in  England, — that  of  Mr.  Woodburn. 
The  donor  thinks  it  may  be  Schidone. 
(Bryan  Collection.) 


B-22.    ADORATION  OF  THE  INFANT  CHRIST. 

ATTRIBUTED  TO  PERUGINO 

[MACRJNO  D'ALBA\ 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  65 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-49.  Mrgin  and  Child.  (10x8.)  Bernardino  Luini. 

{Bryan  Collection.) 

B-50.  Virgin  and  Child,  with  St.  John.  (32x25^) 

Giulio  Romano. 

This  picture  was  attributed  to  C.esari  da  Sesto,  but  is 
now  believed  by  the  donor  to  be  by  Giulio  Romano.    It 
is  from  the  collection  of  Bishop  Luscomb,  Paris. 
{Bryan  Collection.) 

B-51.  Portrait  of  a  Princess  of  Florence.  (52x41^.) 

Agnolo  Bronzino. 

{Bryan  Collection.) 

B-52.  Portrait  of  a  Noble  Florentine  as  St.  Barbe. 

(35x30.)  Agnolo  Bronzino. 

{Bryan  Collection.) 

B-53.  Portrait  of  a  Venetian  Lady  as  Mary  Magda- 
len.  (42  X  30 . )  Copy  from  Palma  ( Vecchio) . 

{Bryan  Collection.) 

B-54.  Charity.  (9x6 J.)  Giuseppe  Cesari  d^Arpino. 

{Bryan  Collection.) 

B-55.  Virgin  and  Child.  (8x6 J.)  Annibale  Caracci. 

{Bryan  Collection.) 

B-56.  St.  Joseph  holding  the  Infant  Jesus.    (8  X6i.) 

Annibale  Caracci. 

{Bryan  Collection.) 

B-57.  St.  Paul  borne  to  Heaven  by  Angels. 

( 1 9  o-  X 1 5 . )  Domenichino. 

"Three  angels  bear  aloft  the  interpreter  of  the  divine 
will:  one  has  the  form  of  infancy,  another  of  youth,  the 
third  of  adolescence.  The  minister  of  our  Lord  raises  his 
hands  to  heaven,  on  which  he  gazes  with  an  expression 
of  burning  hope.  How  he  seeks  to  discover  the  first  rays 
of  the  eternal  light!  How  he  longs  for  the  moment  in 
which  he  shall  appear  before  the  Almighty!  WTiat  enthu- 
siasm animates  his  countenance!  I  doubt  if  the  ardor  of 
faith  could  be  better  shown.  The  little  angel  has  those 
brilliant  eyes,  and  that  expressive  visage,  which  this  master 
knew  so  well  how  to  paint ;  it  is  certainly  not  inferior  to 
those  which  we  admire  in  the  grand  salon  of  the  Louvre. 
The  angel  of  the  second  age  charms  the  eye  by  a  grace 
and  an  easiness  of  attitude  extremely  remarkable;  upon 
his  countenance  bum  the  veneration  and  the  love  with 
which  the  Apostle  inspires  him.    The  entire  group  seems 


66  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

actually  to  mount  in  the  air.    Mr.  Bryan  had  the  good 
taste  to  purchase  it  at  the  sale  of  M.  Forbin-Janson." 

To  this  just  and  graphic  description,  from  the  pen  of  M. 
Michiels,  which  appeared  in  the  Gazette  de  France,  it  is 
needless  to  add  anything  more. 

This  picture  was  formerly  in  the  gallery  of  the  Cardinal 
Lambruschini,  and  afterwards  in  the  collection  of  M. 
Forbin-Janson,  Director  of  the  Louvre,  at  whose  sale  it 
was  purchased  by  the  donor. 

{Bryan  Collection.) 

B-58.  Christ  Crowned  with  Thorns.  (24^x20.)  Guido, 

If  not  original,  it  is  the  best  copy  ever  seen  by  the  donor. 
{Bryan  Collection.) 

B-59.  Magdalen  in  a  Trance.  (46i  X36.)       School  of  Guido. 

This  picture  is  from  the  collection  of  Louis  Philippe. 
The  head  of  the  Magdalen  is  evidently  a  reminiscence  of 
the  Niobe  discovered  at  Rome  at  the  epoch  of  the  painter. 
{Bryan  Collection.) 

B-60.  The  Young  Bacchus.  (33x24.)  Oval. 

School  of  Carlo  Dolci. 

{Bryan  Collection.) 

B-61.  Lucretia.  (33x24.)  Oval.  School  of  Carlo  Dolci. 

{Bryan  Collection.) 

B-62.  Magdalen.  (34x28.)  Oval.         School  of  Carlo  Dolci. 

{Bryan  Collection.) 

B-63.  St.  Dorothea.  (34x28.)  Oval.     School  of  Carlo  Dolci. 

{Bryan  Collection.) 

B-64.  Christ  disputing  with  the  Doctors.    (39  X54.) 

{Bryan  Collection.)  Gentileschi. 

B-65.  Portrait  of  Galileo  Galilei.  (30ix24J.) 

Justus  Sustermans. 
From  the  collection  of  Louis  Philippe. 
{Bryan  Collection.) 

B-66.  Virgin  and  Child.  (18iXl5J.)  Sassoferrato. 

Found  at  Rome. 
{Bryan  Collection.) 

B-67.  Landscape,  with  Historical  Figures.  (48  x79.) 

{Bryan  Collection.)  >Sa/m^or  Rosa. 


B.45.     THE  CRUCIFIXION. 
ANDREA  MANTECNA 
(BRYAN  COLLECTION) 


GALLERY  OF  ART  67 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

B-68.  Landscape.  (381x46.)  School  of  Salvator  Rosa, 

(Bryan  Collection.) 

B-69.  Landscape.  (24x38.)  School  of  Salvator  Rosa. 

(Bryan  Collection.) 

B-70.  Landscape.  (24x38.)  School  of  Salvator  Rosa, 

(Bryan  Collection.) 

B-71.  Marine  View,  with  Architecture.  (34x50^.) 

Figures  by  Tiepolo.  CanalettO. 

(Bryan  Collection.) 

B-72.  Autumn.  (18^x24^) 

Purchased  of  Mr.  Terry,  artist,  Rome. 
(Bryan  Collection.) 

B-73.  PhiUp  IV.  of  Spain.  (26x21  J.) 

Bought  at  Sienna. 
(Bryan  Collection.) 

B-74.  Don  John  of  Austria.  (26x21  J.) 

Bought  at  Sienna. 
(Bryan  Collection.) 

B-75.  A  Theologian  Decorated  with  the  Order  of 
the  Golden  Fleece.  (26x21^.) 

Bought  at  Sienna. 
(Bryan  Collection.) 

B-76.  Portrait.  (29x24.) 

Bought  at  Sienna. 
(Bryan  Collection.) 

B-77.  Portrait.  (29x24.) 

Bought  at  Sienna. 
(Bryan  Collection.) 


FLEMISH  AND   DUTCH   SCHOOLS 

B-78.  Landscape.  (25§x33.)  Jacobus  van  Artois. 

From  the  collection  of  Marshal  Oudinot. 
(Bryan  Collection.) 

B-79.  Landscape.  (12|xl7.)  Jan  Asselyn. 

(Bryan  Collection.) 


68  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS,  ARTISTS. 

B-80.  Landscape.  (19jxl5i.)  School  of  Assehjn, 

{Bryan  Collection.) 

B-81.  Marine  View.  (161x24.)  Ludolf  Bakhuysen. 

(Bryan  Collection.) 

B-82.  A  large  Marine  View.  (60x54.)     School  of  Bakhuysen. 

{Bryan  Collection.) 

B-83.  Marine  View.  (24x31.)  School  of  Bakhuysen. 

{Bryan  Collection.) 

B-84.  Winter  Scene.  (35ix52.)  Jan  Beerestraten, 

This  is  the  finest  specimen  of  the  Master  ever  seen  by 
the  donor.    It  graced  the  collection  of  Cardinal  Fesch. 
{Bryan  Collection.) 

B-85.  Boors  Regaling.  (29x24.)  Cornelius  Bega. 

{Bryan  Collection.) 

B-86.  Landscape.  (33x44.)  Dirk  van  Bergen. 

This  is  not  a  remarkable,  though  it  is  an  authentic, 
specimen  of  the  Master,  and  is  signed. 
{Bryan  Colleciion.) 

B-87.  Italian  Scenery,  and  Figures  in  Italian  Cos- 
tume. (16x20.)  Nicholas  Berghem, 

Dated  and  signed  "Berchem,"  his  true  signature,  and 
a  superb  specimen  of  this  Master. 

{Bryan  Colleciion.) 

B-88.  Landscape,  with  Oxen  at  the  Plough. 

(15  X20|.)  Copy  of  Nicholas  Berghem. 

This  picture  was  considered  a  Berghem  by  the  Comte 
de  Turenne,  in  the  catalogue  of  his  collection. 
{Bryan  Collection.) 

B-89.  Cattle  and  Herdsmen.  (13|  Xll.)    Nicholas  Berghem. 

This  little  picture,  though  much  injured,  is  unquestion- 
ably authentic. 

{Bryan  Collection.) 


B-90.  Cattle  Market.  (29x38 J.)  Petrus  van  Bloemen. 

ings  near  which  the 
the  Palace  of  the  Ca 
{Bryan  Collection.) 


The  ruined  buildings  near  which  the  cattle  are  grouped, 
are  the  remains  of  the  Palace  of  the  Caesars,  Rome. 


B-101.    PORTRAIT  OF  A  JANSENIST. 

PHILUPPE  DE  CHAMPAGNE. 

(BRYAN  COLLECTION) 


GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-91.  Halt  of  Soldiers.  (29x38^.)  Petrus  van  Bloemen, 

These  two  pictures  were  engraved  as  the  works  of  De 
Laer,  by  an  English  engraver,  in  1769;  an  error  of  names 
but  not  of  appreciation  at  that  time,  when  De  Laer  was 
rated  with  Wouvermaxs. 

(Bryan  Collection.) 

B-92.  Halt  of  Cavaliers.  (10x11.)         Petrus  van  Bloemen, 

This  is  in  his  Flemish  style. 
(Bryan  Collection.) 

B-93.  Landscape.  (18§x24.)  Jan  Both, 

(Bryan  Collection.) 

B-94.  Landscape.  (15x12 J.)  Jan  Both, 

(Bryan  Collection.) 

B-95.  Italian  Landscape:  Sunrise.  (21  x27i.)        Jan  Both. 

(Bryan  Collection.) 

B-96.  Italian  Landscape:  Sunset.  (21x27.)  Jan  Both. 

B-9o  and  B-96  are  companion  pictures:  the  spirited 
figures  are  by  Lingelbach. 

(Bryan  Collection.) 

B-97.  Interior  of  a  Tavern.  (15^x13.)      Renter  Br akenburg. 

It  is  signed  both  by  Brakenburg  and  Jan  Steen,  and 
bears  everywhere  marks  of  the  careful  assistance  of  the 
latter. 

(Bryan  Collection.) 

B-98.  A  Presentation  to  the  Temple.  (28x22i.) 

Leonard  Brarner, 

Signed  and  dated.  Bought  from  J.  Vollmering  in  New 
York  city.  It  is  as  fine  as  Rembrandt's  best  works.  The 
senior  of  Rembrandt,  he  appears  to  have  led  the  way  for 
him  in  his  shades. 

(Bryan  Collection.) 

B-99.  Robber  examining  Coin  by  Day-light. 

(9x6.)  Adrian  Brower, 

This  Master  was  much  respected  by  Rubens. 
(Bryan  Collection.) 

B-100.  Robber  examining  Coin  by    Candle-light. 

(8x6i.)  Adrian  Brower. 

(Bryan  Collection.) 


70  GALLERY  OF  ART 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

B-IOL  Portrait  of  a  Jansenist.  (41ix41|.)  Round. 

Phillippe  de  Champagne. 

This  picture  is  an  excellent  specimen  of  the  Master. 
Collection  of  Mr.  Vien,  artist. 

{Bryan  Collection.) 

B-102.  St.  Paul.  (20X16.)  Phillippe  de  Champagne. 

{Bryan  Collection.) 

B-103.  Cattle  in  a  Landscape.  (15xl3i.)        Albert  Klomp. 

(Bryan  Collection.) 

B-104.  An  Equestrian  Portrait.  (19x16.)    Gonzales  Coques. 

The  picture  gives  but  a  feeble  idea  of  the  merit  of  the 
painter. 

(Bryan  Collection.) 

B-105.  Cattle  and  Figures  in  a  Landscape. 

(22x26i.)  Albert  Cuyp. 

(Bryan  Collection.) 

B-106.  Portraits  of  the  Burgomaster  d'Eyselyhn  of 
Rotterdam,  and  his  family.  (41  X59.) 

Jacob  G.  Cuyp. 

The  landscape  is  probably  not  by  Cuyp. 
(Bryan  Collection.) 

B-107.  Landscape,  with  Figures.  (24x20^.)  Guillam  Dubois. 

The  similarity  of  many  parts  of  this  picture  to  the 
works  of  RuYSDAEL  is  so  great,  that  some  dealer,  more 
keen  than  honest,  had  placed  his  signature  over  that  of  the 
actual  painter.  Upon  cleaning  the  picture,  the  fictitious 
signature,  of  course,  disappeared,  and  that  of  Dubois,  with 
the  date,  1652,  was  brought  to  light;  and  hence  results 
the  unmerited  obscurity  of  a  landscape  painter  of  no  mean 
powers  who  preceded  Ruysdael,  and  whose  works  are  im- 
portant in  the  history  of  art,  as  showing  the  origin  of  that 
Master's  style  of  treating  foliage. 

(Bryan  Collection.) 

B-108.  Landscape.  (15^x21.)  John  Renier  de  Vries. 

(Bryan  Collection.) 

B-109.  The  Presentation  at  the  Temple.  (31  x25i.) 

Christian  W.  E.  Dietrich. 

This  is  the  first  picture  bought  by  the  donor,  in  Europe. 
(Bryan  Collection.) 

B-UO.  Abraham  discarding  Hagar.  (28Jx24.) 

Christian  W.  E.  Dietrich. 

(Bryan  Collection.) 


GALLERY  OF  ART  71 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-111.  The  Crucifixion.  (3Ux20|.)         Anthony  van  DycL 

{Bryan  Collection.) 

B-112.  Portrait  of  a  Lady.  (42 J  xSoJ.)     Anthony  van  Dyck, 

This  picture  belonged  to  General  D'Espinoy's  large  and 
famous  collection  of  portraits.  It  was  covered  with  the 
dust  of  time;  and  the  Cupid,  which  the  donor  found  in 
perfect  preservation,  had  been  painted  out  by  some  sacri- 
legious hand. 

(Bryan  Collection.) 

B-113.  Portrait  of  Charles  I.  (30ix39.)  Anthony  van  Dyck. 

The  monarch  is  represented  on  the  same  canvas  in  front, 
profile,  and  three-quarter  view.  The  object  in  presenting 
such  a  picture  was,  as  the  reader  will  remember,  to  enable 
the  Italian  sculptor,  Bernini,  who  had  not  seen  Charles, 
to  model  a  bust. 

(Bryan  Collection.) 

B-114.  The  Artist  in  his  Atelier.    (12x15.)     Gerard  Douw, 

(Bryan  Collection.) 

B-115.  The  Continence  of  Scipio.  (52x67.) 

Gerhrandt  van  den  Eeckhout, 

This  is  the  most  celebrated  of  the  Master's  composi- 
tions, and  is  cited  by  Descamps  as  his  chef  d'ceuvre.    His 
,  pictures  having  been  frequently  changed intoREMBRANDTS 
by  picture-dealers,  this  specimen  is  the  finest  and  purest 
which  the  donor  has  met  with. 

(Bryan  Collection.) 

B-116.  The  Crucifixion.  (15x14 J.)  Jan  van  Eyck. 

The  cross  upon  which  the  dead  Christ  is  suspended 
occupies  the  middle  of  the  composition.  On  the  left,  St. 
John  sustains  the  fainting  Virgin,  behind  whom  kneels 
the  churchman  for  whom  the  picture  was  painted.  His 
name,  Friatcr)  Aurelius  de  Emael,  is  written  in  German- 
text  across  his  figure.  Behind  him  is  a  weeping  female 
figure;  on  the  left  is  a  group  of  dignitaries  and  soldiers. 
A  landscape,  in  which  the  towers  of  a  distant  city  appear, 
closes  the  scene.  Underneath  the  left  arm  of  the  cross 
appears  the  legend,  Vere  Filius  Dei  erat  iste,  in  Roman 
characters  of  the  epoch,  which  ceased  to  be  used  after  the 
time  when  the  painting  in  oil  commenced.  The  forms  in 
the  Christ  are  somewhat  meagre,  but  the  anatomy  is  re- 
markably correct  and  particular.  The  expression  in  the 
faces  of  the  several  figures  is  marked.  Modern  art  rarely 
shows  us  finer  expression.  The  picture  is  slightly  but 
admirably  restored  in  the  left  arm  of  the  cross,  and  a  por- 
tion of  the  legend.  It  is  of  unquestionable  authenticity 
and  the  extremest  rarity. 

(Bryan  Collection.) 


72  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-117.  Landscape,  with  Figures.  (22x36.) 

Jacques  Fouquieres, 

(Bryan  Collection.) 

B-118.  Landscape.  (26x39|.)  Jan  Glauber, 

It  is  unrivalled  by  any  production  of  the  Master  known 
to  the  donor,  and  is  worthy  of  Claude,  to  whom  it  has 
been  attributed  by  some  of  the  most  distinguished  experts 
of  Europe.    The  figures  are  by  Gerard  de  Lairesse. 
{Bryan  Collection.) 

B-119.  Castle  and  Seaport.  (14x23.  )  John  van  Goy en. 

Bought  in  New  York  city, 
(Bryan  Collection.) 

B-120.  Dogs  and  Game.  (16x21.)  Anthony  Griff, 

This  little  picture  is  a  fair  specimen  of  the  Master. 
{Bryan  Collection.) 

B-121.  The  Marriage  of  St.  Catherine.  (36x27i.) 

Oval  Top.  Jan  Memling, 

The  picture  is  in  remarkably  fine  condition,  and,  aside 
'  from  its  intrinsic  merit,  is  important  in  the  history  of  Art. 
When  purchased  by  the  donor,  its  beauties  were  hidden 
beneath  the  accumulated  blackness  of  ages;  otherwise  a 
private  American  fortune  would  have  failed  to  obtain  it,  , 
as  the  Director  of  the  National  Academy  of  Brussels, 
partly  suspecting  its  value,  was  a  competitor  for  its  pos- 
session. It  was  purchased  at  the  sale  of  the  well-known 
Collection  Quedeville. 

{Bryan  Collection.) 

B-122.  The  Annunciation.  (17x17.) 

Copy  from  Jan  Memling, 

This  picture,  as  well  as  the  preceding,  is  from  the 
Collection  Quedeville,  and  was  supposed,  for  a  long  time, 
by  some,  to  be  an  original;  but  a  comparison  of  it  with 
the  "Marriage  of  St.  Catherine,"  just  noticed,  will  soon 
convince  even  the  least  practised  eye  of  the  error  of  this 
beUef. 

{Bryan  Collection.) 

B-123.  View  of  an  old  City  on  the  Rhine. 

(18i  X25.)  Jan  van  der  Hey  den. 

{Bryan  Collection.) 

B-124.  Landscape.  (25x32J.)    School  of  Mindert  Hohbema. 

{Bryan  Collection.) 


B.II6.    THE  CRUCIFIXION. 

JAN  VAN  EYCK. 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  73 


NO.  SUBJECTS   OF    PAINTINGS.  AHTISTS. 

B-125.  Landscape.  (25ix30.) 

Cornelius  HuysmanSj  of  Mechlin. 

This  is  the  finest  easel-picture  of  this  Master  known 
to   the  donor.    One  inferior  to  it  in  every  respect  was 
placed  by  the  side  of  a  Hobbema  at  the  exhibition  of  the 
British  Institution,  1851,  and  sustained  itself. 
{Bryan  Collection.) 

B-126.  Portrait.  (25x20.)  Karl  du  Jardin. 

Portraits  by  this  Master  are  very  rare. 
{Bryan  Collection.) 

B-127.  Landscape,  with  Figures.  (24x21.)  Karl  du  Jardin, 

The  signature  is  in  script,  K.  du  Jardin;  an  unusual 
one  for  the  Master,  who  almost  always  signed  in  Roman 
letters. 

{Bryan  Collection.) 

B-128.  Landscape:  Cattle  and  Figures.  (14x21.) 

Jan  KobelL 

Purchased  in  New  York  city. 
{Bryan  Collection.) 

B-129.  Portrait.  (48ix39i.)  Sir  Peter  Lelij. 

This  is  the  portrait  of  a  sister  to  the  Duke  whose 
portrait,  representing  him  holding  an  orange,  is  in  the 
Louvre,  and  which  was  long  attributed  to  Vandyke;  and 
the  donor,  with  due  deference,  declares  both  portraits  to 
be  painted  by  the  same  artiste-Sir  Peter  Lely.  It  is 
from  the  collection  of  Drolling,  artist. 
{Bryan  Collection.) 

B-130.  Portrait.  (17x13.)  Nicholas  Maas. 

{Bryan  Collection.) 

B-131.  Virgin  and  Child,  with  Cherubs.  (13^X10.) 

Oval  Top.  Jan  de  Mahuse. 

{Bryan  Collection.) 

B-132.  Virgin  and  Child.  (27ix22.)  Jan  de  Mahuse, 

This  picture  in  its  composition  and  expression  shows 
the  influence  of  the  painter's  study  in  Italy. 
{Bryan  Collection.) 

B-133.  ATriptique.  (28x39^.)  Quintin  Matsys, 

Bodily  rather  than  mental  suffering  is  portrayed  in  this 

picture  by  a  painter  who  sought  expression  alone.     His 

Misers,  in  the  English  Queen's  collection,  is  the  connecting 

link  between  the  early  and  the  more  modern  Flemish  art. 

{Bryan  Collection.) 


74  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-134.  Boors  regaling.  (12|x9J.)  Jan  Molenaer. 

(Bryan  Collection.) 

B-135.  Winter  Scene.  (31  X44J.)  Nicholas  Molenaer. 

{Bryan  Collection.) 

B-136.  Landscape.  (14x181.)  Frederick  Moucher on. 

This  picture  is  signed  by  the  artist. 
{Bryan  Collection.) 

B-137.  Landscape.  (18x21^.)  Frederick  Moucher  on. 

Bought  in  New  York  City. 
{Bryan  Collection.) 

B-138.  Portrait.  (12x11.)  Jan  van  Neck. 

This  picture  is  from  the  gallery  of  Cardinal  Fesch,  at  the 
sale  of  which  it  was  purchased, — but  not  by  the  donor, — 
as  by  Netscher,  the  true  signature  being  covered  by  the 
false  one  of  Netscher. 

{Bryan  Collection.) 

B-139.  Landscape  by  Moonlight.  (24iX35.) 

Arnold  van  der  Neer. 

{Bryan  Collection.) 

B-140.  The  Interior  of  a  Cathedral.  (14x18.)     Peter  Neefs. 

The  figures  are  by  Franck  and  the  picture  is  signed 
by  both  masters. 

{Bryan  Collection.) 

B-141.  Portrait  of  Madame  de  Montespan. 

(19|Xl5.)  Caspar  Netscher. 

The  Duchess  sits  near  a  small  table,  playing  upon  the 
harp;  at  her  feet  sits  her  son,  the  Due  de  Maine.  The 
artist  has  intended  to  represent  the  lady  as  St.  Cecilia. 
The  anvil,  hammers,  and  balance,  introduced  into  the 
painter's  design,  are  allusions  to  the  discovery  of  the 
musical  octave  by  Pythagoras,  and  also  her  sitting  upon  a 
celestial  globe  typical  of  the  music  of  the  spheres. 
{Bryan  Collection.) 

B-142.  A  Carnival  Scene.  Twelfth  Night. 

(66i  X92.)  Jacob  van  Oost. 

{Bryan  Collection.) 

B-143.  A  Lady  playing  with  a  Dog.  (37  X30.) 

Jacob  van  Ochterveldt. 

{Bryan  Collection.) 


B-152.    PORTRAIT. 

PAUL  REMBRANDT 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  75 


XO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-144.  Portraits  of  the  Painter's  Wife  and  Child. 

(1 1  i  X 10.)  Adrian  van  Ostade, 

From  the  collection  of  Cardinal  Fesch. 
{Bryan  Collection.) 

B-145.  Head  of  a  Boor.  (5x4J.)  School  of  Ostade. 

(Bryan  Collection.) 

B-146.  A  Dutch  School.  (13x16.)  Isaac  van  Ostade, 

From  the  Da  Costa  Collection. 
{Bryan  Collection.) 

B-147.  Landscape,  with  Figures.  (6x7i.) 

Cornelius  Poelemhurg, 

(Bryan  Collection.) 

B-148.  Portrait  of  Henri  IV.  (15x9J.)         Francis  Porhus. 

{Bryan  Collection.) 

B-149.  A  Nobleman  and  Lady.  (14x11.)     Francis  Porhixs. 

Leaving  a  chateau,  to  promenade  in  the  garden. 
(Bryan  Collection.) 

B-150.  A  Waggoner,  Horse,  and  Greyhound.  (8  X  15|.) 

School  of  Paul  Potter, 

(Bryan  Collection.) 

B-151.  Battle-Piece.  (20x23.)  Augustus  Querfurt, 

The  group  of  Hercules  and  the  Lion  standing  upon 
a  Pedestal  near  the  middle  of  the  picture  yAW  remind  one 
of  Rubens.     (No.  B-161). 

(Bryan  Collection.) 

B-152.  Portrait.  (27x21.)  Paul  Rembrandt 

This  portrait  is  signed  with  the  R.,  the  early  signature 
of  the  Master.  It  was  bought  at  the  sale  of  the  cele- 
brated miniature  painter  Saint,  to  whom  it  belonged,  by 
Rlr.  Rcehn,  the  celebrated  connoisseur,  and  was  sold  by 
him  as  Rembrandt's  to  Mr.  Jecker.  the  same  who  left  his 
important  collection  of  prints  to  the  Bibliotheque  National 
at  Paris. 

(Bryan  Collection.) 

B-153.  Tobit  and  the  Angel.  (18x13.) 

Copy  from  Paul  Rembrandt. 

Copied  by  Schuerman  from  the  original  in  the  Louvre. 
(Bryan  Collection.) 


76  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-154.  Holy  Family.  (15x12  J.)  Cop2j  from  Paul  Rembrandt 

The  copy  is  also  by  Schuerman,  who  died  in  1847. 

{Bryan  Collection.) 

B-155.  Portrait  of  an  Abbe.  (20x17.) 

School  of  Paul  Rembrandt. 

{Bryan  Collection.) 

B-156.  St.  John  preaching.  (29i  X42.)       Theodore  Rombouts, 

In  a  former  catalogue  this  picture  was  classed  among 
unknown  artists.  The  donor  has  since  discovered  it 
to  be  by  Rombouts.  From  the  collection  of  General 
Desport. 

{Bryan  Collection.) 

B-157.  View  of  a  Windmill  on  a  Canal.  (lOi  X  12i.) 

Theodore  Rombouts. 

Signed  by  the  artist.    Bought  in  New  York  city. 
{Bryan  Collection.) 

B-158.  St.  Catherine.  (38Jx28|.)  Peter  Paul  Rubens. 

There  are  but  six  pictures  of  this  quality  of  color  by 
Rubens,  known  to  the  donor.  Three  are  in  the  Louvre, 
one  is  over  the  painter's  tomb,  one  is  the  famous  Chapeau 
de  Faille,  and  the  other  is  before  us.  It  was  brought  from 
a  church  in  the  neighborhood  of  Brussels,  by  Nieuwen- 
huysen,  the  elder,  and  sold  to  the  Count  Perregeau. 
{Bryan  Collection.) 

B-159.  Christ  bearing  the  Cross.  (59x24i.) 

Peter  Paul  Rubens. 

This  picture  is  especially  valuable  for  historical  con- 
siderations, as  being  the  only  one  which  Rubens  is  known 
to  have  painted  on  cedar  panel.  It  formed  one  compart- 
ment of  a  triptique  in  the  Cathedral  of  Antwerp.  The 
centre  compartment  represented  the  Flagellation  of 
Christ. 

The  donor  has  the  authority  of  Mr.  Heris  for  the 
authenticity  of  this  picture,  and  the  locahty  from  which  it 
was  stolen. 

{Bryan  Collection.) 

B-160.  Portrait  of  a  Knight  of  the  Order  of  the 

Golden  Fleece.  (44x33.)  Peter  Paul  Rubens. 

This  picture  is  from  the  collection  of  Louis  Philippe, 
King  of  the  French,  and  was  supposed  to  be  by  Vandyke. 
{Bryan  Collection.) 


B-160.    PORTRAIT  OF  A  KNIGHT  OF  THE  ORDER  OF  THE  GOLDEN  FLEECE. 
PETER  PAUL  RUBENS. 
(BRYAN  (X)LLECTION) 


GALLERY  OF  ART  77 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-161.  Hercules  strangling  the  Nemean  Lion. 

(80x67.)  PeUr  Paul  Rubens. 

Several  persons,  whose  opinions  the  donor  highly  re- 
spects, have  denied  the  authenticity  of  this  picture;  but  he 
thinks  that,  on  a  careful  examination,  its  wonderful  energy 
and  muscular  movement  can  be  attributed  to  no  other 
hand,  no  other  head,  than  that  of  Rubens.  It  is  the  Bel- 
videre  Torso — that  only  acknowledged  Masterof  Michael 
Angelo — put  into  action,  and  was  doubtless  painted  in 
Italy.  It  is  known  that  Rubens  attempted  to  draw  the 
lion  from  nature,  when  he  was  irritated  by  his  keeper. 
He  made  but  a  hasty  sketch. 

{Bryan  Collection.) 

B-162.  Landscape,  with  Figures.  (12x16 J.) 

Peter  Paul  Rubens. 

From  an  old  chateau  in  Normandy. 
{Bryan  Collection.) 

B-163.  Ascension  of  the  Virgin.  (10x8.)  Oval. 

Copy  from  Peter  Paul  Rubens. 

This  copy  was  made  by  Cornelius  Poelemburg. 

{Brijan  Collection.) 

B-164.  Group  of  Christ,  St.  John,  and  two  Angels. 

( 1 0  X 1 1  § . )  Copy  from  Peter  Paul  Rubens . 

{Bryan  Collection.) 

B-165.  Satyr  and  Nymphs.  (13x18^.)      School  of  Rubens. 

{Bryan  Collection.) 

B-166.  Effect  of  Candle-light.  (40^x31.)    School  of  Rubens. 

Copied  from  a  well-known  etching  of  Rubens. 
{Bryan  Collection.) 

B-167.  Distant  View  of  Haarlem.  (19x27i) 

Jacob  Ruysdael. 

The  figures  in  the  foreground  are  by  Vandevelde. 
{Bryan  Collection.) 

B-168.  Marine  View.  (30^X43.)  Jacob  Ruysdael. 

The  figures  are  by  Vandevelde. 
{Bryan  Collection.) 

B-169.  Landscape,  with-Cattle.  (22x17.)  School  of  Ruysdael. 

{Bryan  Collection.) 


78  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS,  ARTISTS. 

B-170.  Landscape.  (14x21^.)  Solomon  Ruysdael. 

{Bryan  Collection.) 

B-171.  Dogs  Worrying  a  Cat.  (55x72.)      Francis  Snyder s. 

The  landscape  by  Wildens,  the  cat  by  Oudry,  by 
whom  it  was  added,  and  to  whom  the  picture  belonged. 
From  the  collection  of  Drolling,  the  artist. 

(Bryan  Collection.) 

B-172.  Still  Life.  (44x64.)  Francis  Smjders. 

Collection  of  Marshal  Oudinot. 
{Bryan  Collection.'^ 

B-173.  Interior:  Family  Scene.  (29x37.)  Jan  Steen, 

The  patient  is  the  painter's  own  wife;  on  the  right 
are  the  Van  Goyens,  (her  father  and  mother,)  and  Jan 
Steen  himself  stands  on  her  left,  regarding  the  operation 
with  interest. 

This  picture,  which  is  superior  to  the  only  specimen 
of  the  Master  in  the  LouVre,  was  purchased  from  the  Gal- 
lery ot  the  Count  De  Turenne,  the  last  of  the  family  of  the 
celebrated  Marshal. 

{Bryan  Collection.) 

B-174.  Landscape  and  Figures.  (Ilixl4|.)         Jan  Steen. 

Signed  by  the  artist,  and  bought  in  New  York  city. 
{Bryan  Collection.) 

B-175.  Incantation  Scene.  (14^x20.) 

David  Teniers  the  Younger, 

This  picture  is  unsurpassed  by  any  other  of  the  Master; 
and  if  ever  equalled,  it  is  only  by  one  in  the  Gallery  of 
Madrid,  representing  Teniers  himself,  painting  the 
portrait  of  the  Grand  Duke  Leopold  and  his  family;  a 
picture  which  makes  painters  wonder  and  despair.  Col- 
lection Sylvestre. 

{Bryan  Collection.) 

B-176.  Village  Fete.  (18ix284.) 

David  Teniers  the  Younger. 

Collection  Marshal  Sebastiani. 
{Bryan  Collection.) 

B-177.  Village  Fete.  (17^X20.) 

David  Teniers  the  Younger. 

A  picture  similar  in  subject  but  inferior  in  treatment 
to  the  preceding;  probably  executed  In  old  age. 

{Bryan  Collection.) 


B-182.    WILLIAM.  PRINCE  OF  ORANGE.  (WILUAM  IH.) 
GERARD  TERBURG. 
(BRYAN  COLLECTnON) 


GALLERY  OF  ART  79 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-178.  Boors  Regaling,  and  playing  at  Skittles. 

(llXl4§.)  David  Teniers  tlie  Younger, 

Collection  Due  de  Berri. 
{Bryan  Collection.) 

B-179.  Charles  V.  leaving  the  town  of  Dort. 

(23  X39.)  David  Teniers  the  Younger, 

The  Emperor,  in  full  armor,  is  about  to  descend  the 
steps  of  a  large  building.  The  Archbishop  gives  him  his 
blessing.  Persons  of  dignity,  in  church  and  state,  are 
grouped  on  all  sides.  In  the  background  is  the  ship  in 
which  the  Emperor  is  about  to  embark.  This  composition 
is  filled  with  portraits;  among  which,  in  the  figure  bear- 
ing the  standard  on  the  extreme  right,  we  recognize  that 
of  the  Painter  himself.    Collection  D'Espinoy. 

(Bryan  Collection.) 

B-180.  Parable    of    the    Laborer  who    received  a 

Penny.  (22x17.)  David  Teniers  the  Younger, 

In  which  is  introduced  the  portrait  of  Rubens  in  his 
medal  chain,  also  the  portraits  of  Rembrandt  and  other 
artists  and  two  children  of  Teniers.  From  the  collection 
of  Louis  Philippe. 

(Bryan  Collection.) 

B-181.  Landscape  and  Figures.  (9iXl3i.) 

David  Teniers  the  Younger, 

A  wonderful  effect,  and  familiarly  styled  by  painters  . 
as  the  "apres  dejeuner"  manner.    Bought  in  New  York 
city. 

(Bryan  Collection.) 

B-182.  Portrait  of  William,  Prince  of  Orange, 

(William  III.)  (30ix23.)  Gerard  Terhurg. 

This  was  supposed  to  be  the  portrait  cited  by  Descamp 
as  the  one  which  William  insisted  that  the  artist  should 
paint;  he  being  a  burgomaster  devoted  to  the  Prince's 
cause.  It  is  signed  "  G.  Terborch,"  the  only  genuine  sig- 
nature of  the  Master. 

(Bryan  Collection.) 

B-183.  ]MarineView.  (25x29.)  William  van  de  Velde. 

(Bryan  Collection.) 

B-184.  Marine  View.  (12|xl4.)  William  van  de  Velde. 

From  Collection  Giroud,  Paris. 
(Bryan  Collection.) 


80  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

B-185.  Marine  View.  (9ixl2§.)  William  van  de  Velde, 

Bought  in  Philadelphia. 
{Bryan  Collection.) 

B-186.  Landscape,  with  Animals.  (9x114.) 

Adrian  van  de  Velde. 

This  picture,  though  small,  gives  a  just  idea  of  the 
power  of  the  Master,  from  whose  pencil  the  donor  has 
never  seen  a  feeble  work;  though  Adrian  may  have 
adorned  with  his  figures  the  compositions  of  inferior 
masters.  This  picture,  together  with  the  small  landscape 
by  Rubens  (No.  B-162),  is  from  an  old  chateau  in 
Normandy. 

(Bryan  Collection.) 

B-187.  Landscape,  with  Figures.  (25x33.) 

Abraham  Verhoom, 

So  fine  a  specimen  of  the  Master  is  rarely  to  be  found. 
The  group  of  figures,  by  Lingelbach,  is  almost  worthy 
of  Wouwermans. 

(Bryan  Collection.) 

B-188.  The  Three  Graces.  (19xl5i.) 

Chevalier  van  der  Werf. 

From  Hunter's  collection,  New  York. 
(Bryan  Collection.) 

B-189.  Ruins,  with  Figures.  (22xl7i.) 

Jan  Baptist  Weeninx. 

In  the  opinion  of  the  donor,  this  picture,  though  strik- 
ing at  first,  is  extremelj'-  false  in  everything,  like  most 
others  of  this  painter's  works.  It  is  from  the  collection 
of  Cardinal  Fesch. 

(Bryan  Collection.) 

B-190.  Travellers,  by  a  River-side.  (12x16.) 

Philip  Wouwermans. 

This  picture  has,  unfortunately,  been  much  injured 

in  many  places;  but  in  the  head  and  shoulders  of  the 

white  horse  may  be  found  a  specimen  of  the  Master's  style 

of  painting;  and  the  signature  is  unquestionably  genuine. 

(Bryan  Collection.) 

B-191.  Departure  of  a  Hawking  Party  of  Nobles 
from  a  Baronial  Castle.  (43  X5H.) 

Philip  Wouwermans. 

The  largest  picture  in  size  and  manner  which  the 
donor  has  seen  by  this  Master.  From  the  Meert  collec- 
tion, sold  in  New  York,  Dec,  1865. 

(Bryan  Collection.) 


B-199.    ST.  GEORGE  AND  THE  DRAGON. 

ALBERT  DURER. 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  81 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-192.  The  Burning  and  Sacking  of  a  Town. 

(21x19.)  Philip  Wouwer mans. 

If  not  a  copy,  it  is  an  early  picture  of  the  Master,  and 
though  meritorious,  gives  no  idea  of  the  fuUness  of  his 
powers. 

(Bryan  Collection.) 

B-193.  Landscape.  (SxlOJ.)  JanWynants. 

The  equestrians  and  beggar  in  the  foreground  are  by 
Barent  Gaal.  It  is  a  fair  specimen  of  the  Master. 
Collection  Giroud,  Paris. 

{Bryan  Collection.) 

B-194.  Still  Life.  (TJXlOi.)  Henry  Martin  Rokes. 

It,  as  well  as  the  ''Sorcery  Scene,"  by  Teniers,  orna- 
mented the  collection  of  Mons.  Sylvestre.  whose  ancestors 
have  been  either  artists  or  connected  with  art  since  the 
year  1490.  A  noble  pedigree.  This  artist  inherited  the 
name  of  Zorg  (careful)  from  his  father. 
(Bryan  Collection.) 

B-195.  Ruins,  with  Figures.  (20x26.)  Flemish  School. 

(Bryan  Collection.) 


GERMAN  SCHOOL 

B-196.  Venus  and  Cupid.  (19jxl3.)  Lucas  Cranach. 

(Bryan  Collection.) 

B-197.  Portrait  of  a  Lady.  (28x22.)  Lucas  Cranach. 

It  is  from  this  painter's  pencil  that  we  have  the  only 
known  or  recognized  portrait  of  Martin  Luther.  Collection 
D'Espinoy. 

(Bryan  Collection.) 

B-198.  Portrait.  (20^X17.)  Balthazar  Denner. 

An  old  Lady,  \\'ith  a  silk  hood.     The  marks  of  age 
are  given  with  great  accuracy  and  truthfulness. 
(Bryan  Collection.) 

B-199.  St.  George  and  the  Dragon.  (16§Xl3.) 

Albert  Durer. 

(Bryan  Collection.) 

B-200.  Triumph  of  Christianity.  (26 J  X  38.) 

School  of  Durer. 

This  picture  is  from  the  collection  Quedeville. 
(Bryan  Collection.) 


82  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-201.  Interior  of  a  Private  Chapel.  (33ix25.) 

Hans  Holbein. 

The  family  of  Count  Valkeniers  are  at  prayers — the 
father  and  the  two  eldest  sons  being  in  armor,  ready  to 
depart  for  war. 

From  the  collection  of  Joseph  M.  Meert  de  Domberg, 
New  York. 

{Bryan  Collection.) 

B-202.  Portrait  of  a  Professor.  (30Jx23i.)     Hans  Holbein. 

(Bryan  Collection.) 

B-203.  The  Judgment  of  Paris.  (6ix9.)  Joachim  UytenvMel. 

(Bryan  Collection.) 

B-204.  Adoration.  (43x32.)  Martin  Schoen. 

On  the  right  will  be  seen  a  Priest,  holding  a  book,  and 
supposed,  by  General  D'Espinoy,  from  whose  collection  it 
came,  to  be  a  portrait  of  Luther,  in  his  youth. 

(Bryan  Collection.) 

B-205.  Landscape,  with  Figures.  (11JX16J.)      Valkenburg. 

(Bryan  Collection.) 

B-206.  Landscape.  (13x20.)  Valkenburg. 

These  pictures  possess  great  interest,  in  being  histori- 
cally known  as  the  earliest  landscapes  painted  otherwise 
than  as  a  mere  accessory  to  some  historical,  religious,  or 
other  subject.  Both  of  them  are  from  the  collection  Quede- 
ville. 

(Bryan  Collection.) 


SPANISH  SCHOOL 

B-207.  Philip  IV.  of  Spain,  as  David  with  Coliath's 

Head.  (74-2- X 43.)  Diego  Velasquez. 

From  the  collection  of  Marshal  Sebastiani. 
(Bryan  Collection.) 

B-208.  Landscape.  (37x43^.)  Diego  Velasquez. 

Found  at  Rome.  A  picture  of  a  similar  style — the  only 
one  ever  seen  by  the  donor — is  in  the  possession  of  Mr. 
Madrazo,  the  Director  of  the  Royal  Gallery  of  Madrid. 

(Bryan  Collection.) 


GALLERY  OF  ART  83 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-209.  Portrait  of  the  Infanta  Margarita  of  Spain. 

(28x24.)  Diego  Velasquez, 

From  the  collection  of  R.  W.  Meade,  U.  S.  Consul  at 
Cadiz.     1808. 

{Bryan  Collection.) 

B-210.  Still  Life.  (27^x76.)  Diego  Velasquez. 

Preparation  for  an  olla  podrida,  from  the  collection  of 
R.  W.  Meade. 

{Bryan  Collection.) 

B-211.  Adoration  of  the  Magi.  (42x64^.)  Murillo. 

In  the  style  and  color  of  the  three  pictures  now  in  the 
Vatican — a  late  gift  to  his  Holiness  by  the  Ex-Queen  of 
Spain. 

{Bryan  Collection.) 

B-212.  Adoration  of  the  Shepherds.  (57x80.)  Murillo. 

From  the  Gallery  of  Marshal  Soult. 
{Bryan  Collection.) 

B-213.  The  Vision  of  St.  Francis.  (23^x19.)  Murillo. 

{Bryan  Collection.) 

B-214.  St.  Joseph.  (65^x47.)  Murillo, 

St.  Joseph  is  bearing  Christ  in  his  arms,  who  is  looking 
at  the  Carpenter's  tools.  From  the  collection  of  R.  W. 
Meade. 

{Bryan  Collection.) 

B-215.  The  Entombment  of  Christ.  (78x92.) 

Sebastian  Llanos  y  Valdes, 

From  the  Gallery  of  Marshal  Soult. 
{Bryan  Collection.) 

B-216.  Christ  borne  to  the  Tomb.  (70x50§.) 

Spanish  School, 

A  repetition  of  a  Spanish  picture  in  the  Church  of  St. 
Pietro,  in  Montorio,  Rome. 

{Bryan  Collection.) 

B-217.  Portrait  of  a  Queen  of  Spain.  (29x23.) 

Spanish  School, 
Imitation  of  Velasquez. 

{Bryan  Collection.) 


84  GALLERY  OF  ART 


FRENCH  SCHOOL 

NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

B-218.  The  Entombment  of  Christ.  (27x9.) 

{Bryan  Collection.) 

B-219.  The  Resurrection.  (27x9.) 

{Bryan  Collection.) 

B-220.  Head  of  Christ.  (15x11.) 

It  is  upon  leather,  which  was  stamped  and  gilded  so  as 
to  form  around  it  a  strange  quadrangular  halo,  in  which 
fleur  de  lis  is  prominent.  Upon  the  edge  is  an  inscrip- 
tion, of  which  only  Adoro — Redentor,  I.  H.  S.,  is 
legible.  It  is  probably  not  older  than  the  latter  part  of  the 
fourteenth  century,  and  was,  doubtless,  an  object  of  adora- 
tion to  some  devout  Catholic. 

{Bryan  Collection.) 

B-221.  Diana  of  Poictiers,  as  Judith  with  the  Head 

of  Holof ernes.  (39x27.)  Martin  Freminet, 

The  ornaments  in  gold,  and  precious  stones,  are  from 
the  compositions  of  the  celebrated  Benvenuto  Cellini, 
and  have  been  copied  by  modern  jewelers. 
{Bryan  Collection.) 

B-222.  The  Repose  in  Egypt.  (36ix30.)    Nicholas  Poussin, 

The  attitude  of  the  Virgin  is  remarkable,  not  only  for 
its  graceful  dignity,  but  for  its  perfect  expression  of  the 
fact  that  she  is  listening  calmly  but  intently  to  the  narrative 
which  Joseph  is  evidently  relating.  The  landscape, 
though  not  highly  finished,  is  grandly  composed;  and  upon 
it  the  twilight  of  dawn  is  made  to  fall  with  sweet  solemnity. 
{Bryan  Collection.) 

B-223.  The  Daughter  of  Pharaoh  about  to  bathe 

in  the  Nile.  (25^x29.)  Nicholas  Poussin, 

Two  attendants  are  about  to  disrobe  the  Princess;  a 
third  kneels  at  her  feet  with  a  vase  of  anointing  oil.  Before 
her  is  a  figure  emblematic  of  the  river.  The  group  is  finely 
composed,  and  the  forms  and  attitudes  are  simple  and 
chaste  almost  to  statuesqueness. 

Both  these  pictures  display  the  knowledge  of  form, 
the  classical  taste,  and  the  color  which  are  characteristic 
of  this  Master,  recognized  as  the  Peintre  des  Gens  d' Esprit. 
This  sketch  is  in  the  best  manner  of  Poussin,  and  was 
formerly  in  the  collection  of  M.  de  St.  Aubin. 
{Bryan  Collection.) 

B-224.  Classic  Landscape.  (29x36^.)        Nicholas  Poussin. 

{Bryan  Collection.) 


GALLERY  OF  ART  85 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-225.  Diana  and  her  Nymphs  bathing.  (44i  x56.) 

Nicholas  Poussin. 

This  is  an  unfinished  sketch. 
(Bryan  Collection.) 

B-226.  Portrait  of  Duchesnois,  the  Flemish  Sculptor. 

(27  J  X  23 . )  Nicholas  Poussin, 

Duchesnois  lived  with  Poussin  in  Rome.  From  the 
collection  of  Gen.  D'Espinoy. 

(Bryan  Collection.) 

B-227.  Landscape.  (9^x7 J.)  Guaspre  Poussin. 

(Bryan  Collection.) 

B-228.  Landscape.  (9Jx7i.)  Guaspre  Poussin, 

(Bryan  Collection.) 

B-229.  Grand  Landscape:  Hagar  in  the  Desert. 

(37ix50J.)  Guaspre  Poussin, 

This  picture,  which  has  been  engraved,  is  in  the  finest 
manner   of  the    Master.     The  figures  are  by  Philippe 
Lauri.    It  is  from  the  collection  of  Marshal  Sebastiani. 
(Bryan  Collection.) 

B-230.  Landscape,  with  Figures.  (39ix50i.) 

School  of  Claude  Lorraine, 

The  peasants  in  the  foreground  are  designed  after  Do- 
menichino;  but  the  figure  who  leans  against  a  tree,  in  the 
shadow  on  the  left,  and  plays  upon  a  pipe,  is  like  Claude. 
Claude  was  so  conscious  of  the  want  of  merit  in  his 
pictures,  he  used  to  say  that  he  sold  his  landscapes  and 
gave  away  the  people  in  them.  Collection  of  Marshal 
Sebastiani. 

(Bryan  Collection.) 

B-231.  A  Grand  Landscape.  Marine  View,  and 
Figures,  an  Ancient  Group  in  marble  rep- 
resenting Echo  punished.  (46x59.) 

School  of  Claude  Lorraine. 

This  picture  belonged  to  M.  Forbin-Janson,  Director 
of  the  Louvre;  it  was  believed  by  him  to  be  an  original. 
(Bryan  Collection.) 

B-232.  Landscape,  with  a  Sea-View.  (14x17.) 

School  of  Claude  Lorraine. 

(Bryan  Collection.) 

B-233.  Landscape.  (15ixl5i.)  Round. 

School  of  Claude  Lorraine. 

(Bryan  Collection.) 


86  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-234.  Portrait  of  a  Lady  at  her  Toilet. 

(40^X32 J.)    Oval.  Pierre  Mignard, 

{Bryan  Collection.) 

B-235.  Holy  Family.  (14x12.)  Pierre  Mignard, 

{Bryan  Collection.) 

B-236.  The  dead  Christ  supported  by  the  Virgin. 

(18x17.)  Eustache  le  Sueur, 

From  the  collection  of  the  Abbe  Genoud. 
{Bryan  Collection.) 

B-237.  Portrait.  (19x15.)  Charles  le  Brun, 

From  the  Parant  Collection. 
{Bryan  Collection.) 

B-238.  Battle-Piece.  (9x19.)  Jacques  Courtois, 

{Bryan  Collection.) 

B-239.  Battle-Piece.  (9x19.)  Jacques  Courtois. 

{Bryan  Collection.) 

B-240.  Christ  in  the  Wilderness,  ministered  to  by 

Angels.  (36x46.)  Charles  de  la  Fosse, 

This  picture  was  formerly  in  the  collection  of  Cardinal 
Fesch.     After  its  arrival  in  Paris,  in  the  possession  of 
the  donor,  it  was  solicited  for  the  Gallery  of  the  Louvre. 
{Bryan  Collection.) 

B-241.    \  Scenes  from  the  Life  of  St.  Charles  de 
B-242.    /      Borromeo.  (25x38J.)  Jean  Jouvenet, 

{Bryan  Collection.) 

B-243.  Portraits  of  two  Ladies.  (57x44J.) 

Nicholas  de  Largilliere, 

This  picture  was  also  sought  from  the  donor  for  the 
Gallery  of  the  Louvre. 

{Bryan  Collection.) 

B-244.  Portrait  of  a  Marshal  of  France.  (32x25i.) 

Oval.  Hyacinthe  Rigaud, 

From  the  Collection  Vien.  It  is  a  very  fine  specimen 
of  the  Master.  Our  own  Stuart  thought  the  Portraits  of 
Rigaud's  two  sisters,  by  him,  the  most  natural  and  true  he 
ever  saw. 

{Bryan  Collection.) 


■l 

Rl 

^pyl 

1^^^ 

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^Ih  '  j^'*"^^^^^^! 

li^^  u  ■ 

^^^^^^^^^^m^  ^  i^^^^^^^^Es  i^^^l 

t^ 

t^^^%L^  ^           wX^/^^^^^^^^^l 

^^^E^o.'^i^^^^^l 

^H 

B'^Ik^w^h 

^1 

^^^^^K^. *^mrmjj^' "^^^I^^^^^K   \ ^t3^^H 

^^^H 

^H 

m 

B.243.    PORTRAITS  OF  TWO  LADIES. 

NICHOLAS  DE  LARGILUERE 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  87 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-245.  Musicians.  (18x15.)  Antoine  Watteau, 

This  picture  is  evidently  cut  from  a  large  and  important 

work. 

(Bryan  Collection.) 

B-246.  A  Venetian  Fete,  or  Ball,  by  day. 

(25§  X3U.)  Antoine  Watteau, 

A  composition  unrivalled  for  picturesqueness  of  design 
and  richness  of  color. 

(Bryan  Collection.) 

B-247.  Landscape,  with  Figures.  (18x22.) 

Antoine  Watteau, 

This  is  but  a  sketch,  in  the  style  of  Giobgione. 
(See  No.  B-32.) 

(Bryan  Collection.) 

B-248.  Landscape,  with  Figures.  (17^x22.) 

Jean  Baptiste  Pater, 

(Bryan  Collection.) 

B-249.  Portrait  of  the  Cardinal  de  Rochechouart. 

(53  J  X39.)  Pompeo  BattonL 

From  the  Chateau  Courcelle,  the  seat  of  the  Cardinal's 
family. 

(Bryan  Collection.) 

B-250.  Head  of  a  Boy.  (11^x9.)  Pompeo  BattonL 

(Bryan  Collection.) 

B-251.  Still  Life.  (16x24.)  Jean  B.  S.  Chardin, 

The  viands  for  a  jour  maigre  under  the  rule  of  the 
Church. 

(Bryan  Collection.) 

B-252.  Portrait  of  Louis  XVIL,  Dauphin. 

(221 X  17i.)  School  of  Greuze. 

He  is  represented  as  seven  or  eight  years  old.  He 
wears  a  blue  scarf  indicating  his  rank.  From  the  collection 
of  M.  de  Mont  Louis,  a  devoted  legitimist,  who  died  at  a 
very  advanced  age,  in  18.50.  It  bears  much  resemblance 
to  the  works  of  Chabdin. 

(Bryan  Collection.) 

B-253.  Park  of  St.  Cloud.  (13x29.)  Hubert  Robert. 

(Bryan  Collection.) 

B-254.  Portrait  of  Dr.  Ambroise  Pare,  the  Father 

of  French  Surgery.  (14|xll.)  Peter  Porbus. 

(Bryan  Collection.) 


88  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-255.  Italian  Scenery,  with  Figures.  (3Ux45.) 

Joseph  Vernet. 

Painted  by  the  artist  for  his  friend,  Balthazar,  the 
architect,  from  whose  collection  it  came.  It  is  a  fa'r  speci- 
men of  the  Master. 

{Bryan  Collection.) 

B-256.  The   Bay  of  Baia,  an  effect  of  Moonlight. 

(14Jx25i.)  Joseph  Vernet 

{Bryan  Collection.) 

B-257.  A  Seaport.  (39x53.)  Joseph  Vernet. 

{Bryan  Collection.) 

B-258.  Landscape,  painted  for  a  Snuff-Box.  (5x5.) 

Round.  Joseph  Vernet, 

{Bryan  Collection.) 

B-259.  Portrait  of  a  Receiver-General.  (18iXl4.) 

{Bryan  Collection.)  ^^^^^^  Tourniere. 

B-260.  A  Nymph  of  Diana.  (42x53.)    Jean  Baptiste  Greuze, 

{Bryan  Collectio?}.) 

B-261.  A    Repetition    of    the    L'Aveugle    Dupe. 

(24  X 19.)  Jean  Baptiste  Greuze. 

An  early  production.     Bought  in  New  York  city. 
{Bryan  Collection.) 

B-262.  Portrait  of  the  Due  de  Choiseul.  (24x19 J.) 

Jean  Baptiste  Greuze. 

From  the  collection  of  Par  ant,  who  painted,  on  porce- 
lain, the  heads  of  the  celebrities  of  France.     This  head 
was  probably  procured  for  that  purpose. 
{Bryan  Collection.) 

B-263.  Head  of  a  Young  Girl.  (17x14.)  Oval. 

{Bryan  Collection.)    ^^^^  Baptiste  GreUZe. 

B-264.  Virginie.  (A  study.)   (18x15.)    Jean  Baptiste  Greuze. 

{Bryan  Collection.) 

B-265.  Sketch  of  a  Female  Head.  (18x15.) 

Jean  Baptiste  Greuze. 

Tlie  celebrated  miniature-painter  Saint  purchased 
this  sketch  at  the  sale  of  Greuze's  own  collection  after 
his  death. 

{Bryan  Collection.) 


GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS, 

B-266.  The  Sister.  (18x15.)  Nicholas  Bernard  Lepide. 

{Bryan  Collection.) 

B-267.  France   Triumphant   after  the  Restoration 

of  Louis  XVIII.  (54  x33i.)    Pierre  Paul  Prud'hon. 

This  picture  is  the  finished  sketch  of  a  plafond  now  at 
Dijon,  the  birth-place  of  the  painter.    It  is  from  the  col- 
lection of  ^L  ViEN,  artist.    It  was  sought  of  the  donor  by 
the  Director  of  the  Louvre,  for  that  Gallery. 
{Bryan  Collection.) 

B-268.  Napoleon  at  Charleroi.  (13x16.)         Horace  Ver net. 

The  accessories  and  the  horse  are  portraits.    This  little 
picture  ornamented  the  private  study  of  Louis  Phihppe. 
{Bryan  Collection.) 

B-269.  The  Duke  of  Orleans.  (21  X31.)  Horace  VerneL 

The  Duke  is  giving  orders  to  his  groom.  He  is  attended 
by  a  negro-page  and  two  greyhounds.  In  the  background 
are  a  "cabriolet"  and  horse.  This  is  a  very  early  picture 
of  the  Master.  It  was  rescued  from  the  Chateau  and 
Park  de  Monceau,  on  their  destruction. 
{Bryan  Collection.) 

B-270.  Attack  repulsed  at  Const  ant  ine,  Africa. 

(18ixl5.)  Bellange. 

Death  of  Richcpanse. 
{Bryan  Collection.) 

B-271.  Fox-Chase.  (14x18.)  J.  B,  Descamps. 

{Bryan  Collection.) 

B-272.  Snipe-Shooting.  (14x18.)  J.  B.  Descamps. 

{Bnjan  Collection.) 

B-273.  Duck-Shootmg.  (13x16.)  J,  B.  Descamps. 

{Bryan  Collection.) 

B-274.  Nymphs  and  Cupids.  (9^x12.)  ValUn. 

{Bryan  Collection.) 

B-27o.  Portrait  of  a  Lady,  as  a  Water-Nymph. 

(33ix23.)  L.  /.  Schaal 

It  has  been  engraved  a.s  La  Belle  Source,  and  is  sup- 
posed to  be  the  portrait  of  the  wife  of  a  revolutionary 
character  of  some  note,  named  Source.  From  the  Collec- 
tion Parant. 

{Bryan  Collection.) 


90  GALLERY   OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

B-276.  A  Voluptuary.  (22x18.)  Oval.       Frangois  Boucher. 

(Bryan  Collection.) 

B-277.  Winter-Scene.  (25x30.)  Frangois  Boucher. 

{Bryan  Collection.) 

B-278.  Landscape.  (9JXl2.)  Georges  Michel. 

The  figures,  by  Swebach,  are  very  spirited. 
(Bryan  Collection.) 

B-279.  Landscape.  (14x18.)  Frederic  M .  Kruseman. 

(Bryan  Collection.) 

B-280.  The  Inheritance.  (17x21.)       Felix  Van  der  Eijcken. 

Painted  for  the  donor. 
(Bryan  Collection.) 

B-281.  Student  Travellers,  Regaling  at  a  Hostelry 

in  Flanders.  (22x29.)  Felix  Van  der  Eycken. 

Bought  in  New  York  city. 
(Bryan  Collection.) 

B-282.  Landscape,  with  Sheep.  (17^x15.) 

Balthasar  Ommeganck. 

(Bryan  Collection.) 

B-283.  Catechism  before  Marriage,  according  to 
Belgian  Law,  being  necessary  for  State  and 
Matrimonial  Security.  (37|x48.) 

Jean  Henri  de  Coene. 

(Bryan  Collection.) 

B-284.  Portrait  of  an  Old  Man.  (9ix7i.)      M.  Dykemans. 

(Bryan  Collection.) 

B-285.  Portrait  of  the  Artist,  (1737-1815.) 

(36x30.)  John  Singleton  Copley. 

(Bryan  Collection.) 

B-286.  Portrait  of  Guy  Bryan,  (1755-1829.) 

(36ix28.)  Thomas  Sully. 

This  portrait  of  the  father  of  the  donor  of  the  Bryan 
Collection  was  considered  by  Dunlap  one  of  the  happiest 
efforts  of  Mr.  Sully. 

(Bryan  Collection.) 


B-285.    JOHN  SINGLETON  COPLEY 

BY  HIMSELF 

(BRYAN  COLLECTION) 


GALLERY  OF  ART  91 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-287.  The  Confessional.  (35x28.)  William  E.  West 

Mr.  West  is  well  known  by  his  having  painted  the  best 
])ortrait  of  Lord  B\Ton.  This  picture  was  a  favorite  of  the 
late  Washington  Irving. 

{Bryan  Collection.) 

B-288.  Landscape.  (48^x64.)  George  L.  Brown, 

This  view  is  from  Nature,  in  the  Island  of  Capri.  Vesu- 
vius being  seen  in  the  distance. 

{Bryan  Collection.) 

B-289.  A  Midnight  Conversation.  (25x32.) 

William  Hogarth, 

Engraved  as  the  frontispiece  of  Ireland's  Hogarth.  In 
Walpole's  anecdotes  of  painters  a  catalogue  is  given  pro- 
fessing to  contain  a  complete  hst  of  all  of  Hogarth's  paint- 
ings and  their  then  owners.  This  painting  appears  in  that 
Ust,  but  the  owner's  name  is  not  given. 
{Bryan  Collection.) 

B-290.  The  Harlot's  Progress.  (25x31  J.) 

Copy  from  William  Hogarth, 

This  copy  is  by  Horremans,  of  Vienna,  and  is  one  of 
the  famous  series  of  the  *'  Harlot's  Progress."    The  copyist 
has  seen  fit  to  make  some  variations  from  the  print. 
{Bryan  Collection.) 

B-291.  Portrait.  (48x39.)  Sir  Joshua  Reynolds, 

In  his  early  style. 
{Bryan  Collection.) 

B-292.  Pallas    Appearing    to    Achilles,    after    the 

Death  of  Patroclus.  (171x14.)       Benjamin  West, 

This  is  a  sketch  for  a  large  picture. 
{Bryan  Collection.) 

B-293.  Portrait  of  Charles  Wilson  Peale,  (1741-1827.) 

(28x23.)  Benjamin  West, 

From  the  Peale  Gallery,  Phila.,  1854. 
{Bryan  Collection.) 

B-294.  View  of  Genesee  Falls,  New  York.  (9iXl3.) 

Count  Beaujolais, 

This  sketch  is  quite  faithful  as  a  representation  of  the 
locality.  Its  chief  interest,  however,  consists  in  its  having 
been  made  by  the  brother  of  Louis  Philippe,  when  the 
two  princes  were  on  their  visit  to  this  country,  after  the 
first  French  Revolution.  Collection  Louis  Phihppe. 
{Bryan  Collection.) 


92  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-295.  Landscape.  (174x24.)  Joseph  Vollmering. 

{Bryan  Collection.) 

B-296.  Winter-Scene.  (lOJXlSi.)  Joseph  Vollmering. 

{Bryan  Collection.) 

B-297.  Murillo  Sketching  the  Beggar-Boy. 

(17x21.)  Edwin  White, 

{Bryan  Collection.) 

B-298.  Family  Group.  (56x89.)  Charles  Wilson  Peak, 

This  composition  contains  portraits  of  the  artist  and 
his  brothers,  St.  George  and  James  Peale;  his  sister,  Mar- 
garet J.  Ramsey;  his  wife,  Rachel  Brewer  Peale;  his  cou- 
sin, Margaret  Durgan;  his  sister,  Elizabeth  Digby  Peale 
Polk;  his  mother,  Margaret  Peale;  his  children,  Titian 
R.  and  Rembrandt  Peale;  also  the  old  dog  Argus,  so  well 
known  to  the  frequenters  of  the  Museum.  The  following 
inscription  is  on  the  picture:  "C.  W.  Peale  painted  these 
portraits  of  his  family  in  1773 — wishing  to  finish  every 
work  he  had  undertaken — completed  this  picture  in 
1809." 

From  the  Peale  Gallery,  Phila.,  1854. 
{Bryan  Collection.) 

B-299.  Portrait  of  George  Washington,  (1732-1799.) 

(29  X 24.)  Charles  Wilson  Peale. 

{Bryan  Collection.) 

B-300.  Portrait  of  John  Beale  Bordley,  (1727-1804.) 

(23  X20.)  Charles  Wilson  Peale. 

From  the  Peale  Gallery,  Phila.,  1854. 
{Bryan  Collection.) 

B-301.  Portrait  of  Pieter  Johan  Van  Berckel, 

(1725-1800.)   (23  X20.)  Charles  Wilson  Peale. 

Minister  Plenipotentiary  from  the  Netherlands  to  the 
United  States  of  America,  1782 — being  the  first  Minister 
sent  and  recognized. 

{Bryan  Collection.) 

B-302.  Portrait  of  Gilbert  C.  Stuart,  (1755-1828.) 

(23  X20.)        Charles  Wilson  and  Rembrandt  Peale. 

From  the  Peale  Gallery,  Phila.,  1854. 
{Bryan  Collection.) 

B-303.  Portrait  of  George  Washington,  ri732-1799.) 

(304  X24i.)  Gilbert  C.  Stuart. 

{Bryan  Collection.) 


B.293.    CHARLES  WILSON  PEALE. 

BENJAMIN  WEST. 

(BRYAN  COLLECTTION) 


GALLERY  OF  ART  93 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

B-304.  Portrait  of  John  Adams,  (1735-1826.) 

(20  X22§.)  Gilbert  C,  Stuart 

(Bryan  Collection.) 

B-305.  Portrait  of  Alexander  Hamilton,  (1757-1804.) 
(30X25  J.) 

From  the  American  Museum  Collection,  1863. 
{Bryan  Collection.) 

B-306.  Portrait  of  Thomas  Jefferson,  (1743-1826.) 

(29  X24.)  Rembrandt  Peale. 

Painted  in  1805. 
(Bryan  Collection.) 

B-307.  Portrait  of  Dr.  Joseph  Priestley,  (1733-1804.) 

(23  X20.)  Rembrandt  Peale. 

From  the  Peale  Gallery,  Phila.,  1854. 
(Bryan  Collection.) 

B-308.  Portrait  of  Mrs.  James  Madison,  (1772-1849.) 

(30  X24i.)  Rembrandt  Peale. 

From  the  American  Museum  Collection,  1883. 
(Bryan  Collection.) 

B-309.  Portrait  of  Stephen  Decatur,  U.  S.  N., 

(1751-1808.)  (28§X23.)  Rembrandt  Peale. 

From  the  Peale  Gallery,  Phila.,  1854. 
(Bryan  Collection.) 

B-310.  Portrait  of  Jacob  Jones,  U.  S.  N., 

(1768-1850.)   (28^X23.)  Rembrandt  Peale. 

From  the  Peale  Gallery,  Phila.,  1854. 
(Bryan  Collection.) 

B-311.  Portrait  of  William  Bainbridge,  U.  S.  N., 

(1774-1833.)  (28ix23.)  Rembrandt  Peale. 

From  the  Peale  Galley,  Phila.,  1854. 
(Bryan  Collection.) 

B-312.  Portrait  of  Oliver  H.  Perry,  U.  S.  N., 

(1785-1819.)  (28ix23.)  Rembrandt  Peale. 

From  the  Peale  Gallery,  Phila.,  1854. 
(Bryan  Collection.) 


94  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-313.  Portrait  of  William  Handy,  M.D.  (30x25.) 

Edward  Savage. 

From  the  American  Museum  Collection,  1863. 
{Bryan  Collection.) 

B-314.  Portrait  of  the  Seneca  Chief,  Corn  Plant,  or 

Ki-on-twog-ky.  (30x25.)  F,  BartoK 

This  portrait  was  painted  at  New  York  city,  in  the 
year  1796,  and  is  engraved  in  McKenney's  History  of  the 
Indian  Tribes,  Vol.  I.,  page  85. 

(Bryan  Collection.) 

B-315.  Portrait  of  Jean  Parisot  de  la  Valet te. 

(29X24.) 

Grand  Master  of  the  Knights  of  Malta,  1565.    A  modem 
copy  of  this  picture  is  in  the  Gallery  at  Versailles. 
{Bryan  Collection.) 

B-316.  Portrait  of  Cadwallader  D.  Colden, 

(1769-1834.)   (35x28i.)  John  Wesley  Jams, 

First  Vice  President  of  the  Society,  1821. 

From  the  American  Museum  Collection,  1863. 

{Bryan  Collection.) 

B-317.  Portrait  of  WilUam  Tilghman,  (1756-1827.) 

(21  X 17.)  Rernhrandt  Peak. 

Chief  Justice  of  Pennsylvania. 
From  the  American  Museum  Collection,  1863. 
{Bryan  Collection.) 

B-318.  A  Presentation  at  the  Temple.  (30x38.) 

Spanish  School. 

{Bryan  Collection.) 

B-319.  St.  Cecilia.     In  the  Style  of  Correggio. 
(47x66.) 

{Bryan  Collection.) 

B-320.  F^te  Champetre.  (30x39^.)         Gonzales  de  Coques. 

{Bryan  Collection.) 

B-321.  Female  Head.  (18JX14J.)  School  of  Correggio. 

{Bryan  Collection.) 

B-322.  St.  Paul  restored  to  Sight.  (181x14^.) 

Copy  from.  Domenichino. 

{Bryan  Collection.) 


GALLERY  OF  ART  95 


I 


I 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-323.  Adoration  of  the  Shepherds.  (16xlU.) 

Copy  from  Spagnoletto. 

(Bryan  Collection.) 

B-324.  Female  Head.  (19x15.)  Copy  front  Greuze. 

Original  in  the  Lichtenstein  Gallery. 
(Bryan  Collection.) 

B-325.  Family    Group,    of    the   Artist,    Wife   and 

Children.  (39x36 J.)  Michael  Van  Musscher, 

(Bryan  CoUeclion.) 

B-326.  ^Flneas  and  his  son  Ascanius  visiting  Dido. 

(25x21.)  Constantine  Netscher, 

(Bryan  Collection.) 

B-327.  Portrait  of  Orelia  Doria.  (49x29.)        Italian  School 

(Bryan  Collection.) 

B-328.  Portrait  of  Madalena  Doria.  (49x29.) 

Italian  School. 

(Bryan  Collection.) 

B-329.  German  Baron  and  his  Family.  (21  X27i.) 

Bartholomew  Vander  Heist, 

(Bryan  Collection.) 

B-330.  Virgin  and  Child.  (ITxllJ.) 

(Bryan  Collection.) 

B-331.  Christ  appearing  to  the  Magdalen.  (23  X 19.) 

Fra  Bartolomeo. 

(Bryan  Collection.) 

B-332.  Virgin  and  Child.  (22^x16.)  Bernardo  Zenale. 

From  the  Collection  of  Du  Bluisel,  Paris,  1870. 
(Bryan  Collection.) 

B-333.  Triptique.  (18x32.) 

(Bryan  Collection.) 

B-334.  Landscape,  with  Figures.  (28§x42.) 

Adam  Pynaker, 

(Bryan  Collection.) 


96  GALLERY  OF  ART 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

B-335.  Family  Fete.  (33x39.)  Jan  Steen, 

From  the  Collection  of  Comtesse  de  Vergez,  Paris,  1870. 
{Bryan  Collection.) 

B-336.  Landscape,  with  Figures.  (37x51.) 

William  de  Buytenweg. 

(Bryan  Collection.) 

B-337.  Bacchanal.   (21  X32.)  Sehastien  Bourdon. 

From  the  Olmade  Collection,  Paris,  1868. 
{Bryan  Collection.) 

B-338.  Landscape,  with  Figures.  (25ix30.) 

{Bryan  Collection.)     Comelius  Huysmans, 

B-339.  Landscape.   (22x32i.)  Minderliout  Hohhema, 

{Bryan  Collection.) 

B-340.  The  Fortune  Teller.  (23Jx21.)       Antoine  Watteau. 

{Bryan  Collection.) 

B-341.  Snow  Scene.  (8x10.)  Philip  Woiiwermans. 

From  the  Gaudinot  Collection,  Paris,  1833. 
{Bryan  Collection.) 

B-342.  Dutch  Interior.  (23x21.)  Renter  Brakenhurg, 

From  the  Olmade  Collection,  Paris,  1868. 
{Bryan  Collection.) 

B-343.  Portrait  of  Margerethea  De  Bije.  (lOxMJ.) 

Constantine  Netscher, 

Wife   of   Francois  Meerman,  Recorder  of  the  City  of 
Leyden.    She  died  December  12,  1712. 
(Bryan  Collection.) 

B-344.  Interior  of  a  Cottage.  (14x11.) 

(Bnjan  Collection.) 

B-345.  Portrait  of  a  Dog.  (29x42.)  John  B.  Weenix. 

(Bryan  Collection.) 

B-346.  The  Artist.  (5x4.)  Godfrey  Schalcken, 

(Bryan  Collection.) 

B-347.  Landscape  with  Cattle.  (16x22.)  Albert  Cuyp. 

(Bryan  Collection.) 


GALLERY  OF  ART  97 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

B-348.  Italian  Landscape.  (18^x25.)  Jan  Hackaert. 

(Bryan  Collection.) 

B-349.  Still  Life.  (19ix24.)  J.  B.  Simeon  Chardin, 

(Bryan  Collection.) 

B-3o0.  The  Sacrifice.  (17§x23.)  Leonard  Bramer. 

From  the  Olraade  Collection,  Paris,  1838. 
(Bryan  Collection.) 

B-3oL  The  Village  Fete.  (llJxUi.)      Renier  Brakenburg. 

(Bryan  Collection.) 

B-352.  Flemish  Interior.  (15§xl9J.)       Renier  Brakenburg. 

(Bryan  Collection.) 

B-353.  Portrait.  (25x21f.)  J.  B.  Simeon  Chardin, 

(Bryan  Collection.) 

B-354.  Landscape.  (15x22.)  Adam  Pynaker, 

(BrTjan  Collection.) 

B-355.  Pleasure  Party.  (19x15^.)  Antoine  Watteau, 

(Bryan  Collection.) 

B-356.  Interior.  (15x12.)  Egbert  van  Hemskerk, 

(Bryan  Collection.) 

B-357.  The   Virgin   and  the  Infant  Jesus  crushing 
the  Serpent.  (50x23.) 

Pietro  Berretini  da  Cortona. 
From  the  Olmade  Collection,  Paris,  1868. 
(Bryan  Collection.) 

B-358.  Landscape.  (9x12.)  Dutch  School, 

From  the  Olmade  Collection,  Paris,  1868. 
(Bryan  Collection.) 

B-3o9.  Entrance  to  a  Park.  (25x19 J.) 

Isaac  Moucheron  and  John  Lingelbach. 
(Bryan  Collection.) 

B-360.  Marine  View.  (15ix24.) 

(Bryan  Collection.) 


98  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-361.  Portrait.  (23x18.)  Francis  Hals. 

{Bryan  Collection.) 

B-362.  Winter  Scene.  (14xl8§.)  Egbert  Vander  Poel 

(Bryan  Collection.) 

B-363.  Portrait.  (32ix26.)  Mle.  Ledoux. 

{Bryan  Collection.) 

B-364.  Landscape.  (9|Xll.)  Isaac  Moucheron. 

{Bryan  Collection.) 

B-365.  Portrait  of  a  Gentleman.  (18x15.)  Gerard  Terhurg. 

{Bryan  Collection.) 

B-366.  Portrait  of  a  Lady.  (18x15.)  Gerard  Terhurg. 

{Bryan  Collection.) 

B-367.  Temptation  of  St.  Anthony.  (15xlU.) 

Matthew  Van  Helmont. 

From  the  Olmade  Collection,  Paris,  1868. 
{Bryan  Collection.) 

B-368.  The  Frozen  Canal.  (14x21.) 

Hendrik  Van  Aver  camp. 

From  the  Olmade  Collection,  Paris,  1868. 
{Bryan  Collection.) 

B-369.  Portrait  of  a  Lady.  (22x18.) 

Thomas  Gainsborough. 

{Bryan  Collection.) 

B-370.  Landscape.  (28x24 J.)  Adam  Pynaker. 

{Bryan  Collection.) 

B-371.  The  Lovers.  (10x81.) 

{Bnjan  Collection.) 

B-372.  Interior.  (9|Xl3^)  Adrian  Van  Ostade. 

{Bryan  Collection.) 

B-373.  St.  Jerome  at  Prayer.  (15iXl2i.) 

Lodovico  Mazzolino, 

{Bryan  Collection.) 


GALLERY  OF  AftT  •   :    :  :•/•••  :*;  :•. : :  99 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

B-374.  Family  Group.  (14x41  J.)  Henry  Goltzius. 

{Bryan  Collection.) 

B-375.  Virgin  and  Child.  (13x9i.) 

(Bryan  Collection.) 

B-376.  The  Flight  into  Egypt.  (12x8^.)  Oval  Top. 

(Bryan  Collection.) 

B-377.  Virgin  and  Child.  (7x6.)  Bernard  Van  Orley, 

(Bryan  Collection.) 

B-378.  Scene  from ''M.dePourceaugnac."  (9x15.) 

Antoine  Watteau. 

From  the  Collection  of  Comtesse  de  Vergez,  Paris,  1870. 
(Bryan  Collection.) 

B-379.  The  Fatigues  of  War.  (9x13.)        Antoine  Watteau, 

(Bryan  Collection.) 

B-380.  The  Relaxations  of  War.  (9x13.)  Antoine  Watteau, 

(Bryan  Collection.) 


B-381.  The  Lover's  Present.  (12x15.)       S.  Freudenherger, 

I  lady  receiving  a  p: 
dated  Paris,  1770. 
(Bryan  Collection.) 


Water-color  of  a  lady  receiving  a  present  of  a  spaniel 
dog.    Signed  and  dated  Paris,  1770. 


10^:  <  ^-.  ^'^-:  ^     ^    ^    GALLERY  OF  ART 


The  following  described  Pictures  were  STOLEN 
from  the  Bryan  Collection  before  it  was  received  by 
the  Society. 

Cupid  discharging  an  Arrow.  In  the  style  of  Correggio. 

Cupid  after  the  discharge  of  the  Arrow — with  finger 
raised  constraining  silence. 

In  the  style  of  Correggio. 

Adoration  of  the  Magi.  Leonard  Bramer. 

The  Virgin,  with  the  infant  Christ  and  Joseph,  sits  in 
front  of  a  ruined  building.  Around  them  the  Magi  are 
grouped  in  adoration.  The  distribution  of  the  hght  in 
this  little  picture  is  truly  grand,  and  the  color  is  rich  and 
harmonious.  The  influence  of  Rembrandt  is  apparent  in 
every  touch. 

Vision  of  St.  Louis.  Anthony  Van  Dyck. 

The  sainted  King  starts  from  a  canopied  couch' to  gaze 
upon  the  apparition  of  Pope  Gregory  iv.,  who  appears 
before  him,  cloud-borne,  and  surrounded  by  angels.  In 
the  background  is  a  sentinel.  This  little  picture  is  noble 
in  style  and  harmonious  in  color.  The  action  of  the 
figures  is  remarkably  free  and  vigorous. 

A  Lace- Worker.  Peter  De  Hooghe. 

A  young  woman  sits  by  an  open  window,  with  her 
hands  resting  upon  the  cushion  on  which  is  her  work. 
The  light  falls  in  a  broad  mass  upon  one  side  of  her  face 
and  figure,  while  the  other  is  in  the  half-shadow  of  re- 
flected light.  This  little  sketch,  so  unobtrusive  in  subject 
and  treatment,  will  impress  the  close  observer  with  a 
sense  of  great  power  and  thorough  knowledge — knowl- 
edge which  is  content  to  know  without  seeming  learned. 

Miniature  Portrait.  Balthazar  Denner. 

An  old  man,  wearing  a  cap,  and  a  breastplate  over  a 
rich  doublet.  This  head  is  painted  with  an  elaborateness 
of  detail  worthy  of  Gerard  Douw,  while  at  the  same  time 
it  is  modelled  with  a  free  and  learned  hand. 

(Collection  of  General  Count  Turenne.) 


THE   DURR  COLLECTION 

WITH    ADDITIONS    PURCHASED   BY   THE 
DURR   GALLERY   FUND 


LOUIS  DURR 

Louis  Durr  was  born  in  Carlsruhe,  Germany,  in  1821,  and 
died  in  New  York  City,  March  31,  1880.  His  father  was 
the  Treasurer  of  the  Duke  of  Baden-Baden,  and  was  a  w^atch- 
maker  by  trade,  as  well  as  a  dealer  in  works  of  art. 

Mr.  Durr  graduated  from  the  Lyceum  in  his  native  city, 
and  after  visiting  Geneva  and  Paris,  came  to  this  country 
with  his  brother  in  1848  and  for  a  time  was  connected  with 
Balbach's  gold  smelting  works  in  Newark,  N.  J.  In  1853-54 
he  was  established  at  111  Nassau  Street,  this  city,  as  a  re- 
finer of  gold  and  silver.  In  1856  he  removed  to  51  Ann 
Street  and  the  following  year  to  53  Ann  Street,  where  he 
carried  on  his  business  as  an  assay er  and  refiner  for  many 
years  with  his  brother. 

He  accumulated  a  fortune  and  spent  all  his  spare  time 
studying  and  collecting  works  of  art.  He  lived  at  No.  30 
East  4th  Street,  where  he  kept  his  paintings. 

He  was  a  member  of  the  Liederkranz  Club,  then  near  his 
home,  and  became  a  member  of  this  Society  in  1873. 

By  will  Mr.  Durr  directed  that  the  most  meritorious  works 
of  art  were  to  be  selected  from  his  gallery  of  paintings  and 
placed  by  his  executors  in  some  public  art  gallery,  to  be 
known  as  the  ''Durr  Gallery  of  Paintings,"  the  residue  of 
his  paintings  to  be  sold  and  the  proceeds  invested  for  the 
purchase  of  suitable  additions  for  the  ''Durr  Gallery  of 
Paintings.'' 

In  1880  the  executors  of  his  estate  under  the  terms  of  his 
will  offered  the  collection  of  paintings  to  The  New  York  His- 
torical Society,  and  in  1882  they  were  transferred  to  the 
Society,  together  with  the  proceeds  of  the  above-mentioned 
sale,  which  the  Society  designated  the  "Durr  Gallery  Fund" 
and  from  which  the  Gallery  is  added  to. 


102 


17.    BUST  OF  LOUIS  DURR.    IN  BRONZE. 

HENRY  BAERER. 

FOUNDER  OF  THE  DURR  COLLECTION. 

PRESENTED  BY  THE  EXECUTORS  OF  HIS  ESTATE. 


jV  :.  :■  »-..  i.  V  ^  *^ "u  t      I    »'- 


THE   DURR  COLLECTION 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

D-1.  St.  Ferdinand  I.,  King  of  Castile,  receiving 
the  Code  de  las.Partidas  from  the  Madonna. 
(65X41  J.)  Murillo. 

{Durr  Collection.) 

D-2.  The  Immaculate  Conception.  (24x32.)  Murillo. 

From  the  Emmet  Collection. 
(Durr  Collection.) 

D-3.  Jesus  Suffering.  (19x24.)  J.  A,  Escalante. 

Signed.    From  the  Emmet  Collection. 
(Durr  Collection.) 

D-4.  Jesus  Victorious.  (19x24.)  J.  A.  Escalante. 

Signed.     From  the  Emmet  Collection. 
{Durr  Collection.) 

D-0.  St.  John  the  Baptist.  (41x65^.)  Velasquez, 

From  a  collection  brought  from  Seville,  and  purchased 
by  Mr.  Francis  Tomes. 

(Durr  Collection.) 

D-6.  EcceHomo.  (50x80.)  Luis  Morales. 

From  a  Catholic  church  in  Mexico,  brought  to  New 
York  about  1855. 

(Durr  Collection.) 

D-7.  Portrait  of  a  Philosopher.  (29x39.)  Spagnoletto. 

Purchased  in  Philadelphia. 
(Durr  Collection.) 

D-8.  Adoration  of  the  Shepherds.  (45x37.)       II  Bassano. 

Brought  from  Italy  by  Mr.  W.  Metcalfe. 
(Durr  Collection.) 

D-9.  Martyrdom  of  St.  Sebastian.  (21  X27.)  Tintoretto. 

(Durr  Collection.) 
103 


104  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

D-10.  Martyrdom  of  St.  Lawrence.  (90x97.)  Titian. 

This  painting  is  signed,  and  shows  evidences  ot  being  the 
first  of  three  of  this  subject  which  Titian  painted — the  sec- 
ond, ordered  by  King  Philip  II.  of  Spain,  remains  at  the 
Escurial;  the  third  is  in  the  Jesuits'  Church  at  Venice.  This 
composition  is  esteemed  by  such  authorities  as  Kugler  one 
of  the  most  important  of  Titian's  works. 

From  the  collection  owned  by  Gideon  Nye,  jr.,  who 
valued  this  picture  at  sixteen  thousand  guineas. 
{Durr  Collection.) 

D-11.  Portrait.  (19x25.) 

The  following  is  inscribed  in  French  on  the  back  of  the 
portrait:  '* Collection  of  Alix,  General-in-Chief  of  West- 
phaUa. — This  precious  picture  was  found  in  the  wagon  of  a 
vivandiere,  named  Michau,  who  was  killed  at  the  battle  of 
Marengo.  After  being  in  the  possession  of  General 
Lemarois,  it  passed  into  the  private  cabinet  of  the  Cheva- 
lier Denon,  Director  of  the  Musee  Napoleon." 
{Durr  Collection.) 

D-12.  Assumption  of  the  Virgin.  (19ix40i.)  Piazetta. 

{Durr  Collection.) 

D-13.  Italian  Palace.  (68|x47i.)  Pannini. 

From  the  Stone  Collection. 
{Durr  Collection.) 

D-14.  Landscape.  (281x23^.)  Salvator  Rosa. 

{Durr  Collection.) 

D-15.  Arion  and  Dolphin.  (60ix45J.)       Annihale  Caracci. 

Signed. 

{Durr  Collection.) 

D-16.  Christ  and  the  Disciples  at  Emmaus. 

(70|X46|.)  Paul  Veronese. 

Bought  in  Philadelphia.    The  same  composition,  with 
slight  variations,  is  in  the  Dresden  Gallery. 
{Durr  Collection.) 

D-17.  Madonna  and  Child.  (18x22i.)         Fra  Bartolomeo, 

{Durr  Collection.) 

D-18.  Holy  Family.  (7x9^.)  School  of  Correggio. 

{Durr  Collection.) 

D-19.  Portrait  of  Jerome  Savonarola.  (22^x28^.) 

,r,      r>  n  r    \  F'ra  Bartolovieo. 

{Durr  Collection.) 


GALLERY  OF  ART  105 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

D-20.  Lucretia.  (22x26i.)    Venetian  School,  17th  Century, 

(Durr  Collection.) 

D-21.  Nymphs  Disarming  Cupids.  (14x11.) 

Francesco  Albano, 

{Durr  Collection.) 

D-22.  Pieta.  (11x15.)  Annihale  Caracci. 

(Durr  Collection.) 

D-23.  Bacchus  and  Ariadne.  (51  X39J.)  Titian. 

This  is  an  old  copy.  The  original  is  now  in  the  National 
Gallery,  London. 

{Durr  Collection.) 

D-24.  Palace  of  the  Prince  of  Orange,  in  the  South 
of  France,  with  Portrait  figures.   (44x43.) 

Federigo  Zuccaro, 

{Durr-  Collection.) 

D-25.  Cattle  Piece.  (13x13.)  Tempesta. 

(Durr  Collection.) 

D-26.  Cattle  Piece.  (13x13.)  Tempesta. 

(Durr  Collection.) 

D-27.  Spanish  Ladj^  and  Children.  (67x8o§.)     Velasquez. 

Purchased  with  Le  Brun's  Scenes  in  the  Life  of  Alexander. 
(Durr  Collection.) 

D-28-33.  Scenes  from  the   Life  of  Alexander  the 

Great.  (75x72.)  Charles  Le  Brun. 

Le  Brun's  larger  pictures  of  Xos.  D-28,  29,  30,  32  and 
33,  found  in  the  collection  of  Louis  XIV'.,  are  in  the 
Louvre. 

D-28.  Triumphal  Entry  of  Alexander  into  Babylon. 

(72x74|.)  Charles  Le  Brun. 

(Durr  Collection.) 

D-29.  Alexander  and  Hephestion  entering  the  Tent 

of  Darius.  (74x77.)  Charles  Le  Brun. 

(Durr  Collection.) 

D-30.  Defeat  of  Darius  at  Arbela.  (72x74i.) 

Charles  Le  Brun. 

(Durr  Collection.) 


106  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

D-31.  Alexander    cutting    the    Knot    of    Gordius. 

(73x75-|.''  Charles  Le  Brun. 

(Durr  Collection.) 

D-32.  Porus  brought  to  Alexander  after  his  Defeat. 

(72x74 J.)  Charles  Le  Brun. 

{Durr  Collection.) 

D-33.  Passage  of  the  Granicus.  (72x74  J.)  Charles  Le  Brun, 

(Durr  Collection.) 

D-34.  Adoration  of  the  Golden  Calf.  (70x49.) 

Nicholas  Poussin. 

Brought  from  Italy  by  James  Benkard.  The  subject 
was  a  iavorite  one  with  Poussin. 

(Durr  Collection.) 

D-35.  Portrait  of  a  French  Gentleman.  (32ix42.) 

Hyacinthe  Rigaud. 

(Durr  Collection.) 

D-36.  Odysseus  Taking  Leave  of  Penelope. 

(50x37.)  Claude  Lorraine, 

(Durr  Collection.) 

D-37.  Evening  Landscape.  (39x3L)  Caspar  Poussin. 

(Durr  Collection.) 

D-38.  Virgin  and  Child.  (23ix36.) 

Signed  L  G. 
(Durr  Collection.) 

D-39.  Adoration  of  the  Magi.  (25x3U.) 

Dutch  School,  loth  Century. 

(Durr  Collection.) 

D-40.  Christ  in  the  Prsetorium.  John  de  Mahuse. 

Signed  "Ioannes,  Malbodivs,  Pinceb  1527."  From 
the  collection  of  Thomas  Jefferson,  made  at  Paris  while 
United  States  Minister  to  France.  Sold  at  Boston,  July 
19,  1833. 

(Durr  Collection.) 

D-41.  Christ  Sinking  Under  the  Cross.  (13xl8i.) 

Copy  from  Albert  Dilrer. 

This  composition  forms  one  of  the  series  in  the  Passion, 
engraved  by  Diirer  on  wood. 

(Durr  Collection.) 


GALLERY  OF  ART  107 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

D-42.  Christ  with  the  Tribute  Money.  (33^x111.) 

Albert  Diirer. 

Signed  A.  D.,  dated  1525.     The  wings  of  this  triptique 
are  ornamented  with  the  head  or  a  Monk  and  ol  a  Nun. 
{Durr  Collection.) 

D-43.  The  Last  Judgment.  (311x43*.)  Oval  Top. 

{Durr  Collection.)         ^^^«^    ^'«^   ^^y^""' 

D-44.  St.  Paul  Preaching  at  Athens.  (23x30.) 

Martin  Van  Veen  Hemskerk. 

(Durr  Collection.) 

D-45.  The  Holy  Night.  (36x28.)  Karl  du  Jardin, 

{Durr  Collection.) 

D-46.  Christ  Before  Caiaphas.  (63x43.)         G.  Van  Herp. 

Signed.  This  and  the  two  following  pictures,  forming 
a  series,  were  brought  from  Seville  by  E.  Boonen  Graves. 
From  the  Emmet  Collection. 

{Durr  Collection.) 

D-47.  Christ  Bearing  the  Cross.  (63x43.)      G.  Van  Hei'p. 

{Durr  Collection.) 

D-48.  Christ  Crowned  with  Thorns.  (63x43.) 

{Durr  Collection.)  ^-    ^'«^   ^^^P' 

D-49.  Landing  of  ^Eneas  in  Italy.  (60x40*.)         Tempesta. 

{Durr  Collection.) 

D-50.  The  :\Iadonna.  (29x36.)  Philip  de  Champagne. 

Bought  by  Mr.  Durr  at  Stuttgart. 
(Durr  CoUectim.) 

D-5L  The  Angel  Gabriel.  (29x36.)   Philip  de  Champagne, 

Bought  by  Mr.  Durr  at  Stuttgart. 
{Durr  Colleciion.) 

D-52.  Kitchen  Utensils.  (11x13.)  Barend  Cornelis. 

A  Dutch  painter,  of  whose  life  little  is  known,  but  whose 
manner  of  handling  is  praised  by  Karel  Van  Mander,  the 
art  commentator  of  the  seventeenth  century,  as  being 
superior  to  that  of  his  contemporaries.  This  picture  is 
signed. 

{Durr  Collection.) 


108  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

D-53.  Halt  at  a  Tavern.  (14iXlO.)  Peter  Bout. 

{Durr  Collection.) 

D-54.  Portraits  of  John  Bainbridge,  M.D., 

(1582-1643)  and  Daughter.  (38x50.) 

Sir  Peter  Lely. 

Bought  at  the  sale  of  the  collection  of  Thomas  Sully, 
December  20,  1872. 

(Durr  Collection.) 

D-55.  Portrait  of  a  Lady.  (27x33i.)  Oval.  B.  Denner, 

Signed  and  dated  1734. 
{Durr  Collection.) 

D-56.  Portrait  of  a  Gentleman.  (27x33i.)  Oval.  B.  Dejiner. 

Signed  and  dated  1734. 
(Durr  Collection.) 

D-57.  Miracle  of  the  Loaves  and  Fishes.  (43i  X29.) 

Andreas  Both. 

Purchased  December,  1865,  from  the  collection  of 
Joseph  M.  Meert  de  Domberg. 

{Durr  Collection.) 

D-58.  Moses  Striking  the  Rock.  (43ix29.)    Andreas  Both. 

In  this  picture  almost  every  position  ot  the  human  body 
is  represented.  It  is  from  the  collection  of  Joseph  M. 
Meert  de  Domberg. 

{Durr  Collection.) 

D-59.  Still  Life.   (41  X47i)  Van  Westhofen. 

{Durr  Collection.) 

D-60.  Portrait  of  a  Gentleman.  (15x19.) 

{Durr  Collection.)        ^^^^^^  ^/  ^^^  ^V^^' 

D-61.  Landscape  with  Spanish  Figures.  (53  J  X49i.) 

{Durr  Collection.)  "^^^^^  Vanudeu. 

D-62.  Landscape,  with  Cattle.  (48x37-|.)       John  H.  Roos. 

This  and  the  following  picture  were  purchased  in  Ba- 
varia by  Mr.  Keller. 

{Durr  Collection.) 

D-63.  Landscape,  with  Cattle.  (48x37§.)       John  H.  Roos. 

{Durr  Collection.) 


GALLERY  OF  ART  109 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

D-64.  Crossing  the  River.  (23x16^.)        Solomon  Ruysdael. 

(Durr  Collection.) 

D-65.  Passage  of  the  Red  Sea.  (32x25.) 

Francis  Franckerij  the  Elder. 

Brought  by  Mr.  Forbes  from  Sicily. 
(Durr  Collection.) 

D-6G.  The  Crucifixion.  (26x20.) 

Francis  Francken,  the  Elder. 

From  the  collection  of  John  G.  Boker. 
(Durr  Collection.) 

D-67.  Landscape  with  Figures.  (40x24|.)       D.  Hagelstein. 

A  pupil  of  A.  Elzheimcr,  figures  by  C.  Poelemburg. 
Signed  "and  dated  1630. 

{Durr  Collection.) 

D-68.  Game.  (47x36^)  J.  B,  Weenix. 

{Durr  Collection.) 

D-69.  The  Riverside.  (21  Xl4i.)         Jan  Van  Hughtenburg. 

{Durr  Collection.) 

D-70.  Marine.  (22xl7§.)  L.  Backhuysen. 

{Durr  CoUedion.) 

D-71.  Expulsion  of  Adam  and  Eve.  (94x69.) 

A.  Bloemaert. 

{Durr  Collection.) 

D-72.  Mother  and  Child.  (27^X35.)  Jan  Victoor. 

Purchased  February,  1870,  at  the  sale  of  the  collection 
of  Thomas  Thompson. 

{Durr  Collection.) 

D-73.  Landscape.  (9x11.)  Anthony  Waterloo. 

{Durr  Collection.) 

D-74.  Reptiles,  Birds,  and  Insects.  (29x38§.) 

Otho  Marcellis. 

Signed  and  dated  1667.     From  the  collection  of  Gideon 
Nye,  Jr. 

{Durr  Collection.) 


110  GALLERY  OF  ART 


NO.  SUBJECTS   OF   PAINTINGS.  ARTISTS. 

D-75.  The  Flute  Player.  (41  X33.)  Jacob  Vanloo. 

Purchased    February,    1870,    from    the    collection    of 
Thomas  Thompson. 

{Durr  Collection.) 

D-76.  The  Bean  King.  (36x29.)  John  Molenaer. 

Signed. 
{Durr  Collection.) 

D-77.  The  Rhinefall  at  Schaffhouse.  (181x13^.) 

Signed  A.  K.,  1009. 
(Durr  Collection.) 

D-78.  Moonlight  Landscape.  (17x15.) 

Claude  Joseph  Vernet. 

(Durr  Collection.) 

D-79.  Kitchen  Utensils.  (10x11.)  William  Kalf. 

(Durr  Collection.) 

D-80.  Portrait  of  a  Lady.   (23  X30.)  German  School. 

(Durr  Collection.) 

D-81.  The  Music  Lesson— Effect  of  Candle-light. 

(37i  X27|.)  Gerard  Honthorst. 

(Durr  Collection.) 

D-82.  Portrait  of  Lucretia  Van  der  Meulen. 

(28  X34i.)  John  Van  Ravesteyn. 

Signed. 
(Durr  Collection.) 

D-83.  Sealing  the   Letter— Effect   of  Candle-light. 

(37i  X27i.)  Gerard  Honthorst. 

(Durr  Collection.) 

D-84.  Portrait  of  a  Lady.  (23x29.)  John  de  Baan. 

(Durr  Collection.) 

D-85.  Winter  Landscape.  (22xl7|.) 

Signed,  J.  V.  E.     From  the  Beckett  Collection,  Phila- 
delphia. 

(Durr  Collection.) 

D-86.  Hunters  Resting.  (14^x17^.)  John  Miel. 

(Durr  Collection.) 


GALLERY  OF  ART  111 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

D-87.  Landscape.  (22x19.)  Johii  Wynants. 

From  the  Beckett  Collection,  Philadelphia. 
{Durr  Collection.) 

D-88.  Stag  Hunt.  (24x19.)  Gerard  Van  Battem. 

Signed. 
{Durr  Collection.) 

D-89.  Evening  Landscape.  (32Jx23i.) 

Minderhout  Hohbema. 

Signed.     Purchased  from  Mr.  Joseph  Vollmcring. 
{Durr  Colleclion.) 

D-90.  Farm  House  with  Cattle.  (34ix22.)     Albert  Cuyp. 

{Durr  Collection.) 

D-91.  Evening  Landscape.  (32^x22^.)  A.  Verhoorn. 

Signed. 
{Durr  Colleclion.) 

D-92.  The  Happy  Burgher.  (8x9.)  Ary  de  Voys, 

{Durr  Collection.) 

D-93.  Huntsman  Feeding  his  Dogs.  (22x15^.) 

Cornelius  Saftleven. 

{Durr  Collection.) 

D-94.  I-andscape.  (21x16.)  Adam  Pynaker. 

{Durr  Collection.) 

D-95.  Interior  of  a  Dutch  Tavern.  (21x15.) 

Egbert  van  Ilemskerk,  the  Younger. 

{Durr  Collection.) 

D-96.  Interior.— Dutch  Kitchen.  (18ix25.) 

Q.  Brekelenkam. 

Signed. 
{Durr  Collection.) 

D-97.  Arrival  of  the  Dutch  Fleet  at  Amsterdam. 

(26x16 J.)  W.  van  de  Velde,  the  Younger. 

{Durr  Collection.) 

D-98.  AVomen  Bathing.  (llJxSi.)  Daniel  Ver  tang  en. 

{Durr  Collection.) 


112 


GALLERY  OF  ART 


NO. 


SUBJECTS    OF   PAINTINGS. 


D-99.  The  Flight  mto  Egypt.  (41x51.) 

Dutch  School,  16th  Century. 

(Durr  Collection.) 

D-100.  Starting  for  the  Pasture.  (21iXl7J.) 

David  Teniers,  the  Younger, 

(Durr  Collection.) 

D-101.  Dutch  Interior.— Washerwomen.     (28x21.) 

Henry  M.  Rokes. 

(Durr  Collection.) 

D-102.  Interior  of  a  Church.  (33x26.) 

Anthony  de  Lorme. 

A  Dutch  painter  ot  architecture,  about  1660.  Figures  by 
A.  VAN  DE  Velde.  The  picture  is  signed.  From  the  Em- 
met Collection. 

{Durr  Collection.) 

D-103.  Combat  of  Cavalry.  (33Jx20i.)  Rembrandt, 

From  the  collection  of  Gideon  Nye,  Jr.    Signed. 
{Durr  Collection.) 

D-104.  The  Deluge.  (9x7.)  Daniel  Ver  tang  en. 

From  the  Beckett  Collection,  Philadelphia. 
{Durr  Collection.) 


D-105.  Tavern  Interior.  (12x8i.) 

{Durr  Collection.) 


Isaac  Van  Ostade. 


D-106-110.  Allegorical  Representation  of  the  Five 

Senses.  (12x8.)  Adrian  Van  Ostade, 

From  the  Beckett  Collection,  Philadelphia.  The  subject 
was  a  favorite  one  with  the  artist.  A  repetition  of  No. 
D-106  will  be  found  in  No.  B-372  of  this  catalogue. 


D-106.  Sight. 
D-107.  Hearing. 
D-108.  Taste. 
D-109.  Touch. 
D-110.  Smell. 


{Durr  Collection.) 
{Durr  Collection.) 
{Durr  Collection.) 
{Durr  Collection.) 
{Durr  Collection.) 


Adrian  Van  Ostade, 
Adrian  Van  Ostade. 
Adrian  Van  Ostade. 
Adrian  Van  Ostade. 
Adrian  Van  Ostade, 


GALLERY  OF  ART  113 


NO.  SUBJECTS   OF    PAINTKVGS.  ARTISTS. 

D-111.  Mars  and  Venus.  (19x14.)  J.  Rottenhamer. 

The  background  is  painted  by  John  Brueghel.    This 
painting  has  been  engraved  by  J.  D.  Herz. 
(Durr  Collection.) 

D-112.  Entombment  of  Christ.  (36x28i.)  Rubens. 

Old  copy.    Original  in  the  Vienna  Gallery.    From  the 
Thompson  Collection,  February,  1870. 
{Durr  Collection.) 

D-113.  Hunting  Party.  (41x28i.)       Simon  van  der  Does. 

{Durr  Collection.) 

D-114.  Frederick   I.,    Emperor   of   Germany,    sur- 
named  "Barbarossa."  (19x36J.) 

Lucas  Cranach. 

(Durr  Collection.) 

D-115.  Vegetable  Vender.  (24JXl8.)  John  Doncker. 

Signed,  J.  Doxck,  1630. 
(Durr  Collection.) 

D-116.  Tavern  Scene.  (23xl9i.) 

John  HorremanSy  the  Elder. 

(Durr  Collection.) 

D-117.  Tavern  Scene.     (23xl9i.) 

John  Horremans,  the  Elder. 

(Durr  Collection.) 

D-118.  Italian  Landscape.  (22x15.)       /.  F.  van  Bloemen. 

(Durr  Collection.) 

D-119.  Birds  and  Fish.  (22x161.)  Albert  Flamen. 

(Durr  Collection.) 

D-120.  Storm  at  Sea.  (29^x19.)  Bonaventura  Peters. 

(Durr  Collection.) 

D-121.  A  Dutch  Interior — Beggars  Carousing. 

f27§x21.)  Adrian  Brower. 

Signed.     From  the  collection  of  Joseph  M.  Meert  de 
Domberg. 

(Durr  Collection.) 

D-122.  Seaport.  (2oix20i.)  L.  Backhuysen. 

(Durr  Collection.) 


114  GALLERY  OF  ART 


NO.  SUBJECTS    OF   PAINTINGS.  ARTISTS. 

D-123.  A  Sea  Fight.  (28x21.)  John  Lingelbach. 

{Durr  Collection.) 

D-124.  Rendezvous  of  Smugglers.  (25x20.) 

John  van  Geel. 

{Durr  Collection.) 

D-125.  Tavern  Interior.  (16i  X20.)  Peter  Verelst. 

{Durr  Collection.) 

D-126.  Burning  of  a  Cottage  at  Night.  (ISxlGJ.) 

Egbert  vander  Poel. 

{Durr  Collection.) 

D-127.  Burning  of  a  Cottage  at  Night.  (19x14^.) 

Egbert  vander  Poel. 

{Durr  Collection.) 

D-128.  Landscape  with  Figures  and  Cattle. 

(22x15.)  Nicholas  Berghem. 

{Durr  Collection.) 

D-129.  Fruit  Piece.  (21xl5|.)  Albert  Cuyp. 

{Durr  Collection.) 

D-130.  Dutch  Windmill.  (16xl3|.)         John  vander  Meer. 

Signed  and  dated  1693.    From  the  Stone  Collection. 
{Durr  Collection.) 

D-131.  Card  Players.  (17iXl3|.)  Leonard  de  France. 

From  the  Beckett  Collection,  Philadelphia. 
{Durr  Collection.) 

D-132.  Landscape  with  Cattle.  (15iXlli.) 

Karl  du  Jardin. 

{Durr  Collection.) 

D-133.  Flowers.  (28x33.)  Simon  Verelst. 

{Durr  Collection.) 

D-134.  Playing  the  Bagpipe.  (8x9i.)  John  Tilius. 

{Durr  Collection.) 

D-135.  Landscape  with  Figures.  (14x12.) 

Philip  Wouwermans. 

From  the  Beckett  Collection,  Philadelphia. 
{Durr  Collection.) 


GALLERY  OF  ART  115 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

D-136.  ThePedler.  (8x9J.) 

From  the  Beckett  Collection,  Philadelphia. 
{Durr  Collection.) 

D-137.  Chateau  and  Park.  (12x9J.)    John  vander  Heyden. 

(Durr  Collection.) 

D-138.  Samson  and  Delilah.  (33ix25.)  Van  Dyck. 

The  finished  picture  of  this  sketch  is  in  the  Belvidere 
Gallery,  Vienna. 

{Durr  Collection.) 

D-139.  Historical  Subject.  (40x34.)     G.  van  den  Eckhout. 

Signed,  "P.  Isaacksen,  Invent".      G.  v.  Eckhout, 
pingsit.    A.D.  1670." 

{Durr  Collection.) 

D-140.  Interior  of  a  Church.  (20x23.)     Emanuel  de  Witt. 

{Durr  Collection.) 

D-141.  Dutch  Interior— Effect  of  Candle-light. 

(28ix22.)  David  Ryckaert. 

{Durr  Collection.) 

D-142.  The  Magi  Going  to  Bethlehem.  (41^x30^.) 

Leonard  Bramer. 

{Durr  Collection.) 

D-143.  Musical  Party.  (lOiXll.)     Matthew  Van  Ilelmont, 

Signed. 
{Durr  Collection.) 

D-144.  Farm-yard — Peasants  Playing  Cards. 

(22x18.)  Karl  du  Jardin. 

Signed,  and  dated  1667. 
{Durr  Collection.) 

D-145.  Landscape.  (31x26.)  John  Wynants, 

Signed. 
(Durr  Collection.) 

D-146.  Landscape  with  Sheep  and  Figures. 

(24x18.)  I\  B.  Ommeganck. 

{Durr  Collection.) 

D-147.  The  Pasture-field.  (19xl4-|.)  Jan  Kobell 

{Durr  Collection.) 


116  GALLERY  OF  ART 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

D-148.  Kitchen  Interior.   (9iXl2.)  H.  Van  Hove. 

{Durr  Collection.) 

D-149.  Family  Group.  (14x18.)  F.  G,  Waldmilller. 

(Durr  Collection.) 

D-150.  View  on  the  Moselle  Ptiver.  (18xl5i.) 

Barend  C.  Koekkoek. 

(Durr  Collection.) 

D-151.  Halt  at  the  Tavern.  (24x19.)     Baron  Henry  Leys. 

(Durr  Collection.) 

D-152.  Wayside  Hospitality.  (9Jx7|.)  Fritz  Franz. 

(Durr  Collection.) 

D-153.  Evening  Landscape — Sunset.  (17x11.) 

{Durr  Collection.) 

D-154.  Germania.  (108x90.)  Christian  Kohler. 

The  struggle  of  the  German  people  in  the  year  1848  gave 
rise  to  this  allegorical  composition.  Germania,  the  God- 
dess of  Germany,  awakened  from  her  slumber  on  a  bear's 
skin  by  Justice  and  Liberty,  seizes  the  national  crown  and 
sword,  and  drives  away  the  demons  of  Despotism  and  Dis- 
cord. This  picture  was  finished  in  1849,  when  it  was  pur- 
chased by  Mr.  John  G.  Boker,  and  brought  by  him  to  New 
York,  where  for  many  years  it  was  exliibited  in  the  Diissel- 
dorf  Gallery. 

(Durr  Collection.) 

D-155.  The  Wood  Road.  (34x28.)  P.  Barbiers. 

Signed. 
(Durr  Collection.} 

D-156.  The  Lute  Player.  (25x30.)     Gilbert  Stewart  Newton. 

(Durr  Collection.) 

D-157.  Group  of  Fishermen  on  the  Seashore. 

(60X43 J.)  gig^^d  Albert  Cuyp. 

(Durr  Collection.) 

D-158.  The  Three  Marys.  (27x36.)  Bernardino  Luini. 

(Durr  Collection.) 

D-159.  Shandaken  Range,  Kingston,  N.  Y. 

(16ix214.)  A.  B.  Durand. 

(Durr  Collection.)    , 


D-158.    THE  THREE  MARYS. 
BERNARDINO  LUINI. 
(DURR  COLLECTION) 


GALLERY  OF  ART  117 


NO.  SUBJECTS    OF    PAINTINGS.  ARTISTS. 

D-160.  Trees  by  the  Brookside,  Kingston,  N.   Y. 

(16ix21.)  A.B.  Durand, 

(Durr  Collection.) 

D-161.  Study  at  ]\Iarbletown,  N.  Y.  (16JX21.) 

A.  B.  Durand, 

{Durr  Collection.) 

D-162.  Group  of  Trees.  (17§x23i.)  A.  B.  Durand. 

{Durr  Collection.) 

D-163.  Pool  in  the  Catskills.  (17x23.)     Josephirie  Walters. 

{Durr  Collection.) 

D-164.  The  Parting  Guests,  1775.  (36x22.) 

Woodsworth  Thompson. 

{Durr  Collection.) 

D-165.  Portrait  of  Matthew  L.  Davis,  (1766-1850.) 
(6X5.)  Oval.  (Miniature.) 

{Durr  Collection.) 

i      D-166.  Portrait  of  Benjamin  Franklin,  (1706-1790.) 

[  (23x28^)  Oval.  Joseph  S.  Duplessis. 

Painted,  in  Paris,  about  1784. 
{Durr  Collection.) 

D-167.  Summer  in  the  Land  of  the  ^Midnight  Sun. 

(42X72.)  William  Bradford. 

{Durr  Collection.) 

D-168.  Portrait  of  Asher  B.  Durand,  (1796-1886.) 

(201  X26.)     Painted  in  1825.  John  Trumbull. 

{Durr  Collection.) 

D-169.  Portrait  of  WiUiam  S.  Mount,  (1807-1868.) 

(20  X26.)  Frank  B.  Carpenter. 

From  the  original  by  Elliott. 
{Durr  Collection.) 

\P-170,  The  Palisades,  New  Jersey.  (21x14.) 

Water  Color.  William  G.  WaM. 

{Durr  Collection.) 

[D-171.  View  near  Fishkill,   New  York.  (21x14.) 

Water  Color.  William  G.  Wall. 

{Durr  Collection.) 


118  GALLERY  OF  ART 


NO.  SUBJECTS   OF    PAINTINGS.  ARTISTS. 

D-172.  Portrait  of  Samuel  F.  B.  Morse,  (1791-1872.) 
(32X26.)  Crayon. 

(Durr  Collection,  1905.) 

D-173.  Portrait  of  Alexander  Anderson,  M.D., 
(1775-1870.)  (17x21.) 

{Durr  Collection,  1907.) 

D-174.  Portrait  of  Mrs.  Alexander  Hamilton, 

(1757-1854.)   (14|Xl2f.)  Crayon. 

Eastman  Johnson, 

From  life,  in  the  Capitol  at  Washington,  March,  1816. 
{Durr  Collection,  1907.) 

D-175.  Tontine  Coffee  House.    (1800.)    (65x43.) 

Francis  Guy. 

Northwest  corner  Wall  and  W^ater  Streets,  New  York 
City. 

{Durr  Gallery,  1907.) 

D-176.  Portrait  of  James  Riker,  (1822-1889.) 

(14x11.)  EmilKosa. 

From  a  photograph. 
{Durr  Gallery  Fund,  1911.) 

D-177.  Portrait  of  Solomon  Kip.  (6x3i.)  Oval. 

{Durr  Gallery  Fund,  191i\) 

D-178.  Portrait  of  Gen.   Pierre  Van  Cortlandt, 

(1762-1848.)   (30x25.)  Wm.  ColliJis, 

{Durr  Gallery  Fund,  1913.) 

D-179.  Portrait  of  William  C.  Bouck,  (1786-1859.) 

(21  X 17.)  Charles  L,  Elliott. 

Painted,  1847. 

Governor  of  New  York,  1843-1845. 

{Durr  Gallery  Fund,  1913.) 

D-180.  Portrait  of  Caleb  Heathcote,   (1665-1721.) 

(314x26i.) 

{Durr  Gallery  Fund,  1913.) 

D-181.  Portrait  of  Hamilton  Fish,  (1808-1893.) 

(35  X30.)  Augustus  G.  Heaton. 

From  the  original  by  Daniel  Huntington. 
President  of  the  Society,  1867-1869;    Vice  President, 
1881-1888. 

{Durr  Gallery  Fund,  1914.) 


CATALOGUE 

OF    THE 

PETER  MARIE  COLLECTION  OF  MINIATURES 

PRESENTED  TO 

THE   NEW   YORK   HISTORICAL   SOCIETY 

MARCH  25th,  1905 

BY    THE    RESIDUARY   LEGATEES    UNDER 
THE  WILL  OF    THE    LATE    PETER   MARIE 


PETER  AlARIE  COLLECTION  OF  MINIATURES 


NO.  SUBJECTS   OF   MINIATURES.  ARTISTS. 

1.  Adams,  Maude. 

2.  Alexandre,  Mrs.  John  E.  J.  C.  Coope,  1901. 

3.  Allen,  Mrs.  William.  Carl  Weidner. 

4.  Amory,  Mrs.  Frances.  Paillet,  1892, 

Anderson,  Mary  Houstoun.     See  Allen,  Mrs. 
William. 

Anderson,  ]Mary.     See  Navarro,  i\Irs.  Antonio 
F.  de. 

5.  Andrei,  ^ladame  Harriet  de  Bermingham. 

Paillet,  1892. 

6.  Annesly,  Lady. 

Anthony,  Rose.     See  Post,  Mrs.  William. 

Appleton,  May.     See  Hoyt,  Mrs.  Gerald  L. 

Appleton,  Caroline.     See  Bonaparte,  ]Mrs. 
Jerome. 

7.  Arnaud,  Gen.  Joseph  Louis  (Grandfather  of  Mr. 

:Marie). 

8.  Arnaud,  Mrs.  ]Mary.  Paillet,  1892. 

9.  Ashton,  Elizabeth.  Carl  Weidner. 
Ashton,  EUzabeth.     See  Glover,  Miss  Elizabeth. 

10.  Astor,  Mrs.  William  Waldorf.  Meave  T.  Gedney. 

11.  Astor,  Mrs.  Wilham  Waldorf.  Paillet,  1890. 

12.  Bacon,  Mrs.  Francis  McNeill,  Jr.  Paillet,  1893. 

13.  Bacon,  Mrs.  Walter  Rathbone.  Weidner. 

Banks,  Josephine  Lenox.     See  Marshall,  Mrs. 
Charles  H. 

121 


122 


GALLERY  OF  ART 


NO. 


SUBJECTS    OF    MINIATURES 


14.  Baring,  Mrs.  Harold  A. 

Barker,   ^^irginia  Piirdy. 
Walter  Rathbone. 

15.  Barnwell,  Mrs.  Morgan  G. 

16.  Baylies,  Mrs.  Edmund  L. 

Beekman,    Margaret   A.     See   Steward,    Mrs. 
Campbell. 


ATURES. 

ARTISTS. 

Weidner. 

See 

Bacon, 

Mrs. 

Weidner. 
Behenna. 

17.  Bell,  Mrs.  Isaac. 

Belmont,  Fredrica. 
Samuel  S. 

18.  Bend,  Amy. 

19.  Bend,  Beatrice. 


Behenna. 


See  Rowland,  Mrs. 


Paillet,  1889. 
Weidner. 


Bend,  Elizabeth  Pelham.     See  Robbins,  Mrs. 
Henry  Asher. 

Bermingham,    Henriette   de.     See   Andrei, 
Madame. 

Berry,  Katherine.     See  Zerega,  Mrs.  John  A.  di. 

Berryman,  Georgiana  L.     See  de  Rham,  Mrs. 
H.  Casimir. 


20.  Biddle,  Betsy. 

21.  Bishop,  Mrs.  Abigail  Hancock. 


Weidner. 
Weidner. 


22.  Bishop,  The  Misses,  daughters  of  Ileber  R. 

Bishop.  C.  and  F.  Weidner. 

23.  Blackwood,  Lady  Terence  T.  Paillet,  1890. 

24.  Boissevain,  Mrs.  G.  Louis.  '       Weidner. 

25.  Bonaparte,  IVIrs.  Jerome.  Paillet,  1892. 

26.  Bond,  Miss  Carolina  Washington.  Weidner. 
Borland,  Mrs.  John.     See  Rives,  The  Misses. 

27.  Brancaccio,  Princess. 

28.  Brewster,  Pauline. 

29.  Bristed,  Mrs.  Charles  Astor. 


GALLERY  OF   ART  123 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

30.  Brown,  Mrs.  Alexander.  Behenna,  1894' 

Brown,  Sophia  Carter.     See  Sherman,  Mrs.  W. 
Watts. 

31.  Bryce,  Mrs.  Lloyd.  Behenna. 
Bulkley,  Helen  C.    See  Redmond,  Mrs.  Roland. 

32.  Burden,  I\Irs.  James  Abercrombie.  Paillet,  1892. 

33.  Burke,  Mabel.  Weidner. 

34.  Burke-Roche,  Mrs.  James  B.  C.  and  F.  Weidner. 

35.  Byrd,  Lucy.  Weidner. 

36.  Cameron,  Mrs.  Senator  Don.  Paillet,  1889. 

Carey,    Marion    de    Peyster.     See   Dinsmore, 
Mrs.  Wm.  B.,  Jr. 

Carley,  Grace.     See  Harriman,  Mrs.   Oliver, 
Jr. 

Carley,  Pearl.     See  Hunt,  IMrs.  Richard  How- 
land. 

37.  Carroll,  Mrs.  John  Lee.  Paillet,  1892. 

38.  Carroll,  IMrs.  Royal  Phelps.  Paillet,  1891. 

39.  Carson,  Rita.  Weidner,  1895. 

Carter,   ^lary   Frances.     See  Ronalds,   Mrs. 
Mary  Frances. 

40.  Cary,  Mrs.  Clarence.  Behenna. 

Chamberlain,    Jennie.      See    Leyland,    Ladj^ 
Naylor. 

41.  Chapin,  Mrs.  Alfred  C.  C.  and  F.  Weidner. 

42.  Charette,  Baroness  de.  Behenna. 

43.  Choate,  iMabel.  Behenna. 
Churchill,  Marie.     See  Baring,  Mrs.  Harold  A. 

44.  Clarkson,  Margaret.  Paillet,  1890. 

45.  Cleveland,  Mrs.  Grover.  Paillet,  1891. 


124  GALLERY  OF  ART 


NO.  SUBJECTS    OF   MINIATURES.  ARTISTS. 

46.  Clews,  Mrs.  Henry.  Behenna. 

Coffey,  Edwalyn.     See  De  Kay,  Mrs.  Charles. 

Colgate,  Cora  Smith.     See  Strafford,  Countess 
of. 

47.  Cotton,  Mrs.  J.  Leslie.  PailleL 
Cooper,  Edith.     See  Bryce,  Mrs.  Lloyd. 

48.  Cram,  Ethel.  Behenna, 

Cram,  Henriette.     See  Haven,  Mrs.  J.  Wood- 
ward. 

49.  Cram,  Mrs.  Henry  S.  Paillet,  1891. 

50.  Crosby,  Angelica  Schuyler.  Weidner. 

Crosby,  Elizabeth.     See  Powel,  Mrs.  Robert 
J.  Hare. 

51.  Crosby,  Elsinor. 

52.  Cross,  Mrs.  Horatio  R.  Odo.  Paillet,  1891. 

53.  Cruger,  Mrs.  Van  Rensselaer.  Paillet,  1893. 

54.  Curzon,  Lady.  Paillet,  1889. 

55.  Cutting,  Mrs.  Wm.  Bayard.  Behenna,  1894- 

56.  Dahlgren,  Romola.  Weidner. 

57.  Davis,  Bessie  Frelinghuysen.  Weidner. 
Davis,  Flora.    See  Blackwood,  Lady  Terence  T. 

58.  De  Kay,  Mrs.  Charles.  Paillet,  1891. 

59.  Del  Grillo,  Donna  Bianca  Capranica.  Paillet,  1889. 

60.  De  Rham,  Mrs.  Charles,  Jr.  Weidner,  1895. 

61.  De  Rham,  Mrs.  H.  Casimir.  Behenna. 

62.  Dexter,  Louise.  Behenna. 

63.  D'Hauteville,  Mrs.  Frederic  Grand.  Behenna. 

64.  Dinsmore,  Mrs.  Wm.  B.,  Jr.  Edward  Fesser,  1896. 

Di  Zerega,  Charlotte  Berry.     See  Lady  Frank- 
land. 


GALLERY  OF  ART  125 


NO.  SUBJECTS    OF   MINIATURES.  ARTISTS. 

65.  Domingnez,  Mrs.  Behenna,  1893, 

66.  Drayton,  Caroline.  Cecile  E.  Payen. 

Dresser,  Pauline.     See  Merrill,  Mrs.  G.  Gren- 
ville. 

67.  Drexel,  Mrs.  John  R.  Ahendschein. 

68.  Drummond,  Mrs.  Victor.  Paillet,  1893. 

Duncan,    Jessie.     See    Phipps,    Mrs.    William 
Wilton. 

69.  Duncan,  Mrs.  Wm.  Butler.  Behenna. 
Duval,  Lee.     See  Marie,  Mrs.  Louis. 

Eames,  Einma.     See  Story,  Mrs.  Julian. 

70.  Edey,  Mrs.  Frederick.  Paillet,  1892. 
11.  Edgar,  Caroline.  Weidner, 

72.  Edwards,  Mary  G.  Weidner. 

73.  Elliott,  Mrs.  Duncan.  Paillet,  1891. 

74.  Emmet,  Mrs.  Bache  McEvers.  Paillet,  1892. 
lb.  Emmet,  Mrs.  Herman  Le  Roy. 

76.  Emmet,  Jane.  Behenna,  1893. 

11.  Emmet,  Lydia.  Behenna,  1893. 

78.  Essex,  Countess  of.  Behenna. 
Fearing,  Miss.     See  Sheldon,  Mrs.  Frederick. 

79.  Fearing,  Mrs.  Daniel  B.  Paillet,  1890. 

80.  Fenno,  Mrs.  Behenna. 
Field,  EHzabeth  H.     See  Brancaccio,  Princess. 

8L  Field,  Mary  Pearsall.  Behenna. 

Fish,    Sarah    Hamilton.     See   Webster,    Mrs. 
Sidney. 

Fish,  Susan  Le  Roy.     See  Rogers,  Mrs.  Wm.  E, 

Foster,  Emily.     See  de  Rham,  Mrs.  Charles,  Jr. 


k 


126  GALLERY  OF  ART 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

82.  Francklyn,  Mrs.  Charles  G.  Paillet,  1892. 

83.  Frankland,  Lady.  J.  Clausen  Coope. 

84.  French,  Mrs.  Seth  Barton.  C,  and  F.  Weidner, 

85.  Gambrill,  Mrs.  Richard.  Behenna. 
Garner,  Fanny.     See  IseUn,  Mrs.  C.  OHver. 

86.  Gebhard,  Mrs.  Frederick.  Behenna. 

87.  Gebhard,  Mrs.  Frederick.  Edward  Fesser,  1898. 

88.  Glover,  Elizabeth,  and  Elizabeth  Ashton.       Weidner. 
Goddard,  Hope.     See  Iselin,  Mrs.  C.  Oliver. 

89.  Goddard,  Mrs.  William.  Paillet,  1891. 

90.  Godfrey,  Ada.  C.  and  F.  Weidner. 
Gordon,  Mabel.     See  Leigh,  Mrs.  Roland. 

Grant,  Adele.     See  Essex,  Countess  of. 

9L  Gray,  Mrs.  Griswold.  Paillet,  1892. 

92.  Gray,  Mrs.  John  Clinton.  Weidner,  1896. 

93.  Greene,  Elizabeth  McClelland.  Paillet,  1892. 

Grew,   Jane   N.     See   Morgan,  Mrs.  J.  Pier- 
pont,  Jr. 

Griswold,  Florence.     See  Cross,  Mrs.  Horatio 
R.  Odo. 

94.  Griswold,  Mrs.  George.  Behenna. 

95.  Gurnee,  The  Misses  Bell  and  Lucy.  Weidner. 

Hall,  Anna.     See  Roosevelt,  Mrs.  ElUott. 

Hall,    Elizabeth    Livingston.     See    Mortimer, 
Mrs.  Stanley. 

96.  Handy,  May.  Paillet,  1894. 

Hargous,  Sallie.     See  Elliott,  Mrs.  Duncan. 

Harriman,    Mrs.    J.    Low.     See   Bishop,    The 
Misses. 

97.  Harriman,  Mrs.  Oliver,  Jr.  Meave  T.  Gedney. 


GALLERY  OF  ART  127 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

98.  Havemeyer,  Mrs.  C.  F.  Paillet,  1892. 

99.  Ha\en,  Mrs.  J.  Woodward.  Behenna. 

Heckscher,    Georgiana   L.      See   Wilnierding, 
Mrs.  John  C. 

Heckscher,  Emehne  D.     See  Winthrop,  Mrs. 
Egerton  L.,  Jr. 

100.  Heckscher,  Mrs.  John  G.  Weidner, 

101.  Hewitt,  Mrs.  Peter  Cooper.  Weidner. 

102.  Higgins,  Mrs.  Henry  Vincent. .  Behenna,  1893. 

103.  Hillhouse,  Mrs.  Charles  Betts.  Weidner. 
Hoe,  Carolyn.     See  Marie,  Mrs.  Leon. 

104.  Hoffman,  Dorothea  Wolfe.  Weidner. 

105.  Hoffman,  Mrs.  Ellis.  Weidner. 

106.  Hoffman,  Emily.  Ahendschein. 

107.  Hoffman,  Mrs.  Henry  J.  Paillet,  1890. 

108.  Hoffman,  Mary  Wolfe.  Weidner. 

Hoffman,    Madora   Marie.     See   Mores,    The 
Marquise  de. 

109.  Hone,  Hester.  Weidner. 

110.  Hopkins,  Mrs.  Archibald  and  ]\lrs.  Jacob  W. 

Miller.  Paillet,  1892. 

111.  Hoppin,  Mrs.  Sarah  Cames  Weekes.  Behenna. 

Hoppin,  Katherine  B.     See  Post,  Mrs.  AlUson 
Wright. 

112.  Horton,  Helen.  Paillet,  1892. 

113.  Howland,  ]Mrs.  Samuel  S.  Weidner. 
Hoyt,  Susan  S.     See  Francklyn,  Mrs.  Charles  G. 

114.  Hoyt,  Mi-s.  Gerald  L.  Paillet,  1891. 

115.  Hoyt,  Janet.  C.  and  F.  Weidner. 
Hunnewell,  Charlotte.  See  Sorchon,  Mrs.  Victor. 


128  GALLERY  OF  ART 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

116.  Hunt,  Mrs.  Richard  Howland.  Behenna. 

117.  Huntington,  Marie.  F.  Weidner. 

Hutton,  Anna.     See  Moltke-Huitfeldt,  Com- 
tesse  Harold  de. 

118.  Irvin,  Mrs.  Richard.  Paillet,  1893. 
Irvin,  Susan.     See  Gray,  Mrs.  Griswold. 

119.  Iselin,  Louise.  Weidner. 

120.  Iselin,  Mrs.  C.  Oliver.  Paillet,  1892. 

121.  Iselin,  Mrs.  C.  Oliver.  Paillet,  1891. 

122.  Jaffray,  Mrs.  William  P.  Paillet,  1893. 

123.  Jay,  Miss  Eleanor. 

124.  Jenkins,  Laura.  C.  and  F.  Weidner, 

Johnson,  Alice  W.     See  Emmet,  Mrs.  Herman 
Le  Roy. 

Jones,  Cornelia  S.     See  Steward,  Mrs.  John,  Jr. 

Jones,  Edith.     See  \\Tiarton,  Mrs.  Edward  R. 

125.  Kane,  Mrs.  Grenville.  Abendschein. 

126.  Kennedy,  Mrs.  H.  Van  Rensselaer.  Paillet,  1890. 

Keteltas,  Edith.     See  Wetmore,  Mrs.  George 
Peabody. 

Kip,   Edith   Lorillard.     See  McCreery,   Mrs. 
Richard. 

127.  Knowlton,  Edith. 

128.  Ladenburg,  Mrs.  Adolph.  Paillet,  1889. 

La  Montague,  Elizabeth.     See  Pendleton,  iVIrs. 
Francis  K.,  No.  190. 

Lamson,  Lily.     See  Drummond,  Mrs.  Victor. 

Langdon,   Marion.     See  Carroll,   Mrs.   Royal 
Phelps. 

Lanier,  Mrs.  James  F.  D.     See  Bishop,  The 
Misses. 


GALLERY  OF  ART  129 


NO.  SUBJECTS    OF   MINIATURES.  ARTISTS. 

129.  Lawrence,  Mrs.  Prescott. 

130.  Ledyard,  Mrs.  Lewis  Cass. 

Lee,  Alice  Bowers.     See  Miller,  Mrs.  Ralph  G. 
L3L  Lee,  Mrs.  J.  Lawrence.  Paillet,  1891. 

132.  Lee,  Marion  Bowers.  Weidner. 

133.  Lee,  Mrs.  William  H.  L.  Behenna. 

134.  Leigh,  The  Hon.  Mrs.  Dudley.  Weidner. 

135.  Leigh,  Mrs.  Rowland.  M.  T.  Gedney. 
Leiter,  Mary.     See  Lady  Curzon. 

136.  Le  Roy,  Mrs.  Robert.  Paillet,  1892. 
Lewis,  Miss.     See  Le  Roy,  Mrs.  Robert. 

137.  Ley  land,  Lady  Nay  lor. 

Little,  Nellie  M.     See  Thieriot,  Mrs.  Albert. 

138.  Livingston,  Mrs.  Henry  W.  Paillet,  1892. 
Livingston,  Margaret.     See  I^ee,  Mrs.  J.  Lawrence. 

139.  Lopez-Roberts,  Madame  de.  Behenna. 

140.  Loring,  Lydia  Latrobe.  C.  and  F.  Weidner. 

141.  Lydig,  Mrs.  David.  Behenna. 

142.  Lydig,  Mrs.  David.  Paillet,  1891. 

McComb,  Susan.     See  d'Hauteville,  Mrs. 
Frederic  Grand. 

143.  McCormick,  Mrs.  Robert.  Weidner. 

144.  McCreery,  Mrs.  Richard.  Paillet,  1892. 

145.  Mackay,  INIargaret  Auchmuty.  Behenna. 
McLane,  Miss.     See  Lee,  Mrs.  William  H.  L. 
McRa,  Mary  S.     See  Livingston,  Mrs.  Henry  W. 

146.  Madeira,  Mrs.  Percy.  Behenna. 
Magee,  Arabella.    See  Boissevain,  ]\Irs.  G.  Louis. 


130  GALLERY  OF  ART 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

147.  Marie  Madame,   Mr.   Marie's   Great  -  Grand- 

mother. Desohry  a  Clennont,  182 If, 

148.  Marie,  John  B. 

149.  Marie,  Mrs.  John  Baptiste. 

150.  Marie,  Mrs.  John  B.,  Jr.  PailleU  1892. 

151.  Mari^,  Mrs.  John  B.  Paillet,  1890. 

152.  Marie,  Josephine.  Paillet,  1892. 

153.  Marie,  Mrs.  Leon.  Paillet,  1892. 

154.  Marie,  Leon  tine.  Paillet,  1890. 
Marie,  Leontine.     See  Sauer,  Mrs.  Emil. 

155.  Marie,  Mrs.  Louis.  Weidner. 
Marie,  Sallie.     See  Pendleton,  Mrs.  Francis  K. 

156.  Marie,  Peter.  (Photograph.) 

157.  Marshall,  Mrs.  Charles  H.  Paillet,  1890. 

158.  Martin,  Mrs.  Bradley.  Meave  T.  Gedneij. 
May,  Carolyn.     See  Wright,  Mrs.  Carolyn  M. 

159.  Meade,  Leontine.  Weidner. 

Medell,    Katherine.      See    McCormick,    ]\lrs. 
Robert. 

160.  Merrill,  Mrs.  G.  Grenville.  Weidner. 

161.  Merritt,  Mrs.  Augusta  Temple.  Weidner, 

Miller,   Mrs.   Jacob  W.     See  Hopkins,   j\Irs. 
Archibald. 

162.  Miller,  Mrs.  Ralph  G.  Weidner, 

Minturn,    Edith.      See    Stokes,    Mrs.    I.    N. 
Phelps. 

163.  Minturn,  The  Misses  Edith,  Gertrude,  Mildred 

and  Sara  May.     Daughters  of  Robert  B. 
Minturn.  C  and  F.  Weidner. 

164.  Minturn,  Mrs.  Robert  B.  Paillet,  1892. 


GALLERY  OF  ART  131 


b 


NO.  SUBJECTS    OF    MINIATURES.  .\RTISTS. 

165.  Moller,  S.  Adelina.  Weidner. 

166.  Moltke-Huitfeldt,  Comtesse  Harold  de.  Weidner. 

Monson,  Anne  F.     See  Emmet,  Mrs.  Bache 
McEvers. 

Montague,  Bessie.     See  Brown,  Mrs.  Alexan- 
der. 

167.  Montant,  Mrs.  Auguste  P.  Paillet,  1891. 

168.  Moore,  Mrs.  Clement  C.  Paillet,  1890. 

^loran,   Elizabeth.     See   Morgan,   Mrs.   Ed- 
win D. 

169.  Mores,  The  Marquise  de.  Paillet,  1889. 

170.  JNIorgan,  Mrs.  Edwin  D.  Paillet,  1893. 

171.  Morgan,  Mrs.  J.  Pierpont,  Jr.  Behenna. 

172.  Morris,  Lulu.  Edw.  Fesser,  1898. 

173.  Morris,  Miss  Helen  Van  Cortlandt.  Weidner. 
Morris,  Louise.     See  Gebhard,  Mrs.  Frederic. 
Morris,  Mary  B.     See  Irvin,  Mrs.  Richard. 

174.  Mortimer,  Mrs.  Stanley.  Paillet,  1889. 

175.  Morton,  Mrs.  Levi  P.  Carl  A.  Weidner. 
Mott,  Adelaide.     See  Bell,  ]Mrs.  Isaac. 

176.  Mott,  Mrs.  Jordan  L.,  Jr.  Paillet,  1892. 

177.  Munn,  Mrs.  George  F.  Weidner. 

178.  Munoz,  Mrs.  Jose  M.  Paillet,  1889. 

Murph}?^,  Miss.     See  Domingnez,  Mrs. 

]\Iurray,    Caroline.      See    Wilm.erding,    Mrs. 
Lucius  K. 

Murray,  Olivia.     See  Cutting,  Mrs.  William  B. 

179.  Navarro,  Mrs.  Antonio  F.  de. 

180.  Xeilson,  Helen  Louise.  Edw.  Fesser,  1899. 

181.  Xeilson,  Mrs.  Fred.  Paillet,  1891. 


132  GALLERY  OF  ART 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

182.  Nicoll,  Mrs.  De  Lancey.  Ahendschein. 

183.  Ogden,  Miss.  Paillet,  1892, 
Oothout,  Pauline  D.    See  Riggs,  Mrs.  Karrick. 

Otis,  Sarah  Birdsall.  See  Edey,  Mrs.  Frederick. 

184.  Paget,  Mrs.  Arthur  Henry.  Paillet,  1891. 

185.  Palmer,  Mrs.  Potter.  Behenna. 

186.  Parsons,  Mrs.  H.  de  Berkeley.  C.  and  F.  Weidner. 

Parsons,  Mary  L.     See  Higgins,  Mrs.  Henry 
Vincent. 

187.  Patten,  The  Misses  Edyth,  Helen,  Josephine 

and  Mary  Elizabeth.  Weidner,  1903, 

Paul,  Miss.     See  Astor,  Mrs.  William  Waldorf. 

188.  Pearce,  ]Miss  Jennie.  Weidner. 

189.  Pendleton,  Mrs.  Francis  K.  Paillet,  1889. 

190.  Pendleton,  Mrs.  Francis  K.  Paillet,  1892. 

191.  Pendleton,  Mrs.  Francis  K.  Weidner. 

Pendleton,    Sarah    B.     See    Van    Rensselaer, 
Mrs.  Eugene. 

192.  Perkins,  Miss.  Behenna. 
Perkins,  Jessy.     See  Whitney,  Mrs.  Charles. 
Perkins,  Mary.     See  Watson,  Mrs.  F.  S. 

193.  Phelps,  Ethel.  Weidner. 

194.  Phipps,  Mrs.  William  Wilton.  Paillet,  1893. 

195.  Pierson,  Marguerite.  Carl  Weidner, 

196.  Playfair,  Lady.  Behenna. 
Polk,  Antoinette.     See  Charette,  Baroness  de. 

197.  Post,  Mrs.  Allison  Wright.  Weidner. 

198.  Post,  Mrs.  Charles  A.  Paillet,  1893, 
Post,  Lina.     See  Webster,  Mrs.  Hamilton  Fish. 


GALLERY  OF  ART  133 


» 


NO.  SUBJECTS   OF    MINIATURES.  ARTISTS. 

199.  Post,  Daisy.  Weidner, 

200.  Post,  Mrs.  Edwin  Main.  Weidner. 

Post,  Emily.     See  Griswold,  Mrs.  George. 

Post,  Pauline.     See  Bacon,  Mrs.  Francis 
McNeill,  Jr. 

201.  Post,  Mrs.  William.  C.  and  F.  Weidner. 

202.  Powel,  Mrs.  Robert  J.  Hare  and  her  children. 

Weidner. 

203.  Potter,  Bertha  Howard.  Paillet,  1895. 
Potter,  Elizabeth  M.     See  Gary,  Mrs.  Clarence. 

204.  Potter,  Grace  Howard.  Paillet,  1S95. 

Potter,  Maria  Howard.     See  Tod,  Mrs.  J. 
Kennedy. 

Potter,  Mar}^  Clarkson.     See  Colton,  Mrs. 
Leslie. 

205.  Potter,  Virginia.  Paillet,  1891. 

Price,  Emily  Bruce.     See  Post,  Mrs.  Edwin 
Main. 

Prince,  Gertrude.     See  Ledyard,  Mrs.  Lewis 
Cass. 

206.  Randolph,  Cora.  Behenna. 

Randolph,  May.     See  Webb,  Mrs.  F.  Egerton. 

Read,   Emily   Meredith.     See  Spencer,   Mrs. 
Edwards. 

207.  Redmond,  ]Mrs.  Roland.  Paillet,  1893. 

208.  Reed,  Marie.  Paillet,  1892. 

Remsen,  Georgiana  D.     See  Hillhouse,  Mrs. 
Chas.  Betts. 

209.  Rhinelander,  Mrs.  T.  J.  Oakley.  Weidner. 

210.  Riggs,  Mrs.  Karrick.  Paillet,  1892. 

211.  Ripley,  Mrs.  Sidney  Dillon.  PaiUet,  1889. 


134  GALLERY  OF  ART 


NO.  SUBJECTS    OF   MINIATURES.  ARTISTS. 

212.  Rives,  The  Misses.  Paillet,  1893. 

Rives,    Amelia.      See   Troubetskoy,    Princess 
Pierre. 

213.  Robb,  Mrs.  N.  Thayer.  Carl  Weidner,  1903. 

214.  Robbins,  Mrs.  Henry  Asher.  Paillet,  1891. 

Robbins,  Marian.     See  Kennedy,  Mrs.  H.  Van 
Rensselaer. 

215.  Rogers,  Mrs.  William  E.  Weidner. 

216.  Ronalds,  Mrs.  Mary  Frances.  Behenna. 

217.  Roosevelt,  Mrs.  Elliott.  Behenna,  1893. 

218.  Roosevelt,  Helen  R.  Cecile  E.  Payen,  1902. 

219.  Russell,  Charlotte.  Carl  Weidner. 
Russell,  Edith.     See  Playfair,  The  Lady. 

220.  Sackett,  Mrs.  Charles  A.  Paillet,  1892. 

221.  Sackville-West,  Mrs.  Lionel.  Paillet,  1890. 

Sands,  Edith  Cruger.     See  Rhinelander,  Mrs. 
T.  J.  Oakley. 

222.  Sard,  Gertrude.  Weidner. 
Sargent,  Jane  P.  See  Duncan,  Mrs.  Wm.  Butler. 

223.  Sauer,  Mrs.  Emil.  Behenna. 

224.  Sauer,  Leontine.  Paillet,  1892. 

Schack,  Augusta  Temple.     See  Merritt,  Mrs. 
Augusta  Temple. 

225.  Schieffelin,  Mrs.  WilHam  Jay.  PaiUet,  1892. 

226.  Scott,  Mrs.  Paillet,  1890. 

227.  Scranton,  Mrs.  Weidner. 

228.  Sedgwick,  Mrs.  Henry  Dwight,  Jr.  Paillet,  1892. 

Sedgwick,  Mrs.  Henry  Dwight,  Jr.     See  Min- 
turn.  The  Misses. 

Shaw,  Miss.     See  Minturn,  Mrs.  Robert  B. 


GALLERY  OF  ART  135 


I 


NO.  SUBJECTS    OP   MINIATURES.  ARTISTS. 

229.  Sheldon,  Mrs.  Frederick.  Behenna. 

Shepard,  Maria  Louisa.     See  Schieffelin,  Mrs. 
William  Jay. 

Sherman,  Miss.     See  Cameron,  Mrs.  Senator 
Don. 

Sherman,  Sybil.    See  Hoffman,  Mrs.  Ellis. 

230.  Sherman,  Mrs.  W.  Watts.  Weidner. 

231.  Sloane,  Emily.  Weidner. 

232.  Sloane,  Mrs.  William  Douglas.  Paillet,  1891. 

233.  Smith,  Mrs.  Sydney.  Behenna. 

Smith,  Mrs.  Walker  Breese.     See  Rives,  The 
Misses. 

Smythe,  Helen.     See  Jaffray,  Mrs.  William  P. 

234.  Sorchan,  Mrs.  Victor.  Behenna. 
Spedden,  Blanche.     See  Tams,  Mrs.  Frederic. 

235.  Spencer,  Mrs.  Edwards.  Paillet,  1892. 

Stebbins,  Grace.     See  Chapin,  Mrs.  Alfred  C. 

Stevens,  Emily.    See  Ladenburg,  Mrs.  Adolph. 

Stevens,  Mary  Fiske.     See  Paget,  Mrs.  Arthur 
Henry. 

236.  Stevens,  Mrs.  Richard,  Jr.  Weidner. 

237.  Steward,  Mrs.  Campbell.  Paillet,  1890. 

238.  Steward,  Mrs.  John,  Jr.  Paillet,  1893. 

239.  Stewart,  Mrs.  PaiUel,  1889. 
Stirling,  Marie.    See  Tailer,  Mrs.  J.  Lee. 

240.  Stokes,  Mrs.  I.  N.  Phelps.  Paillet,  1892. 

Stokes,  Mrs.  I.  N.  Phelps.    See  Minturn,  The 
Misses. 

Stone,  Romaine.    See  Turnure,  Mrs.  Lawrence, 
Jr. 


136  GALLERY  OP'  ART 


NO.  SUBJECTS   OF   MINIATURES.  ARTISTS, 

Storrow,    Julie    G.      See    Cruger,    Mrs.    Van 
Rensselaer. 

241.  Story,  Mrs.  Julian. 

242.  Strafford,  Countess  of.  Paillet,  1889, 

243.  Strickland,  Martha.  Weidner. 

Strong,    Henrietta    T.      See    Fearing,    Mrs. 
Daniel  B. 

244.  Struthers,  Miss. 

Sturgis,  Mary.     See  Scott,  Mrs. 

Sturgis,  Susan.     See  Stewart,  Mrs. 

Swan,  Frances.    See  Welles,  Mrs.  Benjamin. 

245.  Tailer,  Fanny.  Paillet,  1889. 
Tailer,  Fannie  B.     See  Smith,  Mrs.  Sydney. 

246.  Tailer,  Mrs.  J.  Lee.  Weidner,  1897, 

247.  Tams,  Mrs.  Frederic.  Behenna, 
Taylor,  Mrs.  Moses.    See  Bishop,  The  Misses. 
Terry,  Angela.  See  Lopez-Roberts,  ]\Iadame  de. 

248.  Thayer,  Mrs.  John  B.  C.  and  F,  Weidner. 

249.  Thieriot,  Mrs.  Albert.  Weidner, 

Thieriot,  Leontine  C.    See  Munoz,  Mrs.  Jose  M. 

Thompson,  Mary  Carter.     See  Carroll,  Mrs. 
John  Lee. 

Thorndike,  Miss.     See  Fenno,  Mrs. 

250.  Tod,  Mrs.  J.  Kennedy.  Paillet,  1890, 
Tompkins,  Hannah  M.  See  Lydig,  Mrs.  David. 

251.  Townsend,  Amy.  Behenna,  1894- 

Townsend,     Grace.     See    Gray,    Mrs.    John 
Clinton. 

Townsend,    Hannah.      See    Montant,    Mrs. 
Augusta  P. 


GALLERY  OF  ART  137 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

Townsend,   Mary  Alice.     See   Sackett,   Mrs. 
Charles  A. 

Townsend,  Sallie.     See  Winthrop,   Mrs.   Bu- 
chanan. 

Travers,  Mary.    See  Hecksher,  Mrs.  John  G. 

252.  Troubetskoy,  Princess  Pierre.  Behenna, 

Trobriand,    Marie    C.    de.      See    Post,    Mrs. 
Charles  A. 

253.  Turnure,  Mrs.  Lawrence,  Jr.  Paillet,  1889. 

Vanderbilt,  Emily  T.     See  Sloane,  Mrs.  Will- 
iam Douglas. 

Van  Nest,  Anna.    See  Gambrill,  Mrs.  Richard. 

254.  Van  Rensselaer,  Elizabeth.  Weidner. 

255.  Van  Rensselaer,  Mrs.  Eugene.  Behenna. 

Van   Rensselaer,    Louisa.     See   Baylies,    Mrs. 
Edmund  L. 

256.  Van  Rensselaer,  Mabel.  Behenna. 

Waite,  Florence  S.     See  Mari^,  Mrs.  John  B. 

Walker,  Frances.     See  Parsons,  Mrs.   H.   de 
Berkeley. 

257.  Warren,  Mrs.  John  Hobart.  Paillet,  1891. 

258.  Watson,  Mrs.  F.  S.  Weidner. 
)9.  Webb,  Mrs.  F.  Egerton.                                    Weidner. 

Webb,  Helen  L.     See  Alexandre,  Mrs.  John  E. 

Webster,  Mrs.  Hamilton  Fish.  Paillet,  1890. 

\1.  Webster,  Mrs.  Sidney.  Paillet,  1892. 

12.  Webster,  Mrs.  Sidney.  Weidner. 

Weekes,    Sarah.     See    Hoppin,  Mrs.    Francis 
Vinton. 

Welles,  Mrs.  Benjamin.  Paillet,  1892. 

164.  Wells,  Mrs.  W.  Storrs.  Paillet,  1892. 


138  GALLERY  OF  ART 


NO.  SUBJECTS    OF    MINIATURES.  ARTISTS. 

265.  Wetmore,   Mrs.   George  Peabody.  Paillet,  1890. 

266.  Wetmore,  Miss  Edith.  Paillet,  1894. 

267.  Wharton,  Mrs.  Edward  R.  Paillet,  1890. 
Whelan,  Bertha.     See  Hoffman,  Mrs.  Henry  J. 

268.  Whelen,  EUse. 

269.  Whitney,  Mrs.  Charles.  Weidner. 

270.  Whittier,  Susan.  Paillet,  1892. 

271.  Wilmerding,  Georgiana.  Weidner. 

272.  Wilmerding,  Mrs.  John  C.  Paillet,  1892. 

273.  Wilmerding,  Mrs.  Lucius  K.  Behenna. 

274.  Winthrop,  Mrs.  Buchanan.  Paillet,  1892. 
Winthrop,  Charlotte.     See  Crane,  Mrs.  Henry  S. 

275.  Winthrop,  Mrs.  Egerton  L.,  Jr.  Paillet,  1893. 

276.  Winthrop,  Maria.  Paillet,  1892. 
Wise,  Charlotte.     See  Hopkins,  Mrs.  Archibald. 
Wise,  Katherine.     See  Miller,  Mrs.  Jacob  W. 

277.  Wood,  Melza  R.  A.  Abendschein. 

278.  Woodworth,  Mignonne.  Paillet,  1891. 
Work,  Fanny.    See  Burke-Roche,  Mrs.  James  B. 

279.  Wright,  Mrs.  Carolyn  M.  Paillet,  1890. 

280.  Wright,  Constance.  C.  and  F.  Weidner. 

281.  Wright,  Constance.  Paillet,  1893. 

282.  Wright,  Florence.  Weidner. 

283.  Wright,  Mrs.  Tailer.  Paillet,  1893. 
Wright,  Yznaga-Mabel.     See  Zichy,  Countess. 

284.  Zeroga,  Mrs.  John  A.  di.  J.  Clausen  Coopc. 

285.  Zichy,  Countess.  Paillet,  1891. 

286.  Unknown. 


SCULPTURE 


SCULPTURE 

Plaster  Casts  Unless  Otherwise  Stated 


NO.  subjects.  artists. 

1.  Bust  of  John  Quincy  Adams,  (1767-1848.) 

Presented  by  Gulian  C.  Verplanck,  1820. 

2.  Bust  of  John  Quincy  Adams,  (1767-1848.)  In 

marble.  Horatio  Greenough. 

Presented  by  Augustus  H.  Ward,  June  1,  1858. 

3.  Bust  of  Washington  AUston,  (1779-1843.)  In 

marble.  E.  A.  Bra^keit. 

Legacy  of  Charles  M.  Leupp,  November  6,  1860. 

4.  Death  Mask  of  Rev.  Charles  W.  Bau-d,  D.  D., 

(1828-1887.)  S.  Decomps, 

Presented  by  the  Presbyterian  Church,  Rye,  N.  Y.,  1901. 

5.  Medallion  of  Fordyce  Barker,  M.  D.,  (1819- 

1891.)  In  marble.  Louis  M.  Verhaegen. 

Presented  by  Fordyce  D.  Barker,  June  7,  1892. 

6.  Bust  of  Joel  Barlow,  (1754-1812.) 

Jean  Antoine  Houdon. 

7.  Bust  of  Simon  Bolivar,  (1783-1830.)        Peirus  Tener. 

Presented  by  Alexander  H.  Stevens,  M.  D.,  January  5, 1847. 

8.  Bust  of  Rt.  Rev.  Thomas  C.  Brownell,  D.  D., 

(1779-1865.)  C.  B.  Ives, 

Presented  by  Gordon  W.  Bumham,  October  2,   1860. 

9.  Bust  of  William  Cullen  Bryant,  (1794-1878.) 

In  marble.  Henry  K.  Brown. 

Legacy  of  Charles  M.  Leupp,  November  6,  1860. 

10.  Medallion  of  Dr.  James  R.  Chilton,   (1808- 

1863.)  In  marble.  S.  Ellis. 

Presented  by  Mrs.  James  R.  Chilton,  December  5,  1887. 
141 


142  SCULPTURE 


NO.  SUBJECTS.  ARTISTS. 

11.  Bust  of  Henry  Clay,  (1777-1852.) 

Shohal  V.  Clevenger. 

Presented  by  Samuel  Verplanck,  December  1,  1840. 

12.  Bust  of  De  Witt  Clinton,  (1769-1828.) 

Presented  by  John  Pintard,  January  13,  1818. 

13.  Bust  of  George  Clinton,  (1739-1812.) 

Giuseppe  Ceracchi, 

14.  Bust  of  Christopher  Columbus,  (1446-1506.) 

In  marble.  John  Gott. 

Copied  from  an  original  in  the  museum  of  the  Capitol  at 
Rome. 

Presented  by  John  E.  Williams,  January  6,  1857. 

15.  Bust  of  Frederic  De  Peyster,  (1796-1882.)  In 

marble.  George  E.  Bissell. 

Presented  by  John  Watts  De  Peyster,  October  21,  1879. 

16.  Bust  of  John  Watts  De  Peyster,  (1821-1907.) 

In  bronze.  George  E.  Bissell. 

Presented  by  John  Watts  De  Peyster,  1897. 

17.  Bust  of  Louis  Durr,  (1821-1880.)  In  bronze. 

Henry  Baerer. 

Founder  of  the  Durr  Collection. 
Presented  by  the  Executors  of  his  Estate,  October  7,  1884. 

18.  Bust  of  Edward  Everett,  (1794-1865.) 

Shobal  V.  Clevenger, 
Presented  by  George  Folsom,  December  1,  1840. 

19.  Bust  of  Hickson  W.  Field,   (1822-1875.)  In 

marble. 

Treasurer  of  the  Society  1837-1839. 
Presented  by  Maunsell  B.  Field,  1910. 

20.  Bust  of  Charles  James  Fox,  (1811-1846.) 

Published  by  R.  Shout,  Holborn. 
Presented  by  George  Gibbs,  January  23,  1871. 

21.  Bust  of  John  Wakefield  Francis,  M.  D., 

(1789-1861.) 

Presented  by  S.  W.  Francis,  M.  D. 


SCULPTURE  143 


NO.  SUBJECTS.  ARTISTS. 

22.  Bust  of  Benjamin  Franklin,  (1706-1790.) 

Jean  Anloine  Houdon. 

Presented  by  David  Hosack,  April  19,  1832. 

23.  Bust  of  Robert  Fulton,  (1765-1815.)  In  bronze. 

Jean  Antoine  Houdon. 

Copy  of  Cast  owned  by  the  National  Academy  of 
Design.  Presented  by  the  Colonial  Dames  of  America, 
1909. 

24.  Bust  of  Alexander  Hamilton,  (1757-1804.) 

John  Dixey. 

From  the  orip^nal  bv  Ceracchi,  N.  Y.  Eve.  Post,  Septem- 
ber 18,  1804.     Presented  by  the  Artist,  October  10,  1809. 

25.  Bust  of  William  Henry  Harrison,  (1773-1841.) 

Shobal  V.  Clevenger. 

Presented  by  Benjamin  R.  Winthrop,  December  1,  1840. 

26.  Bust  of  William  F.  Havemeyer,  (1804-1874.) 

In  plaster.  Julia  Griffin,  1874- 

Mayor  of  the  City  of  New  York  1845-6,  1848-9,  1872^. 
Presented  by  his  grandson,  William  F.  H.  Armstrong, 
May  27,  1915. 

27.  Medallion  of  Francis  L.  Hawks,  D.  D.,  (1798- 

1866.)  In  marble.  David  Richards. 

Presented  by  William  Niblo. 

28.  Bust  of  Francis  L.  Hawks,  D.  D.,  (1798-1866.) 

In  marble.  David  Richards. 

Presented  by  the  Vestry  of  the  Church  of  the  Holy 
Saviour,  N.  Y.,  October  2,  1877. 

29.  Medallion  of  Rev.  Francis  L.  Hawks, 

(1798-1866.) 

Presented  by  Rev.  William  E.  Eigenbrodt,  D.  D.,  1894. 

30.  Medallion    of    Nathaniel    Hawthorne,  (1804- 

1864.)  Edward  J.  Kuntze. 

Presented  by  the  Artist,  December  1,  1868. 

31.  Medallion  of  Joseph  Converse  Hejnvood.     F.  Manley. 

Presented  by  John  Watts  de  Peyster,  February  19,  1873. 


144  SCULPTURE 


NO.  SUBJECTS.  ARTISTS. 

32.  Bust  of  Philip  Hone,  (1781-1851.)    JohnH.  I.  Browere. 

Presented  by  Charles  E.  Anthon  in  the  name  of  his 
mother,  Mrs.  John  Anthon,  January  4,  1876. 

33.  Bust  of  Philip  Hone,  (1781-1851.) 

Shohat  V.  Clevenger, 

Presented  by  James  Herring,  June  3,  1862. 

34.  Bust  of  David  Hosack,  (1769-1835.) 

John  II.  I.  Browere. 

Presented  by  John  W.  Francis,  M.  D.,  April  19,  1832. 

35.  Bust  of  Joseph  Hume,  (1777-1855.)  Bonomi, 

Presented  by  James  B.  Murray,  February  2,  1858. 

36.  Bust  of  Washington  Irving,  (1783-1859.) 

In  marble.  E.  D.  Palmer. 

Presented  by  Mrs.  Anna  T.  E.  Kirtland,  October  3,  1865. 

37.  Bust  of  John  Jay,  (1745-1829.)        Giuseppe  Ceracchi. 

38.  Bust  of  Peter  Augustus  Jay,  (1776-1842.) 

Robert  E.  Launitz. 

Presented  by  Henry  E.  Pierrepont,  June  6,  1843. 

39.  Bust  of  Thomas  Jefferson,  (1743-1826.) 

Jean  Antoine  Houdon. 

Presented  by  Mrs.  Laura  Walcott  Gibbs,  October  8,  1839. 

40.  Bust  of  Elisha  Kent  Kane,  M.D.,  (1820-1857.) 

Peter  Reniers. 

Presented  by  Rev.  Francis  L.  Hawks,  D.  D.,  March  5, 
1859. 

41.  Bust  of  James  Kent,  (1763-1847.) 

Shobal  V.  Clevenger. 

Presented  by  John  Jay,  November  3,  1840. 

42.  Medallion  of  Governor  John  Alsop  King, 

(1788-1867.) 

Presented  by  Mrs.  Gherardi  Davis  and  Helen  King,  1909. 

43.  Bust   of   Thaddeus   Kosciuszko,  (1746-1817.) 

Eggenschwiler. 
Purchased  by  the  Society,  April  2,  1872. 


SCULPTURE  145 


NO.  SUBJECTS.  ARTISTS. 

44.  Bust  of  Alphonse  Marie  Louis  Depart  de 

Lamartine,  (1790-1869.)  In  marble,  1854. 

A.  S.  Adam-Salomon. 

Presented  by  the  family  of  the  late  Colonel  Washington 
A.  Bartlett,  May  7,  1867. 

45.  Bust  of  William  Beach  Lawrence,  (1800-1881.) 

In  marble.  1877.  F.  A.  T.  Dunbar, 

Presented  by  Isaac  Lawrence,  January  3,  1882. 

46.  Bust  of  Abraham  Lincob,  (1809-1865.) 

T.  D.  Jones. 

Presented  by  H.  L.  Stuart,  April  3,  1866. 

47.  Bust  of  D.  J.  Macgowan.  Clark  Mills. 

Presented  by  the  Artist,  June  8,  1866. 

48.  Bust  of  John  Marshall,  (1755-1835.) 

49.  Bust  of  Lord  Nelson,  (1758-1805.) 

Presented  by  William  Prior  and  Julius  L.  Dunning, 
July  8,  1817. 

50.  Bust  of  Samuel  Osgood,  D.  D.,  (1812-1880.) 

Franklin  Simmons  1869. 
Presented  by  Mrs.  Samuel  Osgood,  February  1,  1887. 

51.  Bust  of  Thomas  Paine,  (1737-1809.) 

John  Wesley  Jarvis. 
Presented  by  the  Artist,  July  8,  1817. 

52.  Daniel  Parish,  Jr.,  (1838-1914.) 

Secretary  of  the  Executive  Committee,  1888-1902  and 
Chairman,  1903-1914.    Benefactor  of  the  Library. 

Plaster  cast  and  mould  of  the  large  model  of  the  gold 
medal  presented  to  Daniel  Parish,  Jr.,  by  the  American 
Numismatic  Society,  1890.     liEA  Ahlborn,  Sculp. 
Presented  by  Mr.  Parish,  April  7,  1914. 


53.  Bust  of  WilUam  Pitt,  (1759-1806.) 

iblished    January,    1800,    by    R.    SI 

[on. 

Presented  by  George  Gibbs,  January  23,  1871. 


Published    January,    1800,    by    R.    Shout,    Holborn, 
London. 


146  SCULPTURE 


NO.  SUBJECTS,  ARTISTS. 

54.  statue  of  William  Pitt,  (1759-1806.)  In  marble. 

Joseph  Wilton. 

Erected  by  the  Colony  of  New  York,  September  7,  1770, 
at  the  intersection  of  Wall  and  William  streets.  It  was 
mutilated  by  the  British  soldiers  soon  after  their  occupa- 
tion of  New  York  City  in  1776. 

Presented  by  Simon  F.  Mackie,  March  1,  1864. 

55.  Bust  of  William  H.  Prescott,  (1796-1859.) 

Thomas  Ball. 

Presented  by  William  A.  Greene,  June  7,  1859. 

56.  Bust  of  Sir  Walter  Scott,  (1771-1832.) 

Presented  by  Samuel  W.  Francis,  M.  D. 

57.  Bust  of  William  H.  Seward,  (1801-1872. 

Presented  by  Charles  A.  Stetson,  March  4,  1861. 

58.  Bust  of  William  Shakespeare,  (1564-1616.) 

A  cast  from  the  Bust  in  Stratford  Church,  from  the  col- 
lection of  George  Daniel. 

Presented  by  George  Adlard,  October  3,  1871. 

59.  Bust  of  Benjamin  Silliman,  (1779-1864.)     C.  B.  Ives. 

60.  Bust  of  George  Washington,  (1732-1799.) 

Jean  Antoine  Houdon. 

Presented  by  David  Hosack,  April  19,  1832. 

61.  Medallion    of    Washington,     (1732-1799.)  In 

bronze.  Alfred  W.  Jones. 

Presented  by  the  Artist,  March  2,  1858. 

62.  Bust  of  John  Watts,  (1749-1836.)  Thomas  Coffee. 

From  the  original  by  Ball  Hughes. 
Presented  by  his  grandson,  J.  Watts  De  Peyster,  October 
10,  1863. 

63.  Bust  of  Daniel  Webster,  (1782-1852.) 

Shobal  V.  Clevenger. 

64.  Statuette  of  Daniel  Webster,   (1782-1852.) 

In  bronze.  Thomas  Ball,  1853. 

Presented  by  Katherine  Chambers,  March  4,  1913. 


SCULPTURE  147 


I 


NO.  SUBJECTS.  ARTISTS. 

65.  Bust  of  Benjamin  West,  (1738-1820.) 

Francis  Chantrey, 

Presented  by  Luther  Bradish. 

66.  Bust  of  Joseph  M.  White,    (1781-1839.)  In 

marble.  Horatio  Greenough. 

Presented  by  Mrs.  Charles  A.  Davis,  June  18, 1867. 

67.  Bust  of  Hugh  Wilhamson,  M.  D.,  (1735-1819.) 

William  I.  Coffee,  1816. 

68.  Bust  of  Oliver  Wolcott,  (1726-1797.) 

Shohal  V.  Clevenger. 

Presented  by  George  Gibbs,  November  3,  1840. 

69.  Bust  of  James  R.  Wood,  M.  D.,  (1816-1882.) 

Presented  by  Samuel  W.  Francis,  M.  D.,  June  6, 1865. 

70.  Achilles  and  Penthesilea.      Group  in  marble. 

G.  M.  Benzoni, 

Presented  bv  the  children  of  the  late  Charles  H.  Russell, 
February  2,  1886. 

71.  A  Bacchante.     In  marble.  Nicolas  Coustou. 

{Bryan  Collection.) 

72.  The  Indian.     In  marble.  Thomas  Crawford, 

This  sculpture  is  a  repetition  of  the  well  known  figure  in 
The  Progress  of  Civilization  in  America,  a  group  executed  by 
order  of  the  Government  for  the  Capitol  extension  at 
Washington. 

"Resting  on  a  low  mound  is  seated  the  Indian  chief,  a 
nude  figure  excellently  modeled.  His  head,  crowned  with 
tufted  feathers,  rests  sadly  upon  his  hand,  the  weary  chase 
of  life  is  over,  he  is  dying — the  Great  Spirit  waits  to  con- 
duct him  to  the  far  oft  hunting-grounds,  that  dreamy  land 
where  souls  repose  in  boundless  prairies.  His  tribe  has 
disappeared,  he  is  left  alone,  the  solitary  offshoot  of  a 
mighty  race;  already  the  axe  of  the  backwoodsman  dis- 
turbs his  last  hours;  civilization,  and  art,  and  agriculture — 
all  mysteries  to  him  incomprehensible — have  desecrated 
his  home,  and  the  dark  shadows  of  the  past  gather  him  into 
their  bosom!" — Londan  Art  Journal. 

Purchased  from  the  family  of  the  Artist,  and  presented 
by  Frederic  de  Peyster,  President  of  the  Societv,  April  6, 
1875. 

73.  Primitive  Marksman.     In  bronze.     Fernando  Miranda. 

Presented  by  the  Artist,  February  22,  1911. 


148  SCULPTURE 


NO.  SUBJECTS.  ARTISTS. 

74.  Ruth.     In  marble,  Henry  K.  Brown. 

"The  artist  has  chosen  the  moment  in  which  Ruth 
is  addressed  by  Boaz  as  she  stands  among  the  gleaners. 
He  quoted  the  Hnes  of  Keats  in  the  song  of  the  Night- 
ingale— 

*  Perchance  the  self -same  song  hath  found  a  path 
To  the  sad  heart  of  Ruth,  when,  sick  for  home, 
She  stood  in  tears  amid  the  alien  corn.' 
She  is  not  in  tears;  but  her  aspect  is  that  of  one  who 
listens  in  sadness;   her  eyes  are   cast   down,   and  her 
thoughts  are  of  the  home  ot   her  youth  in  the  land 
of  Moab.     Over  her  left  arm  hangs  a  handful  of  the 
ears  of  wheat  which  she  has  gathered  from  the  ground, 
and  her  right  rests  on  the  drapery  about  her  bosom. 
Nothing  can  be  more  graceful  than  her  attitude,  or  more 
expressive  of  melancholy  sweetness  and  modesty  than  her 
physiognomy." — Extract  of  a  letter  by  Mr.  W.  C.  Bryant, 
dated  Rome,   1845. 

This  statue  was  purchased  by  Miss  Hicks,  of  New 
York,  and  presented  to  the  New  York  Gallery  of  Fine 
Arts. 

75.  Group   of  a  Boy   and  Dog;   or,    Chi   Vinci, 

mangia.     In  marble.  Henry  K.  Brown. 

This  playful  group  was  presented  to  the  New  York 
Gallery,  by  C.  M.  Leupp,  Esq.  The  boy  has  left  his 
bowl  of  milk  upon  the  floor,  and  the  dog  is  endeavor- 
ing to  take  advantage  of  his  negligence,  by  appropri- 
ating the  contents  to  himself,  against  which  the  boy 
stoutly  protests.  They  are  so  equally  matched  in 
strength,  that  the  struggle  is  of  doubtful  issue,  and 
therefore  the  artist  calls  it,  ^^Chi  vinci,  mangia,"  or, 
who  wins,  eats. 

{New  York  Gallery  of  Fine  Arts,  1858.) 

76.  Bacchus.     In  marble. 

Presented  bv  Mrs.  Howard  Townsend  Martin,  March 
13,  1909. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS 


I 


Antony  Samuel  Adam-Salomon  (1818-1881). 

French  sculptor,  among  whose  works  may  be  mentioned 
the  busts  of  Rossini,  Marie  Antoinette  and  the  Tomb  of  the 
Duke  of  Padua. 

WiLLi.\M  van  Aelst  (1620-1679). 

Bom  at  Delft;  died  at  Amsterdam.  Son  of  a  notary. 
He  was  instructed  in  painting  by  his  uncle.  Evert  van  Aelst, 
whose  style  and  subjects  he  adopted,  though  he  greatly 
excelled  him. 

Francesco  Albano  (1578-1660). 

Bom  and  died  at  Bologna.  Son  of  Agostino  Albano,  a 
silk  merchant.  He  was  placed  under  the  tuition  of  Denis 
Calvart.  There  he  met  Guido  Reni  and  with  him  entered 
the  School  of  Lodovico  Caracci.  He  went  to  Rome,  where 
his  genius  gained  his  reputation. 

Antonio  Allegri  (da  Correggio)  (1494-1534). 

An  Italian  painter,  born  and  died  at  Correggio,  Italy. 
He  was  the  son  of  Pellegrino  Allegri,  a  merchant.  He 
learned  the  rudiments  from  his  uncle,  Lorenzo  Allegri,  and 
followed  the  style  of  Montegna. 

Ezra  Ames 

was  a  coach  painter  of  Albany,  who  turned  his  attention  to 
portraiture  and  gained  distinction  in  1812  at  the  Pennsyl- 
vania Academy  by  exhibiting  his  portrait  of  Gov.  George 
Clinton. 

Alexander  Anderson  (1775-1870). 

Bom  in  New  York  City  and  died  in  Jersey  City,  N.  J. 
He  studied  medicine  at  Columbia  University  and  graduated 

151 


152  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

in  1796,  but  was  essentially  a  wood  engraver  and  later  de- 
voted himself  entirely  to  that  art. 

Jacobus  van  Artois  (1613-1684). 

Born  at  Brussels.  He  was  a  celebrated  Flemish  land- 
scape painter,  and  studied  under  John  Mertens.  His  works 
are  often  decorated  with  excellent  figures  by  David  Teniers, 
which  renders  them  much  more  valuable. 

Jan  Asselyn  (1610-1660). 

Born  at  Diepen  and  died  at  Antwerp.  A  Flemish  land- 
scape painter  who  studied  under  Esaias  Vandervelde  and 
went  to  Italy,  where  he  remained  several  years. 

John  James  Audubon  (1780-1851). 

Born  near  New  Orleans,  La.;  died  near  New  York  City. 
His  great  love  of  nature  led  him  to  make  the  drav/ings  of 
the  birds,  for  which  he  is  famous.  He  neglected  business 
to  spend  his  time  in  excursions  through  the  woods,  gathering 
specimens  and  making  drawings  of  birds.  He  travelled 
extensively,  making  several  voyages  to  England,  finally 
settling,  1840,  in  New  York  City  at  what  was  known  as 
Audubon  Park  on  the  Hudson,  and  was  buried  in  Trinity 
Cemetery,  adjoining  his  property. 

Hendrik  van  Avercamp  (1590-        ). 

Born  at  Kampen;  lived  and  died  there.  Surnamed  Stomme 
van  Campen.  He  executed  many  pictures,  chiefly  marine 
views  and  landscapes  ornamented  with  cattle. 

John  de  Baan  (1633-1702). 

Bom  at  Haerlem;  died  at  The  Hague.  A  Dutch  portrait 
painter  who,  after  receiving  some  instructions  from  an  uncle 
named  Piemans,  was  sent  to  Amsterdam  to  study  under 
Jacob  de  Backer. 

LuDOLF  Backhuysen  (1631-1708). 

Born  at  Embden.  A  German  painter,  pupil  of  Albert 
van  Everdingen  and  Henry  Dubbels.  He  painted  mostly 
marine  subjects. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  153 

George  A.  Baker  (1821-1880). 

A  native  of  New  York;  is  highly  esteemed  for  his  portrait- 
ure of  women  and  children.  He  was  the  pupil  of  his  father, 
a  miniature  painter. 

Thomas  Ball  (1819-1911). 

Sculptor;  born  in  Charlestown,  Mass.  Died  at  Mont- 
clair,  N.  J.  He  was  a  singer  and  portrait  painter  and  in 
1852  he  took  up  modelling  and  executed  a  number  of  busts 
and  statues,  having  studied  in  Europe  several  years. 

Giorgio  Barbarelli  (1477-1510). 

Bom  at  Castelfranco,  near  Trevigi.  An  ItaUan  portrait 
painter  called  Giorgione.  Studied  in  the  school  of  Giovanni 
Bellini,  at  Venice,  where  Titian  became  his  fellow  student. 

Fra  Bartolomeo    (Baccio   della   Porta)    (1475-1517). 

Bom  and  died  at  Savignano,  near  Florence.  Called  also 
II  Frate,  and  Fra  Bartolomeo  di  San  Marco.  While  very 
young  he  became  the  disciple  of  Cosimo  Rosselli,  and  acquired 
the  name  of  Baccio  della  Porta,  from  his  residence  near  the 
gate  of  St.  Peter. 

Bassano  (Jacopo  da  Ponte)  (1510-1592). 

Born  at  Bassano,  commonly  called  II  Bassano.  He  was 
the  son  of  Francesco  da  Ponte,  called  also  the  Elder  Bassano. 
He  received  his  first  instruction  from  his  father,  and  then 
at  Venice  under  Bonifazio  Veneziano. 

Gerard  van  Battem. 

A  Dutch  landscape  painter,  who  flourished  about  1650 
and  died  at  Amsterdam  in  1690.  His  subjects  are  moun- 
tainous landscapes,  with  travellers  or  banditti,  and  hunting 
pieces. 

PoMPEO  Battoni  (1708-1787). 

Bom  at  Lucca;  died  at  Rome.  An  Italian  painter,  son 
of  a  goldsmith.  He  was  sent  to  Rome,  where  he  studied 
under  Sebastian  Conca,  and  Agostino  Masucci.  He  was 
more  employed  in  portraits  than  historical  works. 


154  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Jan  Beerstraaten  (1622-1687). 

Dutch  painter,  born  and  died  at  Amsterdam.  He  painted 
landscapes. 

Cornelius  Bega  (1620-1664). 

Born  at  Haerlem.  He  studied  under  Adrian  Ostade,  and 
became  the  ablest  painter  of  his  school.  His  pictures,  like 
those  of  Ostade,  represent  Dutch  peasants  regaling  and  amus- 
ing themselves,  and  the  interiors  of  Dutch  cottages. 

Joseph  L.  H.  Bellange  (1800-1866). 

French  painter,  born  and  died  at  Paris.  He  was  in- 
fluenced by  the  wars  of  the  1st  Napoleon  and  painted 
mostly  military  scenes. 

Theodore  van  Bergen  (1645-1689). 

Born  at  Haerlem.  A  Dutch  painter  of  landscapes  and 
cattle.  Studied  under  Adrian  Vandevelde  and  was  his 
ablest  scholar. 

Nicholas  Berghem  (1620-1683). 

Born  at  Haerlem.  A  Dutch  painter,  the  son  of  Peter 
Class  van  Haerlem.  It  is  difficult  to  say  how  the  name 
Berghem  or  Berchem  originated.  He  studied  first  under 
his  father  and  subsequently  under  John  van  Goyen  and 
also  John  Baptist  Weeninx. 

PiETRO  Berretini  (1596-1669). 

Born  at  Cortona;  died  at  Rome.  Called  Da  Cortona 
and  was  a  Florentine  painter  and  architect.  He  studied 
under  Baccio  Ciarpi,  but  gained  more  advantage  from  the 
study  of  the  works  of  Raffaelle  and  Caravaggio. 

Albert  Bierstadt  (1830-1902.) 

Bom  in  Diisseldorf,  Germany,  and  in  1831  came  with  his 
parents  to  New  Bedford,  Mass.  In  1853  he  returned  to 
Diisseldorf  and  studied  painting  there  and  in  Rome.  In 
1857  he  returned  to  the  United  States  and  made  an  extended 
tour  in  the  West,  especially  Colorado  and  California.  He 
died  in  New  York  City. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  155 

Thomas  Birch     (1787-1851). 

Bom  in  London,  England,  the  son  of  William  Birch. 
Was  brought  to  this  country  in  1794  when  seven  years  of 
age.  His  father  was  his  instructor.  He  lived  and  died  in 
Philadelphia  and  was  a  landscape  and  marine  painter. 

Abraham  Bloemaert  (1564-1658). 

Born  at  Gorcum.  He  was  a  Dutch  historical  and  land- 
scape painter  and  engraver,  who  studied  under  Joseph  de 
Beer. 

Johannes  Francis  van  Bloemen  (1662-1740). 

Born  at  Antwerp;  died  at  Rome.  A  Flemish  landscape 
painter,  who  went  to  Italy  when  very  young  and  remained 
there  all  his  life.  Studied  under  Goubau  and  was  called 
Orizonti. 

Petrus  van  Bloemen    (1657-1719.) 

Born  at  Antwerp.  He  visited  Rome  for  improvement, 
where  the  Flemings  called  him  Standard,  from  his  painting 
occasionally  charges  of  cavalry.  He  returned  to  Antwerp, 
and  in  1699  was  made  director  of  the  Academy. 

James  Bogle  (1817-1873). 

Bom  in  Georgetown,  S.  C.;  died  in  Brooklyn,  N.  Y. 
Came  to  New  York  1836,  and  entered  the  studio  of  Pro- 
fessor Morse.     He  confined  himself  to  portrait  painting. 

Ferdinand  Bol  (1611-1681). 

Born  at  Dort.  A  Dutch  historical  and  portrait  painter 
and  engraver.  His  family  rem.oved  to  Amsterdam  where  he 
studied  under  Rembrandt,  whose  style  he  imitated. 

Joseph  BoNOMi  (1796-1878). 

Bom  at  Rome  and  died  at  London.  An  English  sculptor 
and  draftsman,  the  son  of  Giuseppe  Bonomi. 

John  and  Andrew  Both. 

These  Dutch  painters  were  brothers.  They  were  natives 
of  Utrecht,  John,  the  elder,  being  bom  about  1610  and  died 
after  1662.  Andrew  died  1645.  They  learned  the  elements 
of  design  from  their  father,  who  was  a  painter  on  glass,  but 
afterwards  studied  under  A.  Bloemaert. 


156  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 


Sandro  or  Alessandro  Botticelli  (1447-1510). 

A  Florentine  painter  and  engraver.  He  studied  under 
Filippo  Lippi  and  subsequently  visited  Rome,  where  he 
executed  several  important  works  for  Sixtus  IV. 


Francois  Boucher  (1703-1770). 

A  Parisian  painter  and  engraver.  He  studied  under 
Frangois  Le  Moine,  and  was  appointed  court  painter.  He 
succeeded  best  in  pastoral  subjects. 


Sebastien  Bourdon  (1616-1671). 

Born  at  Montpellier;  died  at  Paris.  A  French  painter 
and  engraver  who  studied  the  elements  of  design  with  his 
father. 

Peter  Bout  (1658-1731). 

Born  at  Brussels;  he  painted  in  conjunction  with  Bou- 
dewyns,  whose  landscapes  he  ornamented  with  figures, 
representing  assemblies,  merrymakings  and  similar  sub- 
jects. 


Edw^ard  Augustus  Brackett  (1819-        ). 

Sculptor,  born  in  Vassalborough,  Me.  He  began  his 
career  in  1838  and  produced  portrait  busts  of  prominent 
persons. 

William  Bradford  (1827-1892). 

Born  in  New  Bedford,  Mass.  Began  by  painting  ships 
and  coast  scenes  of  New  England  and  British  North  America, 
and  later  extended  his  studies  to  the  Arctic  regions. 


Renier  Brakenburg  (1650-1702). 

Born  at  Haerlem.  A  Dutch  painter  who  studied  first 
under  Mommers,  a  landscape  painter,  and  afterwards 
under  Bernard  Schendel.  His  subjects,  representing  merry- 
makings and  drunken  assemblies,  are  similar  to  those  of 
Schendel. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  157 

Leonard  Bramer  (1596-1674). 

Born  and  died  at  Delft.  He  was  a  Dutch  painter  and 
painted  night  pieces,  with  towns  on  fire  and  caverns,  in  the 
manner  of  Rembrandt.  His  principal  works  were  historical 
subjects  of  a  small  size. 

LuDOVico  Brea. 

A  painter  of  the  Genoese  school,  and  a  native  of  Nice. 
It  is  not  mentioned  under  whom  he  studied.  He  resided 
at  Genoa  from  1483  to  1513. 

QuiRiNUS  Brekelenkam. 

A  Dutch  painter  who  lived  about  1650.  He  studied 
under  Gerard  Douw  and  followed  the  style  of  that  master 
and  of  Rembrandt.  His  works  represent  Dutch  cottages 
with  figures. 

Agnolo  Bronzino  (1502-1572). 

A  Florentine  painter,  and  favorite  scholar  of  Jacopo 
Carrucci,  whom  he  assisted  in  some  works.  He  imitated 
Michael  Angelo. 

Adrian  Brower  (1605-1638). 

Bom  at  Haerlem;  died  at  Antwerp.  A  Dutch  painter  of 
poor  parentage.  Francis  Hals  offered  to  take  him  into  his 
school,  which  he  gladly  accepted.  He  was  a  friend  of  Adrian 
Ostade  and  Rubens. 

John  H.  I.  Browere  (1792-1834). 

Sculptor,  a  student  in  Columbia  University,  and  later 
studied  painting  under  Archibald  Robinson.  After  visiting 
Europe  he  returned  to  New  York  in  1819  and  took  up 
modelling.  He  devoted  a  great  amount  of  time  in  forming 
a  collection  of  busts  which  he  executed  of  the  most  noted 
men  in  the  country,  prominent  in  history. 

David  Brown. 

A  pupil  of  George  Moreland,  whose  works  he  imitated. 
He  exhibited  landscapes  at  the  Royal  Academy  from  1792 
to  1797. 


158  BIOGRAPHICAL  SICETCHES  OF  ARTISTS 

George  Loring  Brown  (1814-1889.) 

Born  and  died  in  Boston,  Mass.  He  attended  the  Franklin 
School  and  became  an  engraver's  apprentice.  He  studied 
under  Washington  Allston,  and  while  in  Paris  under  Eugene 
Isabey. 

Henry  Kirke  Brown  (1814-1886). 

Sculptor,  born  in  Ley  den,  Mass.,  and  died  in  Newburgh, 
N.  Y.  He  studied  painting  under  Chester  Harding,  of 
Boston,  and  then  took  up  sculpture,  executing  portrait 
busts  in  Albany.  He  executed  many  statues  of  notable 
persons  for  various  states. 

John  Brueghel  (1568-1625). 

Born  at  Brussels,  the  son  of  Peter  Brueghel  the  elder. 
He  commenced  miniature  painting,  but  afterwards  studied 
oil  painting  under  Peter  Goekint. 

Charles  Le  Brun  (1619-1690). 

A  Parisian  painter,  son  of  a  sculptor.  He  was  placed 
in  the  school  of  Simon  Vouet,  and  went  to  Italy,  where  he 
was  assisted  in  his  studies  by  N.  Poussin.  In  1662  he  com- 
menced his  great  work  of  the  Battles  of  Alexander,  which 
gained  him  an  immense  reputation. 

BUONAMICO  BUFFALMACCO    (1262-1340). 

A  Florentine  painter  who  studied  under  Andrea  Taffi. 
He  painted  in  the  dry,  Gothic  style  of  the  immediate  followers 
of  Cimabue. 

William  De  Buytenweg  (1600-1640). 

Born  at  Rotterdam.  Houbraken  calls  him  Geestige 
Willem  (William  the  Gay).  His  principal  work  was  the 
Triumph  of  William,  Prince  of  Orange. 

Paolo  Caliari  (1528-1588). 

Born  at  Verona.  He  was  of  the  Venetian  school  and 
called  Paolo  Veronese.  He  was  placed  in  the  school  of  his 
uncle,  Antonio  Badile. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  159 


Antonio  Canal  (Canaletto)  (1697-1768). 

A  Venetian  painter  whose  father  was  a  scene  painter, 
and  he  was  brought  up  in  the  same  profession.  He  went  to 
Rome,  where  he  designed  the  grand  remains  of  antiquity. 
Returning  to  Venice,  he  chose  as  his  subjects  interior  views. 

Annibale  Caracci  (1560-1609). 

A  Bolognese  painter,  studied  under  his  cousin,  Lodovico, 
who  advised  him  to  study  the  works  of  Correggio. 

Francis  B.  Carpenter  (1830-1900). 

Born  in  Homer,  N.  Y.  He  was  mostly  self-taught.  He 
removed  to  New  York  in  1851  and  was  a  portrait  painter, 
having  painted  many  distinguished  men. 

Juan  Carrenno  de  Miranda  (1614-1685). 

Born  at  Abiles,  in  Asturias.  A  Spanish  painter,  who 
studied  at  Madrid  under  P.  de  las  Cuevas  and  afterwards 
imder  Bartolome  Roman.     He  died  at  Madrid. 


John  W.  Casilear  (1811-1893). 

Bom  in  New  York,  and  began  studying  at  the  age  of  fifteen 
under  Peter  Maverick,  the  engraver,  after  whose  death  he 
became  a  bank  note  engraver.  He  took  up  oil  painting  and 
went  to  Europe  to  study  in  1840  and  again  in  1857.  He 
died  at  Saratoga,  N.  Y. 

Andrea  del  Castagno  (1390-1457). 

A  painter  of  Castagno  in  Tuscany.  Bernardetto  de 
Medici  placed  him  under  Masaccio.  After  leaving  that 
master  he  became  one  of  the  most  distinguished  artists  of 
the  day. 

Giuseppe  Cerrachi  (1760-1801). 

Italian  sculptor;  came  to  Philadelphia  in  1791  and  made 
busts  of  eminent  men.  In  1800,  having  joined  in  a  plan  to 
assassinate  the  first  Consul  of  Italy,  he,  with  the  intention  of 
carrj^ng  out  the  design,  proposed  to  undertake  a  statue  of 
him.     The  plot  was  detected  and  he  was  guillotined. 


160  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 


Giuseppe  Cesari  (1568-1640). 

Born  at  the  Castle  of  Arpino  in  Naples;  died  at  Rome. 
Pope  Gregory  XIII.  placed  him  in  the  school  of  Nicolo 
Pomerancio. 

Philip  de  Champagne  (1602-1674). 

Bom  at  Brussels;  died  at  Paris.  At  the  age  of  nineteen 
he  went  to  Paris,  and  received  most  assistance  from  Fou- 
quieres,  who  lent  him  some  of  his  drawings. 

Sir  Francis  Chantrey  (1781-1841). 

Sculptor,  born  at  Norton  in  Derbyshire,  England,  and  was 
apprenticed  as  a  carver  in  Sheffield.  Later  he  established 
himself  as  a  modeller  in  clay  in  Dublin,  then  Edinburgh  and 
finally  in  London.  He  executed  chiefly  sepulchral  monu- 
ments and  busts.     In  1837  he  was  knighted. 

John  Gadsby  Chapman  (1808-1889). 

Born  in  Alexandria,  Va.,  and  went  to  Italy  to  study.  He 
settled  in  New  York  and  became  a  successful  engraver  and 
illustrator.  In  1848  he  returned  to  Italy  and  had  his 
studio  in  Rome. 

Jean  Baptiste  Simeon  Chardin  (1701-1779). 

Born  and  died  at  Paris.  A  French  painter  who  distin- 
guished himself  by  painting  conservation  pieces  of  a  domes- 
tic character. 

Gio  CiMABUE  (1240-1302). 

Born  at  Florence  and  of  noble  descent.  He  has  been 
credited  with  rescuing  the  art  from  its  gross  and  barbarous 
state,  and  he  has  been  called  the  father  of  modern  painters. 

Shobal  Vail  Clevenger  (1812-1843). 

Sculptor,  born  near  Middletown,  Butler  Co.,  Ohio;  died 
at  sea.  He  was  first  occupied  as  a  stone  cutter  in  Cin- 
cinnati and  was  induced  by  David  Guio  to  carve  busts  in 
freestone.  He  came  to  New  York  and  executed  several 
notable  busts.     In  1840  he  went  to  Rome. 


I 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  161 

Jean  Henri  De  Coene  (1798-1866). 

Belgian  painter  of  genre  and  historical  subjects,  born  at 
Nederbrakel ;  he  was  a  pupil  of  David  and  of  PaeUnck.  He 
became  professor  in  the  Brussels  Academy,  and  died  in  that 
city. 

Thomas  Cole  (1801-1848). 

Born  in  Bolton-le-Moor,  England;  died  near  Catskill, 
N.  Y.  His  father  emigrated  to  the  United  States  in  1819 
and  settled  in  Ohio,  where  Thomas  Cole  took  lessons  from 
a  painter  named  Stein.  In  1825  he  removed  to  New  York 
and  became  associated  with  Durand  and  Trumbull.  He 
founded  the  '' Hudson  River  School"  and  became  one  of 
the  best  American  landscape  painters.  He  made  several 
visits  to  Europe. 

William  Collins  (1787-1847). 

English  painter,  born  and  died  at  London.  Studied 
under  Moreland  and  in  the  Royal  Academy.  In  1836  he 
visited  Italy,  where  he  studied  for  two  years. 

John  Singleton  Copley  (1737-1815). 

Born  in  Boston,  Mass.;  died  in  London.  He  was  essen- 
tially a  portrait  painter.  In  1774  he  went  to  England,  and 
after  a  visit  to  Italy,  settled  in  London. 

Gonzales  Coques  (1614-1684). 

Born  and  died  at  Antwerp.  A  Flemish  painter  who 
learned  the  elements  of  the  art  from  Peeter  Brueghel  III., 
and  then  studied  under  David  Ryckaert,  the  elder. 

CoRREGGio,  see  Allegri,  Antonio. 

Jacques  Courtois  (1621-1676). 

Called  II  Borgognone;  was  bom  at  St.  Hippolyte,  in 
Tranche  Cont^,  and  died  at  Rome.  He  was  the  son  of  an 
obscure  artist,  who  taught  him  the  elements  of  design. 

Nicholas  Coustou  (1658-1733). 

French  sculptor,  born  at  Lyons  and  died  at  Paris.  He 
studied  at  Paris  under  his  uncle,  Coysevox,  and  later  at 


162  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Rome.  At  the  age  of  twenty-three  he  won  the  grand  prize 
of  the  Royal  Academy,  which  entitled  him  to  the  royal 
pension. 

Lucas  Cranach  (1472-1553). 

A  German  painter  and  engraver,  born  at  Cranach,  whose 
family  name  it  is  believed  was  Sunder.  He  was  burgo- 
master of  Wittenberg  and  was  a  friend  of  Luther  and  Me- 
lanchthon.     Was  a  pupil  of  his  father,  and  died  at  Weimar. 

Christopher  Pearse  Cranch  (1813-1892). 

Born  in  Alexandria,  Va.;  entered  the  ministry  in  1835, 
from  which  he  retired  in  1842  to  study  art.  He  studied  in 
France  and  Italy,  returning  to  New  York.  Was  also  an 
author.     He  died  at  Cambridge,  Mass. 

Thomas  Craw^ford  (1814-1857). 

Sculptor,  born  in  New  York  City;  died  in  London.  At 
the  age  of  nineteen  he  entered  the  studios  of  Frazer  and 
Launitz  in  New  York,  and  in  1834  went  abroad  and  lived 
in  Rome  thereafter.     He  executed  many  notable  works. 

Thomas  S.  Cummings  (1804-1894). 

Born  in  England;  came  to  New  York  in  infancy.  He 
studied  with  Henry  Inman  and  became  a  miniature  portrait 
painter.  Was  a  founder  of  the  National  Academy  and  in 
1838  was  commissioned  Brigadier  General  of  Militia  by 
Gov.  Seward. 

Albert  Cuyp  (1620-1691). 

A  Dutch  painter,  born  at  Dort,  son  of  Jacob  Gerritze 
Cuyp,  who  taught  him  the  elements  of  design.  He  became 
an  excellent  landscape  painter. 

Jacob  Gerritze  Cuyp  (1594-1652). 

Born  at  Dort  and  studied  under  A.  Bloemaert.  He  was 
one  of  the  founders  of  the  Academy  at  Dort  in  1642.  His 
works  were  greatly  surpassed  by  his  son. 

Abraham  Delanoy,  Jr. 

A  native  of  New  York,  who  studied  art  under  Benjamin 
West  at  London  and  in  January,  1771,  advertised  his  pro- 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  163 

fession  as  a  portrait  painter  in  the  New  York  newspapers. 
Six  months  later  he  advertised  again,  as  selUng  various 
articles  of  merchandise  as  well  as  "most  kinds  of  painting 
done  as  usual,  at  reasonable  rates."  In  his  latter  days 
Dunlap  says  he  was  poor  and  dependent  on  sign-painting 
for  his  support.     He  died  about  1786. 

Antonio  Dello  (1603-        ). 

An  Italian  historical  painter,  bom  at  Florence,  who 
assisted  in  the  execution  of  great  works  in  the  Escurial  in 
1658. 

Balthazar  Denner  (1685-1749). 

German  painter,  born  at  Hamburg,  who  excelled  in 
mechanical  execution  of  painting.  The  faculty  of  imitation 
and  German  patience  constituted  the  whole  merit  of  this 
artist. 

Jean  Baptiste  Descamps  (1706-1791). 

Bom  at  Dunkirk,  and  studied  under  his  uncle,  Louis 
Co>T)el,  after  which  he  went  to  Paris  and  entered  the  school 
of  LargiUiere.     He  established  a  school  of  design  at  Rouen. 

Anson  Dickinson  (1780-        ). 

Born  in  Litchfield,  Conn.,  and  worked  as  a  silversmith. 
He  became  a  miniature  painter  and  removed  to  New  York. 

Christian  William  Ernest  Dietrich  (1712-1774). 

A  German  artist,  bom  at  Weimar  and  died  at  Dresden. 
He  learned  the  first  principles  from  his  father  and  after- 
wards studied  under  Alex.  Thiele,  a  landscape  painter. 
Was  also  an  engraver  of  reputation. 

John  Dixey  (        -1820). 

Sculptor,  bom  in  Dublin,  Ireland,  and  educated  in  Lon- 
don. He  was  a  student  of  the  Royal  Academy  and  came  to 
America  in  1789.  He  was  vice-president  of  the  Pennsyl- 
vania Academy  of  Fine  Arts  and  lived  many  years  in  New 
York. 


164  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Simon  van  der  Does  (1653-1717).    ' 

Born  at  Amsterdam,  son  of  Jacob  van  der  Does,  who  in- 
structed him  in  the  art,  adopting  the  same  style  of  painting 
as  his  father,  in  subjects  and  manner. 

Carlo  Dolci  (1616-1686). 

Born  at  Florence,  and  studied  under  Jacopo  Vignali. 
His  best  works  were  chiefly  confined  to  heads  of  the  Saviour 
and  the  Virgin  and  to  Madonnas. 

DOMENICHINO   (1581-1641). 

His  real  name  was  Domenico  Zampieri;  born  at  Bologna 
and  received  his  first  instructions  from  Denis  Calvart  and 
then  in  the  Academy  of  the  Caracci,  where  Guido  and 
Albano  were  then  students. 

John  Doncker  (1610-        ). 

A  Dutch  painter,  born  at  Gouda,  who  had  great  abilities 
but  died  prematurely. 

Gerard  Douw  (1613-1675). 

Born  at  Leyden,  the  son  of  a  glazier,  and  received  his 
first  instructions  in  drawing  from  Dolendo,  the  engraver, 
and  later  a  pupil  of  Rembrandt. 

GuiLLAM  Dubois  (1622-1680). 

A  Dutch  landscape  painter,  born  and  died  at  Amsterdam, 
and  painted  in  the  style  of  Ruisdael. 

Thomas  Spence  Duche  (1766-        ). 

Born  in  Philadelphia  about  1766,  and  was  the  pupil  of 
Benjamin  West.     Dunlap  says,  ''little  is  known"  of  him. 

William  Dunlap  (1766-1839). 

Born  in  Perth  Amboy,  N.  J.;  died  in  New  York  City. 
He  was  engaged  in  artistic,  dramatic  and  literary  work. 
He  came  to  New  York  in  1777  and  painted  portraits.  In 
1784  he  went  to  London  and  studied  with  Benjamin  West. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  165 

Joseph  Siffrein  Duplessis  (1725-1802). 

Born  at  Carpentras,  France.  He  was  placed  under 
Imbert  at  Chartreuse.  In  1745  he  entered  the  school  of 
Subleyras  at  Rome.  At  the  age  of  twenty-seven  he  went 
to  Paris  and  was  admitted  to  the  Royal  Academy.  He  was 
appointed  keeper  of  the  Museum  at  Versailles. 

AsHER  B.  DuRAXD  (1796-1886). 

Born  at  Jefferson,  N.  J.,  and  died  in  South  Orange,  N.  J. 
He  first  took  instructions  from  his  father  in  engraving  and 
in  1812  was  apprenticed  to  Peter  Maverick  in  New  York 
City,  whose  partner  he  became,  rising  to  the  highest  rank 
in  that  profession.  He  then  turned  his  attention  to  painting 
landscapes  in  oil  as  well  as  portraits.  In  1826  he  was  one 
of  the  founders  of  the  National  Academy  of  Design  and  its 
President  from  1845  to  1861. 

Albert  Durer  (1471-1528). 

Born  at  Nuremberg.  He  was  the  son  of  a  skillful  gold- 
smith, who  taught  him  the  rudiments  of  design;  subsequently 
he  studied  under  Martin  Hapse  and  Michael  Wolgemut. 
He  was  most  famous  as  an  engraver. 

Josef  Laurens  Dyckmans  (1811-1888). 

Flemish  painter,  born  at  Lierre.  Pupil  of  Tielemans  and 
Wappers.  Painted  genre  pictures  and  small  portraits,  and 
was  professor  in  the  Antwerp  Academy. 

James  Earle  (1761-1798). 

Born  in  Leicester,  Mass.,  and  died  in  Charleston,  S.  C. 
He  painted  portraits  in  Charleston,  S.  C,  and  died  suddenly 
of  yellow  fever  when  he  was  preparing  to  return  to  England. 

Ralph  Earle  (1751-1801). 

Born  in  Leicester,  Mass.;  died  in  Bolton,  Conn.  He 
painted  portraits  in  Connecticut  in  1775  and  after  the  Rev- 
olution went  to  England,  where  he  studied  under  Benjamin 
\Vest,  returning  to  the  United  States  in  1786.  His  American 
historical  paintings  are  among  the  first  ever  executed  by  an 
American  artist. 


166  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 


Francis  W.  Edmonds  (1806-1863). 

Born  in  Hudson,  N.  Y.;  died  at  Bronxville.  He  was  a 
bank  cashier  in  his  native  city  and  in  New  York  City  until 
1855.  During  this  time  he  studied  at  the  National  Academy 
of  Design.  While  Secretary  of  the  American  Bank  Note 
Company  he  designed  several  pictures  which  were  engraved 
on  notes  printed  by  that  establishment. 

Gerbrant  vanden  Eeckhout  (1621-1674). 

A  Dutch  painter,  born  at  Amsterdam,  who  studied  in  the 
school  of  Rembrandt  and  became  a  great  portrait  painter. 

Charles  L.  Elliott  (1812-1868). 

Born  in  Scipio,  N.  Y.;  died  in  Albany,  N.  Y.  About 
1834  he  came  to  New  York  and  was  a  pupil  of  Trumbull  and 
later  of  Quidor.  He  painted  numerous  portraits  of  eminent 
men. 

Juan  Antonio  Escalante  (1630-1670). 

Spanish  painter,  born  at  Cordova,  who  studied  under 
Francisco  Rizi,  but  imitated  the  style  of  Tintoretto.  He 
died  at  Madrid. 


Jan  van  Eyck  (1380-1440.) 

A  Flemish  painter,  native  of  Maes-Eyck,  on  the  river 
Maes.  He  was  a  brother  of  Hubert  van  Eyck.  They 
established  themselves  at  Bruges  and  founded  the  Flemish 
school,  and  are  credited  with  inventing  oil  painting. 

Gaudenzio  Ferrari  (1484-1550). 

An  Italian  painter,  student  of  Perugino,  says  one  writer, 
while  others  say  he  first  studied  under  Stefano  Scotto  and 
then  under  Bernardino  Luini. 

Odoardo  Fialetti  (1573-1638). 

Born  at  Bologna;  died  at  Venice.  He  first  studied  under 
Gio.  Battista  Cremonini  and  then  in  the  school  of  Tinto- 
retto. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  167 

George  W.  Flagg  (1816-1897). 

Born  in  New  Haven,  Conn.  He  studied  with  his  uncle, 
Washington  Allston.  Under  the  patronage  of  Luman 
Reed  he  spent  three  years  in  Europe  to  study.  After  Uving 
sLx  years  in  London  he  returned  to  New  Haven  and  sub- 
sequently removed  to  New  York  City. 

Jared  Bradley  Flagg  (1820-1899). 

Born  in  New  Haven,  Conn.  Studied  with  his  brother, 
George  W.  Flagg  and  Washington  Allston.  He  first  settled 
in  Hartford,  Conn.,  and  in  1849  removed  to  New  York.  He 
entered  the  ministry,  but  after  ten  years  of  that  life  returned 
to  his  former  profession. 

Albert  Flaaien. 

A  Flemish  painter  and  engraver  who  was  bom  in  Bniges 
and  established  himself  at  Paris  from  1648  to  1664.  He 
possessed  greater  abilities  for  engraving  than  for  painting. 

Samuel  Folwell  (1765-1813). 

He  probably  came  from  New  England  and  died  in  Phila- 
delphia, where  he  was  a  miniature  painter  as  well  as  a  cutter 
of  silhouettes  and  a  "worker  in  hair."  He  conducted  a 
school  in  that  city  for  a  time  and  engraved  portraits  and 
book  plates. 

Charles  de  la  Fosse  (1636-1716). 

Born  at  Paris,  the  son  of  a  goldsmith,  he  studied  under 
Charles  Le  Brun  and  later  studied  the  works  of  Titian  and 
Veronese.  He  became  a  distinguished  colorist  of  the  French 
school. 

Jacques  Fouquieres  (1580-1659). 

A  Flemish  landscape  painter,  born  at  Antwerp  and  died 
at  Paris.     Studied  under  Josse  Momper  and  John  Brueghel. 

Leonard  de  France  (1735-1805). 

Flemish  painter,  born  at  Li^ge,  who  studied  under  J.  B. 
Coders.  He  was  appointed  first  professor  in  the  Academy 
of  the  Fine  ^Vrts  at  Li^ge. 


168  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Francis  Francken  (1542-1616). 

Called  the  Elder.  Flemish  painter,  born  at  Antwerp,  who 
studied  under  Francis  Floris.    He  painted  historical  subjects. 

Martin  Freminet  (1567-1619). 

Born  and  died  in  Paris.  He  was  the  son  of  an  obscure 
painter.  When  he  visited  Rome,  formed  a  friendship  with 
Giuseppe  Cesari,  but  followed  the  style  of  Michael  Angelo. 

SiGMUND  Freudenberger  (1745-1801). 

Born  at  Berne,  was  a  pupil  of  Em.  Handmann,  and  then 
studied  under  Wille,  Boucher,  Greuze  and  Roslin.  He 
painted  and  engraved  Swiss  life  scenes. 

James  Frothingham  (1788-1864). 

Born  in  Charlestown,  Mass.,  and  died  at  Brooklyn, 
N.  Y.  He  began  life  as  a  chaise  painter  in  his  father's 
chaise  manufactory,  from  which  he  developed  into  a  success- 
ful portrait  painter. 

John  Fyt  (1609-1661). 

A  Flemish  painter,  born  at  Antwerp ;  was  distinguished  for 
painting  animals,  especially  dogs.     Pupil  of  Frans  Snyders. 

Barent  Gaal  (1650-1703). 

Dutch  painter,  born  at  Haerlem;  studied  under  Philip 
Wouwermans  and  painted  horse-fairs,  battles  and  hunting- 
pieces. 

Taddeo  Gaddi  (1300-1366). 

An  Italian  painter  and  architect,  born  in  Florence.  He 
was  the  son  of  Gaddo  Gaddi,  who  first  instructed  him. 
Later  he  studied  in  the  school  of  Giotto. 

Thomas  Gainsborough  (1727-1788).    • 

An  English  painter  of  portraits  and  landscapes  who  was 
born  at  Suffolk.  He  received  instructions  from  Gravelot 
and  Hayman. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  169 

John  van  Geel  (1631-1698). 

A  Dutch  painter,  and  scholar  of  Gabriel  Metzu,  whose 
style  he  imitated.     Born  and  died  at  Rotterdam. 

Nicholas  Van  Gelder. 

Was  an  animal  painter  of  the  Netherlands,  who  flourished 
in  the  seventeenth  century. 

Gentileschi,  see  Lomi. 

Jean  L.  T.  A.  Gericault  (1791-1824). 

A  French  painter,  born  at  Rouen,  who  studied  under  Carle 
Vernet  and  afterwards  in  the  School  of  Guerin  He  died 
at  Paris. 

FRANgois  Regis  Gignoux  (1816-1882). 

Born  in  Lyons,  France;  died  in  Paris.  He  studied  art  in 
the  Academy  of  St.  Pierre  at  Lyons  and  in  the  School  of 
Fine  Arts  at  Paris.  In  1844  he  came  to  the  United  States 
and  opened  a  studio  in  Brooklyn,  N.  Y.,  returning  to  France 
in  1870. 

Grove  Sheldon  Gilbert  (1805-1885). 

Born  in  Clinton,  N.  Y. ;  died  in  Rochester.  Studied  medi- 
cine for  a  time  but  decided  to  take  up  art.  For  several  years 
he  painted  in  Fort  Niagara  and  Toronto,  settling  in  Roches- 
ter in  1834.     He  painted  mostly  portraits. 

GiORGiONE,  see  Barbarelli,  Giorgio. 

GiOTTiNO,  see  Stefano,  Tommaso. 

Giotto  di  Bondone  (1276-1337). 

An  Italian  painter  and  architect,  born  at  Vespignano.  He 
attracted  the  attention  of  Cimabue,  under  whom  he  studied 
and  surpassed. 

Jan  Glauber  (1646-1726). 

A  landscape  painter,  born  at  Utrecht,  Holland,  of  Ger- 
man parents.     He  entered  the  School  of  Nicholas  Berghem 


170  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

and  later  went  to  Rome.     He  settled  at  Amsterdam  and 
formed  a  friendship  with  Gerard  de  Lairesse. 

Henry  Goltzius  (1558-1617). 

A  Dutch  painter  and  engraver,  born  at  Miilbrecht,  who 
acquired  the  elements  of  design  from  his  father,  afterward 
studying  engraving  under  Theodore  Cuernhert. 

Hubert  Goltzius  (1526-1583). 

A  Flemish  painter  and  engraver;  born  at  Venloo,  died  at 
Bruges.  He  studied  in  the  School  of  Lambert  Lombard  at 
Liege,  and  later  visited  Rome. 

John  van  Goyen  (1596-1666). 

Born  at  I^eyden  and  died  at  The  Hague.  Was  one  of  the 
earliest  Dutch  landscape  painters.  He  studied  under  Schil- 
derpoort,  Isaac  Nicolai  and  Esias  Vandevelde,  and  was 
father-in-law  to  Jan  Steen. 

Henry  Peters  Gray  (1819-1877). 

He  was  born  and  died  in  New  York  and  in  1838  entered 
the  studio  of  Daniel  Huntington.  He  visited  Europe  several 
times  and  was  president  of  the  National  x\cadeniy  1869-1871. 

Horatio  Greenough  (1805-1852). 

Sculptor,  born  in  Boston,  Mass.,  and  died  in  Somerville, 
Mass.  When  a  boy  he  was  taught  the  rudiments  of  his  art 
by  a  French  sculptor,  Binon.  He  entered  Harvard,  w^here 
he  met  Washington  AUston;  but  before  completing  his  col- 
lege course  Greenough  sailed  for  Europe  in  1825,  where  he 
lived  permanently. 

Jean  Baptiste  Greuze  (1725-1805). 

Born  at  Tournus;  died  at  Paris.  He  studied  in  School  of 
Grandon,  a  portrait  painter  at  Lyons,  where  he  made  rapid 
progress. 

Anthony  Griff  or  Grief  (1670-1715). 

Flemish  painter  of  landscapes,  dead  game  and  dogs.  Born 
at  Antwerp  and  died  at  Brussels. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  171 

William  Grimaldi  (1751-1830). 

Born  in  Shoreditch,  England,  and  died  in  London.  Studied 
under  Worlidge  and  afterward  at  Paris.  He  was  a  miniature 
painter  and  painted  for  members  of  the  Royal  Family. 

Jean  Antoine  Theodore  Gudin  (1802-1879). 

Born  at  Paris  and  died  at  Boulogne.  He  was  marine 
painter  of  harbor  and  coast  scenes,  also  landscapes.  He 
practised  etching  and  Uthography. 

GuiDO,  see  Reni. 

GuiDO  GuiDONE  Siena. 

An  old  Sienese  painter  who  made  great  improvement  over 
the  Greeks  before  the  time  of  Cimabue  and  Giotto. 

Francis  Guy  (1760-1820). 

Born  in  England  and  came  to  New  York  in  1795,  going 
to  Philadelphia  and  Baltimore,  where  he  estabhshed  dye- 
works.     He  also  had  been  a  tailor,  but  always  worked  at- 
landscape    painting,    to   which    he    was    devoted.     About 
1817  he  returned  to  Brooklyn,  N.  Y.,  where  he  died. 

Jan  Hackaert  (1636-1699). 

Born  at  Amsterdam,  he  became  one  of  the  ablest  land- 
scape painters  of  the  Dutch  School.  He  was  a  friend  of 
Adrian  Vandervelde. 

Francis  Hals  (1584-1666). 

Flemish  portrait  painter,  born  at  Antwerp  and  died  at 
Haerlem.  He  was  a  disciple  of  Karel  van  blander  and  a 
friend  of  Van  Dyck. 

George  P.  A.  Healy  (1813-1894). 

Bom  in  Boston,  Mass.  He  went  to  Paris  in  1836  and 
occasionally  visited  the  United  States.  He  resided  in 
Chicago  from  1855  to  1867  and  then  made  his  residence  in 
Rome  and  in  Paris.  He  was  one  of  the  best  American 
portrait  painters  of  the  French  School.     He  died  at  Chicago. 


172  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Matthew  van  Helmont  (1653-1719). 

Flemish  painter,  born  at  Brussels,  who  studied  under 
D.  Teniers  and  painted  similar  subjects  to  those  of  that 
master.     He  died  at  Antwerp. 

Bartholomew  vander  Helst  (1611-1670). 

Dutch  painter,  born  at  Ilaerlem,  who  painted  historical 
subjects  and  portraits.     He  died  at  Amsterdam. 

Egbert  van  Hemskerk  (1645-1704). 

Called  ^'the  younger,"  was  born  at  Haerlem  and  died  at 
London.  He  studied  under  Peter  Grebber  and  painted 
drunken  scenes  and  drolls. 

Martin  van  Veen  Hemskerk  (1498-1574). 

Dutch  painter,  born  at  Hemskerk,  the  son  of  Jacob 
William  van  Veen.  He  studied  under  John  Lucas  and  in 
the  school  of  John  Schoorel.  Later  he  studied  the  works 
of  Michael  Angelo. 

GuiLLiAM  Van  Herp  (1614-1677). 

Born  and  died  at  Antwerp.  Pupil  of  Damiaan  Wortel- 
mans  and  painted  history  and  genre.  He  came  under  the 
influence  of  Rubens. 

John  vander  Heyden  (1637-1712). 

Born  at  Gorcum;  he  obtained  his  knowledge  of  design 
from  a  glass  painter.  He  painted  churches,  palaces,  ruins 
and  views  of  cities.     Died  at  Amsterdam. 

Thomas  Hicks  (1823-1890). 

Born  in  Newtown,  Pa.  He  studied  in  the  Pennsylvania 
Academy  of  Fine  Arts  and  in  1838  entered  the  National 
Academy  in  New  York.  After  studying  abroad  he  returned 
to  New  York  City  in  1849  and  began  a  successful  career  as 
a  portrait  painter. 

John  William  Hill  (1812-1879). 

Born  in  England  and  died  in  this  country.  He  did 
aquatint  work  and  drew  upon  stone  for  the  lithographers. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  173 

Later  he  painted  landscapes  in  water-colors  and  achieved 
considerable  reputation. 

Thomas  Hill  (1829-        ). 

Born  in  Birmingham,  England.  He  came  to  the  United 
States  in  1840  and  settled  in  Taunton,  Mass.  Until  1853 
he  followed  the  profession  of  ornamental  painting,  then 
studied  in  the  life-class  of  the  Pennsylvania  Academy  at 
Philadelphia.  He  removed  to  California  and  painted 
landscapes. 

MiNDERHOUT   HOBBEMA    (1638-1709). 

Born  at  Coeverden,  Holland,  and  resided  at  Amsterdam. 
He  was  a  friend  of  Ruysdael  and  their  styles  are  similar. 

William  Hogarth  (1697-1764). 

Born  at  London.  His  father  was  a  schoolmaster,  who 
apprenticed  him  to  an  engraver,  after  which  he  entered  the 
Academy  of  St.  Martin's  Lane. 

K\NS  Holbein  (1497-1554). 

A  Swiss  painter  and  wood  engraver,  born  at  Augsburg. 
He  was  the  son  and  scholar  of  John  Holbein.  He  visited 
England  and  painted  a  number  of  portraits,  including 
Henry  VIII. ,  who  gave  him  apartments  in  the  palace.  He 
died  at  London. 

Gerard  Honthorst  (1590-1656). 

A  Dutch  painter,  bom  at  Utrecht,  who  studied  under 
Abraham  Bloemaert.  Going  to  Rome  he  studied  the  works 
of  M.  A.  Caravaggio  and  later  settled  at  The  Hague. 

Peter  de  Hooge  (1632-1681). 

A  Dutch  painter,  born  at  Rotterdam  and  died  at  Haerlem. 
His  usual  subjects  were  interiors  of  Dutch  apartments  with 
figures. 

John  Horremans,  the  Elder  (1682-1759). 

A  Flemish  painter,  born  at  Antwerp,  whose  favorite 
subjects  were  conversation  pieces.  Studied  under  Michiel 
Vander  Voort  and  Jan  van  Pee. 


174  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Jean  Antoine  Houdon  (1740-1828). 

Sculptor,  born  at  Versailles,  France;  died  at  Paris.  He 
studied  his  art  under  Michel  Ange  Slodtz  and  later  under 
Pigale.  In  1785  he  accompanied  Franklin  to  the  United 
States  and  spent  two  weeks  at  Mount  Vernon  to  prepare 
his  statue  of  Washington,  now  in  Richmond,  Virginia.  He 
produced  many  masterpieces  which  placed  him  foremost 
of  French  sculptors. 

Jan  van  Hugtenburg  (1646-1733). 

Dutch  painter  and  engraver,  born  at  Haerlem.  He  studied 
under  Thomas  and  Jacob  Wyck  and  later  became  acquainted 
with  Vander  Meulen  who  gave  him  instruction.  Died  at 
Amsterdam. 

Daniel  Huntington  (1816-1906). 

Born  and  died  in  New  York  City,  and  was  a  classmate 
of  Charles  L.  Elliott  at  Hamilton  College.  In  1835  he 
studied  with  Samuel  F.  B.  Morse.  In  1839  he  visited 
Europe  and  again  in  1844.  Returning  to  New  York  in 
1846  he  devoted  himself  chiefly  to  painting  portraits,  and 
was  elected  President  of  the  National  Academy  of  Design. 

Cornelius  Huysmans  (1648-1727). 

A  Flemish  landscape  painter,  born  at  Antwerp,  who  later 
settled  at  Mechlin.  He  was  placed  in  the  school  of  Caspar 
de  Wit  and  then  studied  under  Jacques  Artois.  He  is  also 
known  as  Houseman  of  Mechlin,  where  he  died. 

Charles  C.  Ingham  (1797-1863). 

Born  in  Dublin,  Ireland ;  died  in  N.  Y.  City.  He  studied 
in  the  Academy  of  Dublin  and  settled  in  New  York  in  1817, 
being  one  of  the  founders  of  the  National  Academy  of  Design. 

Henry  Inman  (1801-1846). 

Born  in  Utica,  N.  Y. ;  died  in  New  York  City.  Pupil  of 
John  Wesley  Jarvis,  with  whom  he  studied  seven  years, 
painting  miniatures.  Later  he  acquired  a  high  reputation 
as  a  portrait  painter. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  175 

Chauncey  B.  Ives  (1812-        ). 

Sculptor,  born  in  Hamden,  Conn.,  the  son  of  a  farmer. 
At  the  age  of  sixteen  he  apprenticed  himself  to  E.  R. 
Northrup,  a  wood  carver,  and  later  studied  with  Hezekiah 
Augur.  He  lived  most  of  the  tune  abroad  at  Rome,  making 
occasional  visits  to  America.  For  a  short  time  in  1855  he 
had  a  studio  in  New  York  and  received  many  orders. 

K\RL  DU  Jardin  (1625-1678). 

Born  at  Amsterdam  and  studied  under  Nicholas  Berghem. 
He  went  to  Italy  where  he  was  received  by  the  Bentevogel 
Society.     His  works  are  mostly  confined  to  landscapes. 

John  Wesley  Jarvis  (1780-1834). 

Born  in  South  Shields,  England;  died  in  New  York  City. 
He  came  to  Philadelphia  in  1785  and  with  but  little  instruc- 
tion began  to  paint  portraits  in  which  he  became  popular. 
The  bust  of  Thomas  Paine,  now  in  the  Society  collection,  was 
executed  by  Jarvis. 

William  Jewett  (1792-1873). 

Born  in  East  Haddam,  Conn.,  and  died  at  Bayonne, 
N.  J.  He  began  life  as  a  farmer  and  was  apprenticed 
to  a  coach-maker  at  New  London,  Conn.,  for  whom  he 
prepared  paints  and  assisted  in  coloring  carriages.  At 
New  London  he  met  Samuel  L.  Waldo  whose  assistant  he 
became  and  later  collaborated  with  him  in  painting  portraits. 

David  Johnson  (1827-1908). 

Born  in  New  York  City  and  received  a  few  lessons  from 
Jasper  F.  Cropsey.  His  paintings  represent  mostly  Amer- 
ican scenery.  He  was  a  member  of  the  National  Academy 
of  Design.     He  died  at  Walden;  N.  Y. 

Eastman  Johnson  (1824-1906). 

Born  in  Lowell,  Me.,  and  died  in  New  York  City.  He 
first  settled  in  Augusta,  Me.,  and  executed  portraits  in  black 
and  white  and  in  pastel.  In  1845  he  removed  to  Washing- 
ton, D.  C,  and  in  1849  visited  Europe,  returning  to  the 
United  States  in  1856.  In  1858  he  settled  in  New  York. 
He  was  an  excellent  portrait  painter. 


176  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Jacob  Jordaens  (1593-1678). 

Born  and  died  at  Antwerp.  He  studied  under  Adam  van 
Oort,  whose  daughter  he  married.  He  was  associated  with 
Rubens,  whose  style  he  imitated. 

Jean  Jouvenp:t  (1644-1717). 

French  painter,  born  at  Rouen,  the  son  of  Laurent  Jou- 
venet,  who  taught  him  the  first  principles  of  the  art.  Later 
he  studied  with  Nicholas  Poussin.     Died  at  Paris. 

William  Kalf  (1630-1693). 

Dutch  painter,  born  and  died  at  Amsterdam.  He  studied 
under  Hendrick  Pot,  an  historical  painter,  and  after  leaving 
that  master  he  acquired  a  reputation  painting  still  life. 

John  F.  Kensett  (1818-1872.) 

Born  in  Cheshire,  Conn. ;  died  in  New  York  City.  Studied 
under  his  father  as  an  engraver  and  went  into  the  employ 
of  the  American  Bank  Note  Company  at  New  York.  He 
went  to  Europe  to  study  Art  in  1845  with  other  artists. 
Returning  in  1847,  he  established  himself  in  New  York. 

Albert  Klomp. 

A  Dutch  painter  whose  pictures  are  dated  from  1602  to 
1632  and  have  much  merit. 

Jan  Kobell  (1779-1814). 

The  son  of  Hendrick  Kobell,  born  at  Delfshaven.  He  was 
placed  under  the  instruction  of  W.  R.  vander  Wal,  and 
adopted  Paul  Potter  for  his  model. 

Barend  C.  Koek-Koek  (1803-1862). 

Born  at  Middleburg,  Zeeland,  and  died  at  Cleves.  He  was 
a  student  of  the  Amsterdam  Academy  under  Schelfhout  and 
Van  Oos.  In  1841  he  founded  an  Academ^^  of  Design  at 
Cleves. 

Christian  Kohler  (1809-1861). 

Born  at  Werben,  studied  at  Berlin  Academy,  and  was 
professor  at  the  Diisseldorf  Academy  1855-58.  He  painted 
historical  subjects  and  died  at  Montpellier. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  177 

Edward  J.  Kuntze  (1826-1870). 

Sculptor,  born  in  Pomerania,  Prussia;  died  in  New  York 
City.  He  studied  in  Stockholm,  Sweden,  and  lived  for 
some  years  in  London,  England.  In  1852  he  came  to  .\mer- 
ica  and  achieved  a  reputation. 

SiEGMUND  Lachenwitz  (1820-1868). 

Born  at  Neuss  and  died  at  Diisseldorf .  Was  a  student  at 
the  Diisseldorf  Academy  1840-1867,  studying  animal  Ufe. 

Gerard  de  Lairesse  (1641-1711). 

Flemish  painter,  born  at  Liege  and  died  at  Amsterdam. 
He  was  the  son  of  Renier  Lairesse,  who  taught  him  the  ele- 
ments of  design,  later  studying  under  Bertholet  Flemael. 

James  R.  Lambdin  (1807-1889). 

Born  in  Pittsburg,  Pa. ;  studied  under  Thomas  Sully,  and 
established  himself  as  a  portrait  painter.  He  was  professor 
of  fine  arts  in  the  University  of  Pennsylvania  and  an  officer 
of  the  Pennsylvania  Academy  of  Fine  Arts. 

Louis  Lang  (1814-1893). 

Bom  in  Waldsee,  Wiirttemberg,  German3^  He  studied 
at  Stuttgart  and  Paris,  and  came  to  the  United  States  in 
1838  and  resided  in  Philadelphia  and  New  York,  making 
frequent  trips  to  Europe.     Died  at  New  York. 

Nicholas  de  Largilliere  (1656-1746). 

Bom  at  Paris,  and  studied  under  Francis  Gobeau,  a 
painter  of  landscapes  and  still  Ufe.  He  became  a  success- 
ful portrait  painter. 

Robert  E.  Launitz  (1806-1870). 

Sculptor,  bom  in  Riga,  Russia;  died  in  New  York  City. 
Pie  studied  under  Thorwaldsen  and  in  1828  came  to  New 
York.  He  was  the  instructor  of  Thomas  Crawford  and  has 
been  called  the  father  of  monumental  art  in  America. 

Phillippe  Lauri  (1623-1694). 

Son  of  Baldassare  Jjauri;  bom  at  Rome,  and  studied  first 
under  his  brother,  PVancesco  Lauri,  and  at  the  latter's  death 
entered  the  school  of  Angelo  CaroseUi,  his  brother-in-law. 


178  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Sir  Thomas  Lawrence  (1769-1830). 

An  English  portrait  painter,  born  at  Bristol,  England, 
and  studied  under  Mr.  Hoare  and  in  the  Royal  Academy. 
He  was  encouraged  and  advised  by  Reynolds.  After  the 
death  of  Benjamin  West  he  was  chosen  president  of  the 
Royal  Academy. 

Oliver  I.  Lay  (1845-        ). 

Born  in  New  York  City,  and  was  a  pupil  of  Thomas 
Hicks.  He  studied  at  the  Cooper  Institute  and  the 
National  Academy. 

Jacob  H.  Lazarus  (1823-1891). 

Born  and  died  at  New  York.  Pie  was  a  pupil  of  Henry 
Inman  and  had  a  successful  career  as  a  portrait  painter  in 
this  city. 

Sir  Peter  Lely  (1618-1680). 

A  German  portrait  painter,  born  at  Soest,  in  Westphalia. 
He  studied  in  the  school  of  Peter  Grebber,  of  Haerlem,  for 
two  years.  His  style  of  painting  resembled  that  of  Van 
Dyck,  whom  he  imitated.     He  died  at  London. 

Nicholas  Bernard  Lepicie  (1735-1784). 

A  French  painter,  the  son  of  Bernard  Lepicie;  born  and 
died  at  Paris;  studied  under  Carl  Vanloo. 

Lucas  van  Leyden  (1494-1533). 

So  called  from  the  place  of  his  birth ;  was  the  son  of  Hugo 
Jacobs,  who  instructed  him  in  the  rudiments  of  art  and  later 
placed  him  with  Cornelius  Engelbrechtsen.  He  became  a 
friend  of  Durer. 

Henry  Leys  (1815-1869). 

Born  and  died  at  Antwerp.  Studied  at  the  Antwerp 
Academy  and  under  de  Brackeleer. 

John  Lingelbach  (1625-1687). 

Born  at  Frankfort,  Germany,  and  died  at  Amsterdam, 
He  went  to  Amsterdam  when  very  young,  and  later  visited 
Paris  and  Rome  to  study. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  179 

Sebastian  Llanos  y  Valdes  (1602-1668). 

A  Spanish  painter  who  flourished  at  Seville  and  studied 
under  Francisco  d'Herrera  the  Elder.  He  became  president 
of  the  Academy  of  Seville. 

Artemisia  LoxMi  (1590-1642). 

Called  Gentileschi.  An  Italian  paintress,  bom  in  Rome; 
went  to  England  and  later  resided  at  Naples,  where  she 
married  Pietro  Antonio  Schiattesi.  She  was  the  daughter 
and  pupil  of  Orazio  Lomi  who  adopted  the  name  Gentileschi 
from  his  maternal  uncle. 

Lorenzo  il  Monaco  (1370-1425). 

An  Italian  painter  who  died  at  Florence.  He  was  a 
follower  of  Angiolo  Gaddi. 

Anthony  de  Lorme. 

A  Dutch  painter  of  whom  little  is  known.  He  flourished 
at  Rotterdam  about  1640-1666.  His  pictures  represent 
interiors  of  churches  and  other  edifices. 

Clalt)e  Lorraine  (1600-1682). 

Born  in  Chamagne,  Lorraine,  and  learned  the  first  rudi- 
ments of  art  from  his  brother,  who  was  an  engraver  on  wood. 
He  entered  the  Academy  of  Godfrey  Waal  at  Naples  and 
later  studied  under  Agostino  Tassi,  a  landscape  painter  at 
Rome. 

Bernardino  Luini  (1475-1530). 

Born  at  Luino  in  the  Milanese  on  the  Lago  Maggiore, 
and  from  his  style  is  considered  to  have  been  a  follower 
of  Leonardo  da  Vinci,  but  first  studied  under  Stefano 
Scotto. 

Nicholas  Maas  (1632-1693). 

A  Dutch  painter,  born  at  Dort.  He  entered  the  school 
of  Rembrandt  and  became  an  excellent  colorist.  After 
painting  historical  subjects  for  a  while,  he  devoted  himself 
to  portrait  painting. 


180  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

John  de  M abuse. 

A  Flemish  painter,  born  at  Maubeuge  about  1472  and 
died  in  1533.  It  is  not  known  under  whom  he  studied.  He 
went  to  Italy  in  1508.     His  family  name  was  Gossart. 

Macrino  D'Alba. 

A  native  of  Alladio,  and  a  citizen  of  Alba,  whose  name  was 
Fava.  It  is  not  known  with  whom  he  studied  or  when  he 
was  born  or  died.     His  works  are  dated  1496  to  1508. 

Andrea  Mantegna  (1431-1506). 

He  was  born  at  Vicenza  and  became  the  pupil  and  adopted 
son  of  Squarcione.  He  married  the  daughter  of  Jacopo 
Bellini.  He  was  also  an  early  engraver  and  did  much  for 
that  art. 

Otho  Marcellis  (1613-1673). 

A  Dutch  painter,  born  and  died  at  Amsterdam.  It  is  not 
known  under  whom  he  studied.  He  painted  curious  plants, 
insects,  serpents  and  other  reptiles,  and  acquired  great 
celebrity  in  this  singular  branch  of  the  art. 

Edward  D.  Marchant  (1806-1887). 

Born  in  Edgarton,  Mass.;  died  in  Asbury  Park,  N.  J.  In 
1843  he  went  West,  and  in  1845  settled  in  Philadelphia  and 
painted  many  portraits. 

Jacob  Marrel  (1614-1685). 

Born  at  Utrecht;  died  at  Frankfort.  Was  a  pupil  of 
Georg  Flegel  and  painted  flowers  and  fruit. 

Quintin  Matsys  (1450-1530). 

A  Flemish  painter,  born  and  died  at  Antwerp.  He  was 
a  blacksmith  until  his  twentieth  year,  and  it  is  not  known 
under  whom  he  studied  art.  His  style  was  unlike  any  other 
master. 

LuDOVico  Mazzolini  (1481-1530). 

Born  at  Ferrara,  and  a  student  of  Lorenzo  Costa.  There 
is  a  great  confusion  of  names  as  applied  to  this  artist.  He 
may  be  placed  after  Garofalo,  among  the  masters  of  his 
native  town. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  181 

Francesco  Mazzuoli  (1504-1540). 

Called  ''II  Parmiggiano  " ;  was  born  at  Parma.  He  re- 
ceived instructions  from  his  uncles,  who  taught  him  what 
they  knew  in  the  art.  He  was  also  distinguished  as  an 
engraver. 

John  vander  Meer  (1656-1705). 

Born  and  died  at  Haerlem ;  the  son  of  John  vander  Meer, 
under  whom  he  first  studied  and  afterwards  with  Berghem. 

Jan  Memling  (1430-1494). 

Flemish  painter,  born  at  Mumling,  who  studied  under 
Roger  Van  der  Weyden.     He  settled  in  Bruges. 

Simone  Memmi  (1283-1344). 

A  Sienese  painter  and  one  of  the  earliest  who  distinguished 
themselves  after  the  revival  of  the  art.  He  was  a  pupil  of 
Duccio. 

Georges  Michel  (1763-1843). 

French  painter,  born  and  died  at  Paris,  whose  work 
was  chiefly  landscapes.     Pupil  of  Leduc. 

John  Miel  (1599-1664). 

Born  near  Antwerp,  and  studied  under  Gerard  Seghers. 
Went  to  Rome  and  entered  the  school  of  Andrea  Sacchi, 
who  employed  him  to  assist  in  his  works.     He  died  at  Turin. 

Pierre  Mignard  (1610-1695.) 

Born  at  Troycs,  and  resided  at  Rome  twenty-two  years, 
where  he  acquired  the  name  "the  Roman."  He  studied 
under  Jean  Boucher  and  in  the  school  of  Simon  Vouet  at 
Paris,  where  he  died. 

Clark  Mills  (1815-1883). 

Sculptor,  born  in  Onondaga  Co.,  N.  Y.;  died  in  Washing- 
ton, D.  C.  In  1835  he  discovered  a  new  method  of  taking 
a  cast  from  a  living  face,  which  enabled  him  to  make  busts 
very  cheaply.  Later  he  began  cutting  busts  in  marble  with 
much  success  and  executed  the  statue  of  "Freedom"  now 


182  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

standing  above  the  dome  of  the  Capitol  at  Washington, 
D.  C. 

John  Molenaer  (1610-1668). 

Born  and  died  at  Haerlem,  he  painted  country  scenes  in 
the  style  of  Steen  and  Brouwer.  Was  the  best  of  the 
Molenaers. 

Nicholas  Molenaer  (1629-1676). 

Born  at  Amsterdam,  and  painted  landscapes  in  the  man- 
ner of  Ostade. 

Peter  Molyn  (1632-1701), 

the  Younger,  called  II  Tempesta  by  the  Italians,  was  born 
at  Haerlem,  and  studied  under  his  father,  and  then  imitated 
the  style  of  Francis  Snyders.  His  sea  subjects  and  storms 
at  sea  gave  him  the  name  II  Tempesta. 

Luis  Morales  (1509-1586). 

A  Spanish  painter,  born  at  Badajos  in  Estremadura. 
His  works  are  said  to  resemble  in  many  respects  those  of 
Leonardo  da  Vinci. 

George  Morland  (1763-1804). 

Born  and  died  at  London.  He  was  the  son  of  Henry 
Robert  Morland,  a  portrait  painter  in  crayons,  and  en- 
graver.    He  exhibited  many  pictures  at  the  Royal  Academy. 

Samuel  F.  B.  Morse  (1791-1872). 

Born  at  Charlestown,  Mass.;  died  in  New  York  City. 
He  graduated  at  Yale  in  1810  and  then  studied  under 
Washington  Allston,  w^ith  whom  he  went  to  London,  where 
he  was  admitted  to  the  Royal  Academy,  also  studying 
under  Benjamin  West.  In  1823  he  settled  in  New  York 
and  opened  a  studio,  painting  portraits.  He  was  a  founder 
of  the  National  Academy. 

Frederick  Moucheron  (1633-1686). 

Flemish  painter,  born  at  Embden  and  died  at  Amster- 
dam. He  studied  under  John  Asselyn,  a  landscape  painter. 
He  designed  everything  after  nature. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  183 


Isaac  Moucheron  (1670-1744). 

Born  and  died  at  Amsterdam.  He  was  the  son  of  the 
preceding  and  received  his  instruction  from  his  father. 
He  followed  the  style  of  Gaspar  Poussin,  painting  chiefly 
landscapes,  decorating  the  saloons  and  halls  of  the  nobility 
and  wealthy  persons. 

William  S.  Mount  (1807-1868). 

Born  and  died  in  Setauket,  L.  I.  At  the  age  of  seventeen 
he  came  to  New  York  and  became  associated  with  his  elder 
brother,  Henry  S.  Mount,  as  a  sign  painter.  In  1826  he 
entered  the  National  Academy  of  Design,  and  in  1829  estab- 
lished himself  as  a  portrait  painter.  Later  he  devoted  him- 
self to  genre  painting. 

Bartolome  Esteban  Murillo  (1617-1682). 

Spanish  painter,  born  and  died  at  Seville.  Was  placed  in 
the  academy  of  his  uncle,  Don  Juan  del  Castillo,  and  later 
studied  under  Velasquez  at  Madrid. 

Michael  van  Musscher  (1645-1705). 

A  Dutch  painter,  born  at  Rotterdam  and  died  at  Amster- 
dam. First  studied  under  Martin  Zaagmoolen,  and  after- 
wards under  Abraham  vander  Tempel,  Gabriel  Metzu,  and 
Adrian  van  Ostade. 

Jan  van  Neck  (1636-1714). 

Born  at  Naarden,  and  studied  under  Jacob  de  Backer. 
He  settled  at  Amsterdam.  He  painted  portraits  and  his- 
torical subjects. 

Peter  Neefs  (1577-1657). 

Born  at  Antwerp.  Studied  under  Henry  Steenwyck 
and  painted  interiors  similar  to  those  of  his  master. 

Arnold  vander  Neer  (1604-1677). 

Bom  at  Gorinchem  and  removed  to  Amsterdam.  His 
instructor  is  not  known.  He  painted  landscapes  and  ex- 
celled in  moonhght  views. 


184  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Victor  Nehlig  (1830-        ). 

Born  in  Paris,  and  was  a  pupil  of  I^eon  Cogniet  and  Abel 
de  Pujol.  He  came  to  the  United  States  in  1856  and  settled 
in  New  York.  Many  of  his  works  are  illustrative  of  Ameri- 
can Plistory.     He  returned  to  Europe  in  1872. 

CoNSTANTiNE  Netscher  (1670-1722). 

Dutch  portrait  painter,  born  at  The  Hague,  who  studied 
under  his  father,  Gaspar  Netscher,  whose  style  he  followed. 

Caspar  Netscher  (1639-1684). 

Born  at  Heidelberg,  Germany,  and  died  at  The  Hague. 
He  studied  under  Koster  and  in  the  school  of  Terburg.  He 
settled  in  Holland  and  acquired  fame  as  a  portrait  painter. 

Gilbert  Stuart  Newton  (1797-1835). 

Born  in  Ilahfax,  N.  S.;  died  in  Chelsea,  England.  He 
received  some  instruction  from  his  uncle,  Gilbert  Stuart. 
When  a  youth  he  went  to  Europe  and  entered  the  Royal 
Academy  in  London.  There  he  lodged  with  Washington 
Irving.  In  1831  he  sailed  for  the  United  States,  married 
in  Boston  and  returned  to  England  in  October,  1832,  and 
died  three  years  later. 

Jacob  van  Ochtervelt. 

A  Dutch  painter,  of  whom  little  is  known  except  by  his 
works,  in  which  he  imitated  the  style  of  Gerard  Terburg.  He 
flourished  about  1670. 

Balthasar  Paul  Ommeganck  (1755-1826). 

Bom  and  died  at  Antwerp.  He  studied  with  H.  Antonis- 
sen  and  became  an  eminent  landscape  and  animal  painter. 

Jacob  van  Oost  (1600-1671). 

A  Flemish  painter,  born  at  Bruges  and  died  there.  He 
imitated  Annibale  Caracci  after  he  went  to  Rome  to  further 
his  studies. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  185 

_^ .  » 

Bernard  van  Orley  (1490-1542). 

Born  at  Brussels  and  at  an  early  age  went  to  Rome  and 
studied  under  Raphael  and  later  assisted  him.  He  returned 
to  Brussels  with  a  distinguished  reputation. 

Samuel  S.  Osgood  (1808-1885). 

Born  in  Boston,  Mass.;  married  Frances  S.  Locke  (who 
wrote  under  the  nom  de  plume  of  ''Fanny  Forrester")- 
He  studied  art  in  Europe  and  settled  in  New  York  City, 
making  a  specialty  of  portrait  painting. 

Adrian  van  Ostade  (1610-1685). 

Dutch  painter,  born  at  Haerlem  and  studied  under  Francis 
Hals.  He  was  an  ardent  friend  of  Adrian  Brower,  a  fellow 
student.     His  subjects  are  always  from  low  life. 

Isaac  van  Ostade  (1621-1649). 

Brother  of  Adrian,  under  whom  he  studied  and  whose 
style  he  imitated,  but  later  adopted  a  style  of  his  own  in 
painting  out-door  scenes. 

Jean  Baptiste  Oudry  (1686-1755). 

French  painter  and  engraver,  bom  at  Paris,  and  studied 
under  Nicholas  Largilliere.  He  acquired  distinction  in 
painting  hunting  pieces,  cavalcades,  etc.  He  died  at 
Beauvais. 

William  Page  (1811-1885). 

Born  in  Albany,  N.  Y.;  died  in  Tottenville,  S.  I.  He 
studied  under  James  Herring  and  Samuel  F.  B.  Morse; 
also  entered  the  Academy  of  Design.  He  spent  eleven  years 
in  Europe,  from  1849  to  1860,  and  returning  to  New  York, 
was  president  of  the  Academy  of  Design.  He  painted 
mostly  portraits. 

Jacopo  Palma  (1480-1528). 

Called  II  Vecchio,  to  distinguish  him  from  his  great 
nephew,  called  II  Giovine.  He  was  a  native  of  Serinalta  in 
the  Bergamese  Territory. 


186  BIOGRAPHICAL   SKETCHES  OF  ARTISTS 

Erastus  Dow  Palmer  (1817-1904). 

Sculptor,  born  in  Pompey,  Onondaga  Co.,  N.  Y.  Was 
first  a  carpenter  by  trade,  then  executed  cameo  portraits, 
and  finally  undertook  sculpture  proper.  All  his  knowledge 
was  acquired  in  vVmerica,  and  it  was  not  until  he  had 
become  famous  that  he  visited  Europe. 

Giovanni  Paolo  Pannini  (1691-1764). 

Born  at  Piacenza.  He  studied  under  Pietro  Lucatelli  at 
Rome,  but  followed  the  style  of  Salvator  Rosa,  and  became 
a  master  of  the  art  of  perspective  and  architecture. 

John  Paradise  (1783-1834). 

Born  in  New  Jersey;  died  in  New  York  City.  He  was 
a  pupil  of  Denis  A.  Volozan  at  Philadelphia,  and  in  1810 
removed  to  New  York.  He  is  principally  known  by  his 
portraits  of  Methodist  divines. 

Jean  Baptiste  Pater  (1695-1736). 

French  painter,  born  at  Valenciennes,  and  became  the 
pupil  of  Anthony  Watteau,  whose  style  and  subjects  he 
imitated. 

Charles  Wilson  Peale  (1741-1827). 

Born  in  Chestertown,  Md.;  died  in  Philadelphia,  Pa. 
He  changed  his  profession  from  saddle-making  to  portrait 
painting.  He  received  some  instructions  from  John  Sin- 
gleton Copley  and  in  1770  went  to  London,  where  he  met 
Benjamin  West,  under  whom  he  studied.  In  1776  he 
established  himself  in  Philadelphia,  painting  portraits. 
He  became  a  Captain  in  the  Revolutionary  War,  a  member 
of  the  Legislature,  and  founded,  in  1802,  ^'Peale's  Museum." 
He  took  up  in  turn  the  making  of  coaches,  harness,  clocks 
and  watches,  besides  working  as  a  silversmith;  he  was  a 
naturalist,  dentist  and  author,  but  was  most  famous  as  a 
portrait  painter,  having  painted  fourteen  portraits  of 
Washington  from  life. 

Rembrandt  Peale  (1778-1860). 

Son  of  Charles  Wilson  Peale;  was  born  in  Bucks  Co.,  Pa., 
and  died  in  Philadelphia.  After  receiving  instructions  from 
his  father  he  went  to  England  and  studied  under  Benjamin 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  187 

West.  He  made  several  trips  to  Europe  and  painted  many 
portraits  in  various  cities  in  the  United  States.  At  the  age 
of  seventeen  he  painted  Washington's  portrait. 

PiETRO  Perugino  (1446-1524). 

Born  at  Citta  della  Pieve,  near  Perugia,  and  died  at  the 
latter  place.  It  is  believed  that  he  studied  under  Andrea 
Verocchio  at  Florence.  The  family  name  of  Perugino  was 
Vannucci. 

Bona  VENTURA  Peters  (1614-1652). 

Flemish  painter,  bom  at  Antwerp,  who  became  one  of  the 
most  eminent  marine  painters  of  his  time.  It  is  not  known 
by  whom  he  was  instructed. 

Giovanni  Battista  Piazzetta  (1682-1754). 

A  Venetian  painter,  who  was  first  instructed  by  his  father 
and  later  became  a  pupil  of  Antonio  Molinari.  He  died  at 
Venice. 

Robert  Edge  Pine  (1742-1790). 

Son  of  John  Pine,  an  English  designer  and  engraver,  who 
instructed  him.  He  was  born  in  London  and  came  to 
Philadelphia  m  1784  to  paint  the  portraits  of  distinguished 
persons. 

Sebastiano  del  Piombo  (1485-1547). 

Bom  at  Venice;  his  real,  name  was  Sebastiano  Luciano. 
He  first  studied  with  Giovanni  Bellini  and  then  with  Gior- 
gione,  becoming  the  most  distinguished  disciple  of  his  school. 

Egbert  vander  Poel  (1621-1664). 

A  Dutch  painter,  native  of  Delft,  and  died  at  Rotterdam. 
His  favorite  subjects  were  conflagrations,  fire- works  and 
interiors  by  candle-Ught. 

Cornelius  Poelemburg  (1586-1667). 

Bom  at  Utrecht,  he  studied  under  Abraham  Bloemaert 
and  then  went  to  Italy.  His  style  was  a  combination  of 
the  Flemish  and  Italian  schools. 


188  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Francis  Porbus  (1570-1622), 

'Hhe  younger,"  was  born  at  Antwerp  and  studied  with 
his  father.  He  acquired  distinction  as  a  portrait  painter  in 
Paris,  where  he  died. 

Peter  Porbus  (1513-1584). 

A  Dutch  painter  and  architect,  born  at  Gouda.  He 
settled  at  Bruges,  where  he  died.  He  acquired  distinction 
in  history  and  portraits. 

Paul  Potter  (1625-1654). 

Son  of  Peter  Potter,  born  at  Enkhuysen,  and  was  the  pupil 
of  his  father.  His  subjects  were  landscapes  with  different 
animals,  in  which  he  excelled.  He  estabUshed  himself  at 
The  Hague. 

Caspar  Poussin  (1613-1675). 

Born  at  Rome,  the  son  of  a  Frenchman,  and  was  adopted 
by  Nicholas  Poussin  as  his  son,  and  taught  him  to  paint. 
He  became  an  eminent  landscape  painter  and  died  at  Rome. 

Nicholas  Poussin  (1594-1665). 

Born  at  Andely,  in  Normandy,  and  was  descended  from 
a  noble  family.  He  received  his  first  instructions  in  art 
from  Quinton  Varin  and  then  went  to  Paris  and  later  to 
Rome,  where  he  died. 

William  H.  Powell  (1823-1879). 

Born  and  died  in  New  York  City.  He  was  a  pupil  of 
Henry  Inman  and  later  studied  in  Paris  and  Florence.  He 
painted  historical  subjects  and  portraits. 

Robert  M.  Pratt  (1811-1880). 

Born  in  Binghamton,  N.  Y. ;  died  in  New  York  City.  He 
studied  under  Samuel  F.  B.  Morse  and  Charles  C.  Ingham, 
and  became  a  figure  and  flow^er  painter.  He  also  painted 
portraits. 

Pierre  Paul  Prud'hon  (1758-1823). 

French  painter,  born  at  Clugny,  and  studied  in  the  Acad- 
emy of  Dijon  and  later  went  to  Rome,  returning  to  France 
in  1789. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  189 

Adam  Pynaker  (1621-1673). 

Dutch  landscape  painter,  born  at  the  village  of  Pynaker. 
He  visited  Rome  while  very  young  and  on  returning  to 
Holland  gained  distinction. 

Augustus  Querfurt  (1696-1761). 

A  German  painter,  bom  at  Wolfenbtittel,  who  after  re- 
ceiving instructions  from  his  father  went  to  Augsburg  and 
studied  under  Rugendas.     He  died  at  Vienna. 

John  Ram  age. 

An  Irishman  who  painted  miniatures  in  Boston,  Mass. 
In  1777  he  was  established  in  William  Street,  New  York, 
where  he  painted  the  military  heroes  while  the  city  was 
in  the  British  occupation. 

Jean  Raoux  (1677-1734). 

A  French  historical  and  portrait  painter,  bom  at  Montpel- 
lier.     He  studied  in  the  School  of  Bon  Boulogne,  at  Paris. 

Raphael  Sanzio  di  Urbino  (1483-1520). 

Styled  the  Prince  of  Painters,  and  acknowledged  to  have 
possessed  a  greater  combination  of  the  higher  excellencies  of 
art  than  has  fallen  to  the  lot  of  any  individual.  He  was 
placed  in  the  School  of  Perugino  after  having  learned  the 
elemwits  of  design  from  his  father,  Giovanni  Sanzio,  a 
painter  of  little  celebrity.  He  visited  Florence  and  Rome, 
and  died  at  the  latter  place  at  the  age  of  thirty-seven  years. 

John  van  Ravesteyn  (1572-1657). 

Dutch  portrait  painter,  bom  at  The  Hague.  He  was  a 
pupil  of  Michael  Mierevelt,  and  his  works  have  great 
merit. 

Paul  Rembrandt  (1606-1669). 

One  of  the  most  eminent  painters  and  engravers  of  the 
Dutch  School,  born  at  a  small  village  on  the  banks  of  the 
Rhine,  between  Leyderdorp  and  I^eyden.  He  entered  the 
School  of  Jacob  van  Zwaanenberg  at  Anristerdam  and  later 
studied  with  Peter  Lastmann  and  Jacob  Pinas. 


190  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

GuiDO  Reni  (1575-1642). 

Born  at  Bologna,  the  son  of  Samuel  Reni,  who  placed 
him  in  the  School  of  Denis  Calvart  and  later  in  the  Academy 
of  Caracci.  He  was  also  a  pupil  of  Lodovico.  He  visited 
Rome  and  Naples  and  died  at  Bologna. 

Sir  Joshua  Reynolds  (1723-1792). 

Born  at  Plymouth,  England,  and  studied  under  Hudson. 
After  visiting  various  cities  in  Italy  ne  settled  at  London 
and  was  appointed  President  of  the  Royal  Academy  in  1768 
and  shortly  after  was  knighted  by  the  king.  He  is  called 
the  founder  of  the  British  School  of  Painting. 

Jose  Ribera  (1588-1656). 

Called  II  Spagnoletto.  A  Spanish  painter,  born  at  Xatia, 
in  Valencia.  He  entered  the  School  of  Francisco  Rib  alt  a 
and  later  studied  under  Caravaggio  at  Naples. 

Andrew  Richardson. 

An  English  painter  of  landscapes  who  exhibited  a  number 
of  paintings,  and  of  whom  Dunlap  says:  ^'I  am  ignorant 
of  his  history." 

Hyacinthe  Rigaud  (1659-1743). 

A  French  portrait  painter,  born  at  Perpignan;  he  settled 
at  Lyons  and  in  1681  visited  Paris  to  study  historical  paint- 
ing, but  accepting  the  advice  of  Charles  Le  Brun,  he  con- 
fined himself  to  portrait  painting. 

Hubert  Robert  (1733-1808). 

Born  at  Paris,  where  he  acquired  the  rudiments  of  art. 
He  visited  Rome  and  studied  in  the  French  Academy  under 
the  direction  of  Carlo  Natoire.  His  work  was  principally 
architectural  and  perspective  views. 

Jacopo  Robusti  (Tintoretto)  (1512-1594). 

Called  II  Tintoretto,  because  he  was  the  son  of  a  dyer. 
He  was  born  at  Venice  and  a  pupil  of  Titian,  who  became 
jealous  of  his  success  and  banished  him  from  his  studio. 
His  works  are  numerous  and  exhibit  an  extraordinary  com- 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  191 

bination  of  beauties  and  defects.     He  died  at  Venice,  aged 
eighty-two  years. 

Henry  Martin  Rokes  (1621-1682). 

A  Dutch  painter,  born  at  Rotterdam,  who  acquired  a 
knowledge  of  art  from  William  Buytenweg,  and  later  studied 
under  the  younger  Teniers,  whose  style  he  followed. 

Gio  Francesco  Romanelli  (1610-1662). 

Italian  painter,  bom  and  died  at  Viterbo.  He  studied 
in  the  school  of  Pietro  da  Cortona,  under  the  patronage  of 
Cardinal  Barberini.  He  visited  Paris,  where  he  was  honored 
by  Louis  XIV. 

GiULio  Romano  (1492-1546). 

Born  at  Rome,  and  was  a  pupil  of  Raphael  and  his  most 
distinguished  disciple.  He  was  particularlj^  successful  in 
battle-pieces  and  also  gained  great  distinction  as  an  architect. 

Theodore  Rombouts  (1597-1637). 

A  Flemish  painter,  born  at  Antwerp,  who  studied  under 
Abraham  Janssens.  He  visited  Rome  and  Florence,  then 
settled  at  Antwerp,  where  he  died. 

John  Henry  Roos  (1631-1685). 

A  Dutch  painter,  bom  at  Otterberg.  He  was  apprenticed 
to  Julian  du  Jardyn,  a  painter  of  little  note,  and  later 
studied  under  Adrian  de  Bie,  an  able  designer  of  landscapes 
and  animals. 

Salvatore  Rosa  (1615-1673). 

Born  at  Renilla,  near  Naples,  he  first  studied  under 
Francesco  Fracanzani,  his  brother-in-law,  and  later  in  the 
Academy  of  Giuseppe  Ribera.     He  died  at  Rome. 

John  Rottenhamer  (1564-1623). 

A  German  painter,  born  at  Munich.  He  received  his 
first  instruction  from  an  obscure  artist  named  Donnaver. 
At  Venice  he  studied  the  works  of  Tintoretto.  After  years 
of  study  in  Italy  he  returned  and  settled  at  Augsburg, 
where  he  died. 


192  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Peter  Paul  Rubens  (1577-1640). 

Born  at  Siegen  of  a  distinguished  family,  he  was  placed 
under  the  instruction  of  Tobias  Verhaecht,  and  later  entered 
the  schools  of  Adam  van  Oort  and  Otho  van  Veen.  He  was 
one  of  the  most  original  painters  that  ever  lived,  and  his 
subjects  are  unlimited.     He  died  at  Antwerp. 

Jacob  Ruysdael  (1630-1682). 

Dutch  landscape  painter,  born  at  Haerlem.  He  was 
the  son  and  pupil  of  Izack  van  Ruysdael  and  became  a 
great  landscape  painter. 

Solomon  Ruysdael  (1616-1670). 

Brother  of  the  preceding,  born  at  Haerlem.  He  was  a 
pupil  of  Van  de  Velde  and  Jan  van  Goyen.  His  subjects 
were  river  views  and  landscapes. 

David  Ryckaert  (1612-1661). 

Born  at  Antwerp  and  instructed  by  his  father,  David 
Ryckaert.  He  devoted  himself  to  interiors  with  peasants, 
fairs,  etc.     He  died  at  Antwerp. 

Cornelius  Saftleven  (1607-1682). 

A  Dutch  painter,  born  at  Gorinchem.  It  is  not  known 
under  whom  he  studied,  but  he  settled  at  Antwerp,  where 
he  acquired  considerable  reputation. 

C.  B.  Julien  St.  Memin  (1770-1852). 

Born  and  died  in  Dijon,  France.  He  introduced  in 
America,  a  machine  called  a  ''physionotrace,"  by  which 
the  human  profile  could  be  copied  with  mathematical 
accuracy  and  produced  over  800  engraved  portraits  of 
distinguished  citizens.  Later  he  took  up  portrait  and  land- 
scape painting  and  in  1817  was  appointed  director  of  the 
Museum  at  Dijon. 

Giovanni  Battista  Salvi  (1605-1685). 

Called  II  Sassoferrato,  from  the  place  of  his  nativity. 
He  first  studied  under  his  father,  Tarquinio  Salvi,  and  then 
in  Rome  and  Naples. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  193 

Andrea  del  Sarto  (1487-1531). 

Bom  at  Florence.  His  real  name  was  Andrea  D'AgnoIo, 
but  called  del  Sarto  from  the  occupation  of  his  father,  who 
was  a  tailor.  He  studied  first  under  Gio  Barile,  a  wood 
engraver,  and  then  under  Pietro  di  Cosimo. 

Sassoferrato,  see  Salvi. 

Walter  Satterlee  (1844-1905). 

Bom  in  Brooklyn,  N.  Y.,  and  was  a  graduate  of  Columbia 
University  in  1863.  Student  of  the  National  Academy  of 
Design  and  under  Edwin  White.  At  Paris  he  studied  with 
Leon  Bonnat. 

Edward  Savage  (1761-1817). 

Bom  and  died  in  Princeton,  Mass.  He  was  a  goldsmith, 
who  turned  his  attention  to  portrait  painting,  and  painted 
Washington's  portrait  for  Harvard  University. 

Louis  Jaques  Schaal  (1800-        ). 

Born  at  Paris,  he  entered  the  Ecole  des  Beaux  Arts  in  1816, 
and  was  a  pupil  of  Daguerre  and  Lethiere.  He  was  a 
painter  and  engraver. 

Godfrey  Schalcken  (1643-1706). 

Dutch  historical  portrait  painter,  born  at  Dort.  He  first 
studied  with  Soloman  van  Hoogstraten  and  later  entered 
the  school  of  Gerard  Douw  at  Ley  den.  He  died  at  The 
Hague. 

Bartolomeo  Schidone  (1560-1*615). 

He  was  bom  at  Modena.  His  early  history  is  very  con- 
tradictory, but  he  emulated  the  style  of  Correggio  very 
closely. 

Martin  Schoen  (1445-1491). 

A  German  painter  and  engraver;  also  known  as  Schon- 
gauer.  Born  and  died  at  Colmar.  He  was  the  earliest 
German  engraver  on  copper  plates. 


194  BIOGRAPHICAL   SKETCHES  OF  ARTISTS 

Cesare  da  Sesto  (1480-1521). 

He  is  regarded  as  the  most  distinguished  disciple  of 
Leonardo  da  Vinci.  Born  at  Milan.  He  went  to  Rome  to 
study  and  becam.e  acquainted  with  Raphael  there. 

James  Sharpless  (1751-1811). 

Born  in  England;  died  in  New  York  City.  He  first  came 
to  this  country  in  1794.  He  travelled  through  the  country 
making  pastel  portraits  of  distinguished  persons;  among 
them  is  Washington's,  which  he  made  in  1796  at  Philadel- 
phia. He  was  buried  in  the  churchyard  of  St.  Peter's 
Church  in  Barjclay  Street. 

James  H.  Shegogue  (1810-1879). 

He  painted  mainly  portraiture,  and  first  exhibited  at  the 
Academy  of  Design  in  1835,  and  was  Corresponding  Secre- 
tary of  the  Academy,  1848-1852. 

Franklin  Simmons  (1839-        ). 

Sculptor,  born  in  Webster,  Me.  During  the  close  of  the 
Civil  War  he  was  at  Washington,  where  the  Cabinet  members 
and  army  and  navy  officers  sat  for  life-size  medallions. 

Francis  Snyders  (1579-1657). 

A  Flemish  painter,  born  at  Antwerp.  He  studied  under 
Henry  van  Balen  and  frequented  the  studio  of  Rubens.  He 
resided  in  Antwerp. 

Spagnoletto,  see  Ribera,  Jose. 

Junius  Brutus  Stearns  (1810-1885). 

Born  in  Arlington,  Vt.;  died  in  Brooklyn,  N.  Y.  He 
studied  at  the  Academy  of  Design,  New  York  City,  and 
went  to  Europe  in  1848,  returning  in  1851.  His  work 
was  mainly  portraiture. 

Jan  Steen  (1626-1679). 

Dutch  painter,  born  at  Ley  den,  and  studied  first  under 
Nicholas  Knufer  and  later  with  John  van  Goyen,  whose 
daughter  he  married.     He  lived  a  dissipated  life,  and  his 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  195 

pictures  usually  represented  merry-makings  and  frolics  of  the 
ale-house. 

ToMMASO  Stefano  (1324-1356). 

The  son  and  scholar  of  Stefano,  II  Florentino.  He  adhered 
so  closely  to  Giotto,  that  he  was  called  II  Giottino.  He  died 
at  Florence  at  a  young  age. 

Anthony  Stevers  (Palamedes)  (1600-1673). 

A  Dutch  painter,  born  at  Delft.  He  was  more  frequently 
employed  in  painting  conversation  pieces,  card  and  musical 
parties. 

William  O.  Stone  (1830-1875). 

Born  in  Derby,  Conn.,  and  died  in  Newport,  R.  I.  He 
studied  with  Nathaniel  Jocelyn  at  New  Haven,  and  in  1851 
removed  to  New  York  and  painted  portraits  almost  entirely. 

William  Strickland  (1787-1854). 

Bom  in  Philadelphia;  died  in  Nashville,  Tenn.  He  was 
an  architect,  and  in  1809  took  up  landscape  painting.  He 
also  did  considerable  work  as  an  aquatint  engraver. 

Gilbert  C.  Stuart  (1755-1828). 

Bom  at  Narragansett;  died  in  Boston,  Mass.  He  was  a 
pupil  of  Cosmo  Alexander,  a  Scotchman,  with  whom  he 
went  to  Edinburgh.  Later  he  became  a  student  under 
Benjamin  West.  In  1792  he  returned  to  the  United  States 
from  his  second  visit  abroad,  and  painted  many  portraits  in 
the  various  cities.  An  exhibition  of  his  portraits,  held  in 
Boston  in  1880,  brought  together  754  of  them  and  this  was 
not  a  complete  list. 

EUSTACHE  LE  SuEUR  (1616-1655). 

Born  at  Paris;  the  son  of  an  obscure  sculptor,  who  placed 
him  under  the  tuition  of  Simon  Vouet.  Although  he  never 
visited  Italy  he  emulated  the  Roman  School  and  was  called 
the  French  Raphael. 

Thomas  Sully  (1783-1872). 

Born  in  England  and  died  in  Philadelphia.  Came  to  the 
United  States  when  a  boy  and  took  up  miniature  painting 
with   his   brother,    Laurence    Sully.     Turning   to   portrait 


196  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

painting,  he  studied  under  Stuart  and  West  and  settled  in 
Philadelphia  and  was  most  successful  in  portraits  of  women. 

Justus  Sustermans  (1597-1681). 

Flemish  painter,  born  at  Antwerp.  He  first  studied  under 
William  de  Vos  and  later  with  Francis  Pourbus.  Pie  trav- 
elled through  Germany  to  Italy  and  at  Florence  was  ap- 
pointed painter  to  the  Grand  Duke  Cosmo  II. 

Tempesta,  see  Molyn,  Peter. 

David  Teniers,  the  Younger  (1610-1694). 

Born  at  Antwerp.  He  was  the  pupil  of  his  father,  but  it 
seems  was  also  associated  with  Adrian  Brower  and  Rubens. 
He  acquired  an  immense  reputation,  and  died  at  Brussels. 

Gerard  Terburg  (1617-1681). 

Dutch  painter,  born  at  Zwolle,  who  received  his  first  in- 
structions from  his  father.  He  travelled  through  Germany, 
Italy  and  France,  and  upon  returning  to  Holland  was  one 
of  the  most  popular  painters  of  his  time. 

Luther  Terry  (1813-        ). 

Born  in  Enfield,  Conn.  In  1838  he  went  to  Italy  to 
study  and  copied  the  works  of  Raphael.  He  painted  his- 
torical, portrait  and  genre  compositions. 

Alfred  Wordsworth  Thompson  (1840-1896). 

Born  in  Baltimore,  Md.;  died  at  Summit,  N.  J.  He 
studied  in  Paris  under  Charles  Gleyre  and  Albert  Pasini. 
He  travelled  extensively  and  his  painting  covered  a  wide 
range  of  subjects. 

Cephas  G.  Thompson  (1809-1888). 

Bom  in  Middleboro,  Mass.,  and  died  in  New  York  City. 
He  received  some  instruction  from  his  father  and  began 
portrait  painting  in  Plymouth,  Mass.  After  spending  seven 
years  in  Rome  he  returned  to  America  and  settled  in  New 
York  City  in  1860. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  197 

Giovanni  Battista  Tiepolo  (1696-1749). 

Bom  at  Venice;  he  studied  under  Gregorio  Lazzarini  and 
later  the  works  of  Gio.  Battista  Piazzettaand  Paul  Veronese. 
He  acquired  a  great  reputation  and  executed  many  works 
for  churches  and  pubUc  edifices.     He  died  at  Madrid. 

John  Tilius. 

Dutch  painter,  of  the  last  half  of  the  seventeenth  century, 
born  at  Bois-le-Duc.  He  painted  portraits  and  conversa- 
tions after  the  manner  of  Gaspar  Netscher. 

Tintoretto,  see  Robusti,  Jacopo.  - 

Benvenuto  Tisio  (1481-1559). 

Called  II  Garofolo,  from  the  place  of  his  nativity.  He 
ranked  at  the  head  of  the  Ferrarese  School.  He  was  an 
universal  painter,  though  he  devoted  himself  mostly  to 
sacred  history. 

Titian  (1477-1576). 

The  greatest  painter  of  the  Venetian  School,  whose  name 
was  Tiziano  Vecellio  or  Vercelli.  He  was  descended  of  a 
noble  family  and  born  at  the  castle  of  Cadore.  At  the  age 
of  ten  he  was  placed  under  Sebastiano  Zuccati  and  later 
under  Gentile  and  Giovanni  Bellini. 

DOMINICK   VAN   TOL. 

A  nephew  and  student  of  Gerard  Douw  and  one  of  the 
most  successful  imitators  of  his  style  and  subjects.  He  was 
bom  between  1631  and  1642  at  Bodegrave,  and  died  at 
Amsterdam  in  1676. 

Robert  Tournier  (1668-1752). 

A  French  painter,  born  at  Caen,  in  Normandy.  After 
studying  under  Lucas  de  la  Haye,  he  visited  Paris  and 
entered  the  School  of  Bon  Boulogne. 

Benjamin  Trott. 

Bom  about  1740,  and  began  painting  miniatures  about 
1791.     He  established  himself  at  New  York,  removing  to 


198  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Philadelphia  with  Gilbert  Stuart.  After  a  trip  west  he 
went  to  Charleston,  S.  C,  then  to  Newark,  N.  J.,  New 
York  and  Boston,  reaching  the  latter  place,  probably  his 
native  city,  in  1833,  after  an  absence  of  more  than  forty 
years. 

Jean  Fran90is  de  Troy  (1679-1752). 

Son  of  Frangois  de  Troy,  born  at  Paris.  He  studied  under 
his  father,  and  later  went  to  Italy  to  study  the  works  of  the 
best  masters.  He  was  appointed  Director  of  the  French 
Academy  at  Rome. 

John  Trumbull  (1756-1843). 

Born  in  Lebanon,  Conn. ;  died  in  New  York  City.  Served 
in  the  Revolutionary  War  and  rose  to  the  rank  of  Colonel. 
Studied  under  Benjamin  West,  and  painted  portraits  and 
historical  subjects.  He  was  also  in  the  diplomatic  service 
of  the  United  States.  Most  of  his  pictures  are  in  the  art 
gallery  of  Yale  College. 

George  W.  Tw^ibill  (1806-1836). 

Bom  in  Lampeter,  Pa.;  died  in  New  York  City.  He 
studied  under  Henry  Inman  in  1828,  and  was  elected  an 
associate  of  the  National  Academy  in  1832,  and  an  acade- 
mician the  following  year. 

Paolo  Mazzocchi  Uccello  (1397-1475). 

Born  at  Florence,  and  a  disciple  of  Antonio  Veneziano. 
He  was  one  of  the  first  who  cultivated  perspective. 

Joachim  Uytenwael  (1566-1624). 

Dutch  painter,  born  in  Utrecht.  He  first  painted  on 
glass  under  the  instruction  of  his  father,  and  then  became 
the  scholar  of  Joseph  de  Beer. 

Juan  de  Leal  Valdez  (1630-1691). 

Spanish  painter,  born  at  Cordova,  who  studied  in  the 
school  of  Antonio  del  Castillo.  At  Seville  he  became  ac- 
quainted with  Murillo  and  acquired  a  great  reputation. 

E.  Vallin. 
Was  a  scholar  of  Prudhomme. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  199 

John  Vanderlyn  (1775-1852). 

Born  and  died  in  Kingston,  N.  Y.  He  attended  the 
drawing  school  of  Archibald  Robertson,  and  later  studied 
under  Gilbert  Stuart.  He  painted  portraits,  and  in  1796 
went  to  France,  where  he  remained  some  years.  He  painted 
the  portraits  of  many  distinguished  men,  but  died  poor. 

Sir  Anthony  Van  Dyck  (1599-1641). 

Flemish  painter,  born  at  Antwerp.  After  receiving  his 
first  instructions  from  his  father,  he  studied  under  Henry 
van  Balen  and  then  entered  the  school  of  Rubens,  and 
became  a  great  portrait  painter. 

Charles  Andre  Vanloo  (1705-1765). 

Bom  at  Nice.  He  was  first  instructed  by  his  brother, 
Jean  Baptiste  Vanloo,  with  whom  he  went  to  Rome,  and 
studied  some  time  under  Benedetto  Luti. 

Jacob  Vanloo  (1614-1670). 

A  Dutch  painter,  bom  at  Sluys,  the  son  of  John  Vanloo, 
who  first  instructed  him.  He  went  to  Amsterdam  and  then 
to  Paris,  where  he  settled. 

Lucas  Vanuden  (1595-1672). 

Born  at  Antwerp,  and  learned  the  art  of  painting  from 
his  father  and  his  o^^^l  studies  of  nature.  He  was  employed 
by  Rubens  to  paint  the  backgrounds  in  his  pictures,  who  in 
turn  enriched  Vanuden's  landscapes  with  historical  figures. 

Lucas  and  Martin  Van  Valkenburg. 

These  two  brothers  were  painters  of  the  Flemish  school, 
who  travelled  together  and  painted  landscapes.  They  were 
bom  at  Mechlin,  the  former  in  1530  and  the  latter  in  1533. 

Diego  Rodriquez  de  Silva  y  Velasquez   (1599-1660). 

Born  at  Seville.  He  was  the  most  eminent  painter  of  the 
Spanish  school.  He  first  studied  under  Francesco  Herera, 
and  later  entered  the  school  of  Francisco  Pacheco,  whose 
daughter  he  married.  He  was  a  friend  of  Rubens  and 
Ribera,  and  painter  to  the  King  of  Spain. 


200  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Adrian  van  de  Velde  (1636-1672). 

Dutch  painter,  born  at  Amsterdam,  and  studied  under 
John  Wynants,  one  of  the  ablest  landscape  painters  of  his 
time.     He  afterwards  studied  under  Philip  Wouwermans. 

William  van  de  Velde  (1633-1707), 

the  Younger,  was  born  at  Amsterdam,  and  received  his  first 
instructions  from  his  father  (a  Dutch  marine  painter),  and 
later  studied  with  Simon  de  Vheger. 

Abraham  Verb  com. 

A  Dutch  painter,  of  whom  little  is  known  except  from  his 
works.  He  flourished  about  the  middle  of  the  seventeenth 
century  and  painted  landscapes. 

Cornelius  Ver  Bryck  (1813-1844). 

Born  in  Yaugh  Paugh,  N.  J.;  died  in  Brooklyn,  N.  Y. 
He  studied  under  Samuel  F.  B.  Morse,  and  in  1839  visited 
London,  England.  His  health  failed  in  1843  and  he  again 
went  to  Europe,  but  died  the  following  year. 

Peter  Verelst. 

A  Dutch  painter,  born  at  Amsterdam,  1614.  Imitated 
Rembrandt  in  his  portraits  and  Adrian  Van  Ostade  in  his 
genre  pictures.     Was  hving  in  1665. 

Simon  Verelst  (1640-1710). 

A  Flemish  painter,  son  of  Pieter  Verelst,  born  at  Antwerp, 
whose  instructor  is  unknown.  He  painted  flowers  and  fruit 
most  exquisitely.     Died  in  London. 

Claude  Joseph  Vernet  (1714-1789). 

French  marine  and  landscape  painter,  born  at  Avignon. 
He  first  studied  under  Adrian  Manglard  and  later  with 
Bernardino  Fergioni.     He  lived  in  Italy  twenty  years. 

Horace  Vernet  (1789-1863). 

Born  at  Paris  in  the  Louvre,  and  received  his  chief  in- 
structions from  his  father,  Antoine  C.  H.  Vernet.  He  lived 
in  Italy  five  years,  returning  to  Paris  in  1835. 

Veronese,  Paul,  see  Caliari,  Paolo. 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  201 


Daniel  Vertangen  (1598-        ). 

Dutch  painter,  born  at  The  Hague;  studied  under  Cor- 
nelius Poelemburg,  whose  style  he  imitated. 

Jan  Victor  (1620-1672), 

or  Fictoor.  A  Dutch  painter  who  painted  subjects  taken 
from  the  Old  Testament,  after  the  style  of  Rembrandt,  in 
whose  school  he  was  educated. 


Leonardo  da  Vinci  (1452-1519). 

An  eminent  painter  and  sculptor,  the  son  of  Pietro  da 
Vinci,  notary  to  the  Florence  Republic.  He  became  the 
student  of  Andrea  Verocchio,  whom  he  soon  surpassed.  He 
visited  Milan,  Venice  and  Rome,  and  in  1516  he  went  to 
France  at  the  invitation  of  Francis  I.  and  spent  the  last 
three  years  of  his  life  there. 

Joseph  Vollmering  (1810-1887). 

Born  in  Anholt,  Westphalia,  and  died  in  New  York  City. 
He  fii-st  studied  in  the  Academy  of  Amsterdam  and  later 
under  Barend  Cornelis  Koek-Koek.  In  1847  he  removed  to 
the  United  States  and  opened  a  studio  in  New  York. 

Ary  de  Voys  (1641-1698). 

Dutch  painter,  born  at  Leyden.  He  first  studied  under 
Nicholas  Knufer  and  then  with  Abraham  vander  Tempel, 
but  adopted  the  style  of  Peter  van  Slingelandt,  with  whom 
he  was  intimate. 

John  Renier  de  Vries. 

A  landscape  painter  who  followed  the  style  of  Jacob 
Ruysdael.  He  flourished  in  the  latter  part  of  the  seven- 
teenth century. 

Ferdinand  G.  Waldmuller  (1793-1865). 

Born  at  Vienna,  he  studied  under  Lampi  and  Maurer. 
Was  Curator  to  the  Lamberg  Gallery  in  the  Academy  at 
Vienna,  where  he  died. 


202  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Samuel  L.  Waldo  (1783-1861). 

Born  in  Windham,  Conn.;  died  in  New  York  City.  In 
1806  he  went  to  London  and  returned  in  1809,  settling  in 
New  York  City.  William  Jewett  came  to  him  for  instruc- 
tion and  proved  so  useful  that  a  partnership  was  formed 
and  they  jointly  executed  several  works  and  became  suc- 
cessful portrait  painters. 

William  A.  Wall  (1801-1885). 

Bom  and  died  in  New  Bedford,  Mass.,  and  was  appren- 
ticed to  a  clock  and  watch-maker.  After  serving  his 
apprenticeship  he  studied  painting  under  Thomas  Sully 
and  visited  England,  France  and  Italy  for  improvement 
in  1831,  returning  to  New  Bedford  in  1833,  where  he  spent 
most  of  his  life  thereafter. 

William  G.  Wall  (1792-        ). 

Born  in  Dublin,  and  came  to  New  York  in  1818,  where 
he  began  his  career  as  an  artist,  painting  landscapes  in  oil 
and  water  color,  the  Hudson  River  Views  being  the  first  he 
made  for  publication. 

Anthony  Waterloo  (1610-1679). 

Dutch  painter  and  engraver,  born  at  Lillie,  of  whose  early, 
history  little  is  known.  He  spent  most  of  his  life  in  Utrecht, 
and  became  an  excellent  landscape  painter. 

Antoine  Watteau  (16v84-1721). 

French  painter,  born  at  Valenciennes.  At  Paris  he  gained 
the  friendship  of  Claude  Gillot,  whom  he  surpassed.  His 
subjects  are  usually  comic  conversations,  musical  parties, 
balls,  etc. 

Samuel  B.  Waugh. 

Was  a  Philadelphia  portrait  painter  and  his  wife  Eliza  a 
miniature  painter.     He  began  his  career  there  about  1843. 

John  Baptist  Weenix  (1621-1660). 

Dutch  painter,  born  at  Amsterdam,  the  son  of  John 
Weenix,  an  architect.  He  studied  first  with  John  Micker 
and  later  with  Abraham  Bloemaert,  then  for  two  years  with 


BIOGRAPHICAL  SKETCHES  OF  ARTISTS  203 

Nicholas  Moyaert.     He  possessed  extraordinary  and  varied 
talents. 

Robert  W.  Weir  (1803-1889). 

Born  in  New  Rochelle,  N.  Y.,  and  studied  under  John 
Wesley  Jarvis.  After  painting  for  several  years,  he  went 
to  Florence  in  1824  and  then  to  Rome.  He  was  professor 
of  drawing  at  the  U.  S.  Military  Academy  at  West  Point, 
which  post  he  held  for  forty-two  years. 

Adrian  vander  Were  (1659-1722). 

Dutch  painter,  born  near  Rotterdam.  He  first  studied 
under  Cornelius  Picolett,  and  then  with  Eglon  vander  Neer. 
He  resided  at  Rotterdam  and  visited  Dlisseldorf ,  where  the 
honor  of  knighthood  was  conferred  upon  him. 

Benjamin  West  (1738-1820). 

Born  near  Springfield,  Chester  Co.,  Pa.;  died  in  London, 
England.  He  received  some  instruction  from  WiUiam 
Williams,  a  painter  in  Philadelphia,  and  established  himself 
there  in  1756  as  a  portiait  painter.  He  came  to  New  York 
and  in  1760  visited  Italy  and  from  there  went  to  London, 
where  he  remained.  He  succeeded  Sir  Joshua  Reynolds 
in  1792  as  president  of  the  Royal  Academy. 

William  E.  West  (1788-1857). 

Born  in  Lexington,  Ky.,  and  died  in  Nashville,  Tenn. 
He  was  a  pupil  of  Thomas  Sully,  and  in  1819  went  to  Europe, 
where  he  remained  until  1839.  Upon  his  return  he  lived  in 
Baltimore,  New  York  and  Nashville. 

Edwin  White  (1817-1877). 

Born  in  South  Hadley,  Mass. ;  died  in  Saratoga  Springs, 
N.  Y.  He  went  abroad  in  1850  and  again  in  1869  to  study. 
Returning  to  the  United  States  in  1875,  he  opened  a  studio 
in  New  York. 

John  Wildens  (1580-1653). 

Flemish  painter,  bom  at  Antwerp.  Pupil  of  Pieter  Ver- 
hulst.  He  designed  after  nature  and  was  employed  by 
Rubens  to  paint  the  landscapes  in  his  backgrounds. 


204  BIOGRAPHICAL  SKETCHES  OF  ARTISTS 

Adam  Willaerts  (1577-        ). 

Flemish  painter,  born  in  Antwerp.  His  subjects  were 
marines,  coast  scenes  and  seaports.  He  went  to  Utrecht 
in  1600,  where  he  died. 

Joseph  Wilton  (1722-1803). 

Sculptor,  born  in  London,  the  son  of  a  plasterer.  He 
studied  in  Brabant  under  Laurent  Delvaux.  At  the  age 
of  twenty-two  he  entered  the  school  of  Pigalle  in  Paris  and 
learned  the  art  of  working  in  marble.  At  Rome  he  achieved 
great  success  and  upon  his  return  to  England  was  appointed 
State  Coach  Carver  to  the  King.  He  acquired  a  large 
fortune. 

Matthew  Withoos  (1627-1703). 

Dutch  painter,  born  at  Amersfort,  and  studied  under 
Jacob  van  Campen.  He  went  to  Italy  with  Otho  Marcellis 
and  applied  himself  to  the  same  branch  as  that  artist  in 
painting  flowers,  plants,  insects,  reptiles,  etc.  He  died  at 
Hoorn,  Holland. 

Emanuel  de  Witt  (1607-1692). 

Flemish  painter,  born  at  Alkmaer.  Studied  under  Evert 
van  Aelst,  but  did  not  adopt  his  style.  His  best  pictures 
represent  interiors  of  churches,  temples  and  edifices. 

Richard  C.  Woodville  (1825-1855). 

Born  in  Baltimore,  Md.  He  studied  in  Dtisseldorf,  and 
from  there  sent  pictures  to  the  American  Art  Union.  He 
visited  Europe  twice  and  died  on  his  second  trip  while  in 
London,  England. 

Philip  Wouwermans  (1614-1668). 

Dutch  landscape  painter,  born  at  Haerlem.  He  first 
studied  with  his  father  and  then  under  John  Wynants.  He 
was  one  of  the  most  masterly  landscape  painters  that  ever 
lived. 

Joseph  Wright  (1734-1797). 

An  English  painter,  born  at  Derby.  Studied  under 
Thomas  Hudson  and  devoted  himself  chiefly  to  portrait 
painting. 


BIOGILIPHICAL  SKETCHES  OF  ARTISTS  205 


John  Wynants  (1600-1677). 

Dutch  landscape  painter,  born  at  Haerlem.  His  in- 
structor is  not  known.  He  established  an  academy  and 
among  his  students  was  Philip  Wouwermans.  Little  is 
known  of  his  personal  history,  and  the  dates  of  birth  and 
death  above  are  only  approximate. 

Bernardo  Zenale  (1436-1526). 

An  ItaUan  painter,  born  at  TreviUo.  He  was  a  disciple  of 
Foppa  and  friend  of  Lionardo  da  Vinci.  He  excelled  par- 
ticularly in  perspective. 

Federigo  Zuccaro  (1543-1609). 

Born  at  St.  Angiolo,  in  Vado.  He  went  to  Rome  and 
entered  the  school  of  his  brother,  Taddeo.  After  his 
brother's  death  he  became  the  first  artist  in  Rome. 


Francesco  Zucco  (        -1627). 

Born  at  Bergamo.  He  first  studied  in  the  school  of  Campi, 
and  then  under  Pietro  Moroni.  The  date  of  his  birth  is 
not  given. 


INDEXES 


i 


INDEX  OF  PORTRAITS 


Abbott,  Henry,  by  Hicks,  180 
Adams,  John,  by  Diirand,  6 
Adams,  John,  by  Stuart,  B-304 
Adams,  John  Quincy,  by  Durand,  7 
Adams,  John  Quincy,  by  Marchant, 

131 
Allen,  James  H.,  306 
Allen,  Theodore,  206 
Alsop,  John,  430 
Alstyne,  John,  by  Elliott,  284 
Anderson,  Alexander,  M.D,,  D-173 
Anderson,    Julia   M.,    by   Anderson, 

471 
Aretino,  Pietro,  by  Chapman,  70 
Ashburton,  Lord,  by  Healy,  282 
Axtell,  Mrs.  William,  404 


Bainbridge,    John,    M.D.,    by   Lely, 

D-54 
Bainbridge,  William,  by  Peale,  B-311 
Baring,  Alexander,  by  Healy,  282 
Bayard,  Anna  Maria,  312 
Bayard,  Rev.  Lazare,  486 
Bayard,  Mrs.  Lazare,  487 
Bayard,  Samuel,  488 
Bayard,  Mrs.  Samuel,  488 
Bavlev,  Richard,  M.D.,  by  Lazarus, 

*  193 
Beecher,  Rev.  Henry  Ward,  483 
Beekman,  Cornelia,  329 
Beekman,   James  W.,  by  Satterlee, 

362 
Bement,  Edward,  439 
Benedict,  Erastus  C,  by  Powell,  249 
Benson,  Egbert,  by  Jarvis,  81 
Benson,  Egbert,  by  Stuart,  82 
Benson,  Henry,  by  VanderljTi,  273 
Benson,  Robert,  by  Trumbull,  272 
Bethune,  Rev.  George  W.,  by  Peale, 

205 
Bloodgood,  Matthias,  425 
Bloodgood,  Mrs.  Matthias,  426 
Bordlev,  John  B.,  by  Peale,  B-300 
Bouck,  William  C,  by  Elliott,  D-179 
Bradish,  Luther,  by  Hicks,  141 
Brasher,  Elizabeth,  by  Ramage,  108 
Breese,  Samuel  L.,  bv  Himtington, 

291 
Bruce,  Geor^,  by  Huntington,  390 
Bryan,  Guy,  by  Sully,  B-286 
Bryan,  Thomas  J.,  by  Stone,  198 


Bryant,  Julia  S.,  456 
Bryant,  Peter,  M.D.,  451 
Bryant,  Mrs.  Peter,  452 
Bryant,  Wilham  C,  by  Gray,  187 
Bryant,  William  C.  (cameo),  453 
Br>'ant,  William  C,  454 
Bryant,  Mrs.  William  C,  455 
Burr,  Aaron,  by  Vanderlyn,  160 
Burr,  Emma  Louisa,  469 
Burr,  Henry,  470 
Burr,  Henry  A.,  467 
Burr,  Mrs.  Henry  A.,  468 


Cabot,  Sebastian,  by  Thompson,  129 
Campbell,  Thomas,  by  Osgood,  149 
Carey,  Alice,  by  Osgood,  148 
Carlisle,  Earl  of,  by  Huntington,  142 
Carlota,  Empress  of  Mexico,  289 
Carpenter,  George,  396 
Carpenter,  Maria,  397 
Casilear,  J.  W.,  by  Durand,  369 
Champlin,  Mrs.  Christopher,  298 
Charles  I,  by  Van  Dyck,  B-113 
Choiseul,  Due  de,  by  Greuze,  B-262 
Cinq  Mars,  by  Velasquez,  226 
Clay,  Henrj',  by  Osgood,  252 
Clinton,  DeWitt,  by  Jarvis,  138 
Clinton,  DeWitt,  by  Ingham,  139 
Clinton,  Gov.  George,  by  Ames,  155 
Colden,  Cadwallader  D.,  by  Jarvis, 

B-316 
Colles,  Christopher,  by  Jarvis,  89 
Columbus,  Christopher,  113 
Columbus,  Christopher,  after  Parmi- 

giano,  174 
Combes,  Charles  U.,  by  Cronin,  480 
Cooper,  Rev.  Myles,  122 
Copley,  John  Singleton,  by  himself, 

B-285 
Copley,  Sir  John  S.,  by  Osgood,  134 
Com  Plant,  Seneca  Chief,  by  Bartoli, 

B-314 
Cortes,  Hernando,  111 
Crolius,  Clarkson,  by  Ames,  188 
Crolius,  Mrs.  Clarkson,  bv  Wallace, 

189 
Gumming,  Rev.  Hooper,  by  Inman, 

309 
Gumming,   Mrs.   Hooper,  by  Peale, 

310 
Gumming,  Mary,  304 


209 


210 


INDEX  OF  PORTRAITS 


Dallas,  Alexander  J.,  by  Jarvis,  97 
Daly,  Charles  P.,  by  Page,  262 
Darlington,  William,  M.D.,  by  Eich- 

holz,  479 
Davis,  Matthew  L.,  D-165 
DeBije,   Margerethea,  by  Netscher, 

B-343 
Decatur,  Stephen,  by  Peale,  B-309 
Delavan,    Capt.   Daniel,   by   Trum- 

buU,  301 
DePeyster,  Abraham,  by  DePeyster, 

403 
DePeyster,  Catherine  A.,  419 
DePeyster,  Elizabeth  Van  R.,  418 
DePeyster  family  portraits,  399-401 
DePeyster,  Frederic,  by  Gerhard,  227 
DePeyster,  Col.  James,  by  DePey- 
ster, 402 
DePeyster,  John,  by  Peale,  296 
DePeyster,  Mrs.  John,  by  Peale,  297 
DePeyster,  John  Watts,  by  Jacquin, 

422 
DePeyster,  William  AxteU,  407,  408 
DePeyster,  Mrs.  William  Axtell,  409, 

410 
DeVoS,  Judith,  487 
DeWitt,  Rev.  Thomas,  by  Cogswell, 

157 
DeWitt,  Rev.  Thomas,  by  Waugh, 

158 
Dexter,  Hemy,  by  Whipple,  360 
Dexter,  Orrando  Perry,  by  Whipple, 

361 
Dix,  John  A.,  by.  Huntington,  260 
Dongan  family,  members  of,  263,  264 
Doria,  Madalena,  B-328 
Doria,  Orelia,  B-327 
Douw,  Gerard,  in  his  atelier,  bv  him- 
self, B-114 
Duchesnois,  by  Poussin,  B-226 
Durand,  Asher  B.,  by  himself,  372 
Durand,  Asher  B.,  by  Jewett,  343 
Durand,    Asher    B.,    by    Trumbull, 

D-168 
Durand,  Mrs.  John,  by  Durand,  378 
Durand,  Miss,  by  Durand,  377 


Eastlake,  Sir  Charles  L.,  by  Hunt- 
ington, 60 

Engs,  Philip  W.,  344 

Everett,  Alexander  H.,  by  Blanchard, 
137 


Field,  Benjamin  H.,  by  Huntington, 
277  ' 

Pish,  Hamilton,  by  Heaton,  D-181 
Fish,  Nicholas,  Shegogue,  76 
Fish,  Preserved,  321 


Florence,  Princess  of,  by  Bronzino, 

B-52 
France,  Marshal  of,  by  Rigaud,  B-244 
Francis,  John  W.,  M.D.,  by  Elliott, 

185 
Francis,  John  W.,  M.D.,  by  Bogle, 

186 
Franklin,    Benjamin,    by    Duplessis, 

D-166 
Frederick  I,  Emperor  of  Germany, 

by  Cranach,  D-114 

Gallatin,  Albert,  by  Powell,  130 
Gates,  Mrs.  Horatio,  449 
Gelston,  David,  by  Jarvis,  314 
Gevartius,  by  Trumbull,  68 
Giles,  John  S.,  by  Stearns,  364 
Gilliland,  WiUiam,  by  Earle,  457 
Golden  Fleece,  Knight  of  the  Order 

of,  by  Rubens,  B-160 
Graham,  Com.  John  H.,  by  Powell, 

461 
Graham,  Mrs.  John  H,,  by  Powell, 

462 
Grim,  David,  by  Waldo,  334 
Griswold,  Rufus  W.,  by  Elliot,  86 
Grosvenor,  Seth,  by  Taggart,  176 

Hall,  Francis  A.,  395 
Hall,  John  B.,  by  Inman,  393 
Hall,  Mrs.  John  B.,  by  Inman,  394 
Halleck,  Fitz-Greene,  by  Inman,  201 
Halleck,  Fitz-Greene,  by  Inman,  216 
Halleck,    Fitz-Greene,    by    Taggart, 

143 
Halleck,  Fitz-Greene,  by  Twibill,  200 
Hamilton,  Alexander,  by  Peale,  103 
Hamilton,  Alexander,  by  Sharpless, 

104 
Hamilton,  Alexander,  B-305 
Hamilton,  Mrs.  Alexander,  by  John- 
son, D-174 
Handy,  Wllham,  M.D.,  by  Savage, 

B-313 
Haring,  Elizabeth,  by  Peale,  297 
Hawley,  Jesse,  by  Ames,  126 
Hawley,  Jesse,  by  Gilbert,  127 
Heathcote,  Caleb,  D-180 
Henri  IV,  by  Porbus,  B-148 
Hewitt,  Mary  E.,  by  Osgood,  144 
Hildreth,  Richard,  by  Pratt,  269 
Hoffman,  Charles  F.,  by  Thompson, 

172 
Hoffman,  Rev.  Eugene  A.,  by  See, 

330 
Hoffman,  Matilda,  438 
Hoffman,  Samuel  V.,  by  Beckwith, 

331 
Hoffman,  Samuel  V.,  by  Schmidt,  332 
Holley,  Myron,  292 


INDEX  OF  PORTRAITS 


211 


Holmes,  Eldad,  320 

Hosack,  David,  M.D.,  by  Heaton, 
458 

Huntington,  General  E.,  by  Trum- 
bull, 73 

Huntington,  Jedediah  V.,  by  Hunt- 
ington, 466 


Indians,  Osage  Warriors,  etc.,  by  St. 
Memin,  164-171 

Infanta  Margarita  of  Spain,  by  Ve- 
lasquez, B-209 

Irvine,  General  William,  by  Lamb- 
din,  196 


Jackson,  Andrew,  by  Durand,  11 
Jaques,  John   D.,  M.D.,  by  Inman, 

363 
Jay,  Mrs.  Augustus,  312 
Jay,  John,  by  Wright,  119 
Jay,  John,  by  Lay,  120 
Jay,  Peter  A.,  by  Saltza,  357 
Jee,  Harriet,  by  Peale,  310 
Jefferson,  Thomas,  by  Durand,  9 
Jefferson,  Thomas,  125 
Jefferson,  Thomas,  by  Peale,  B-306 
Johnson,  William,  by  Jarvis,  204 
Johnson,  Sir  William,  311 
Jones,  Jacob,  by  Peale,  B-310 
Jones,  John,  M.D.,  by  Folwell,  116 
Jones,  John  Divine,  by  Huntington, 

420 


Kane,  Elisha  Kent,  by  Hicks,  159 
Kelby,  WilUam,  by  Hinckley,  324 
Keteltas,  Eugene,  by  Stone,  319 
Keteltas,  Henry,  by  Cotton,  325 
Kent,  James,  by  Morse,  90 
King,  John  Alsop,  by  Hinckley,  290 
King,  John  A.,  by  Trumbull,  431 
Kiontwogky,  see  Com  Plant 
Kip,  Solomon,  D-177 
Kirton,  Anne,  287 
Knickerbacker,  Herman,  300 
Knickerbacker,  Col.  Johannes,  299 
Kunze,  Rev.  John  C,  by  Jarvis,  121 


Lafayette,  by  Ingham,  65 
Lafayette,  117 
Lamb,  Martha  J.,  294 
Lawrance,  John,  308 
Lawrance,  John,  427,  428 
Lawrance,  John,  by  Trumbull,  274 
Leavitt,  David,  by  Flagg,  392 
Lewns,  Estelle  A.,  by  Elliott,  2.50 
Lewis,  Morgan,  by  Curran,  448 
L'Hommedieu,  Ezra,  by  Earle,  248 


Lincoln  family,  by  Carpenter,  423 
Livingston,  John,  405 
Livingston,  Mrs.  John,  406 
Livingston,  Peter  R.,  by  Powell,  326 
Livingston,  Robert  R.,  by  Vanderlyn, 

255 
Louis    XVII,    Dauphin    (School    of 

Greuze),  B-252 
Lyndhurst,  Lord,  by  Osgood,  134 


McKnight,  Mary  DePeyster,  417 
Macomb,    Mrs.    Alexander    N.,    by 

Trott,  305 
Macready,  as  William  Tell,  by  Cum- 

mings,  80 
McWhorter,  Rev.  Alexander,  303 
McWhorter,  Mrs.  Alexander,  304 
McWhorter,  Ann,  307 
McWhorter,  Juha  Anna,  by  Trott, 

305 
Madison,  James,  208 
Madison,  James,  by  Durand,  10 
Madison,  James,  by  Durand,  207 
Madison,    Mrs.    James,    by    Peale, 

B-308 
Magalhaens,  Fernando,  114 
MaximiUan  I,  288 
Meerman,   Mrs.   Francois,   by  Net- 

scher,  B-343 
MiUs,  Zophar,  by  Carpenter,  333 
Mitchell,     Samuel     L.,     M.D.,     by 

.  Sharpless,  105 
Monroe,  James,  232 
Monroe,  James,  by  Durand,  8 
Montespan,    Madame   de,    by   Net- 

scher,  B-141 
Morris,  George  P.,  by  EUiott,  323 
Morris,  Gouyemeur,  by  Ames,  118 
Morris,  Lewis,  133 
Morris,  Robert,  by  Jarvis,  115 
Morse,  Samuel  F.  B.,  D-172 
Mount,   William  S.,   by  Carpenter, 

D-169 


Napoleon  at  Charleroi,  by  Vemet, 

B-268 
Nicholson,  James,  302 
Nims,  Jeremiah,  by  himself,  100 
Norton,  CaroUne  E.  S.,  by  Osgood, 

278 


Ogden,  General  Aaron,  by  Durand, 

257 
Ogilvie,  Mrs.  George,  307 
Orleans,  Duke  of,  by  Vemet,  B-269 
Osgood,  Frances  S.,  by  Osgood,  147 
Ostade,  Mrs.  Adrian  van,  and  child, 

by  Ostade,  B-144 


212 


INDEX  OF  PORTRAITS 


Pare,  Dr.  Ambroise,  by  Porbus,  B-254 
Parisot,  Jean,  B-315 
Payne,  John,  by  Wainewright,  268 
Payne,  Thomas,  by  Van  der  Puyl,  267 
Peale,    Charles    Wilson,    by    West, 

B-293 
Perry,  OUver  H.,  by  Peale,  B-312 
Peru,  Incas  of,  233-246 
PhiUp  IV  of  Spain,  B-73 
PhiUp  IV  of  Spain,  as  David  with 

GoHath's  Head,   by   Velasquez, 

B-207 
Phillips,  EUzabeth,  449 
Pierce,  Franklin,  472 
Pintard,  John,  109 
Pintard,  John,  by  Ramage,  107 
Pintard,  John,  by  Trumbull,  106 
Pintard,  Mrs.  John,  by  Ramage,  108 
Pleasants,  John  H.,  283 
Poe,  Edgar  Allan,  by  Osgood,  146 
Priestley,  Dr.  Joseph,  by  Peale,  B-307 
Provoost,   Rev.  Samuel,  by  Duch6, 

123 


Randolph,  John,  by  Jarvis,  154 
Red  Jacket,  by  Weu-,  295 
Reed,  General  Joseph,  by  Hagen,  95 
Reed,  Luman,  by  Durand,  56 
Rembrandt,  Paul,  by  Chapman,  69 
Remsen,  Peter,  by  Waldo,  181 
Riker,  James,  by  Kosa,  D-176 
Rivington,  James,  153 
Rochechouart,  Cardinal  de,  by  Bat- 

toni,  B-249 
Rodgers,  Rev.  John,  251 
Rossiter,  Bryan,  by  Trumbull,  192 
Rotterdam,     Burgomaster    of,     and 

family,  by  Cuyp,  B-106 
Roy,  Rammohun,  by  Peale,  156 
Rutgers,  Henry,  by  Inman,  175 


Sagoyewatha,  see  Red  Jacket 
St.  Catherine,  by  Rubens,  B-158 
St.  John,  weeping,  by  da  Vinci,  B-24 
St.  John  the  Baptist,  by  Velasquez, 

D-5 
Santa  Ana,  Antonio  L.,  by  L'Ouvrier, 

259 
Savonarola,  Jerome,  by  Bartolomeo, 

D-19 
Schalcken,     Godfrey,     by     himself, 

B-346 
Schell,  Augustus,  by  Johnson,  275 
Schuyler,  CataUna,  136 
Schuyler,  Philip,  135 
Seymour,  Daniel,  by  Cummings,  87 
Shaler,  William,  247 
Sherman,  Benjamin  B.,  by  Gerhard, 

473 


Smith,  Edwin,  by  AneUi,  322 
Smith,  Elihu  H.,  by  Sharpless,  128 
Smith,  WiUiam,  by  Stubble,  124 
Spain,    Queen   of    (Spanish   School), 

B-217 
Spencer,  Ambrose,  by  Jarvis,  211 
Stanford,  Rev.  John,  by  Jarvis,  191 
Stanton,  Daniel,  by  Elliott,  183 
Steenwyck,  Cornelius,  265 
Steenwyck,  CorneUus,  by  Van  Goo- 
sen,  266 
Stevens,  Gen.  Ebenezer,  484 
Stone,  William  L.,  by  Marchant,  197 
Strong,  Roger,  by  Vanderlyn,  271 
Stuart,  Gilbert  C,  by  Dickinson,  96 
Stuart,  Gilbert  C,  by  Peale,  B-302 
Stuyvesant,  Anna,  488 
Stuyvesant,  Gerardus,  350 
Stuyvesant,     Nicholas    W.,     (1648- 

1698)  349 
Stuyvesant,     Nicholas    W.,    (1722- 

1780)  351 
Stuyvesant,     Nicholas     W.,    (1769- 

1833)  353 
Stuyvesant,  Gov.  Peter,  347,  348 
Stuyvesant,  Peter,  (1796-1860)  354 
Stuyvesant,  Petrus,   (1727-1805)  bv 

Stuart,  352 
Sutter,  Capt.  John  A.,  by  Osgood,  145 
Swabey,  Dr.  Maurice,  by  Trumbull, 

74 


Taylor,  Col.  Zachary,  293 
Ten  Broeck,  Henry,  by  Paradise,  285 
Tilghman,  WiUiam,  by  Peale,  B-317 
Tompkins,  Gov,  Daniel  D.,  by  Jar- 
vis, 94 
Trist,  Nicholas  P.,  by  Pratt,  270 


Vache,  Jean  Lazare,  463 

Vache,  John  B.,  465 

Vache,  Maria  A.,  464 

Van    Berckel,    Pieter   J.,    by   Peale, 

B-301 
Van  Cortlandt,  Gen.  Pierre,  by  Col- 

Uns,  D-178 
Van  Cortlandt,  Stephen,  411 
Van  Cortlandt,  Mrs.  Stephen,  412 
Van  Dam,  Rip,  178 
Van  Dam,  Mrs.  Rip,  179 
Van  der  Meulen,  Lucretia,  by  Van 

Ravesteyn,  D-82 
Vanderspiegle,  Sarah,  179 
Van  Ness,  WiUiam  W.,  by  Jarvis,  210 
Van  Polanen,  Roger  G.,  by  Froth- 

ingham,  199 
Van  Schaack,  Peter,  132 
Verplanck,   GuHan  C,   by   Ingham, 

258 


INDEX   OF  PORTRAITS 


213 


Vespucius,  Americus,  112 
Vespucius,    Americus,    after    Panni- 
giano,  173 


Waddell,  Capt.  John,  286 
Waddell,  Mrs.  John,  287 
Walton,  William,  327,  328 
Walton,  Mrs.  William,  329 
Warner,  Colonel  Andrew,  by  Baker, 

256 
Washington,  George,  by  Durand,  32 
Washington,    George,    by    Grimaldi, 

437 
W^ashington,  George,  by  Peale,  459 
Washington,  George,  by  Peale,  B-299 


Washington,     George,     by     Stuart, 

B-303 
Washington,    Martha,    by    Durand, 

38 
Washington,  Martha,  by  Peale,  460 
Watts,  John,  by  BoUes,  190 
Wayne,  General  Anthony,  177 
Webster,  Daniel,  by  Healy,  281 
West,  Benjamin,  by  Delanoy,  415 
Wetmore,   Prosper    M.,    by    Elliott, 

184 
William,  Prince  of  Orange,  by  Ter- 

burg,  B-182 
Wilhs,  N.  P.,  by  W^aU,  102 
Wright,  Harriet,  by  Peale,  310 
Wright,  Sophie,  by  Peale,  310 


INDEX  TO  SCULPTURE 


Adams,  John  Quincy,  1 

Adams,  John  Quincy,  by  Greenough, 

2 
Allston,  Washington,  by  Brackett,  3 


Baird,  Rev.  Charles  W.,  by  Decomps, 

4 
Barker,    Fordyce,    M.D,,    by    Ver- 

haegen,  5 
Barlow,  Joel,  by  Houdon,  6 
Bolivar,  Simon,  by  Tener,  7 
Brownell,  Rev.  Thomas  C,  by  Ives,  8 
Bryant,  William  C,  by  Brown,  9 

Chilton,  Dr.  James  R.,  by  Ellis,  10 
Clay,  Henry,  by  Clevenger,  11 
CUnton,  DeWitt,  12 
Clinton,  George,  by  Ceracchi,  13 
Columbus,  Christopher,  by  Gott,  14 

DePeyster,  Frederic,  bv  Bissell,  15 
DePeyster,  John  Watts^,  by  Bissell,  16 
Durr,  Louis,  by  Baerer,  17 

Everett,  Edward,  by  Clevenger,  18 


Field,  Hickson  W.,  19 
Fox,  Charles  J.,  20 
Francis,  John  W.,  M.D.,  21 
Franklin,  Benjamin,  by  Houdon,  22 
Fulton,  Robert,  by  Houdon,  23 


Hamilton,  Alexander,  by  Dixey,  24 
Harrison,  William  H.,  by  Clevenger, 

25 
Havemeyer,  WilHam  F.,  by  Griffin,  26 
Hawks,  Rev.  Francis  L.,  by  Richards, 

27,  28,  29 
Hawthorne,  Nathaniel,  by  Kuntze,  30 
Hey  wood,  Joseph  C,  by  Manley,  31 
Hone,  Phihp,  by  Browere,  32 
Hone,  Philip,  by  Clevenger,  33 
Hosack,  David,  by  Browere,  34 
Hume,  Joseph,  by  Bonomi,  35 

Irving,  Washington,  by  Palmer,  36 


Jay,  John,  by  Ceracchi,  37 
Jay,  Peter  A.,  by  Launitz,  38 
Jefferson,  Thomas,  by  Houdon,  39 


Kane,  Elisha  Kent,  by  Reniers,  40 
Kent,  James,  bv  Clevenger,  41 
King,  John  A.,  42 

Kosciuszko,    Thaddeus,    by    Eggen- 
schwiler,  43 


Lamartine,     Alphonse,     by     Adam- 
Salomon,  44 
Lawrence,  William  B.,  by  Dunbar,  45 
Lincoln,  Abraham,  by  Jones,  46 


Macgowan,  D.  J.,  by  Mills,  47 
Marshall.  John,  48 


Nelson,  Lord,  49 

Osgood,  Rev.  Samuel,  50 

Paine,  Thomas,  by  Jarvis,  51 

Parish,  Daniel,  Jr.,  52 

Pitt,  William,  53 

Pitt,  William,  by  Wilton,  54 

Prescott,  WilUam  H.,  by  Ball,  55 


Scott,  Sir  Walter,  56 
Seward,  WiUiam  H.,  57 
Shakespeare,  William,  58 
Silliman,  Benjamin,  by  Ives,  59 


Washington,  George,  by  Houdon,  60 
Washington,  George,  by  Jones,  61 
Watts,  John,  by  Coffee,  62 
Webster,  Daniel,  by  Clevenger,  63 
Webster,  Daniel,  by  Ball,  64 
West,  Benjamin,  by  Chantrey,  65 
White,  Joseph  M.,  by  Greenough.  66 
Williamson,  Hugh,  M.D.,  by  Coffee, 

67 
Wolcott,  Oliver,  by  Clevenger,  68 
Wood,  James  R.,  M.D.,  69 


214 


INDEX  OF  ARTISTS 


Adam-Salomon,  A.  S.,  Sc.  44 

Aelst,  William  van,  15 

Ahlbom,  Lea,  Sc.  52 

Albano,  Francesco,  D-21 

Allegri  Antonio  (da  Correggio),  54, 

B-47,  B-48,  B-321,  D-18,  see  page 

100 
Ames,  Ezra,  118,  126,  155,  188 
Anderson,  Alex.,  471 
Anelli,  Francisco,  322 
Artois,  Jacobus  van,  B-78 
Asselyn,  Jan,  B-79,  B-80 
Audubon,  J.  J.,  421 
Avercamp.  Hendrik  van,  B-368 


Baan,  John  de,  D-84 

Backhuysen,     Ludolf,     B-81,     B-82, 

B-83,  D-70,  D-122 
Baerer,  Henry,  Sc.  17 
Baker,  George  A.,  256 
Baker,  Mary  L.,  261 
Ball,  Thomas,  Sc.  55,  64 
Barbarelli,  Giorgio  (Giorgione),  B-30, 

B-31,  B-32 
Barbiers,  Peter,  D-155 
Bartoli,  F.,  B-314 
Bartolomeo,  Fra,  B-29,  B-331,  D-17, 

D-19 
Bassano,  see  Ponte 
Battem,  Gerard  van,  D-88 
Battoni,  Pompeo,  B-249,  B-2o0 
Beaujolais,  Count,  B-294 
Beckwith,  J.  Carroll,  331 
Beerestraten,  Jan,  B-84 
Bega,  Cornelius,  B-85 
Bellang^,  Joseph  L.  H.,  B-270 
Benzoni,  G.  M.,  .Sc.  70 
Bergen,  Theodore  van,  B-86 
Berghem,  Nicholas,  B-87,  B-88,  B-89, 

D-128 
Berretini,  Pietro  (da  Cortona),  B-357 
Bierstadt,  Albert,  424,  440 
Birch,  Thomas,  13,  391 
Bissell,  George  E.,  Sc.  15,  16 
Blanchard,  Washington,  137 
Bloemaert,  A.,  D-71 
Bloemen,  John  Francis  van,  D-118 
Bloemen,  Petnis  van,  B-90,  B-91,B-92 
Bogle,  James,  186 
Boll,  Ferdinand,  150 
Bolles,  John  W..  190 


Bonomi,  Joseph,  Sc.  35 

Both,  Andreas,  D-57,  D-58 

Both  Jan,  B-93,  B-94,  B-95,  B-96 

Botticelli,  B-21 

Boucher,  Francois,  B-276,  B-277 

Bourdon,  Sebastian,  B-337 

Bout.  Peter,  D-53 

Brackett,  E.  A.,  Sc.  2 

Bradford,  William,  D-167 

Brakenburg,    Renier,    B-97,    B-342, 

B-351,  B-352 
Bramer,  Leonard,  B-98,  B-350,  D-142, 

see  page  100 
Brea,  Ludovico,  B-40 
Brekelenkam,  Quirinus,  D-96 
Bronzino,  Agnolo,  B-51,  B-52 
Brower,  Adrian,  B-99,  B-100.  D-121 
Browere,  John  H.  I.,  Sc.  32,  34 
Brown,  D.,  225 
Brown,  George  L.,  B-288 
Brown,  Henry  K.,  Sc.  9,  74,  75 
Brueghel,  John,  D-111 
Brun,  Charles  le,  B-237,  D-28,  D-33 
Bruner,  Carl,  163 
Buffabnaco,  B.,  B-14,  B-15 
Buytenweg,  William  de,  B-336 
Byzantine  School,  B-1,  B-2 


Caliari,  Paolo  (Paul  Veronese),  B-39. 

D-16 
Calyo,  N.,  444 

Canal,  Antonio  (Canaletto),  B-71 
Caracci,    Annibale,    37,     101,    B-55, 

B-56,  D-15,  D-22 
Carpenter,  Frank  B.,  333,  423,  D-169 
Carrenno  de  Miranda,  Juan,  222 
Casilear,  John  W.,  387 
Castagno,  Andrea  del,  B-19 
Castell,  A.,  313 
Ceracchi,  Giuseppe,  Sc.  13,  37 
Cesari,  Giuseppe  (d'Arpino),  B-54 
Champagne,  Philip  de,  B-101,  B-102, 

D-50,  D-51 
Chantrey,  Francis,  Sc.  65 
Chapman,  John  G.,  69,  70 
Chardin,  J.  B.  S.,  B-251,  B-349,  B-353 
Cimabue,  Gio,  B-4 
Clevenger,  Shobal  V.,  Sell,  18,  25, 

33,  41,  63,  68 
Coene,  Jean  Henri  de,  B-283 
Coffee,  Thomas,  Sc.  62 


215 


216 


INDEX  OF  ARTISTS 


Coffee,  William  I.,  Sc.  67 

Cogswell,  William,  157 

Cole,    Thomas,    1-5,  19,  31,  42,  44, 

46,  62,  342,  388 
Collins,  WilUam,  D-178 
Copley,  John  Singleton,  B-285 
Coques,  Gonzales  de,  B-104,  B-320 
Cornelius,  Barend,  D-52 
Correggio,  see  Allegri 
Cotton-Marietta,  325 
Courtois,  Jacques,  B-238,  B-239 
Coustou,  Nicolas,  Sc.  71 
Cranach,  Lucas,  B-196,  B-197,  D-114 
Cranch,  C.  P.,  58 
Crawford,  Thomas,  Sc.  72 
Cummings,  Thomas  S.,  80,  87 
Cronin,  David  E.,  480-482 
Curran,  Charles  C.,  448 
Cuyp,  Albert,   B-105,   B-347,   D-90. 

D-129,  D-157 
Cuyp,  Jacob  G.,  B-106 


Decomps,  S.,  Sc.  4 

Delanoy,  A.,  415 

Dello,  Antonio,  B-20 

Denner,     Balthazar,     B-198,     D-55, 

D-56,  see  page  100 
DePeyster,  G.  B.,  402,  403 
Descamps,   Jean     Baptiste,     B-271, 

B-272,  B-273 
Dickinson,  Anson,  96 
Dietrich,    Christian    W.   E.,   B-109, 

B-110 
Dixey,  John,  Sc.  24 
Does,  Simon  van  der,  D-113 
Dolci,  Carlo,  B-60,  B-61,  B-62,  B-63 
Domenichino,  see  Zampieri 
Doncker,  John,  D-115 
Douw,  Gerard,  215,  B-114 
Dubois,  Guilliam,  B-107 
Duche,  Thomas  S.,  123 
Dunbar,  F.  A.  T.,  Sc.  45 
Dunlap,  William,  152 
Duplessis,  Joseph  S.,  D-166 
Durand,  A.  B.,  6-11,  26,  28,  32,  38, 

49,  56,  75,   207,   257,   335-341, 

365-386,  D-159-D-162 
Durer,  Albert,  B-199,  B-200,  D-41, 

D-42 
Dutch  School,  45,  346,  B-358,  D-39, 

D-99 
Dyckmans,  Joseph  L.,  B-284 


Earle,  James,  248 
Earle,  Ralph,  457 
Eeckhout,  Gerbrandt  vanden,  B-115, 

D-139 
Edmonds,  Francis  W.,  71 
Eggenschwiler,  Sc.  43 


Elliott,  Charles  L.,  86,  143,  183-185, 

250,  284,  323,  D-179 
EUis,  S.,  Sc.  10 

Escalante,  Juan  Antonio,  D-3,  D-4 
Evrard,  Adele,  83 
Eyck,  Jan  van,  B-116 


Ferrari,  Gaudenzio,  B-28 

Fialetti,  Odvardo,  B-35 

Flagg,  George  W.,  12,  16,  20-22,  27, 

30,  33,  34,  36,  41,  48,  77 
Flagg,  Jared  B.,  392 
Flamen,  Albert,  D-119 
Flemish  School,  39,  B-195 
Florentine  School,  B-43,  B-44 
Folwell,  Samuel,  116 
Fosse,  Charles  de  la,  B-240 
Fouquieres,  Jacques,  B-117 
France,  Leonard  de,  D-131 
Francken,  Francis,  D-66 
Franz,  Fritz,  D-152 
Freminet,  Martin,  B-221 
French  School,  B-218,  B-219,  B-220 
Freudenberger,  Sigmund,  B-381 
Frothingham,  James,  199 
Fyt,  John,  40 


Gaal,  Barent,  B-193 

Gaddi,  Taddeo,  B-8,  B-9 

Gainsborough,  Thomas,  228,  B-369 

Garofalo,  see  Tisio 

Geel,  John  van,  D-124 

Gelder,  Nicholas  van,  212,  213 

Gentileschi,  see  Lomi 

Gerhard,  George,  227,  473 

Gericault,  Jean,  L.  T.  A.,  161 

German  Scho9l,  18,  D-80 

Gignoux,  Regis,  91 

Gilbert,  Grove  S.,  127 

Giorgione,  see  Barbarelli 

Giottino,  see  Stefani 

Giotto  de  Bodone,  B-5 

Glauber,  Jan,  B-118 

Goltzius,  Henry,  B-374 

Goltzius,  Hubert,  25 

Goosen,  Jan  van,  266 

Gott,  John,  Sc.  14 

Goyen,  John  van,  B-119 

Gray,  Henry  Peters,  187 

Greenough,  Horatio,  Sc.  1,  66 

Greuze,  Jean  Baptiste,  B-252,  B-260, 

B-261,     B-262,     B-263,     B-264, 

B-265,  B-324 
Griff,  Anthony,  B-120 
Griffin,  Julia,  Sc.  26 
Grimaldi,  William,  437 
Gudin,  T.,  441 
Guido,  see  Reni 
Guido  of  Sienna,  B-3 
Guy,  Francis,  D-175 


INDEX  OF  ARTISTS 


217 


Hackaert,  Jan,  B-348 
Hagelstein,  D.,  D-67 
Hagen,  John  C,  95 
Hals,  Francis,  B-361 
Healy,  George  P.  A.,  281,  282 
Heaton,  Augustus  G.,  458,  D-181 
Helmont,  Matthew  van,  B-367,  D-143 
Heist,  Bartholomew  van  der,  B-329 
Hemskerk,  Egbert  van,  B-356,  D-95 
Hemskerk,  Martin  van  Veen,  D-44 
Herp,  GuiUiam  van,  D-46,  D-47,  D-48 
Heyden,  Jan  van  der,  B-123,  D-137 
Hicks,  Thomas,  141,  159,  180 
Hill,  J.  W.,  398 
Hill,  Thomas,  316 
Hinckley,  Robert,  290,  324 
Hobbema,  Minderhout,  B-124,  B-339, 

D-89 
Hogarth,  William,  B-289,  B-290 
Holbein,  Hans,  B-201,  B-202 
Honthorst,  Gerard,  D-81,  D-83 
Hooghe,  Peter  de,  see  page  100 
Horremans,  John,  D-116,  D-117 
Houdon,  Jean  Antoine,  Sc.  6,  22,  23, 

39,  60 
Hove,  H.  van,  D-148 
Hughes,  Ball,  Sc.  62 
Hugtenburg,  Jan  van,  D-69 
Huntington,  Daniel,  60,  142, 182,  260, 

277,  291,  390,  420,  466 
Huysmans,  Cornelius,  B-125,  B-338 


Ingham,  Charles  C,  64,  65,  139,  258 
Inman,   Henry.    175,   200,   201,   216, 

309,  363,  393,  394 
Jsaacksen,  Isaac,  D-139 
Itahan  School,  17,  29,  51,  53,  B-327, 

B-328 
Ives,  C.  B.,  Sc.  8,  59 


Jacquin,  E.  S.,  422 

Jardin,  Karl  du,  B-126,  B-127,  IMS, 

D-132,  D-144 
Jarvis,  John  Wesley,  81,  89,  94,  97, 

115,  138,  154,  191,  204,  210,  211, 

314,  B-316,  Sc.  51 
Jewett,  William,  343 
Johnson,  David,  442 
Johnson,  Eastman,  275,  D-174 
Jones,  Alfred  W.,  Sc.  61 
Jones,  T.  D.,  Sc.  46 
Jordaens,  Jacob,  151 
Jouvenet,  Jean,  B-241,  B-242 


Kalf,  William,  D-79 
Kensett,  John  F.,  474 
Klomp,  Albert,  B-103 
Kobell,  Jan,  B-128,  D-147 


Koek-Koek,  Bernard  C,  D-150 
Kohler,  Christian,  D-154 
Kosa,  Emil,  D-176 
Kruseman,  Frederic  M.,  B-279 
Kuntze,  Edward  J.,  Sc.  30 


Lachenwitz,  Sigmund,  359 

Lairesse,  Gerard  de,  B-118 

Lambdin,  J.  R.,  196 

Lang,  Louis,  276 

Largilliere,  Nicholas  de,  B-243 

Launitz,  Robert  E.,  Sc.  38 

Lauri,  Phillippe,  B-229 

Lawrence,  Sir  Thomas,  217 

Lay,  Oliver,  120 

Lazarus,  J.  H.,  193 

Ledoux,  MUe.,  B-363 

Lely,  Sir  Peter,  B-129,  D-54 

Leonardo  da  Vinci,  B-23,  B-24 

Lepici^,  Nicholas  Bernard,  B-266 

Leyden,  Lucus  van,  D-43 

Leys,  Henry,  D-151 

Lingelbach,  John,  B-359,  D-123 

Llanos  y  Valdes,  Sebastian,  B-215 

Lomi,  Artemista  (Gentileschi),  B-64 

Lorenzo,  Don  (il  Monaco),  B-10 

Lorme,  Anthony  de,  D-l()2 

Lorraine,     Claude,     B-230,     B-231, 

B-232,  B-233,  D-36 
Luini,  Bernardino,  B-49,  D-158 


Maas,  Nicholas,  B-130 
Mabuse.  John  de,  B-131,  D-40 
McLeod,  William,  88 
Macrino  d'Alba,  B-22 
Manley,  F.,  Sc.  31 
Mantegna,  Andrea,  B-45,  B-46 
Marcellis,  Otho,  D-74 
Marchant,  Edward  D.,  131,  197 
Marrel,  J.,  35 
Matsys,  Quintin,  B-133 
Mazzolino,  Lodovico,  B-373 
Mazzuoli,  Francesco  (il  Parmiggiano), 

173,  174 
Meer,  John  vander,  D-130 
Memling,  Jan,  B-121,  B-122 
Memmi,  Simone,  B-6,  B-7 
Michel,  Georges,  B-278 
Miel,  John,  D-86 
Mignard,  Pierre,  B-234,  B-235 
Mills,  Clark,  Sc.  47 
Minnigerode,  Marietta,  485 
Miranda,  Fernando,  Sc.  73 
Molenaer,  Jan,  B-134,  D-76 
Molenaer,  Nicholas,  B-135 
Molyn,  Peter  (Tempesta),  66,  D-25, 

D-26,  D-49 
Morales,  Luis,  D-6 
Morland,  George,  43,  47 


218 


INDEX  OF  ARTISTS 


Morse,  Samuel  F.  B.,  90 
Moucheron,  Frederick,  B-136,  B-137 
Moucheron,  Isaac,  B-359,  B-364 
Mount,  WiUiam  S.,  23,  57,  59 
Murillo,  Bartholome  Esteban,  B-211, 

B-212,  B-213,  B-214,  D-1,  D-2 
Musscher,  Michael  van,  B-325 


Neck,  Jan  van,  B-138 

Neefs,  Peter,  B-140 

Neer,  Arnold  van  der,  B-139 

NehUg,  v.,  253 

Netscher,  Caspar,  B-141 

Netscher,  Constantine,  B-326,  B-343 

Newton,  Gilbert  Stuart,  D-156 

Nims,  Jeremiah,  100 


Ochterveldt,  Jacob  van,  B-143 
Ommeganck,  Paul  Balthasar,  B-282, 

D-146 
Oost,  Jacob  van,  B-142 
Orley,  Bernard  van,  B-377 
Osgood,  Samuel  S.,  134,  144-149,  252, 

278-280 
Ostade,   Adrian  van,  B-144,  B-145, 

B-372,  D-106-D-110 
Ostade,  Isaac  van,  B-146,  D-105 
Oudry,  Jean  B.,  B-171 
Ouvrier,  Paul,  259 


Page,  William,  262 

Palamedes,  see  Stevers 

Palma,  Jacopo,  B-53 

Palmer,  E.  D.,  Sc.  36 

Palmer,  F.  F.,  478 

Pannini,  Cav.  Giovanni  Paolo,  435, 

D-13 
Paradise,  John,  285 
Parmiggiano,  see  MazzuoU 
Pater,  Jean  Baptiste,  B-248 
Peale,    Charles    Wilson,     103,    297, 

B-298,     B-299,     B-300,     B-301, 

B-302 
Peale,  Rembrandt,  156,  205,  310,  459, 

460,  B-302,  B-306,  B-307,  B-308, 

B-309,    B-310,     B-311,     B-312, 

B-317 
Perugino,  Pietro,  B-22. 
Peters,  Bonaventura,  D-120 
Philip,  Frederick  W.,  67,  84. 
Piazzetta,  Giovanni  Battista,  D-1 2 
Pietersz,  Roelof,  24 
Pine,  Robert  E.,  196 
Piombo,  Sebastian  del,  B-41 
Poel,  Egbert  van  der,  B-362,  D-126, 

D-127 
Poelemburg,  Cornelius,  B-147 
Ponte,  Jacopo  da,  D-8 


Porbus,  Francis,  B-148,  B-149 

Porbus,  Peter,  B-254 

Potter,  Paul,  B-150 

Poussin,  Caspar,  B-227,  B-228,  B-229, 

D-37 
Poussin,     Nicholas,     B-222,     B-223, 

B-224,  B-225,  B-226,  D-34 
Powell,  William  H.,   130,  249,  326, 

461,  462 
Pratt,  Robert  M.,  269,  270 
Prud'hon,  Pierre  Paul,  B-267 
Puyl,  G.  vander,  267 
Pynaker,  Adam,  B-334,  B-354,  B-370, 

D-94 


Querfurt,  Augustus,  B-151 


Ramage,  John,  107,  108 
Raoux,  Jean,  61 
Raphael,  see  Sanzio 
Ravesteyn,  John  van,  D-82 
Rembrandt,  Van  Ryn,  B-152,  B-153, 

B-154,  B-155,  D-103 
Rembrandt  School,  150 
Reni,  Guido,  B-58,  B-59 
Reniers,  Peter,  Sc.  40 
Reynolds,  Sir  Joshua,  B-291 
Ribera,    Jose    (Spagnoletto),    B-323, 

D-7 
Richards,  David,  Sc.  28 
Richardson,  Andrew,  14,  55 
Rigaud,  Hyacinthe,  B-244,  D-35 
Robert,  Hubert,  B-253 
Robusti,  Jacopo  (Tintoretto),  B-37, 

D-9 
Rokes,  Henry  Martin,  B-194,  D-101 
Romanelli,  Gio  Francesco,  432 
Romano,  Giulio,  B-50 
Rombouts,  Theodore,  B-156,  B-157 
Roos,  John  H.,  D-62,  D-63 
Rosa,  Salvator,  223,  B-67,  B-68,  B-69, 

B-70,  D-14 
Rottenhamer,  John,  D-1 11 
Rubens,    Peter    Paul,     151,     B-loS, 

B-159,     B-160,     B-161,    B-162, 

B-163,     B-164,     B-165,    B-166, 

D-112 
Ruysdael,  Jacob,  B-167,  B-168,  B-169 
Ruysdael,  Solomon,  B-170,  D-64 
Ryckaert,  David,  D-141 

Saftleven,  Cornelius,  D-93 

St.  Memin,  C.  B.  J.  de,  164,  171 

Saltza,  Charles  F.,  357 

Salvi,    Giovanni   Battista    (Sassofer- 

rato),  B-66 
Sanzio,  Raphael,  B-25,  B-26,  B-27 
Sarto,  Andrea  del,  B-42 
Satterlee,  Walter,  362 


INDEX  OF   ARTISTS 


219 


Savage,  Edward,  B-313 

Schaal,  L.  J.,  B-275 

Schalcken,  Godfrey,  B-340 

Schidone,  Bartolomeo,  B-48 

Schmidt,  Rudolph,  332 

Schoen,  Martin,  B-204 

Schuerman,  B-153,  B-154 

Searle,  John,  254 

Se6,  Harry  T.,  330 

Sesto,  Cesare  da,  B-50 

Sharpless,  James,  104,  105,  128 

Shegogue,  James  H.,  76 

Simmons,  Franklin,  Sc.  50 

Snyders,  Francis,  151,  B-171,  B-172 

Spagnoletto,  see  Ribera 

Spanish  School,  B-216,  B-217,  B-318 

Steams,  J.  B.,  364 

Steen,  Jan,  B-173,  B-174,  B-335 

Stefano,  Tommaso   de,   B-11,    B-12, 

B-13 
Stevers,  Anthony  (Palamedes),  224 
Stone,  William  O.,  198,  319 
Strickland,  WiUiam,  317,  318 
Stuart,  Gilbert  C,  82,  115,  120,  125, 

352,  B-303,  B-304 
Stubble,  H.,  124 
Sueur,  Eustache  le,  B-236 
SuUy,  Thomas,  B-286 
Sustermans,  Justus,  B-65 
Swebach,  Edward,  B-278 


Taggart,  John  G.,  143,  176 

Tempesta,  see  Molvn 

Tener,  Petrus,  iSc.  7 

Teniers,  David  the  Younger,  50,  52, 

B-175,     B-176,     B-177,     B-178, 

B-179,  B-180,  B-181,  D-lOO 
Terburg,  Gerard,  B-182,  B-365,  B-366 
Terry,  Luther,  209 
Thompson,  Cephas  G.,  129,  172 
Thompson,  Woodsworth,  D-164 
Tiepolo,  Giovanni  B.,  B-71 
Tilius,  John,  D-134 
Tintoretto,  see  Robusti 
Tisio,  Benvenuto  (Garofalo),  B-44 
Titian,  see  VeceUi 
Tol,  Dominick  Van,  214 
Toumierre,  Robert,  B-259 
Trott,  Benjamin,  305 
Troy,  Jean  Francois  de,  220 
Trove,  E.,  433,  434 
Trumbull,  John,  68,  73,  74,  106,  192, 

202,    203,    272,    274,    301,   431, 

D-168 
TwibiU,  G.  W.,  200 


Uccello,  Paolo  Mazzocchi,  B-18 
Uytenwael,  Joachim,  B-203 


Valdez,  Juan  de,  218,  219 
Valkenburg,     Lucas     and     Martin, 

B-205,  B-206 
ValUn,  E,  B-274 

Vander  Eycken,  FeUx,  B-280,  B-281 
Vanderlyn,  John,  101,  160,  255,  271, 

273 
Van    Dyck,    Sh-    Anthony,    B-111, 

B-112,  B-113,  D-60,  D-138,  see 

page  100 
Vanloo,  Charles  Andre,  162 
Vanloo,  Jacob,  D-75 
Vanuden,  Lucas,  D-61 
Vecelli,  Tiziano  (Titian),  B-33,  B-34, 

B-35,  B-36,  D-10,  D-23 
Velasquez,  Don  Diego  Rodriquez  de 

Silvay,  226,  B-207,  B-208,  B-209, 

B-210,  D-5,  D-27 
Velde,  Adrian  van  de,  B-186 
Velde,  WilHam  van  de,  B-183,  B-184, 

B-185,  D-97 
Venetian  School,  B-17,  D-20 
Ver  Bryck,  Cornehus,  63,  72 
Verboom,  Abraham,  B-187,  D-91 
Verelst,  Peter,  D-125 
Verelst,  Simon,  D-133 
Verhagen,  L.  M.,  Sc.  5 
Vemet,  Claude  Joseph,  B-255,  B-256, 

B-257,  B-258,  D-78 
Vemet,  Horace,  B-268,  B-269 
Veronese,  Paul,  see  CaUari 
Vertangen,  Daniel,  D-98,  D-104 
Victor,  Jan,  D-72 
VoUmering,  Joseph,  B-295,  B-296 
Voys,  Ar>'  de,  D-92 
Vries,  John  Renier  de,  B-108 


WainewTight,  Thomas  G.,  268 
Waldo,  Samuel  L.,  181,  334 
Waldmuller,  Ferdinand  G.,  D-149 
Wall,  Wilham  A.,  102 
WaU,  Wilham  G.,  79,  355,  356,  D-170, 

D-171 
Wallace,  Benjamin  A.,  189 
Walters,  Josephine,  D^163 
Waterloo,  Anthony,  D-73 
Watteau,     Antoine,     B-32,     B-245, 

B-246,     B-247,     B-340,     B-355, 

B-378,  B-379,  B-380 
Waugh,  Samuel  B.,  158 
Weenix,  John  Baptist,  B-189,  B-345, 

D-68 
Weir,  Robert  W.,  295 
Werf,  Adrian  van  der,  B-188 
West,    Benjamin,    194,    195,    B-292, 

B-293 
West,  Wilham  E,  B-287 
Westhofen,  Van,  D-59 
Whipple,  Charles  A.,  360,  361 
White,  Edwin,  B-297 


220 


INDEX  OF  ARTISTS 


Wildens,  John,  B-171 

Wright,  Joseph,  119 

Willaerts,  Adam,  315 

Wynants,  John,  B-193,  D-87,  D-145 

Wilton,  Joseph,  Sc.  54 

Withoos,  Matthew,  221 

Witt,  Emanuel  de,  D-140 

Zampieri,  Domenico  (Domenichino), 

Woodville,  R.  C,  475 

B-57,  B-322 

Wouwermans,  Philip,  B-190,  B-191, 

Zenale,  Bernardo,  B-332 

B-192,  B-341,  D-135 

Zuccaro,  Federigo,  D-24 

Wright,  J.  H.,  358 

Zucco,  Francesco,  B-38 

INDEX  OF  DONORS 


Abbott,  William  D.,  97 
Adlard,  George,  Sc.  58 
Akerly,  Dr.  Samuel,  104,  105 
Alofsen,  S.,  199 

American  .\rt  Union,  182-185,  187 
Anthon,  Charles  E.,  Sc.  32 
Anthon,  Mrs.  John,  Sc.  32 
Armstrong,  William  F.  H.,  Sc.  26 

Banyer,  Goldsborough,  345 

Barker,  Fordyce  D.,  Sc.  5 

Bartlett,  Col.  Washington  A.,  family 

of,  Sc.  4 
Bayley,  Rev.  J.  Roosevelt,  193 
Beekman,  Gerard,  362 
Beekman,  James  W.,  362 
Bement,  Edward,  439 
Benedict,  Erastus  C,  249 
Benson,  Robert,  Jr.,  82,  272,  273 
Bidwell,  Marshall  S.,  210,  211 
Bierstadt,  Mrs.  Albert,  440,  441 
Binney,  Horace,  Jr.,  204 
Blanchard,  Washington,  137 
Bloodgood,  Matthias,  family  of,  425, 

426 
Bogle,  James,  186 
Bonnett,  P.  R.,  175 
Bostwick,  Henry  A.,  344 
Bradish,  Luther,  Sc.  65 
Breese,  Mrs.  E.  L.,  bequest  of,  291 
Brett,  Cornelia  Graham,  bequest  of, 

461 
Brower,  John  H.,  205 
Browne,  Maria  J.  B.,  228 
Bruce,    Matilda   Wolfe,   bequest  of, 

390  391 
Brvan,  Thomas  J.,  B-l-B-381,  Sc.  71 
Buford,  A.  vS.,  283 
Burnham,  Gordon  W.,  Sc.  8 

Catlin,  Cora  V.  R.,  bequest  of,  486- 

488 
Catlin,  N.  W.  Stuyvesant,  486-488 
Chambers,  Katherine,  Sc.  64 
Champlin,  Christopher,  296,  297,  298 
Chanler,  Winthrop,  295 
Chilton,  Mrs.  James  R.,  Sc.  10 
Church  of  the  Holy  Saviour,  N.  Y., 

5c.  28 
Clapp,  George  P.,  heirs  of,  284 
Clarke,  Mrs.  EUza  M.,  265 
Clarkson,  Mrs.  Matthew,  357 


Clute,  John  D.,  83 

Cogswell,  Wilham,  157 

Golden,  Mrs.  Cadwallader  D.,  123 

Colonial  Dames  of  America,  Sc.  23 

Cox,  IsabeUa  V.,  463-465 

Crane,  Warren  C.,  423 

Crolius,  Clarkson,  188,  189 

Cruger,  Mary,  208,  232 

Crumby,  John,  152 

Cuyler,  Theodore,  158 


Daly,  Mrs.  Charles  P.,  262 

Davis,    Mrs.   Charles  A.,    100,   200, 

201,  Sc.  66 
Davis,  Mrs.  Gherardi,  Sc.  42 
Davis,  Thomas  E.,  94 
Delafield,  John,  90 
Delafield,  John  Ross,  448 
Delafield,  Maturin  L.,  448 
DeLancey,  Edward  F.,  311-313 
DePeyster,  Catherine  A.,  bequest  of, 

390-419 
DePeyster,  Frederic,  132,  227,  233- 

246,  259,  263,  264,  Sc.  72 
DePeyster,  J.  Watts,  190,  Sc.  15,  16, 

31,62 
Dexter,  Henry,  360,  361 
Dixey,  John,  Sc.  24 
Dominick,  Marinus  W.,  301 
Draper,  Charlotte  E.,  bequest  of,  457 
Dunning,  Julius  L.,  Sc.  49 
Durand,  Asher  B.,  children  of,  335- 

343 
Durand,  John,  335-343 
Durr,    Louis,    Executors    of,    D-1- 

D-181,  Sc.  17 


Eigenbrodt,  Rev.  WiUiam  E.,  Sc.  29 
Ellis,  F.  S.,  267,  268 
Ellis,  Samuel  C,  M.D.,  153 
Eno,  Henry  C,  M.D.,  109,  110 


Fairchild,  Anna,  451-456 
Field,  Mrs.  Catharine  M.  V.  C,  277 
Field,  Maunsell  B.,  Sc.  19 
Folsom,  George,  177,  Sc.  18 
Francis,  John  W.,  M.D.,  Sc.  34 
Francis,  S.  W.  and  V.  M.,  96 
Francis,  Samuel  W.,  M.D.,  Sc.  21,  56, 
69 


221 


222 


INDEX  OF  DONORS 


Gallatin,  Count  de,  302 
Gamage,  Henry  T.,  285 
Gerard,  Mrs.  William,  251 
Gibbs,  George,  Sc.  20,  53,  68 
Gibbs,  Laura  W.,  Sc.  39 
Gibson,  Mrs.  Frances  M.,  364,  472 
Gillespie,  G.  de  Haert,  265 
Goodwin,  Mrs.  Emily  V.,  178,  179 
Greene,  William  A.,  Sc.  55 
Griswold,  Rufus  W.,  bequest  of,  86, 
143,  145-149 


Hagen,  J.  C.,  95 

Haight,  R.  K.,  173,  174 

Hale,  Helen  L.  and  Evelina  S.,  393- 

397 
Hall,  John  B.,  197 
Halsey,  Mary  E.,  471 
Harbeck,  Charles  T.,  316 
Hawks,  Rev.  Francis  L.,  Sc.  40 
Hawley,  Jesse,  126,  127 
Haj's,  Aaron  B.,  191 
Heaton,  Augustus  G.,  458 
Herrick,  J.  K.,  156 
Herring,  James,  Sc.  33 
Hewitt,  Mary  E.,  144 
Hicks,  Thomas,  141 
Hoffman,  Samuel  V.,  443-447,  450 
HoUey,  Sallie,  292 
Hosack,   Alexander   E.,   M.D.,   202, 

203 
Hosack,  David,  M.D.,  116,  124,  125, 

128,  Sc.  22,  60 
Howland,  Samuel  S.,  138 
Huntington,  Archer  M.,  421,  424 
Huntington,  Charles  R.,  466 
Huntington,  Daniel,  142 


Ingraham,  Daniel  P.,  247,  248 
Irvine,  William  A.,  196 
Irving,  Washington,  154 


Jaques,  David  R.,  363 
Jarvis,  John  Wesley,  81,  Sc,  51 
Jay,  Miss  EUzabeth  C,  120 
Jay,  John,  Sc.  41 
Jesup,  Morris  K.,  158 
Johnston,  John  H.,  483 
Jones,  Alfred  W.,  Sc.  61 
Jones,  Mrs.,  John  D.,  420 
Jones,  Mrs.  Julia  C.  V.  A.,  bequest  of, 
309,  310 


Kelly,  Robert,  87 
Keteltas,  AHce,  325 
Keteltas,  Henry,  bequest  of,  319 
King,  Helen,  Sc.  42 


King,  Mary  R.,  bequest  of,  430-438 
Kirtland,  Anna  T.  E.,  Sc.  36 
Knickerbacker,  Rev.  David  B.,  be- 
quest of,  299,  300 
Kuntze,  Edward  J.,  Sc.  30 
Kunze,  John  C,  family  of,  121 


Lamb,  Martha  J.,  bequest  of,  294 

Lancey,  AUce  T.,  252 

Lang,  Louis,  276 

Lawrence,  Isaac,  Sc.  45 

Leupp,   Charles  M.,  bequest  of,  Sc. 

3,  9 
Levy,  Uriah  P.,  bequest  of,  161-163 
Lewis,  Estelle  A.,  250 
Lincoln,  Mrs.  James  M.,  392 
Livingstone,  Mrs.  Thomson,  255 
Livingston,  Mrs.  WiUiam  S.,  bequest 

of,  326 


McGregor,  John,  140 
Mackie,  Simon  F.,  Sc.  54 
McWhorter,    George    C,    303,    304, 

305-308,  427-429 
McWhorter,  J.  L.  &  G.  C,  274 
Mankin,  Frances  G.,  271 
Marchant,  Edward  D.,  131 
Marie,  Peter,  Residuary  Legatees  of, 

page  119 
Martin,  Mrs.    Howard  T.,  422,  Sc. 

76 
Mills,  Adelaide,  333 
MiUs,  Clark,  Sc.  47 
Minton,  Sophie  E.,  bequest  of,  334 
Miranda,  Fernando,  Sc.  73 
Moore,  T.  W.  C,  150,  151 
Moore,  T.  W.  C,  bequest  of,  212-226 
Morgan,  J.  Pierpont,  281,  282 
Morris,  Mrs.  Gouvemeur,  111,  112, 

113, 114 
Morris,  Thomas,  115 
Mount,  Richard  E.,  261 
Murray,  James  B.,  Sc.  35 


Newton,  Edward  A.,  bequest  of,  181 

New  York  City,  Several  Ladies  of, 
159 

New  York  Gallery  of  Fine  Arts,  1-80, 
Sc.  74,  75 

New  York  Historical  Society,  mem- 
bers of,  160,  256,  257,  258,  266, 
324 

N.  Y.  State  Society  of  the  Cincinnati, 
192 

Niblo,  WilUam,  Sc.  27 

Nicoll,  Mrs.  Fancher,  359 

Norton,  Parthenia  T.,  bequest  of, 
288,  289 


INDEX  OF  DONORS 


223 


O'Connor,  Charles,  260 
Osgood,  Samuel  S.,  134 
Osgood,  Mrs.   Samuel,   278-280,  Sc. 
50 


Parish,  Daniel,  Jr.,  293,  317,  318,  323, 
355,  356,  398,  478,  479,  480-482, 
5c.  52 

Paulding,  P.  Kemble,  207 

PeU,  Duncan  C,  103 

Pemberton,  T.  William,  283 

Pierrepont,  Henry  E.,  Sc.  38 

Pintard,  John,  119,  Sc.  12 

Potts,  Thomas,  283 

PoweU,  William  H.,  130 

Pratt,  Eugenia  C,  269,  270 

Prior,  William,  Sc.  49 


Richards,  Elizabeth,  229-231 
Rieben,  EUza  Hicks,  209 
Robinson,  Nelson,  139 
Russell,  Charles  H.,  children  of,  Sc.  70 
Rutherford,  Lewis  M.,  93 
Rye,  N.  Y.,  Presbyterian  Church,  Sc. 
4 


ScheU,  Mrs.  Augustus,  275 
Schmidt,  Rudolph,  332 
Schulte,  Mrs.  Herman  V.  W.,  462 
Servoss,  George  H.,  107,  108 
Sherman,  Charles  A.,  473 
Smith,  Ed\nn.  322 
Southwick,  Edmond  B.,  286,  287 
Stetson,  Charles  A.,  Sc.  57 
Stevens,  Alexander  H.,  M.D,,  Sc.  7 
Stevens,  Byam  K.,  484,  485 
Stevens,  Gen.  Ebenezer,  117 
Stevens,  John  Austin,  449 


Stokes,  Carolina  Phelps,  bequest  of, 

459,  460 
Storm,    Theodore    M.,    bequest    of, 

328,  329 
Stuart,  H.  L.,  Sc.  46 
Sturges,  Jonathan,  206 
Stuyvesant,  Nicholas  W.,  122,  348 
Stuyvesant,   Robert    Van    R.,    347, 

349-354 


Tallmadge,  George  C,  155 

Ten  Broeck,  Mrs.  Peter  G.  S.,  346 

Terry,  Luther,  209 

Thomas,  Anna  M.,  427,  428,  429 

Thompson,  Cephas  G.,  129,  172 

Thorn,  Louisa  F.  J.,  420 

Tradesmen's  Bank  of  N.  Y.,  320,  321 


Van  Ness,  Mrs.  Cornelius  H.,  467-470 
Van  Rensselaer,  Harriet  B.,  254 
Van  Rensselaer,  Stephen,  118 
Van  Schaack,  Henry  C,  135,  136 
Verplanck,  GuUan  C.,  Sc.  1 
Verplanck,  Samuel,  Sc.  11 
Verplanck,  Dr.  William  W.,  327 


Ward,  Augustus  H.,  Sc.  2 
Warner,  Kate,  bequest  of.,  474-477 
Warren,  Susan  C,  315 
Webb,  WilUam  H.,  194,  195,  253 
WTiite,  Comeha  L.,  345 
Whitehead,  William  A.,  133 
Williams,  John  E.,  Sc.  14 
Williamson,  Joseph  T.,  358 
Winthrop,  Benjamin  R.,  Sc.  25 
Winthrop,  Mrs.  Henry  R.,  314 
Woodman,  Mrs.   Lucy  M.  Durand, 
365-389 


THE  NEW-YORK  HISTORICAL  SOCIETY. 

Founded  Novembeb  20,  1804.     Organized  January   14,   1805. 


PRESIDENTS. 

Egbert  Benson,  LL.D 1805-1815 

gouverneur  mobbis 1816 

DeWitt  Clinton,  LL.D 1817-1819 

David  Hosack,  M.D.,  LL.D 1820-1827 

James  Kent,  LL.D 1828-1831 

Morgan   Lewis 1832-1835 

Peter  Gerard  Stuyvesant 183C-1839 

Peter  Augustus  Jay,  LL.D 1840-1842 

Albert  Gallatin,  LL.D 1843-1849 

Luther  Bradish,  LL.D 1850-1863 

Frederic  de  Peyster,  LL.D 1864-1866 

Hamilton  Fish,  LL.D 1867-1869 

Thomas  DeWitt,  D.D 1869-1871 

Augustus  Schell 1872 

Frederic  de  Peyster,  LL.D 1873-1882 

Augustus    Schell 1883-1884 

Benjamin  Hazard  Field 1885-1886 

John  Alsop  King 1887-1900 

Eugene  Augustus  Hoffman,  D.D.,  LL.D 1901-1902 

Samuel  Verplanck  Hoffman 1903-1913 

John  Abeel  Weekes  1913- 


224 


MEMBERSHIP. 

Members,  on  their  election,  pay  an  initiation 
fee  of  Twenty  Dollars,  which  includes  dues  for 
the  current  year,  and  annually  thereafter  Ten 
Dollars  as  dues ;  or  a  life-membership  fee  of  One 
Hundred  Dollars,  in  lieu  of  all  other  dues  and 
fees. 

Nominations  are  to  be  sent  by  members  to 
the  Recording  Secretary. 

JMembers  have  the  privilege  of  introducing 
visitors  to  the  rooms  of  the  Society  by  their  card 
or  a  note,  and  of  bringing  two  persons  with  them 
to  the  monthly  meetings. 

The  contribution  of  five  thousand  dollars  to 
the  funds  of  the  Society  shall  entitle  the  person 
giving  the  same  to  be  elected  a  Patron  of  the 
Society  in  perpetuity. 

The  contribution  of  one  thousand  dollars  shall 
entitle  the  person  giving  the  same  to  be  elected 
a  Fellow  for  life. 


225 


THE    NEW-YORK    HISTORICAL    SOCIETY 

(Founded  1804) 
Central  Park  West,  76th  to  77th  Streets 


THE  ART  GALLERIES   AND   MUSEUM 

Open  to  the  Public  Daily  from  9  a.m.  to  5  p.m. 
Sundays  Excepted 

Library  Hours,  9  a.m.  to  6  p.m. 

Open  on  Holidays  from   1  to  5  p.m.,  excepting 
Christmas,  New  Year  and  July  4th 

Closed  during  August  for  cleaning  and  repairs 


FORM    OF    A    BEQUEST. 

I  Give  and  bequeath  to  "  The  New- York 
Historical    Society,"    founded   in    the   year 
1804,  and  incorporated  by  the  Legislature  of 
New-York  in  the  year  1809,  the  sum  of 
dollars. 


226 


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